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swissforextrading · 10 days

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Alice Bucknell wins the second edition of the Collide Copenhagen residency award

Alice Bucknell wins the second edition of the Collide Copenhagen residency award Following an international open call launched in collaboration with Copenhagen Contemporary in January, Arts at CERN announced today that the artist Alice Bucknell is the recipient of the second Collide Copenhagen residency award. Established in 2012, Collide is Arts at CERN’s international residency award, where the residency is a unique opportunity for artists working in the crossovers between art, science and technology to immerse themselves in the vibrant environment of the Laboratory and engage in dialogue with CERN's scientific community. Collide Copenhagen is a three-year collaboration framework between CERN and Copenhagen Contemporary. It supports artistic research into art, science and technology, with a residency taking place annually from 2023 to 2025. For this edition, Collide received 718 entries from 91 different countries. Bucknell will embark on a two-month residency, split between CERN and Copenhagen Contemporary, to develop their proposal “Small Void”. Drawing inspiration from CERN’s particle physics research and the intricate ecosystems of Earth, the project seeks to explore the relationships between life and intelligence at the micro-scale through game worlds. At CERN, Bucknell will work alongside scientists to explore artistically microscopic black holes – hypothetical entities with the potential to unlock new questions about physics and extra dimensions. Delving into how researchers envision the “micro” through scientific imaging, the artist will seek to imagine and transform these hypothetical objects within the game and incorporate visualisations inspired by CERN experiments. In Copenhagen, the focus will shift to Earth-bound life forms. Inspired by the Assistens Cemetery’s lichen, Bucknell will explore these resilient ecosystems that exist outside a binary perception of life and aliveness. By integrating both elements as narrative agents, the game will aim to spark a dialogue about microcosmic intelligence and life. With the support of the curatorial teams of Arts at CERN and Copenhagen Contemporary, a phase of designing and producing a new artwork will follow the residency. Together with the 2023 awardee, Dutch artist Joan Heemskerk, and the winner of next year’s edition, the three awardees of Collide Copenhagen will become part of an exhibition at Copenhagen Contemporary in 2025. “I am thrilled to witness Collide’s continued success in attracting artists who brilliantly merge physics with key aspects of our contemporary culture. Alice Bucknell’s bold approach to science will undoubtedly inspire CERN scientists to delve into questions about the limits of knowledge and our understanding of the world. It’s also exciting to see how Collide strengthens the partnership between CERN and Copenhagen Contemporary as we enter the second year of our collaboration, fostering innovative art projects within our communities in Geneva and Copenhagen,” said Mónica Bello, Head of Arts at CERN. “With a highly original perspective on the deep interweaving of technology and nature in contemporary culture, Alice Bucknell invites us to be insiders in a gameplay where nature, ecology and the environment are reimagined. At Copenhagen Contemporary we are beyond excited to take a deep dive through Bucknell’s speculative ecological lens and to continue our flourishing collaboration with Arts at CERN in this second edition of Collide Copenhagen,” said Marie Laurberg, Director of Copenhagen Contemporary. About Arts at CERN About Copenhagen Contemporary About Alice Bucknell Alice Bucknell is an artist with a particular interest in game engines and speculative fiction. Their recent work has focused on creating cinematic universes within game worlds, exploring the affective dimensions of video games as interfaces for understanding complex systems,… https://home.cern/news/news/cern/alice-bucknell-wins-second-edition-collide-copenhagen-residency-award (Source of the original content)

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k-net · 27 days

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JODI.ORG

Es un dúo de artistas de Internet formado por Joan Heemskerk de Holanda y Dirk Paesmans de Bélgica. Considerados artistas claves del Net.art.

Se consideran muy importantes en la rama del Net.art. Cada uno de sus trabajos artísticos consiste en una página web en la cual se encuentra alterada la estructura y su código interno. Este cambio no es al azar y tiene una finalidad estética. Se trata de mostrar la fragilidad de este mundo virtual y cómo un ligero error de programación puedo volcar todo un sistema como lo es una página web.

Sus finalidades es explorar el ordenador para luego reflejarlo o plasmarlo en la red como una obra de arte. Para ellos, es un gran honor que miles de personas puedan ver sus obras a través de sus pantallas. En este caso, elegí la obra “20%Wrong”, la cual es una pagina en la que aparecerán los números “404” el cual es un error común cuando un ordenador no encuentra una” URL o HTML”. Pero en este caso, esta página fue creada totalmente adrede, y cada vez que cargas la página, cambian de color. (Amarillo, turquesa, rosa, pero jamás blanco.)

