Tumgik
#It's my drawing so please don't mistake it with real website's stuff-
niki-the-cat · 9 months
Text
Me too Wally
Tumblr media
👁️👁️
4K notes · View notes
excali8ur · 8 months
Note
How did you get so good at drawing? And do you have any tips??? (Pls I'm a beginner help)
Honestly dude you never get good at art. It's sweet that people like my stuff but I still feel like most of it sucks and I think that's sort of an inherent part of drawing lmao. You've just gotta decide to keep doing it anyway because it matters to you
I do have a few tips for improving your technical drawing though:
Do figure sketching. If you can go to in-person life drawing classes that's great, and there'll usually be at least a few running if you live in a city/big town, but you can do it online too. Here are some websites I use: Line of Action / SketchDaily / Quick Poses. Try drawing with different lengths of time (so start with poses appearing for 30 seconds, then move up to 1 minute, then 2, then 5, then 10). Also don't feel too bad if the first few times you try it and the sketches don't turn out quite right or the proportions get messed up or you run out of time. It's part of the process & you'll improve the longer you keep at it. Just try to use longer & messier lines and don't focus on the details until you have basic shapes blocked out. (This is literally what I tell anyone who asks me for art advice because it's about the only drawing exercise I ever deliberately do lmao)
Draw real life subjects and not just from photos- it's more challenging but helps you develop your observation & sketching skills. This includes still life and landscapes/architecture as well as living things btw
Use references as much as you can. I suck at this but it'll genuinely make you improve faster if you do lmao. You can find loads of references on Google or DeviantArt but I also have some specific places I get them from: JookpubStock / Fat Photo Ref (requires registering but I can verify they're legit) / AdorkaStock / Teamwarchicken (actually my blog that I use for collecting images)
When you're learning to shade remember that you're shading a 3 dimensional object, and try to avoid just doing shading around the very edges of things. Same goes for highlights.
Try drawing in different styles and subjects you don't usually draw. If you can afford it try out different physical art materials too. It helps keep the art block at bay if nothing else lmao
Don't be a perfectionist. Learn to just say "good enough" and not obsess over mistakes. It's better to draw lots of slightly wonky things than one thing that you freaked out about getting perfect.
If anyone else has any other advice/resources then please add them! I do not know as much about art as people think I do hjfgjkhdf
71 notes · View notes
cyanidas · 6 years
Note
Hey, I need some clarification, are your Nano and Specimen 5 designs supposed to be influenced by Chinese culture or are they actually supposed to be Qipaos? Because if they're influenced, please stop referring to them as though they were the actual clothing. Real Qipaos don't show shoulder, it was seen as peasant-like if the shoulders were tan. Also, they don't cut off at the waist like a shirt, that's only for kids. If you're going to use a culture's clothing, at least respect their history.
They're inspired by it because I don't know what I'm doing and I have no means of easily researching things like this without taking spoons, so I hope you can understand and respect that. I write and draw them as descendents from Earth culture, and not actual parts of it because of that - so they're a fictional hybrid culture.(As for Five though, she has "worse" clothing than Nano because her outfit was made for her by Hector. Shrug.)Trust me, if this were an original story of mine, I'd do more research and carefully construct everything by hand. But in fact, this is a fan comic and I can't pour myself into a lot of research like I'd love to. At some point, this is gonna end and my interest in it will waver and eventually I'll stop drawing it altogether. But still, thank you for telling me all this. In the very least, your ask was somewhat informative. Feel free to tell me more.Still, I hope you don't think I'm doing any of this to hurt anyone or ignore a whole entire culture on purpose - I didn't even know what the outfit was called, and I definitely don't recall ever referring to their clothes as any one term. If I did, then I apologize for dumb mistakes.If you or anyone else has any posts detailing reference pictures or even brief lessons on this stuff or any other culture, then I'd appreciate them. But for now, I haven't had any need to research the root culture meticulously (not yet at least) because it hasn't become essential to the plot.It's not that I don't care - because I definitely do - it's just like I've said, I don't have the spoons to spare. Reading and attention skills take a lot out of me, but I'm willing to learn if you know any website or post that can teach this stuff easily.Thank you for your time. Again, I apologize for any offense. I will correct essential parts of the outfit, if you or anyone can point me in the right direction.
