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L'Europe, - la nef des fous, - rompre le mensonge !
L’Europe, – la nef des fous, – rompre le mensonge !
La guerre en Ukraine restera dans les annales comme un mauvais remake de la guerre des étoiles… Par Jean-Marie Pieri (more…)
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honey-minded-hivemind · 8 months
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⛰🐉Jade Mountain Academy⏳📜 AU Names, Winglets, and Job/Position List...
(Note: So, here's the thing. I realized, oh, wow, there aren't enough kids/teens in one X-Men series media that will cover the amount needed for the winglets... So, I did the best I could, and found enough to cover three winglets full of ten members, one from each tribe. This series combines parts from the Animated Series and Evolution. This is its own new thing, not quiet one or the other. For some characters, like Jubilee, Gambit, and Sabretooth, I prefer to imagine their Animated Series look and dynamics. For others like Wolverine, Magneto, and the majority of the students, I'm imagining Evolution. And a few are combined. Just imagine your preferred form of the character, okay? Enjoy!)
Teachers:
• Charles Xavier/Professor Xavier: NightWing
• Name: Charitable
• Description: night black scales with hints of gray; the silver scales of his wings curl inward, like a shell; sharp gray-blue eyes; partially paralyzed tail, which makes flying difficult; cares for the students; is the headmaster, but also runs the library, and teaches literature
• Ororo Munroe/Storm: SeaWing
• Name: Monsoon
• Description: sea foam green scales; pearl green webbing; mist blue eyes; aunt of Ebb; motherly; teaches music and culture
• Logan Howlett/Wolverine: HiveWing
• Name: Leafcutter
• Description: warm amber orange scales zig-zagged with thick lines of iridescent black; black scales around eyes; deep brown eyes; father of Lacewing; possibly related to Velvet; secretly cares for the students; teaches history and art
• Hank McCoy/Beast: SilkWing
• Name: Burgundy
• Description: twilight blue, maple brown, and cloud gray scales; has large wings spotted with lemon yellow, deep indigo, and warm sepia; soft blue-brown eyes; large; big talons; warm; polite; teaches science
• Raven Darkholme/Mystique: RainWing
• Name: Ravishing
• Description: vivid blue and blood red scales dappled with cream and gold; goldfish-gold eyes; master of disguise; a bit scary; Karner's mother, and Roguethought's adopted mother; teaches anatomy and health
• Victor Creed/Sabretooth: HiveWing
• Name: Velvet
• Description: amber orange, pale yellow, and caramel scales striped with fuzzy swathes of black; amber yellow eyes; giant; intense; age is unknown; possibly related to Leafcutter; teaches hunting and self-defense
• Erik Lehnsherr/Magnus/Magneto: LeafWing
• Name: Machineel
• Description: gray-green scales dappled with faded gold; lichen green-tinged membranes; pale green eyes; old friend of Charitable, possibly used to date; older; father of Scarab and Pieris; teaches math, and is a substitute for history, often helps Charitable in the library
Winglets:
Jade:
• HiveWing: Reader
• Name: ... (Bumblebee, Firefly, Dauber, Jewel?)