En mi opinión acerca del Net.art, me parece un estilo de arte bastante curioso, pero a la vez me fascina el hecho de que las personas seamos capaces de hacer arte a partir de errores informáticos o códigos y como lo comparten en miles de redes sociales para que otras personas sean capaces de apreciarlo. Es algo triste, que seguramente hoy en día la gente ya no haga este tipo de cosas, o muy pocas.

El color es plano, el número 404 está en el extremo superior izquierdo (números blancos sobre un rectángulo negro). El Error 404 es una de las manifestaciones de la lista de códigos de protocolo HTTP ( hypertext transfer protocol, o protocolo de transferencia de hipertexto) que significa: File not found.

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badkarmaviscomm · 3 months

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MP - Jodi.org research

LO1

Jodi.org is a BENELUX art collective that specialises in creating net art which is performative in the sense that sourcing the content is randomised whenever you attempt to search for it with a variety of different websites. They also produce game designs as part of their practice.

'Jodi’s game modification approach is deconstructing the game to its basic parts and reassembling it in ways that do not make intuitive sense.'

'Their most well-known art piece is their website wwwwwwwww.jodi.org, made in basic HTML. Their notorious CD-rom OSS/**** (Mediamatic, Amsterdam 1998)made some noise as after installation, it executes a takeover of the computer. Other famous works include Global Move (2003), where they used the mapping site Google Maps and Sk8monkey on Twitter (2010), where the user of the work makes status updates to the Twitter network by literally using the computer’s custom-built keyboard as a skateboard. Their works were part of exhibitions like Netconditions at the ZKM at Karlsruhe, The Allure of the Digital at the Tate Gallery in London, and the SONAR festival in Barcelona, Transmediale in Berlin, and Deathmatch at Hangar in Barcelona. In 2000 they released their unusual way of thinking on “Page 379” on the occasion of the 25th anniversary of this medium.'

youtube

The works in this video, especially the installation of the works, are particularly interesting to me. The method of having multiple screens alongside a walkway could be an effective way of displaying digital works with an interactive, human element.

#mpbw #Youtube

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currentpractice · 7 years

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At 01/06/2017, 20:40.56 on 52.37685 x 4.922111 Joan Heemskerk, half of artist duo JODI, stated: “SOD was one of the first 3D games and we have made a rather abstract version of this.”

#joan heemskerk #jodi #sod #3d #gaming about art

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wsrnnova · 2 years

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Joan Heemskerk, Chameleon NFT #256, 2021

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mostlysignssomeportents · 5 years

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OPEN LETTER FROM ARTISTS, CREATIVE AND CULTURAL WORKERS

* Self-expression is a human right * * Internet censorship does not create a fair income *

Dear Members of the Parliament, We as artists, creative and cultural workers appeal to you as representatives of the European Parliament:

The proposed Copyright Directive is not in our interests. We will gain no significant revenue from it, but it will reduce our ability to create new cultural works and find audiences for it.

Take responsibility for an internet that works for cultural producers and is free from censorship, and do not agree to the EU Copyright Directive in this form. Article 11 and 13 are fundamentally against our interests.

Currently open letters are circulating that are claiming that the new directive would enable a „free“ internet by strengthening the copyright holders in relation to commercial providers and thus promote a „fairer“ form of „participation“ and „renumeration“. None of this will happen.

The directive will not lead to:

higher incomes for artists

guarantee of non-reproducibility of one’s own work

protection from theft of ideas

protection from piracy

reduce the monopoly position of the dominant group of social media companies

What it will lead to:

censorship on the internet

containment of creative exchange

transfer of the judicial sovereignty to private decision-makers

wrongful decisions due to algorithmic bias

impediment of fair procedures which then will be neither open nor individual

enablement of abuse of power through non-public decision-making processes

abusive interpretation for the own benefit of the commissioned platforms

exclusion of self-uploaded material that even meets the criteria of copyright law but categorizes as further prohibited content such as pornography, insult, depiction of violence, terrorism etc.

uncertainty and self-censorship instead of motivation to creativity and self-expression

We also want to point out that we are highly critical of how platforms cash in on unpaid labour by countless contributors – not just artists – and that we must find new models for how the revenue of these value-added processes can be redistributed more equally.