11 notes · View notes
checanty · 7 years
Note
HELLO this might be a little personal so if you don't want to answer this question I completly understand. I was wondering how you deal with your (art)-anxiety (you know the thing: self critisism and knocking yourself down all the time, being scared shitless about the future because life is getting real now). Do you have some tips or thoughts? X
Alright. So this is a big topic. It’s not always easy to tell since we tend to make sure to project our best self via social media, but anxiety and self doubts are not especially rare with artists including the ones you think have *made it*.  However, while I can talk about how I personally deal with anxiety, we all feel differently and not everything that works for me will work for you. Take what’s useful to you and leave the rest here. I’m just a silly 23 year old spewing nonsense into the void.
Also, if you struggle and feel like you need help, please do the scary thing and reach out to somebody you trust and/or talk to a mental health professional.
And obviously this is not a complete list because I have come to the realization that at the pace I’m writing we’ll be old and grey by the time I’m done.
Anyways here we go …
I. Assorted things
a. First, it helps to acknowledge that imposter syndrome, the fraud police or however you want to call it is a thing. Once I identify that nagging little voice for what it is, I can call it out on its bullshit. Sometimes it just haunts me in the back of my mind and I actively formulate the negative thought out in an ‘Ah yes, I’m a lazy little shit, that will never be good enough. That what you wanted to tell me, brain? Well, you gotta come up with something new because I know this trick and it’s not true.’ fashion. It helps me to recognize the pattern, pull it out into the open and then reject it. It’s easier than having my head buzzing with negative fragmented ideas that can continue to fester until I can’t deal with them anymore.
b. Trust others. When a person says they like your work? Trust that they do. Don’t draw the conclusion they’ll be your über-fan and throw money at you or that they’re an art critic guru, but take them by their word. That person likes your work and that’s awesome! (Obviously my grandmother predicting me to become a great artist won’t mean it’s true, but I believe she means it.)Also, somebody hires you for a job and it’s super scary and you feel like your going to fail? Trust the person who has hired you. They’ve seen your portfolio, they pay you (make sure they do), they believe you can do it. They’re not stupid.
c. When you’re sitting in your pajamas surfing the internet, eating cereals with a fork trying to eat away your felt 3000 failed drawings (But you’re lazy, so really you only drew like 5 things, but they’re so bad the failure counts for more.) of the day it’s hard to believe you can ever be as pro as those glorious drawing machines on the internet with their polished websites and portfolios who make it look so easy.
Now imagine stumbling upon yourself on the internet. What do you see?Your latest cool artwork, your work ethic (even if you really just queue your posts cleverly) … And this is just your online presentation. Think about the artwork. You know your stuff. You see it all the time. You know all the frustrating bits and problem areas. You know what parts you’re just winging or obscuring by drawing decorative ornamental elements on them and pretend it’s your style. Other people don’t. (They might if you tell them. So try not to be too negative about your work.) Try to see your work with their eyes. Design a book cover mock up with your artwork (or whatever is applicable to the area you want to work in) and imagine it’s by somebody else and you just stumbled upon it in a book shop. You might realize it’s actually kind of okay …You might actually start to really like some of your works. (or all of it.)
d. Trust in the fact that drawing is a skill that is constantly developing. Even if you’re not at the level you need or want to be at, as long as you practice and keep at it you’ll eventually get there. It’s a process. It might be a really slow one. But there’s just one direction to go and you have time. You do. Even when other people your age (or younger) seem to have made it (whatever that means), it’s frustrating, alright. Have a cry, that’s ok. Get back to the drawing table. You’re on different paths. Stay off the internet for a while if comparisonitis gets too bad. There’ll always be people who are better than you. Focus on your work. (My drawing teacher’s advice on this was: Get inspired, not frustrated. Which is easier said than done.)