• Description: ink black scales dappled with honey yellow and warm orange scales; honey golden eyes; has a tail stinger; cautious; compassionate; intelligent; shares a sleeping cave with Jackal
• IceWing: Bobby Drake/Iceman
• Name: Blizzard
• Description: ice blue scales tinged with frost white; sky blue eyes; funny; shares a sleeping cave with Ebb and Karner
• LeafWing: Jean Grey/Marvel Girl/Phoenix
• Name: Jessamine
• Description: emerald green scales; pinkish-red membranes; soft green eyes; kind; acts as an older sister towards the Jade Winglet, except for Scarp, whom she is dating; shares a sleeping cave with Roguethought and Kumquat
• MudWing: Remy LeBeau/Gambit:
• Name: Reed
• Description: ruddy brown scales; tall; reddish-brown eyes; has a Southern accent; charming; is dating Roguethought; shares a sleeping cave with Scarp
• NightWing: Anne-Marie/Rogue
• Name: Roguethought
• Description: ebony black scales with stray silver scales; the silver scales on her wings spiral outward; dark brown eyes; was born under one full moon; is a mind-reader, who is averse to touch due to it enhancing her power; wears jade green gloves; has a Southern accent; dating Reed; shares a sleeping cave with Jessamine and Kumquat;
• RainWing: Kitty Pryde/Shadowcat
• Name: Kumquat
• Description: lilac purple and blush pink scales; pale pink eyes; sunny; is a vegetarian; shares a sleeping cave with Jessamine and Roguethought
• SandWing: Jubilation Lee/Jubilee
• Name: Jackal
• Description: golden scales with darker triangle patterns across her wings; warm brown eyes; bubbly; wears a pink scarf; shares a sleeping cave with ... (Reader)
• SeaWing: Evan Daniels/Spyke
• Name: Ebb
• Description: ocean green scales; lake foam green webbing; light green eyes; lithe; nephew of Monsoon; shares a sleeping cave with Blizzard and Karner
• SilkWing: Kurt Wagner/Nightcrawler
• Name: Karner
• Description: dusk blue scales with freckles of wine red and pale gold; golden-yellow eyes; wears a silver cuff; son of Ravishing; part RainWing; shares a sleeping cave with Blizzard and Ebb
• SkyWing: Scott Summers/Cyclops
• Name: Scarp
• Description: ruby red scales; pale russet eyes; has to wear red quartz glasses due to an eye condition; acts as an older brother to most of the Jade Winglet, except for Jessamine, whom he is dating; Alp's older brother; shares a sleeping cave with Reed
Gold:
• HiveWing: Wanda Maximoff/Scarlet Witch
• Name: Scarab
• Description: carmine red and jet black scales, dappled like ink-blots; part LeafWing; stand-offish; Machineel's daughter; Pieris' twin sister; has a painful, venomous bite; cares about Pieris; older twin; shares a sleeping cave with Bromeliad
• IceWing: Piotr Rasputin/Colossus
• Name: Caribou
• Description: bright silver scales; warm blue eyes; friendly; large; has a Russian accent; older brother of Crystal; protective of everyone; shares a sleeping cave with Warwinner
• LeafWing: Pietro Maximoff/Quicksilver
• Name: Pieris
• Description: pale gray-green scales, akin to lichen and moss; arrogant; part HiveWing; Machineel's son; Scarab's twin brother; cares about Scarab; younger twin; shares a sleeping cave with Armadillo
• MudWing: Fred "Freddy" Dukes/Blob
• Name: Fern
• Description: clay yellow-brown scales; big; acts as an older brother to Tide; slight accent; shares a sleeping cave with Tide
• NightWing: Warren Worthington the 3rd/Angel
• Name: Warwinner
• Description: blueish-black and gray scales; wings have silver scales splashed out like speckles on a dove; is a strong flier; shares a sleeping cave with Caribou
• RainWing: Tabitha "Tabby" Smith/Boom-Boom
• Name: Bromeliad
• Description: strawberry red and pink scales with sunny yellow accents; loud; tangerine orange eyes; shares a sleeping cave with Scarab
• SandWing: Lance Alvers/Avalanche
• Name: Armadillo
• Description: dusty khaki scales with diamond patterns down his spine akin to a viper; chocolate brown sail; shiny black eyes; shares a sleeping cave with Pieris
• SeaWing: Todd Tolanksy/Toad
• Name: Tide
