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#IC critical
kataraavatara · 28 days
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Nesta’s treatment in acosf is fucking Schrödinger’s rehab to this fandom. When you question the IC’s behavior such as tearing down Nesta’s apartment and controlling what she eats, then it’s rehab and it was necessary to help her. When you take it to its logical conclusion and ask in what rehab does someone with authority over a patient have sex with them (and it’s not a fucking case), then it’s not rehab and you’re taking things too seriously. Is it or isn’t it, Nesta antis? I’m DYING to know, truly.
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spore-loser · 2 months
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Rhysand and Illyrians
SJM writes Rhysand as very critical of the culture, in a table discussion with Feyre and the IC in her early chapters with them. It’s supposed to show how much different they are than the CoN and the culture they’re discussing.
But Rhysand is in a position to make a difference yet does nothing to help the people suffering. The ban on wing clipping is never enforced, so it might as well not exist. We later see the only thing he does is force the warriors to train women, which is supposed to be seen as progressive, but actually comes off worse than doing nothing. It isn’t a “you can train as a warrior or you can work in the camps” - they have to do both. So girls are on their own when it comes to their mutilation, but Rhysand can step in to double their responsibilities and labor as women? Feminist ally, everyone. 🤦🏽‍♀️
Then we have the “bastard” boys, the pariahs. Azriel and Cassian have physical scars and psychological trauma and inferiority complexes from their pasts, and they were lucky enough to have Rhysand’s mom to step in and give them shelter. What about all the others?
When Rhysand became HL he never once thought about how hard his “brothers” and all their mothers had it and wanted to prevent others from that pain? They didn’t either? No offering suffering girls and boys shelter in Velaris?
Most Powerful HL of All Time can get into every war-band leader’s head and adjust things. But nope, he’s just going to complain about them.
Rhys doesn’t want to change anything because he needs an army of expendables. 
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lainalit · 17 days
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Azriel in his bonus chapter💀
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artists: lucien: mftfernandez | azriel: dominiquewesson
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lorcandidlucienwill · 5 months
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The most disturbing things portrayed in ACOTAR
Victim-blaming: Lucien tries to help Feyre and gets physically abused by Tamlin as a result. Feyre then proceeds to call him a dog despite Lucien doing everything he could in a difficult situation. And we're supposed to...support Feyre on this? And Rhysand throws around words like "can never forgive" man stfu you prick.
Sexual Assault: The most disturbing thing is not that Rhysand sexually assaulted Feyre. It's that he's never held accountable for this and never even apologizes at ANY point in the series. There are so many examples but this is the one that is the most disturbing.
Double Standards: We have Tamlin locking Feyre up for her own good being vilified, yet Rhysand is championed for locking Lucien and Nesta up in houses for their own good. Huh? WTF.
War Crimes: What Feyre did to the Spring Court, manipulating the sentries with the whole Ianthe thing and basically getting them killed, then weakening the Spring Court rulership which resulted in all those villagers in the Spring Court getting killed, then laying the Summer Court bare to Hybern as well, are nothing short of war crimes. And...instead of feeling regret, we have the main characters saying "Hybern's actions are their own." Like bitch what? Hybern wouldn't have been able to do shit if it wasn't for you! Have some damn accountability! And the fact that Tamlin and Tarquin are vilified for this never ceases to irk me.
Grooming: Rhysand groomed Feyre. He made excuses for everything he did with trauma, then sent Feyre out to do tasks for him like she's some kind of weapon he can use. WITHOUT giving her proper information, there is no choice. And everything he does is constantly explained away, until eventually Feyre becomes his trophy wife. Rhysand basically assigns Cassian to do the same for Nesta. I'm holding out hope that Elain will be saved from the Night Court.
The pregnancy debacle: the whole thing with the baby having wings and Rhysand withholding information from Feyre is just...disturbing. Idc if you're not telling her FoR hEr OwN gOoD, it is HER life at stake and she deserves to know. They didn't even try to shapeshift her to try and save her life? Like why is everybody seemingly more concerned about the baby than the mother? Disgusting. And why is Nesta vilified for being the only one to tell Feyre? She said it to hurt her, blah blah blah. She also wanted to show Feyre that their situations are similar. That they're BOTH being shit on by the Night Court. And when she's close to a breaking point...Nesta is forced to hike a mountain? That is physical abuse. Also, Rhysand being extremely territorial putting a shield over her and barely letting Feyre go anywhere is beyond weird.
Suicide baiting: What Rhysand did to Tamlin in ACOFAS is nothing short of suicide baiting. And...only Lucien seems to really be that concerned about it? Like...are you telling me I'm supposed to be supporting Rhysand after he basically told a depressed male to kill himself?