We therefore appeal to you: Say NO – vote against the Copyright Directive!

Signatories

Nora Al-Badri, artist, Berlin https://www.nora-al-badri.de/

Fahim Amir, writer, curator, artist, senior lecturer, University of the Arts, Linz

Clemens Apprich, PhD, Centre for Digital Cultures, Leuphana University, Lüneburg https://www.leuphana.de/en/university/staff-members/clemens-apprich.html

Mz* Baltazar’s Laboratory, art, technology & feminism www.mzbaltazarslaboratory.org/

Gerald Bast, president, University of Applied Arts, Vienna https://www.dieangewandte.at/en/

Aram Bartholl, artist, Berlin www.arambartholl.com

Konrad Becker, hyper media researcher and interdisciplinary content developer, initiator of Public Netbase and World Information Institute, Vienna https://world-information.net/en/ https://en.wikipedia.org/wiki/Konrad_Becker

Ulrike Bergermann, professor for media studies, University of Art, Braunschweig http://www.hbk-bs.de/hochschule/personen/ulrike-bergermann/

Željko Blaće, co-founder of MaMa (Zagreb) and ccSPORT (Berlin), Europe http://Blace.name/

Sebastian Bodirsky, filmmaker, Berlin http://sb.paqc.net/

Candice Breitz, artist, professor at University of Art Braunschweig, Berlin http://candicebreitz.net/

Andreas Broeckmann, art theorist, Leipzig/Berlin http://www.mikro.in-berlin.de/

Alina Buchberger, Dramaturgie, Kampnagel, Hamburg

Nadja Buttendorf, visual artist, founding member of Cyborgs e.V., Berlin http://www.nadjabuttendorf.com

Constant Dullaart, artist, WerkplaatsTypografie, Arnhem https://constantdullaart.com

Constant vzw, artist-run art, media and technology organisation, Brussels http://www.constantvzw.org

Karl-Heinz Dellwo, filmmaker and publisher, Hamburg http://www.bellastoria.de

Carola Dertnig, visual artist, professor at Academy of Fine Arts, Vienna https://de.wikipedia.org/wiki/Carola_Dertnig

Detlef Diederichsen, divisional director music and performing arts, Haus der Kulturen der Welt, Berlin https://www.hkw.de/en/hkw/organigramm/musik_tanz_theater/musik_tanz_theater.php

Diedrich Diederichsen, cultural theorist, professor at Academy of Fine Arts, Vienna/ Berlin https://en.wikipedia.org/wiki/Diedrich_Diederichsen

Paul Feigelfeld, researcher, curator, Vienna „UNCANNY : Artificial Intelligence & You“, MAK – Museum of Applied Arts, Vienna http://www.viennabiennale.org/en/exhibitions/detail/uncanny-values-artificial-intelligence-you/

Andreas Fogarasi, artist, writer, co-editor of dérive, magazine for urban research, Vienna https://derive.at/autoren/andreas-fogarasi/

FORUM STADTPARK, interdisciplinary space for art and culture, Graz http://www.forumstadtpark.at

Günter Friesinger, writer, curator, member of monochrom, Vienna https://de.wikipedia.org/wiki/G%C3%BCnther_Friesinger http://monochrom.at

Matthias Fritsch, visual artist, Technoviking Archiv, Berlin http://subrealic.net

Kristoffer Gansing, artistic director, transmediale festival for art and digital culture, Berlin https://transmediale.de/

Johannes Grenzfurthner, artist, filmmaker, curator, writer, member of monochrom, Vienna https://about.me/grenzfurthner http://monochrom.at

Marina Gržinić, PhD, artist, philosopher, professor at Academy of Fine Arts Vienna, researcher advisor at ZRC-SAZU Institute of philosophy, Ljubljana, http://en.wikipedia.org/wiki/Marina_Gr%C5%BEini%C4%87 http://grzinic-smid.si/

Adnan Hadziselimovic, PhD, head of department of digital arts, University of Malta https://www.um.edu.mt/profile/adnanhadziselimovic

Karin Harrasser, media theorist, curator, editor of ZfK – Magazine For Cultural Studies, professor for cultural theory, University of Art and Design, Linz http://www.ufg.at/Kulturwissenschaft.1401.0.html

Joan Heemskerk, artist, member of the artist collective JODI http://wwwwwwwww.jodi.org/