• Description: eel-green scales; yellow-green eyes; tiny; is like a younger brother to Fern; shares a sleeping cave with Fern
• SilkWing: St. John Allerdyce/Pyro
• Name: Polyphemus
• Description: sunset orange, bright yellow, and deep red scales; is a flamesilk; has gone through Metamorphosis; has an Australian accent; likes to char the food he eats; shares a sleeping cave with Alp
• SkyWing: Alex Summers/Havok
• Name: Alp
• Description: pale orange and gold scales like a sunrise; goldfish-orange eyes; Scarp's younger brother; has a slight accent; shares a sleeping cave with Polyphemus
Quartz:
• HiveWing: Laura Kinney/X-23/Wolverine 2.0
• Name: Lacewing
• Description: honey orange scales with thin zig-zags of iridescent black scales; black scales band her eyes; brown-green eyes; daughter of Leafcutter; small; fierce; shares a sleeping cave with Crystal
• IceWing: Illyana Rasputin/Magik
• Name: Crystal
• Description: moon white scales with hints of sky blue; cool blue eyes; has a Russian accent; Caribou's younger sister; is the oldest of the Silver Winglet; protective of them; shares a sleeping cave with Lacewing
• LeafWing: James "Jamie" Maddox/Multiple
• Name: Jumbie
• Description: bright leaf green scales with hints of bronze; wood brown eyes; youngest student; shares a sleeping cave with Ferocious and Fruit Bat
• MudWing: Rahne Sinclair/Wolfsbane
• Name: Woodduck
• Description: hazelnut brown scales; sees the Quartz Winglet as her sibs; hazel eyes; shares a sleeping cave with Desert and Maroon
• NightWing: Forge
• Name: Ferocious
• Description: dark charcoal black scales; the silver scales on his wings are in starburst patterns; gray eyes; tinkers with metal; shares a sleeping cave with Jumbie and Fruit Bat
• RainWing: Ray Crisp/Berserker
• Name: Fruit Bat
• Description: lightning yellow and ginger scales with acidic green stripes; lime green eyes; caring; shares a sleeping cave with Jumbie and Ferocious
• SandWing: Danielle "Dani" Moonstar/Mirage
• Name: Desert
• Description: tawny scales covered in brown flecks; deep brown eyes; wears a pendant necklace; shares a sleeping cave with Wooduck and Maroon
• SeaWing: Samuel "Sam" Guthrie/Cannonball
• Name: Snail
• Description: navy blue-gray scales; pale blue webbing; stormcloud-blue eyes; has a slight accent; thin; polite; shares a sleeping cave with Swift
• SilkWing: Roberto da Costa/Sunspot
• Name: Swift
• Description: dark chestnut brown and flame orange scales; candelight-yellow eyes; has not gone through Metamotphosis yet; shares a sleeping cave with Snail
• SkyWing: Amara Juliana Olivia Aquilla/Magma
• Name: Maroon
• Description: fiery red and ember orange scales; burning yellow eyes; is a firescales; shares a sleeping cave with Woodduck and Desert
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the-busy-ghost · 5 years
Conversation
Which Woman From Sixteenth Century Scotland Should You Fight:
Isabella Hoppringle, Prioress of Coldstream: No.
Margaret Crichton, Countess of Rothes: No.
Janet Kennedy, Lady Bothwell: No.
Janet Campbell, Countess of Atholl: No.
Agnes Stewart, Countess of Bothwell: No.
Margaret Tudor, Queen of Scots: No.
Janet Douglas, Lady Glamis: No.
Katherine Stewart, Countess of Morton: No.
Euphemia Leslie, Prioress of Elcho: No.
Isobel Hoppar: No.
Margaret Stewart, Lady Gordon: No.
Elizabeth Campbell, Countess of Moray: No.
Elizabeth Keith, Countess of Huntly: No.
Margaret Douglas, Countess of Lennox: No.
Agnes Campbell, wife of MacDonald of Dunyvaig: No.
Marion Ogilvy: No.
Mary of Guise, Queen of Scots: No.
Marie Pieris, Lady Seton: No.
Janet Stewart, Lady Fleming: No.
Margaret Erskine, Lady of Lochleven: No.
Mariota Haliburton, Lady Hume: No.
Janet Beaton, Lady of Branxholme and Buccleugh: No.
Margaret Douglas, Countess of Arran: No.
Agnes Keith, Countess of Moray: No.
Agnes Leslie, Countess of Morton: No.
Jean Gordon, Countess of Bothwell/Sutherland: No.
Anne Hamilton, Countess of Huntly: No.
Annabella Murray, Countess of Mar: No.
Katherine Ruthven, Lady of Glenorchy: No.