Segregation: Separating the Hewn City from Velaris IS segregation, no matter what excuse you try to come up with. You can't claim they're all shitty people, since your bestie Mor comes from the CoN. So, there are good people stuck in the CoN unable to get out of their torment because Rhysand decided that only certain individuals are allowed in Velaris.
Performance Feminism: Establishing laws to help women and not doing shit to enforce them is performance feminism. If he's as powerful as he says, he can 100% stop wing-cutting and r*pe. But, he's a goddamn virtue signaler so he doesn't fucking care. The thing is, SJM could've handled these topics in a much better way and it would've been fine. But she completely fucked shit up here and it's crazy that some people don't see it. Part of me is still waiting for the final book where she says, psych rhysand was the villain the whole time. If so, I'll take everything back.
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drawsmaddy · 1 year
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[ID: A digital illustration of Orym from Critical Role. He is visible from the waist up, wearing modern style clothing, including a green crop top with a simple design of clouds on it and dangly sword earrings. He is also wearing a friendship bracelet that is blue and two different shades of green. He is eating a blue ice lolly and his nails are painted the same green as his shirt. End description.]
It's been legitimately warm where I live lately so it's time for deeply self indulgent seasonal art of my favourite guy
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bunnyshideawayy · 22 days
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always insane to me how everyone is jumping to blame Nesta for her families poverty instead of their father?????? this happens the entire series and then when Papa Archeron shows up last minute for the finale battle everyone is just like “🥹🥹🥹🥹🥹” expect* for Nesta who can only remember how he actually never really cared for her and how she is the one who holds his mantel for not doing anything/providing for them. its okay though he gets a pass bc his knee! its shattered, expect it was miraculously healing before his sudden death! but that’s okay Nesta suffers and becomes violently depressed/traumatized by his death in which no one helps her progress through! it takes Cassian the entire book to finally realize the fire sounds like a snapping neck and that’s why she flinches around it. but he sure noticed her huge boobs on her sickly thin body!! absolute himbo frat boy chad of a man. guys on a serious note when are we going to stop holding Nesta accountable for their father’s actions? im getting sick of having this discussion. 
also i find it hilarious Cassian sticks up for Feyre here when he literally does not care about her, if he did he would’ve done the same when Rhys told him to keep the wings secret. just like if he truly cared about Nesta he’d stick up for her, too. instead he insults her and sets himself up to look like a fool all in one go.
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spacerockfloater · 14 days
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The way people switched on Tamlin the moment Rhys was introduced is diabolical.
“Tamlin never really loved Feyre, it was all a trick from the start”: It is stated that Tamlin was disgusted by the idea of forcing someone to fall in love with him and considered it slavery, but ended up being so in love with her that he ultimately lets her go and choses her freedom and safety over that of his own people. Rhys confirms that Tamlin loved Feyre too much. And he loved her truly. Not because he had to. Tamlin treated Feyre with dignity when she was engaged to him. He introduced her as his lady, to be respected and cherished by all. And she really was loved his people, too. Rhysand uses her as his lap dog to scare Hewn City and parades her as his whore.
“Tamlin never did anything for Feyre, he just used her”: He improved her and her family’s life in every aspect and offered her everything he had.
“Tamlin had sex with someone else in Calanmai”: Out of duty and responsibility because he didn’t want to force Feyre, who still wasn’t sure about her feelings, into it. All of the High Lords perform the Calanmai. Lucien says so. How convenient that this is never brought up with Rhysand. He surely does perform it as well. All the theories in here, “Lucien doesn’t know what he’s talking about/ This is a SC ritual only/ He probably just passes the duty on to someone else” are just a way for people to villainise Tam and glorify Rhys again. All of them inaccurate. The Calanmai is canonically performed by every High Lord. There’s no evidence that proves otherwise. As the son of one High Lord and the ambassador of another, Lucien would know. He is 500 years old. It’s just more convenient for SJM to never bring this up again because it raises the question of “Who was Rhysand fucking all these years?” and it makes her favourite character look bad. And once he is engaged to her, Tamlin flat out refuses to do it. Let’s be real for a second.
“Tamlin didn’t help Feyre under the mountain”: He literally could not. He was bound by a curse. He was forced to be Amarantha’s consort and a consort cannot oppose you. His powers were bound. Alis warns Feyre that Tamlin will not be able to help her. Stop acting as if he didn’t want to help her. He decapitated Amarantha the moment he got his autonomy back. Claiming that there’s no proof that Tamlin was under the influence of a spell when he literally didn’t break the curse and Amarantha’s magic didn’t allow him to use his powers is crazy. And even if he tried, he could never provide actual help. We see this when he begs Amarantha for Feyre’s life. Him showing he cares about her would only make Amarantha more jealous and vicious towards Feyre.