Reni Hofmüller, artist, musician, curator, founding member of mur.at, founding member and artistic director of esc media art laboratory, Graz https://esc.mur.at/

Jogi Hofmüller, artist and IT-consultant, founding member of Radio Helsinki and mur.at association for the promotion of network art, Graz https://mur.at/

Tom Holert, writer, researcher, curator, Harun Farocki Institut, Berlin http://harun-farocki-institut.org

Susanne Holschbach, PhD, art and media scientist, curator, lecturer, Berlin

Endy Hupperich, painter and lecturer, Art Academy Bad Reichenhall, Mexico City/ Germany http://www.endy-hupperich.com/

IG Kultur Vienna, representation of cultural workers & institutions, Vienna https://igkulturwien.net/

Thomas J. Jelinek, conceptual artist, director, dramaturge, curator nomad.theatre, Vienna http://nomad-theatre.eu/

Rebekka Kiesewetter, Lic. phil., art historian, economist, writer, curator, founding member of DA Institute of Applied Knowledge, Berlin https://www.rebekkakiesewetter.com/ http://www.da-institut.org

Angela Koch, Pprofessor for aesthetics and pragmatics of audiovisual media, director of MA studies in media culture and art theory, University of Art and Design, Linz http://blog.mkkt.ufg.ac.at/angelakoch/

Hubertus Kohle, professor of art history, Ludwig-Maximilians-University, Munich https://de.wikipedia.org/wiki/Hubertus_Kohle

Olia Lialina, internet artist, theorist, curator, director at the New Media Pathway programme at Merz Akademie of Art, Design and Media, Stuttgart http://art.teleportacia.org/

Johann Lurf, artist, Vienna http://johannlurf.net/

Tomislav Medak, media theorist and amateur librarian, member of Multimedia Institute/MAMA (Zagreb) and Centre for Postdigital Cultures (Coventry University) http://www.mi2.hr/ http://www.memoryoftheworld.org http://www.coventry.ac.uk/research/areas-of-research/postdigital-cultures/

Suzana Milevska, visual culture theorist, curator, principal investigator Politecnico di Milano TRACES http://www.traces.polimi.it/event/contentious-object-ashamed-subjects-exhibition/

monochrom, art-technology-philosophy-group, Vienna https://en.wikipedia.org/wiki/Monochrom

Gabriel Ben Moshe (S Moses), digital-based artist, Weimar/ Tel Aviv http://www.gabsmoses.com

Michael Murtaugh, Senior Lecturer, Experimental Publishing Master, Piet Zwart Institute, Rotterdam http://xpub.nl/

Stefanos Pavlakis, artist/ director, Berlin http://www.stefanos-pavlakis.com/

Oliver Pietsch, artist, Berlin http://www.oliverpietsch.com

p.m.k, Cultural Life Support System, Innsbruck http://www.pmk.or.at

Paul Poet, film director, journalist, media scientist, project manager, Vienna https://www.imdb.com/name/nm1301724/

qujOchÖ, art collective, Linz https://de.wikipedia.org/wiki/QujOch%C3%96

Ursula Maria Probst, curator, writer, artist, lecturer, Academy of Fine Arts, Vienna https://www.fluc.at/kunstimfluc/

Magdalena Reiter, open design & open knowledge activist https://www.magdalenareiter.at/

Roel Roscam Abbing, artist, researcher, member of https://vvvvvvaria.org/ https://roelof.info

Robert Sakrowski, curator, Panke gallery, Berlin http://www.panke.gallery/

Marius Schebella, artist and developer, head of subnet, platform for media art and experimental technologies Salzburg http://www.subnet.at

Ashley Hans Scheirl, Mag. MA, artist, professor at the Academy of Fine Arts Vienna, Berlin/Vienna http://www.ashleyhansscheirl.com

Georg Schelbert, Head of Media Library/ Department of Art and Visual History, Humboldt University, Berlin http://www.kunstgeschichte.hu-berlin.de/personen/wissenschaftliche-mitarbeiterinnen/georg-schelbert/

Elisabeth Schimana, artistic director of IMA Institute for Media Archology, St. Poelten http://ima.or.at

Nora Sdun, publisher, Textem Verlag, Hamburg http://www.textem.de/

Judith Siegmund, professor for contemporary aesthetics, State University of Music and the Performing Arts, Stuttgart http://www.judithsiegmund.de