Jean Stewart, Countess of Argyll: No.
Fionnghuala MacDonald, wife of the king of Tyrconnel: No.
Anne of Denmark, Queen of Scots: No.
Margaret Winstar, Lady of Logie: No.
Elizabeth Stewart, Countess of Arran: No...
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lecolonelworld · 4 years
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Nouveau monde de Macron #30 Allons-nous vers une hécatombe provoquée et sévère à la suite d’une stratégie défaillante des incultes aux manettes! Chapitre 30 final Remettre les compteurs à zéro! Par Jean-Marie Pieri Nouveau monde de Macron #30
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lcgoodstore · 4 years
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25 Super flattering Fashion Trends to Adopt This Fall YOU'RE sure to FALL loving WITH THESE seasonal designs.
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By CAITLIN FLYNN
SEPTEMBER twenty-four, 2019
Gigi Hadid Suit Tom Ford, Fall Fashion
Fall is finally here, which suggests it is time for Sunday soccer, apple choosing, pumpkin spice lattes, and most significantly, sweater weather. however, fall fashion offers numerous choices on the far side chunky knits. If you are willing to experiment with touch along with with your seasonal vogue, there area unit a lot of new trends that area unit good for commixture things up. undecided wherever to begin? Here area unit twenty-five fall fashion trends, straight from the runways of latest royal house town, that area unit flattering, comfy, and chic.
1Patterns
patterns
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"From cloth to floral, patterns area unit in," says Elizabeth Kosich, a replacement royal house City-based certified image stylist and founding father of Elizabeth Kosich Styling. She notes that patterns add a component of interest to even the foremost basic all-black wardrobes.
2Animal Print
Cow Print Boots throughout Fashion Week Fall Fashion Trends
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"The yeehaw trend remains going robust," says Jamé Jackson, media temperament and founding father of The Blonde anomaly. to undertake out this trend, add a daring statement bag, scarf, or maybe an elegant cow print skirt which will be paired along with your favorite chunky sweater and thigh-high boots.
"Some trends area unit momentaneous, however, others will extremely be around for a jiffy," Jackson says, noting animal print falls into the latter class. "So you would possibly similarly build Associate in Nursing investment if you are going to require the plunge."
3Printed Turtlenecks
printed turtlenecks
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According to Kosich, "adding layers is a technique to amp up your vogue while not paying a fortune, and written turtlenecks area unit all over this season." She suggests carrying a written turtleneck with a jacket or suit, or maybe layering it beneath a dress for Associate in Nursing "instant stylish and contemporary look."
4Plaid
plaid
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Of course, this tried-and-true classic ne'er extremely goes out of favor, however, it deserves a shout-out even so. This season, Kerry Pieri, digital fashion and options editor at Harper's Bazaar, recommends rocking it via a tailored suit—perhaps even one with statement shoulders if you wish to go the additional mile.
5Bold Tailored Suits
suit
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Fashion model and Instagram influencer Victoria Barbara says you are going to be seeing loads of bold-colored, tailored suits this season—and permanently reason. "There's nothing a lot of powerful than a lady UN agency feels assured in her skin and what she's carrying," Barbara says. "What higher thanks to emulating that feeling than with a daring suit paired with the correct accessories?"
6Cinching Belts
cinched suit
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Speaking of accessories, once it involves suit styling, "it's all regarding the belt," writes Justine Carreon, market editor at Elle. and therefore the large advantage of this trend is that you simply do not have to shop for a wholly new suit to partake in it. "Simply obtain a cute new belt and magnificence it consequently," Carreon writes.
7Trousers
trousers
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If you are not down for a full suit, you'll perpetually cut that statement look in 0.5 and rock a pleasant try of garment pants instead. Yes, menswear-inspired trousers area unit coming with revenge this season. and do not be fooled by their masculine, either: in keeping with Kosich, these pants are literally "great for adding a form to your silhouette."
8Puffer Jackets
puffer jacket
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When it involves these massive, daring jackets, "you will ne'er have enough," says Susie Coelho, business executive, and designer for House of geographic area. they are good for the colder months, they are simple to roll up and pack after you travel, and many stores like Uniqlo provide cheap and trendy choices. Coelho's sole recommendation once you are buying the proper puffer? "Don't suppose ski—think fashion."