“Tamlin made out with Feyre instead of helping her”: He couldn’t help her run away. No one could do that. She would never make it, Amarantha would find her. In fact, Tamlin specifically could not help her in any way. He could only assure her he still wants and loves her. And she wanted that just as much. Rhys abused her physically, mentally, verbally, drugged her and much worse. And he enjoyed all of it. If he didn’t want to raise suspicions, he wouldn’t have placed a bet in her favour. Rhys is a masochist, SJM just decided to mellow him down in the next book so that we’d all like him over Tamlin.
“Tamlin ignored Feyre’s wishes and only wanted her to be his bride, he didn’t let her be High Lady”: Both Tamlin and Feyre were bad communicators going though trauma and Tam had a whole court to care for. Tamlin was unaware of how Feyre felt because she barely spoke up once. Rhys knew because he literally lived inside her head and had all the time in the world to focus his attention on her since his court suffered zero consequences during Amarantha’s reign. And Tamlin simply told her the truth: there’s no such thing as High Lady. Even her current title is given to her by Rhys, the magic of Prythian has not actually chosen her to be High Lady. The title and its power are decorative. And she said she didn’t want that anyway.
“Tamlin locks Feyre up and uses his magic to harm her”: He locks her in his humongous palace to keep her safe, after she just came back from the dead and his worst enemy is kidnapping her every month, while he runs off to protect his borders. Rhysand lock Feyre in a fucking bubble. Tamlin loses control of his magic. He doesn’t want to harm her. That’s not abuse. Abuse is intentional. Feyre and Rhysand lock Lucien and Nesta up. They lock the people of the Hewn City up in a cave. Feyre loses control of her magic and harms Lucien’s mother. Double standards I guess.
“Tamlin is a bad and conservative ruler”: Tamlin is such a beloved ruler that his sentries literally begged to die for him. Feyre had to fuck with their minds to finally turn them against him. They were his friends. He was so progressive that the lords fled his court once he became their ruler because he wouldn’t put up with their bullshit like his father did. He loved all of his people. He is against slavery. The Tithe was just tax collection. Rhysand practically rules over just one city, while ignoring Hewn City and Illyria. He treats 2/3 of his realm like shit and everyone except the residents of Velaris hates him. He collects tax, too, but we conveniently never see this. He ranks the members of his inner circle (my 1st, my 2nd etc.) and reminds them every moment that they are his slaves first and anything else second, while Tamlin treats them equally and even gives Lucien an official title by naming him Ambassador.
“Tamlin conspired with Hybern”: He was a double agent and his short lived alliance, two weeks all in all, not only didn’t harm a single soul, but ultimately saved all of Prythian as he was the only one who brought valuable information to that meeting. He dragged Beron to battle. Rhysand’s alliance with Amarantha harmed thousands and only helped save one city, Velaris.
“Tamlin is responsible for turning Nesta and Elain into Fae”: No, that was Ianthe, who got the info from Feyre. Tamlin was fooled by her, just as Feyre obviously was, or she wouldn’t have trusted her. Tamlin was disgusted by that act.
“Tamlin is less powerful than Rhysand”: Rhysand himself says that a battle between them would turn mountains to dust. Tamlin killed Rhysand’s dad, the previous High Lord of the Night Court, in one blow. He is just as powerful as Rhysand. SJM again just wants us to believe otherwise. And he is smarter, too. He was the only one not to trust Amarantha. And he was a good spy for Prythian against Hybern.
All of these takes are cold as fuck. SJM was testing the waters with ACOTAR and she made sure the main love interest, Tamlin, was insanely likeable, so that the book could be a satisfactory standalone story in case she couldn’t land a trilogy deal. She didn’t know it would be such a big hit. But once she realised she could turn this into a franchise, she had to figure out a new story to tell. She may claim otherwise, but there’s just too many plothotes to convince me. And in order to make her new main love interest seem like the best choice, she had to character assassinate the old one. There was no other way. ACOTAR Rhys was too much of an evil monster to be loved by the majority of the audience. But Tamlin was introduced to us as such a heroic and passionate man that is literally impossible to turn him into someone despised by all. Feyre’s relationship with Rhysand reads too much like cheating on Tamlin. That’s why anyone with basic analytical skills is able to realise the flaws of the narration.
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lisbeth-kk · 1 month
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Sherlock fandom
I Can’t Stand It
Rosie’s tantrum in the park, reminds Sherlock of his own childhood. It’s strange that so much of what the little girl says and does resonates with him.
“She’s not yours,” several voices inside his head tells him.
Still, he can’t shake off the feeling of being something more to her than just…what is he exactly to her? She calls him Lock; he calls her Watson. He desperately wants her to call him something else, which he only allows himself to think about when he’s alone.
“I can’t stand it, daddy!” Rosie exclaims and stomps her feet.