Sumugan Sivanesan, researcher/ writer/ anti-disciplinary artist, Berlin/ Sydney http://sivanesan.net/

Domagoj Smoljo, artist, !Mediengruppe Bitnik https://wwwwwwwwwwwwwwwwwwwwww.bitnik.org/

Cornelia Sollfrank, PhD, artist and researcher, Berlin http://artwarez.org/ https://en.wikipedia.org/wiki/Cornelia_Sollfrank

Felix Stalder, writer and researcher, member of the technopolitics group Vienna, professor for digital cultures and network theories at the University of the Arts, Zurich http://felix.openflows.com

Hito Steyerl, filmmaker, writer, Berlin https://en.wikipedia.org/wiki/Hito_Steyerl

Axel Stockburger, PhD, artist, assoc. prof. for art and cultural theory, Academy of Fine Arts, Vienna http://stockburger.at/

Nina Stuhldreher, visual artist, reality researcher, neurodiversity activist, Vienna/ Berlin http://blog.mkkt.ufg.ac.at/wp-content/uploads/2018/12/netzaktivismus_LV-2.jpg

Kathrin Stumreich, visual artist, Vienna http://www.kathrinstumreich.com/

Winnie Soon, MA, MSc, Ph.D, Assistant Professor Department of Digital Design and Information Studies, Aarhus University http://aestheticprogramming.siusoon.net/

Peggy Sylopp, artist and computer scientist, Berlin http://peggy-sylopp.net

Tamiko Thiel, freelance media artist, Munich http://www.tamikothiel.com

Magdalena Tyzlik-Carver, Assistant Professor in Digital Design and Information Studies, Aarhus University

Wolfgang Ullrich, art theorist, writer, Leipzig https://de.wikipedia.org/wiki/Wolfgang_Ullrich_(Kunsthistoriker) https://www.digitale-bildkulturen.de/ ideenfreiheit.de

Yvonne Volkart, researcher, lecturerer, Academy of Art and Design, Basel https://www.fhnw.ch/de/personen/yvonne-volkart

Carmen Weisskopf, artist, !Mediengruppe Bitnik,Berlin https://wwwwwwwwwwwwwwwwwwwwww.bitnik.org/

Thomas Willmann, author, Munich

Mick Wilson Artist/Educator, University of Gothenburg, Gothenburg Sweden

Marlies Wirth, Curator Digital Culture & Design Collection, MAK – Museum of Applied Arts, Vienna http://mak.at/

Florian Wüst, film curator, publisher, curatorial team of transmediale, Berlin https://transmediale.de/

Martin Zellerhoff, photographer, fair pay activist, Berlin http://www.ich-krieg-weniger.de

http://fairpaynotfilters.eu/

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fckyeahnetart · 5 months

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joan heemskerk

dead or alive wallet

"DoAW generates endless random valid wallets"

#joan heemskerk #jodi #net art #crypto art

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saloniharshwal · 2 years

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Artist collective JODI (Joan Heemskerk and Dirk Paesmans) first gained attention in the mid-1990s for their web-based interventions, turning systems of technological order against themselves. In 2002, JODI turned to the user-friendly façade of their computer desktop operating system, the MacOS 9, and made it the centerpiece of My%Desktop. They attached a camcorder to their computer and then opened, closed, and otherwise manipulated countless files, windows, and drop-down menus, prompting continual error messages and an orchestra of error sounds. These “desktop performances,” as the artists call them, present ways that seemingly rational computer systems may provoke irrational behavior in people, whether because they are overwhelmed by an onslaught of online data or inspired by possibilities for play. “The computer is a device to get into someone’s mind,” they said of this work. “We put our own personality there.”

https://vimeo.com/4147868?=MOOC

http://wwwwwwwww.jodi.org/

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10rck · 3 years

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Joan Heemskerk, Dirk Paesmans and JODI’s work ‘JODI’s My%Desktop’ records versions of My%Desktop in front of live audiences by connecting their Macintosh to a camcorder to capture interactions with a user-friendly OS 9 Operating System. In this ‘desktop performance’, the glitches are caused by the chaotic actions of a user as the work provokes an overwhelming feeling to the audience or inspires the possibility of play. JODI explains that “The computer is a device to get into someone’s mind, We put our own personality there.”