9Capes
cape
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Marina dynasty, beauty news editor at Marie Claire, describes this outsized piece on the magazine's web site as "the fashion-girl various to a raincoat or denim jacket." it is the good overclothes for anyone UN agency does not need a large coat to cover their outfit.
10Pinks
pink dress
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In a piece of writing for The Zoe Report, the site's editor Lauren Caruso describes pink as "fall 2019's most sudden trend." And if you are not generally into carrying bright colors, do not write off pink simply yet; pairing the colorful hue with neutral tones, like Cognac and artiodactyl mammal, is a simple thanks to compressing its boldness whereas still rocking the trend.
11Purples
purple puffer coat
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But if you are not into millennian pink, why not seek melodramatic purple? "Purple is rising as an innovative trend for ladies UN agency needs to command each attention and respect," says Cherese Boren, owner of Obsessions store in Eagle Mountain, Utah. "From majestic, robust deep purples to coquettish lavenders with a touch of innocence, purple has hit the runways as each a monochromatic sensation and a daring splash of detail."
12The Monochromatic Look
monochromatic
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And that monochromatic look is not reserved for simply purple. "You will select one color or hue then work your entire work around it," Jackson explains. "The means you retain it contemporary and not tacky or cheap-looking is by variable the textures, prints, and hues ever slightly."
Want a tried-and-true fall fashion trend that ne'er gets old? choose a well-curated neutral palette of browns, grays, and blacks.
13Statement Sleeves
Fall Fashion Sleeves
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Jackson ascertained loads of adorned sleeves on the runway throughout New York's Fall 2019 Fashion Week. She notes that "exaggerated sleeves and blouses area unit super flirty while not showing an excessive amount of skin, and that they are worn over an easy black skirt or a try of jeans looking on the ambiance."
14Colorful Tights
colorful tights
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"The colored tights we tend to saw build a light splash for spring have reemerged jointly of the largest (and funniest) fall trends to undertake," Lauren Eggersten, fashion editor at UN agency What Wear, noted throughout NY Fall Fashion Week. and therefore the better part regarding this tights trend is that within the fall, it's even as convenient because it is trendy.
15Feminine Ruffles
Fall Fashion Ruffles, fall 2019 fashion trends
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Eve Dawes, founding father of Glamour & Gains, writes on her weblog that she's an enormous fan of the female ruffle trend that was seen on the runways of Elie Tahari, conception peninsula, Bronx and Banco and that I Love Pretty for fall 2019. "Not solely area unit they radical femme, however, the designs tend to be a lot of flowy, that makes them super flattering and simple to wear no matter body form," she writes.
16Asymmetrical Necklines
asymmetrical necklines
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Alberto Gil, co-founder and innovation manager at moral fashion complete Sumissura, says that a lot of and a lot of individuals are selecting asymmetrical necklines for the autumn. whether or not it's on a dress or a sweater, Associate in Nursing asymmetrical neck could be a fun thanks to swank a touch little bit of skin while not being too shocking (especially because the temperatures drop).
17Versatile Wraps
Fall Fashion Wrap, fall trends 2019
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Women like to wear wraps "in this mediate weather," says Megan Teggart, director of communications at Boston-based clothing company **** That I Knit, that has fans in Katie Couric and wife Jessica Parker. merchandise like her company's Pardy Wrap, she says, area unit nice as a result of they will be "dressed up for an elegant day-to-night accessory" and area unit "warm and comfortable for physical change offices or cold train commutes."
18Oversized Denim
oversized denim
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In a nod to the '90s, outsized denim jackets and jeans area unit creating a comeback this fall. These easy, comfy designs area unit reminding America why we tend to dear them within the initial place. If you are looking for how to include this fun fall trend into your wardrobe, Boren notes that "a cropped denim jacket is especially flattering and might be wont to either close up an ideal relaxed ensemble or maybe dress down a cloth skirt or lace cami for casual charm."