“But, sweetheart,” John tries to reason with his four-year-old daughter. “You were perfectly fine eating this last week.”
Rosie rolls her eyes and throws her arms in the air. Sherlock can see that John’s mouth twitches slightly as he’s supressing a smile. Sherlock hears his mother’s voice filled with delight in his mind.
“She’s so much like you sometimes, darling.”
“There are big pieces in it,” Rosie explains to John. “I want smooth ice cream.”
John looks over at Sherlock for help, but Sherlock has long ago decided to never lie to John again. He shrugs apologetically at mutters something under his breath.
“What was that, Sherlock?” John inquires, his tone exasperated now.
“It’s quite normal for children her age to change tastes and react to new textures. I was the same.”
“Yeah, well, she’s not…”
“I know, John!” Sherlock snaps. “You and everyone we know keeps telling me that.”
He turns on his heel and walks briskly out of the park. Behind him the two Watsons call after him, begging him to come back but he can’t. Sherlock can live with everyone else claiming that he’s not Rosie’s father, but it hurts when John joins the choir. Of course, Sherlock knows he has no biological connection to her, but he’s raising her together with John, isn’t he? She comes just as willingly to him as to John. 
“Protect your heart, brother mine,” Mycroft told him after John and Rosie moved to Baker Street, and not for the first time. His brother knew that Sherlock’s heart belonged to John and had for a very long time.
***
Where are you? I’m sorry, Sherlock. We need to talk. Are you coming home soon?
Sherlock’s heart races in his chest when he reads John’s text. He barely registers the apology. All his brain is capable of is trying to deduce what John wants to talk about.
Are they moving out? Does John want him to spend less time with Rosie? Won’t he be allowed to do children safe experiments with her anymore?
He pulls his hair in frustration. Why is it so hard to figure out what John wants? Sherlock’s able to read anyone but John. Why?
“Hi, Sherlock. I didn’t know you were here,” Molly says when she walks into the lab at Barts.
“I’m leaving,” Sherlock tells her and walks rapidly out of the room.
***
Sherlock stands and watches the Thames float by. The London Eye is coloured in pink in the far distance. It’s getting dark and he’s got no recollection of the last hours. His phone buzzes in his pocket and he suddenly remembers that he’s forgotten to answer John’s text.
“A bit not good, Sherlock,” John’s voice scolds him.
Can I call you? Rosie wants to say goodnight.
Sherlock feels his face soften. The Watsons are probably still at Baker Street then. He doesn’t hesitate but calls John’s number.
John’s voice sounds relieved when he picks up, but it’s tinted with worry.
“Hi. You alright?” he asks.
“Fine,” Sherlock says, and it comes out more clipped than he intended.
John sighs and apparently gives the phone to Rosie.
“Lock!” the little girl exclaims.
“Hello, Watson. Ready for bed?” Sherlock inquires softly.
“Yes. Tired,” she tells him and yawns.
Sherlock feels his throat thicken, and he must swallow hard and close his eyes to keep his tears at bay. Without thinking he uses the endearment only Rosie has heard.
“Goodnight, my heart.”
“Night, Lock. See you tomorrow,” Rosie slurs, clearly almost asleep.
Sherlock ends the call before John gets a chance to ask him humiliating questions. The sharp intake of breath from John when Sherlock bid Rosie goodnight didn’t go unnoticed.
“You’ve ruined it now, Holmes,” he tells himself.
***
Aldi is still open, and Sherlock buys two boxes of ice cream for Rosie without any pieces of fruit, berries, crunch, chocolate or other abominations.
He takes a deep breath before locking himself into Baker Street, and he ascends the stairs silently. John sits in his chair, reading one of his medical journals. Sherlock just nods and walks to the kitchen with his purchases. He places the boxes in the freezer before walking to the bathroom.
“Sherlock?” John calls after him.
“Shower,” Sherlock answers.
The shower does wonders, and Sherlock feels quite refreshed and relaxed when he puts on a t-shirt, pyjamas bottoms and his maroon dressing gown. John stands just outside Sherlock’s bedroom and Sherlock startles a bit.
“Everything alright?” he asks. “Watson?”
“She’s fine, Sherlock. Soundly asleep. I just want to apologise properly to you. I was way out of line earlier. No, Sherlock, listen. I need to say this. Please.”
John’s expression is pained, and Sherlock doesn’t know what’s to come next. Nothing could have prepared him for this.
“I know it’s no excuse that I was exhausted and sleep deprived, but that’s the defence I have, and it’s appalling to say the least. Rosie…she is…just as much yours as she is mine. You care for her just like any parent. She loves you, we both do, and…”
“John?” 
Sherlock’s voice is trembling, and he feels his balance is about to fail him. Warm and steady hands are placed on his upper arms and when John speaks again, his voice is warm with affection.