e. Learn a new skill that has nothing to do with your art, simply for the joy of learning it and then fail a lot. It’s a lot easier to learn being accepting of your mistakes and failures this way. It’s much easier to learn when nobody judges you (grades you. Makes you take tests.). I’ve started yoga and learning a new language last year and I am still bad at both, but whenever I mess up my vocabulary or can’t do a pose it’s … okay. Nothing bad happens. And it’s lots of fun. The failing. The times when things do work. It’s easier to realize a mistake isn’t the end of it all when you practice with something that doesn’t already come with all the old pressures and expectations.
f. Get your sleep. No screens before bed time, seriously. Those are an invitation for insomnia. Try to keep a regular sleep schedule. I sound so boring with my whole scheduling habit, but it helps a lot.
g. Find a way to release stress. Do something besides work. When I find it hard to allow myself to do non work related things I tell myself being good at what I’m doing or being successful early on doesn’t actually mean much when it means I’m burned out by 24 and dead by 27. It’s really hard to follow your passion when you constantly fantasize about running away to hide somewhere in a forest cave living only on dirt and roots until you eventually poison yourself or freeze to death.
What also helped me to stop feeling like I’m not working enough was using a timer so I could show myself by the end of the week how much I have gotten done.Also using a schedule. And sticking (at least roughly) to it.(Although it takes a lot of trial and error to figure out how to best put your schedule together. It’s important to be aware of how you’re feeling and to be able to make some changes to accommodate your needs. Don’t start out by assuming you’re always your best and most productive self. Are you doing something that will probably exhaust you? Factor that in. Figure out how much you can actually effectively work. Buffer days in case you have deadlines. You might get sick or have a bad art day. Time off for regeneration. Don’t do the ‘I work best under pressure a day before the deadline’ thing if you can help it.)
h. Realizing you got time and you don’t actually have to be a fully functional amazing, successful artist person by, like, tomorrow. You don’t. You take the time you need. You make sure you’re okay first. Figuring out what exactly is important to you and what you really want to be and do takes time. It takes going down the wrong path sometimes. I started out wanting to be a comic artist, but ended up doing creepy dark fantasy illustrations. Now I’m realizing that this is not everything I want to do. It’s a process and nothing you do is in vain, but things take time.
(–> Goal setting on the other hand is a great way to succeed at something, but you have to know what you want first. Of course you can set a goal and realize on the way that you have no interest in reaching it anymore. I guess then it depends on what your goal is whether you want to continue or change course. E.g. I’d finish that big project you’ve been working on for years, but maybe stop trying to get that job you actually don’t want anymore.)
In a similar vein … Learning to be patient with oneself. Patience is always good.
II. The future is scary and I don’t know what to do
a. Research first! The monster is way less scary when you can see it clearly. Only once you know how it looks like you can plan on how to slay it. (It might not even be a perfect plan, it just has to be good enough to make you feel like things might turn out okay.)Hit the internet, read a lot. Learn what you can. See how other people do it. Ask questions. Try to find out where your crowd hangs out. My personal advice is to be a bit careful with those 10 ways to be a successful artist articles depending on how in depth they are. I either find them not especially informative or they’re a great way for me to spend the rest of the day crying (even and especially when they’re supposed to be motivational. There’s so much motivational stuff out there that really just makes me feel super insecure.) because after reading them I’m pretty sure I don’t do any of those things and am a horrible person anyways. Articles dealing with matters in a more nuanced manner might often be more to read, but have been way more helpful to me.
Some resources that help(ed) me a lot (consider I’m mostly doing fantasy art, so it might not all be for you):
http://muddycolors.blogspot.deAmazing artists and art directors sharing insights. There’s a lot. Maybe matching this ask’s subject:
Arrogance & Doubt
How to get what you want
The secret to success in art
@dearartdirector here on tumblr. Make sure to check out their prior asks&answers before sending them your questions. There’s already a lot of important stuff in there.