19Double-Layer Sweaters
double layer sweater
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According to Eliza Huber, fashion market author at Refinery29, French designer Jacquemus is liable for beginning the seriously cozy trend of two-in-one sweaters. "These double knits have an inherent second sweater that is good for attachment around your shoulders or victimization as a makeshift turtleneck," she writes. however fun and cozy!
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italianartsociety · 7 years
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By Jean Marie Carey
Hermann David Salomon Corrodi was born 23 July 1844 in Frascati into a Swiss family of painters and printmakers who worked in Italy. Corrodi studied at the Accademia di S Luca in Rome under his father, Salomon (1810–1892) and later took instruction at various academies and salons in Paris.
Corrodi was a personal friend of Queen Victoria and thus received commissions for history paintings from the British royal family. He also traveled often to Egypt, Syria, Cyprus, and Turkey, which provided the subject matter for many of his paintings. In 1893 he was knighted as an Academic of Merit by the Accademia di S Luca, where he had returned to become a professor. He died in Rome on 30 January 1905.
Reference: Christina Steinhoff and William Hauptman. "Corrodi." Grove Art Online. Oxford Art Online. Oxford University Press. <http://www.oxfordartonline.com/subscriber/article/grove/art/T019625.
Caravan in una tempesta di sabbia, c. 1890. Photo Wikimedia Commons.
Le Bocche di Cattaro, c. 1895. Photo: Wikimedia Commons.
Via Appia Antica in der Nähe von Terracina, c. 1900. Photo: Wikimedia Commons.
The Venetian Lagoon in the Evening Light, c. 1880. Photo: The Dorotheum
Hermann David Salomon Corrodi c. 1860. Photo: Bibliothèque nationale de France.
Further Reading: Giuliana Pieri. The Influence of Pre-Raphaelitism on Fin de Siècle Italy: Art, Beauty and Culture. London: Maney Publishing for the Modern Humanities Reseach Association, 2014. 
Albert Boime. The Art of the Macchia and the Risorgimento: Representing Culture and Nationalism in Nineteenth-Century Italy. Chicago: University of Chicago Press, 1993.
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redazionecultura · 7 years
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sede: Museo del Paesaggio (Torre di Mosto); a cura di: Giorgio Baldo e Stefano Cecchetto.
L’esposizione che inaugura il nuovo anno, curata da Giorgio Baldo e Stefano Cecchetto, è nata dall’idea di celebrare il decennale dell’attività del Museo del Paesaggio aprendo un nuovo orizzonte alla sua futura ricerca: aprire l’occhio a un altro paesaggio, il “paesaggio del fantastico”, quello che vivifica come un fiume carsico tutti i grandi libri dell’uomo. Accanto al reale e alle infinite sorprese delle sue rappresentazioni ci si è proposti di ritrovare e presentare, in un ciclo triennale, le grandi narrazioni che rincorrendo mitologie, favole, avventure fantastiche hanno nei secoli costruito un altro mondo accanto a quello “vero”: irreale certo nella sua fisica e nella sua consistenza di materia, ma vivo di immagini straordinarie, frutto esclusivo delle invenzioni della fantasia. Vicino alle rivisitazioni di alcune delle storie e favole “classiche”, sono inserite storie più recenti e contemporanee; sono stati coinvolti gli artisti che hanno esposto le loro opere al Museo negli ultimi anni e, a incrociare dipinti e installazioni, le opere di alcuni dei più importanti artisti italiani e internazionali che operano nel campo dell’illustrazione e del fumetto. La mostra che si è sedimentata nell’ultimo anno, si configura come un “racconto di racconti” che si è cercato di articolare attorno a nuclei tematici, scandendone ognuno in capitoli più o meno ampi. L’esposizione è stata divisa in due parti, collocate ognuna nei due edifici del Museo del Paesaggio: l’ex scuola elementare da una parte e il Laboratorio dall’altra. Nel primo edificio il tema di “Fabula” si è sviluppato in modo più libero da tesi e temi precostituiti, ordinandosi in “capitoli” che sono andati quasi autonomamente a disporsi da sé nella sequenza che segue.