“Forgive me. Please?”
Sherlock just nods and lets himself melt in John’s embrace.
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littlefeltsparrow · 2 months
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Nesta’s emotional breakdown at the end of the hike was not a product of a well-meaning attempt to improve her well-being, but a manipulative pseudo-therapeutic strategy that aimed to simulate vulnerability and masquerade as progress in Nesta’s character arc.
The narrative would have you believe that the hike was an ordeal of self-discovery for Nesta, that Cassian was using a bit of “tough love” to help Nesta get better and grow as a person. But it operates on the idea that exposure to nature, which is presumed to be inherently beneficial, would give Nesta the push she needed to work through her issues and unpack the trauma that had been affecting her all throughout the book. But, this couldn’t be further from the reality that we are shown. Exercise like hiking can be immensely beneficial to one’s mental wellbeing and it can also be therapeutic in some cases, but such benefits are negated when the people involved are subjected to undue hardship and danger during that exercise.
It’s not a coincidence that Nesta opening up to Cassian comes directly after an extremely straining hike, during which she exhausted herself mentally and physically all while in the midst of intense psychological stress. Nobody told her that Feyre was alright after their heated argument, nobody told her that Feyre AGREED that Nesta did the right thing and understood why she did it. Consequently, this omission prolongs Nesta’s emotional anguish and guilt unnecessarily and makes the ordeal of the hike even worse.
Nesta, who has never hiked before in her life, is forced on one against her will, chaperoned by Cassian who does not speak to her and hardly looks at her during the 2 day hike. This is a detail that exposes this hike for what it truly is, a means of breaking Nesta’s spirit to get her back in line. It was never about piecing her back together, it was about shattering her emotionally to punish her for defying Rhysand’s authority. But, the text doesn’t want to admit that, it wants to pretend to make a grand statement on mental health and make a cheap copy of Cheryl Strayed’s memoir “Wild” without any of the pathos. Cassian can feel warm and fuzzy about the accomplishment of opening Nesta’s heart, when in reality, that vulnerability he witnesses is entirely a result of prolonged stress and pain.
So could it be, that Nesta’s emotional “ breakthrough” at the end of the hike, was not due to Cassian’s and the IC’s efforts to help her, but the combined strain of dehydration, exhaustion and intense emotional distress finally catching up with her after repressing it for 2 days straight?
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buggachat · 1 year
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say what you want about the impact of tightly-packed plot-heavy shows where every episode shakes up the narrative, but sometimes it's also nice to look back at the episode list of a tv show, say "oh yeah, i remember that episode. it made me laugh and was a lot of fun! I don't quite remember exactly where it takes place story-wise, but I could have a lot of fun rewatching this episode out of context anyway, because the episode stood on its own completely well!"
again, serialized stories that focus primarily on long-arching storylines and not mini-arcs are great! but there's nothing inherently bad about the episodic format? you know. sometimes i feel like a protein-rich meal, and sometimes i just want some ice cream
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the-ace-with-spades · 2 months
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(another unfinished post i found on the way to glasgow - that was the longest train ride in my life - I'm sorry in advance)
When Ice finally passes away, at the age of 73, in his sleep, Bradley moves Mav into their house the same day.
He gets the call in the morning, while trying to simultaneously cook Jake's breakfast and try to make their daughter put on a rain jacket. It's not Mav, but someone from the hospital. Jake doesn't know this — Bradley's face twitches only for a second and then he's back to the nagging, relaxing tone and telling their daughter it's raining and it won't stop. Jake only finds out when he comes back home from the school drop-off and Mav is already there on their couch. Jake doesn't even get the full explanation until that night, just a quick, "Ice passed away overnight."
There's only their three youngest living with them at the time — their 18-year-old daughter who attends UC San Diego, and their 15-year-old son who is still in high school, and their 7-year-old daughter — so Mav takes one of the vacant bedrooms.
The first few nights, Bradley sleeps in the same bed with him. Neither of them looks like they get much sleep. They don't really eat, either, just drink coffee and nibble on the crackers.
The kids start coming back home, and their oldest helps Jake arrange most of the things for the funeral, at least for the first few days. Mav is... numb, not really there, and Jake understands — he would, too, if he woke up one day and his husband died in his sleep next to him. Bradley is silent, mostly, the way he usually rambles to fill out the silence, the way he hums, the way he sings at any given time when there are no words spoken, it's all gone and Jake doesn't know how to fill out the silence either, how to ask, how to make it better without asking.