Bobby Chiu’s Youtube Channel1FantasticWeek Podcast (& Facebook Group)Drawn&Drafted
Giuseppe Castellano’s Blog and #arttips on Twitter
For children’s books: find the hashtag #kidlitart on Twitter
Otherwise try to find blogs and podcasts about what you want to do.
III. Everything is too much and I can’t manage or think or …
a. Sometimes things just get too much and I put everything on hold and write through it. I think faster than I can write, so putting thoughts to paper slows me down. I also see the stuff in my head written out and it is easier to confront it and recognize what actually makes sense and what doesn’t. The process is obviously different every time, but basically I try to boil down what upsets me and then find ways to deal with it conversation style. (I usually even include the bits where I don’t know what to say and then write exactly that down.)For example I’ve written  myself through some phone call anxiety last year by listing what I am actually afraid of and why it makes me feel insecure and then writing down what I know to be actually true.
The last part looked somewhat like this: You’re safe. You’re sitting in your room on the floor and there is nobody around. Nothing can happen to you. You are physically safe.It is their job to help you. If you don’t know something, they will help you.  If they are mean it is not on you. They might have had a shitty day. Also, they don’t know you and their opinion on you has no influence on your life. They talk to a lot of people in a day and will probably forget you. You are not important enough to ruin somebody’s day. If they make fun of you at home it has no influence on your life.Just be as polite as you can be and you have nothing to feel bad about.
And so on.
Most negative thoughts are similar. e. g. ‘I’ll never achieve anything.’ vs writing down successes (as small as they might be): I’ve been able to feed myself for a week. I can speak a second language. I survived school. I’m keeping my rats alive. I know myself better today than I did last year.
When I feel like I’m dancing on too many parties and feel like I am constantly forgetting something or feel just vaguely haunted I try to figure out what the immediate issues that freak me out are. Being as specific as possible. Being as honest as possible. It’s not like anybody has to see what I’m writing. This is not just about art. It’s about everything, even and especially the petty little things. If you gather enough of those they can be crushing. Once they’re all written down I can decide which have priority and which I can put aside. The important part is to make a conscious decision (really, decision making. Sometimes stressing about making a decision is worse than making the wrong choice.). I don’t have to answer my friend’s Facebook message today, I can just tell them I’m currently stressed out and will get back to them at some later point. Or let them wait for a day or two. They’ll survive. I can simply say no to this or that thing. I can totally schedule this thing to next week and not think about it until then. (Actually write down when you’ll do it, though. Everything you write down you don’t have to keep juggling in your head.)
Then I write down possible solutions for what is still left. Afterwards I figure out which ones I can implement and which one’s I cannot (for whatever reason.). What can I do right now? (Starting with the easiest fixes. That might be doing the dishes that have piled up over time.) What can I schedule? I need to have plan of action* for every problem on my list. Sometimes it doesn’t mean I’ll solve it, but at least I’ll feel like I’ve done everything I currently feel capable of doing.
* Those may be suuuuper small steps. Or maybe even acknowledging it scares me, but accepting that it is something I cannot influence and therefore something that just goes into my calendar and out of my brain. It’s a lot about planning and scheduling for me.
b. I use a friend of mine and my  mum for reality checks sometimes when my brain gets stuck on something totally irrational and I need somebody to explain to me why I don’t make sense.
(I also use my friend when I’m not sure whether I’m interpreting a message or social situation correctly. Good to have a second opinion when your paranoid brain sees cryptic messages and overt criticism everywhere.)
c. When I feel I’m about to freak out and can’t sit down to write or think something through I have a book lying around that I can grab and read aloud until I calm down. I like Jack Kerouac for this because I don’t have to try and understand what is going on. It’s just a stream of pretty words and sound.
57 notes · View notes