“Primordi”. Il primo capitolo del viaggio comincia con una fantasia sulla “pre-historia”: con Ezio Gribaudo si è allestito una sorta di set archeologico in cui l’artista ci presenta alcuni “ritratti” di chi, in tempi geologici, ha abitato prima di noi il nostro pianeta: i dinosauri fanno bella mostra di sé portandoci ad altri paesaggi e ad altri tempi dell’avventura della vita.
“Il Libro”. Il secondo capitolo è dedicato al libro; il magico contenitore inventato nei tempi dei tempi per conservare in parole e immagini “l’ Altro mondo”, che la sapienza e la fantasia dell’uomo ha costruito nei millenni. L’Archivio Cardazzo ci ha fornito alcuni libri d’artista – Capogrossi, Tilson, Procktor, Gentilini, Antes, Bacci, Azzaroni, Pozzati, Scanavino, Verdet – che la Galleria del Cavallino ha commissionato ai propri artisti dagli anni ’60 agli anni ’80 del secolo scorso e che abbiamo aperti a mostrare l’esplosione della fantasia immaginativa che l’arte sa offrire alla vita. Mariapia Roncoroni ci presenta invece la sua riflessione amara – ma che mai si arrende al nichilismo – dei suoi “libri muti”, straziati dai chiodi che li vogliono sfregiare e chiudere, offendendo ciò che di nobile in essi si incarna: la conoscenza, l’utopia, la parola.
“I luoghi delle Fonti sorgive”. Nel terzo capitolo abbiamo rincorso le tracce di un folletto che ci accompagna dai primordi del tempo e anima l’infanzia della specie: lo spiritello saltellante che ci impollina con il piacere del gioco; con la sua allegria ispira gli artisti nella creazione delle forme felici del mondo. Paolo Valle racconta, inondato da questa grazia, animali parlanti, re con la corona d’oro, musicanti di Brema; Nelio Sonego trasforma le geometrie della razionalità, i severi triangoli della misurazione, in farfalle vaganti nel cielo delle idee; i segni germogliano e si dispongono in geroglifici di senso e parole visive.
“L’onirico e l’introspezione”. Il quarto capitolo è dedicato al territorio dell’onirico e dell’introspezione sul sé. Gli enigmi dell’inconscio nelle rappresentazioni visibili degli artisti prendono forma determinata senza perdere la loro carica di interrogazione. Lina Sari, Giovanni Cesca, Mario Schifano sono gli autori scelti per questa esplorazione.
“Storie di amicizie e alterità”. Il quinto capitolo presenta due racconti visivi. Il primo, la “Stanza del figlio”, ripropone in modo fedele su un parete la cameretta del figlio di un curatore. Il padre ha ricevuto dagli amici artisti una serie di doni che ha regalato al figlio e il giovane li ha disposti nella sua camera componendo un sua piccola esposizione fatta da dipinti, disegni, manifesti che tengono compagnia alla sua fantasia: la composizione diviene rappresentazione della fertilità di un dono che diviene creativamente un nuovo fare per una nuova emozione. Il secondo tema, “Prigioniere” di Luigi Rizzetto, è il ritratto di una alterità femminile che non si lascia mai decifrare sino in fondo né mai riportare alla possibilità di uno svelamento definitivo; le sue prigioniere imparano le loro posture severe ed enigmatiche dal lavoro sugli equilibri impossibili dei giocolieri, si protendono in tensioni insieme epiche e liriche verso ideali cieli e mari irraggiungibili, strette da legacci nel corpo della materia che imprigiona a terra i voli celesti dell’anima e della mente verso la comunione con l’infinito del cosmo e la poesia del notturno plenilunio.