Bradley doesn't cry, or at least not the way he knows Mav does — he can see Mav's red eyes every morning — but there's something empty in his gaze, in the way his eyes follow Mav and in the way he melts whenever Mav is around, always close, always brushing against him. Mav spaces out a lot, doesn't talk much, doesn't—well, doesn't do much. Every time he tries to help with something, paperwork, the funeral arrangements, the hospital bills, even just sorting out the kids' school leave or Jake's own work leave, he fumbles a bit, not really able to focus on anything for long, and it's like his mind is completely scrambled. Jake doesn't know how to help him — doesn't know if they even can.
The kids, well, did not take it well, as expected. The oldest two try to be brave and help Jake with everything, keep the house going, but their youngest daughter doesn't really understand why her pops isn't back, the middle kids don't understand why now — Ice was in remission, in good health, would go hiking with them once a month, play with them in the backyard, talking about plans for the future with them, nothing that would tell them to expect their pops passing away. Mav and Ice had taken care of all of them for years, while Jake and Bradley were still deployable, and helping out as much as they could. Ice was a huge part of their lives, since the very beginning.
Bradley is certainly not doing any better but one couldn't be able to tell if they didn't know him well enough. He's always been more for packing his feelings into a tight neat box, compartmentalizing until there is too much and it all overflows in some explosive way. His focus is mostly on Mav and the kids, trusting Jake to take care of anything he can't.
Jake can't even ask him how he's doing until the night before the funeral.
Mav tells Bradley he wants to be alone that night and Bradley lands in their bedroom.
He acts normal — checks the kids are in bed, checks on Mav, prepares stuff for breakfast in the morning, has a shower. Only when he sits down in their bed, their dress blues, cleaned and pressed sitting on the hangers hooked up on their wardrobe, right in front of him—only then he freezes, a blank stare still on the uniforms.
Jake sits down next to him on the bed. "Talk to me, Bradley."
"I knew it was going to happen at some point, I just," "I just thought we would have a few more years."
Bradley sleeps curled up on his chest — he sleeps the whole night, soundlessly, and Jake is almost settled.
Almost. Mav is a couple doors down, alone.
Ice's been—had been retired many years now, but he had been high enough in the ranks that the Navy still insists on making a military funeral. Jake tried to take away as much of the flashy bullshit as possible, but there are still things leftover — the sailors with the flag, the flyover. But there's no one who wasn't close with the family at the ceremony, there's no speeches, and no one tries to hand either Mav or Bradley a flag.
The wake has an even smaller amount of people, all packed in their house — Mav hasn't been at his own house since — and thanks to Slider, mostly, and his 'the bastard wouldn't want us to mope around', it's less sad and quiet.
Mav eats two slices of cake, which is the most Jake's seen him eat since, and even laughs at some stories about Ice people are exchanging.
Ice had a good life. A big family. A big happy family that loved him.
But life goes on without him. Jake goes back to work first, then the kids have to go back to school, then Bradley has to back to work. After a couple of days alone at their house, Mav starts bringing up moving back to his own house.
He's not really doing great. He's still quiet, still spaces out more often than not, still forgets himself sometimes, still freezes whenever he tries to say something and the we he uses is one person short. He's—lifeless, for a lack of better word, and seems like he's noticing it now that Bradley isn't with him most of the waking hours.
"That is our home," Mav tells them. "I can't abandon it forever, I'd be abandoning him, too, if I—"
Jake—Jake gets it. He doesn't like it, but he gets it.
Bradley's been fielding off any suggestions of Mav moving out but he's pretty sure that soon Mav is going to pack his stuff and up and leave without asking for permission.
"If he wants to move back home, we can't exactly hold him here. against his will."
"Jake," Bradley says. "I feel like—if we let Mav go back there alone, he's going to die of a broken heart and I won't have either of them anymore."
"Sweetheart—"
"I know it's selfish," he interrupts, "but I can't lose him, too. Not now."
Jake can't make Mav stay with them — so he finds the best solution he can and instead, they all move in with Mav. Hell with it, he's going to try to get everyone to live their lives to the end. They'd done it before, Mav, Ice, Bradley, Jake and their two kids under one roof, when their oldest two were their only two kids.
The two of them and two of their youngest; two of their kids move into their house so they don't have to sell it.
Mav lives on. They try to occupy his mind by throwing their youngest at him — ask him to take her to school, pick her up from school, take her to her gymnastics class, do her homework with her, teach her how to play piano. The other kids pick up on it, too, and their high schoolers would wrap Mav into doing math workbooks with them, or ask him to drive them to their friends' house, and the kids that have moved out ask Mav to go to lunch together or call him to ask him things about car and house repairs that don't exist.
Mav gets brighter every day. Never as bright as before, but no longer so numb.
Their daughter ends up never moving out and so do they.