I stumbled onto this work during some artist research when I was trying to feel inspired after my first ‘Predetermination’ work. I am wondering and trying to brainstorm if there is any more ways I could create a work similar to the predicted text assignment using the Internet space. So far, I am thinking I could allow it to show a sense of the artist’s personality, much like in My%Desktop by allowing YouTube to roll through suggested videos to allow the algorithm which it follows to expose the kinds of videos and advertisements which has become connected with me due to my online presence. This in itself is predetermined slightly as these suggestions are not directly in our control.

https://www.moma.org/calendar/galleries/5160?

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pixelsniper · 3 years

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La Biennale de Momon

https://momon.fr <https://momon.fr/> Participating artists: Sarah Boulton (GB), Marc Buchy (FR/BE), Joan Heemskerk (NL), Frans van Lent (NL), Susana Mendes Silva (PT), Josh Schwebel (DE/CA), Lisa Skuret (US/GB), Elia Torrecilla (ES) Martine Viale (CA/FR). Website: Maya Rettelbach (DE) video: Steef van Lent (NL) La Biennale de Momon originated from the village of Maumont in the southwest of…

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swissforextrading · 10 days

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Alice Bucknell wins the second edition of the Collide Copenhagen residency award

Alice Bucknell wins the second edition of the Collide Copenhagen residency award Following an international open call launched in collaboration with Copenhagen Contemporary in January, Arts at CERN announced today that the artist Alice Bucknell is the recipient of the second Collide Copenhagen residency award. Established in 2012, Collide is Arts at CERN’s international residency award, where the residency is a unique opportunity for artists working in the crossovers between art, science and technology to immerse themselves in the vibrant environment of the Laboratory and engage in dialogue with CERN's scientific community. Collide Copenhagen is a three-year collaboration framework between CERN and Copenhagen Contemporary. It supports artistic research into art, science and technology, with a residency taking place annually from 2023 to 2025. For this edition, Collide received 718 entries from 91 different countries. Bucknell will embark on a two-month residency, split between CERN and Copenhagen Contemporary, to develop their proposal “Small Void”. Drawing inspiration from CERN’s particle physics research and the intricate ecosystems of Earth, the project seeks to explore the relationships between life and intelligence at the micro-scale through game worlds. At CERN, Bucknell will work alongside scientists to explore artistically microscopic black holes – hypothetical entities with the potential to unlock new questions about physics and extra dimensions. Delving into how researchers envision the “micro” through scientific imaging, the artist will seek to imagine and transform these hypothetical objects within the game and incorporate visualisations inspired by CERN experiments. In Copenhagen, the focus will shift to Earth-bound life forms. Inspired by the Assistens Cemetery’s lichen, Bucknell will explore these resilient ecosystems that exist outside a binary perception of life and aliveness. By integrating both elements as narrative agents, the game will aim to spark a dialogue about microcosmic intelligence and life. With the support of the curatorial teams of Arts at CERN and Copenhagen Contemporary, a phase of designing and producing a new artwork will follow the residency. Together with the 2023 awardee, Dutch artist Joan Heemskerk, and the winner of next year’s edition, the three awardees of Collide Copenhagen will become part of an exhibition at Copenhagen Contemporary in 2025. “I am thrilled to witness Collide’s continued success in attracting artists who brilliantly merge physics with key aspects of our contemporary culture. Alice Bucknell’s bold approach to science will undoubtedly inspire CERN scientists to delve into questions about the limits of knowledge and our understanding of the world. It’s also exciting to see how Collide strengthens the partnership between CERN and Copenhagen Contemporary as we enter the second year of our collaboration, fostering innovative art projects within our communities in Geneva and Copenhagen,” said Mónica Bello, Head of Arts at CERN. “With a highly original perspective on the deep interweaving of technology and nature in contemporary culture, Alice Bucknell invites us to be insiders in a gameplay where nature, ecology and the environment are reimagined. At Copenhagen Contemporary we are beyond excited to take a deep dive through Bucknell’s speculative ecological lens and to continue our flourishing collaboration with Arts at CERN in this second edition of Collide Copenhagen,” said Marie Laurberg, Director of Copenhagen Contemporary. About Arts at CERN About Copenhagen Contemporary About Alice Bucknell Alice Bucknell is an artist with a particular interest in game engines and speculative fiction. Their recent work has focused on creating cinematic universes within game worlds, exploring the affective dimensions of video games as interfaces for understanding complex… https://home.web.cern.ch/news/news/cern/alice-bucknell-wins-second-edition-collide-copenhagen-residency-award (Source of the original content)

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