“Fabula”. In questa sezione si trovano una serie di tavole tratte da un insieme di storie illustrate da alcuni grandi artisti italiani e internazionali; immagini che partendo o da alcuni dei grandi libri divenuti “classici” del racconto fantastico, o da una storia di loro invenzione, penetrano il mistero degli uomini e delle cose: dove le storie, anche in un piccolo segno a matita, nel tracciato di una linea, diventano sogno evanescente e insieme realtà tangibile. Fanno parte di questo “racconto di racconti”, parte centrale dell’esposizione, Lucio Schiavon, Gianni Verna, Lorenzo Mattotti, Gianluigi Toccafondo, Emanuele Luzzati, Roland Topor, Roberto Perini, Jean Michel Folon, Franco Matticchio, Leonardo Cemak, Altan, Brad Holland, Sempé, Alessandro Sanna, Hugo Pratt, Guido Crepax, Luca Caimmi, Karel Thole, Milton Glaser, Andrea Morucchio, Giovanni Soccol, Enrico Manera. Nel secondo edificio del Museo, il Laboratorio, abbiamo rivisitato con gli occhi di “Fabula” il tema della civiltà contadina, che in modo così penetrante ha caratterizzato l’identità del luogo dove il Museo del Paesaggio trova la sua sede. È la civiltà scomparsa delle nostre campagne negli anni ’60 del secolo scorso e di cui scorgiamo ancora, seppur confuse e annerite dal tempo, tracce e reperti che sembrano volerci ancora parlare.
“C’era una volta…”. Era un mondo fervido di immaginazione, intessuto di favole e storie raccontate alla sera nel filò, al caldo della stalla con la bocca aperta; un mondo del tempo lento, così diverso da quello affrettato della civiltà industriale e di quello perennemente connesso e tutto concentrato nell’attimo del presente della civiltà tecnologica. Alcune di quelle storie “antiche” che risuonavano allora le abbiamo di nuovo raccontate nel nostro Museo, ritrasformate (e alcune reinventate) dalla immaginazione di Giovanni Cesca, Giani Sartor, Gigi Prosdocimo, Chiara Trentin, Silvia Bellinzani, Cristina Bettin, Francesca de Pieri, Veronica Ruffato. E assieme a queste, più strettamente legate al “ricordo” del mondo antico, abbiamo scelto due nuove storie, strettamente intrecciate al tramonto di quel mondo. Nell’opera di Sandro Boccato viene raccontato liricamente il suo “ricordo felice”; la campagna dell’infanzia e dell’adolescenza nelle stanze della memoria fa parlare uomini, animali, natura con i versi della poesia. In Terenzio Trevisan invece il precipitare nel nulla di quella millenaria civiltà, la sua trasformazione in un nuovo di cui non si riconoscono più le rassicuranti fattezze, diviene ferita per lo scorrere di un incubo surreale. I suoi contadini ci fissano o ridono allucinati, contaminati dalla pazzia che ha sfregiato la natura, corrosa dall’acido della tecnica e del chimico, dagli sconvolgimenti portati dalla fabbrica della vicina Portomarghera in cui quegli stessi contadini vanno a lavorare negli anni ’50 e ’60. Le sue immagini surreali testimoniano la trasformazione “tragica” della natura, la sua sopravvenuta estraneità: persa la confidenza con il suo scorrere, essa diviene per l’uomo d’oggi luogo di inquietudini e metamorfosi terrifiche di uomini, animali, forme vegetali; nel sogno il suo incubo.
Per finire l’esposizione presenta, organiche alle storie del Laboratorio, un insieme di oggetti e di foto del vicino “Museo della Civiltà contadina” che deve forzatamente traslocare dalla sua attuale sede; queste presenze testimoniano il nostro impegno affinché la sua esperienza e le opere che contiene non siano disperse e trovino una nuova sede e idee per tener viva e parlante la memoria dell’identità del luogo.
Didattica. Il Museo del Paesaggio con questa esposizione si propone di dialogare attraverso diverse iniziative di carattere didattico con il mondo della scuola della Città metropolitana di Venezia e, in modo particolare, con gli Istituti del Veneto Orientale. Per questo compito il Museo si avvarrà della collaborazione dell’Associazione Culturale Dimensione Cultura.
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Fabula / Incroci - Mostra Collettiva sede: Museo del Paesaggio (Torre di Mosto); a cura di: Giorgio Baldo e Stefano Cecchetto…
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