They all get older but Mav holds up pretty well. He does break his hip when trying to wash the windows, had a limp and terrible back ache ever since, had to stop driving because he can't see shit, had to stop piloting even sooner, and his memory is also shit, but Jake is pretty sure his cholesterol is lower than his own and he has better blood pressure than Bradley. Bradley and Mav are the ones cooking after all, Jake is the one eating all the tasty but not healthiest food, and Mav's life revolves around spoiling his cute great-grandkids and Bradley's is filled with the constant stress of managing Navy's top flying school.
For his ninetieth birthday, Mav flies a fighter jet as a passenger, the oldest person to ever do that — his youngest granddaughter is the one to take him up in the air, a junior grade lieutenant herself. They have a birthday party held at their house, Mav falls asleep in the armchair, Bradley makes fun of him and promptly falls asleep on the couch, too. Jake loves them both so much and still kind of can't believe he has this — house full of grown-up kids and grandkids of his own, his graying husband of over thirty years, his father-in-law coming to an age he wanted to see his mother at.
They're cleaning up, their two daughters who still don't have kids and didn't need to go home helping, and Mav tells them he's going to get some fresh air on their veranda. "I've got a terrible headache," is all he says.
Half an hour passes, they've packed all the clean and dirty dishes, and Bradley huffs to himself. "He fell asleep on the bench again, didn't he," and goes outside.
Bradley shouts for him in less than a minute. The ambulance is there in eight. Within the half-hour and a CT scan in the hospital, the neurologist tells them Mav is too far gone to survive the day. Within six hours, every single person from their family has come to say goodbye. When they pass the seven hours mark, Jake stands up from the plastic chair behind Bradley — he's not about to tell Bradley he should rest, but he's been holding Mav's hand since the minute they admitted Mav to the ward and hasn't eaten or drunk anything all day. He tells him he'll go grab them a coffee and bagels and gets a little nod and a smile.
Jake comes back twenty minutes later and Bradley doesn't even look up from where he's gripping Mav's hand.
"Can you get the nurse for me?"
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kataraavatara · 16 days
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we 🆙 (dated)
taglist: @watcherintheweyr @teaforoneteaforall (comment if you’d like to be tagged)
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novaricewrites · 3 months
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If Magic Chooses-
So we know the magic in Prythian ties the land, Courts, and the High Lords and can be vaguely sentient (as with the Cauldron).
It's unclear how it chooses the High Lords but the magic seems to be deliberate and adheres faithfully to whoever it chooses. Even Amarantha couldn't fully access it despite all that she did - she could only prevent the Lords from using it against her.
So imagine if this was explored.
E.g: The time when Feyre and the IC stole the Book of Breathings from the Summer Court as guests - literally committing a crime worthy of a magical death sentence. This then left the Summer Court open to Hybern's invasion, further enabled by what Feyre did in the Spring Court.
This didn't just harm the High Lords. It harmed the Courts in a major way. The very land and the people living in there were devastated by it. And it must have caused mass turmoil that even the magic sensed.
So imagine because of this intricate connection to the land, the people and the High Lords - it caused Feyre's bond to the Spring and Summer magic to become hard to control or even the magic rejecting her.
The kernels of magic are technically still the High Lords'. They're not Feyre's magic but were gifted like handing her a scale off their essence. And it would make sense if the magic reacted to the state of the High Lords (and deeper the courts themselves) if they experienced deep, visceral emotions & damage thanks to Feyre.
Magic being fickle about who wields it would sort of suit the capriciousness of Faeries. It would also require Feyre to use her wits and sense to navigate situations instead of resorting to the Feysand tactics of Lie, Steal and Justify.
It would give actual consequences and gravity to her actions, and add depth to why her being a Made Fae is a big deal. She is now attached via these kernels of magic to the land in a way that she can't run from. Just as High Lords (even those reluctant like Tamlin are).
Just the plot potential and character development. And the internal conflict over actions that we never got.
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lainalit · 20 days
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whitedemon-ladydeath · 3 months
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yall remember reading that Cassian and Rhys ganged up on Azriel and beat him to a pulp when they were little but somehow they're the pinnacle of Brotherhood™️ whereas Nesta and Elain are neglectful, mean (Nesta) and abusive towards Feyre
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cosmicghoul99 · 5 days
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The Whole Watcher Debacle
Just giving my two cents on the whole Watcher situation. I've been following this since it started, and initially, I wasn't going to say anything, but honestly, why not? (lol)
I want to start off by saying that this was not a good business decision to make. By pulling this, they are essentially alienating their international and low-income fans. The world is going through a global economic crisis, and the fact is that creating a streaming subscription service when companies like Disney and Netflix themselves are struggling is not a sound financial decision. Saying $6/month is "affordable for everyone and anyone" is a tone-deaf statement. In this economy, that is the difference between getting to eat for a day or not. It's not just "two cups of coffee". It's quite literally life or death for some people.
Now, before I get hounded by people saying that "artists deserve to get paid for their works" and "it's all about paying artists until you have to pay them yourselves." I do support small artists and small business owners. I support smaller creatives whenever I can and whenever I have the means to. The problem is that Watcher is not a small artist. They are not even a small business. They are, and apparently always have been a company. In addition to that, they are getting paid. They profit from ad reads, views, Adsense, patreon, merch, and live shows.
Their patreon alone nets them at a minimum of $30k per month. This is on the lower side, mind you. I've heard some other content creators talk about this, and it's estimated that they make around $50k-$100k from AdSense and views. On top of that, they get paid $15k-$30k per sponsored video, and a vast majority of their videos are sponsored. They would make around 60k-120k from sponsorships alone. Add all this together, and they make at least $140k monthly. This is, again, the least, and this does not count in profit from their merch or live shows. Their merch sells for anywhere between $60-90 depending on the item, and they continuously sell out. I don't know how much their live shows are, but I imagine it's something along those lines. If even 100 people bought merch, although this is likely in the thousands, they would make 6,000 minimum from just merch. The current national minimum wage in the United States is around 7 dollars. Per month, if you worked for 40 hours per week, you would make around $1,120. They are making nearly 5 times that just from their merch. They make, on the low end, $150k per month. This is more money in one month than most people can make in 2 and a half years. Even the lower end of money on Patreon makes them more money than most people make in a year. Annually, they are making, and this is greatly underestimating the amount they make, at least $1 million. On the higher end, if we calculate that they are making around $100k per month via Patreon, and we estimate with their sponsorships, the range only increases, to around $320k, adding the higher end of sponsorship money and AdSense. Yearly, that's almost $4 million. Their range is $1million-$4million. I'm sorry, but if you are netting in this profit and still need more for your business, then you are doing something wrong.
Watcher are not struggling artists living paycheck to paycheck and barely making ends meet. They are a multi-million dollar company whose owners live very comfortable lives. This is fine, but they should not act like they are struggling when this business venture was because they were operating outside their means and want to go even further beyond that. YouTube is terrible regarding many things; I get it. There is nothing wrong with creatives wishing to expand, but if you financially cannot support that decision, you should not do so. I am not okay with people being hateful and bringing up unnecessary things. Still, the fact remains that all of their CEOs show their very lavish lives and spending online and constantly talk about it on their podcasts. They could not afford those things if they were truly struggling like they tried to make people believe. Some people are being rude online, yes, and that's not a good thing, but the vast majority are being rightfully upset and are giving valid criticism on why this is a bad idea.
Watcher is not worth a $6/month subscription. They do not have enough content to justify this decision, nor do they have enough followers. Youtubers with followings much larger than theirs have tried to do this and failed. Paywalling their content is not the right move. It essentially stagnates their growth. How are people going to find them, and how are they going to get attention for this? Posting one video on YouTube every time you make a new series -which we don't know how frequently they will update- will not push that content to people. Also, most people who see that initial trailer or episode will not pay $6 monthly to see the rest. The fact is that, like it or not, at $6, they are competing with some of the biggest companies in the industry. Companies like Netflix, Disney+, Hulu, Prime, and more all have standards ad supscriptions ranging from $ 5-8 dollars, and they have a catalog of thousands of shows, movies, and more. Yes, it sucks that there is a capitalistic monopoly on these services, but switching to it is not going to help them. Going from YouTube to Vimeo OTT will not net them the profit they think it will. They will struggle on this platform because it's arguably worse than YouTube, and eventually, it will raise the price to keep content up, so they will raise their streaming price.
That's another thing. They advertised this as their own service, unattached to anything else when it's not. It's still run by another company, and now they must pay that company. It feels disingenuous to say this when it is not true. It is not an app or something you can play on TV; it is a website, a fairly sketchy one at that.
There is, again, a cost of living crisis going on. Most people cannot afford to put food on the table, much less spend this money on a streaming service. And even if people wanted to pay, they've barred their international audience from doing so. If you are not in the US, you will have to pay for a VPN to use since the website is not available outside the US, and you will also have to pay a conversion fee since they did not include regional scaling of prices. $6/month is already a lot for people in the US but for people living in other countries with a weaker currency? That's anywhere from a week of groceries to a third of their rent. They did not consider how this would affect international fans, and that's not a good business practice.
And since I will get the inevitable, "You aren't entitled to free content," I'll say this. Yes, people are not entitled to content, but creators are not entitled to people's money. The truth is that if your audience does not like something or want something, then you will not get their support. As a content creator, you must cater to your audience; you can't expect them to pay for or be interested in other content or passion projects. Also, their content is clearly not free. They do get paid. In no world do they not get paid. I will reiterate that they are not small, struggling artists who can't afford to live. Watcher isn't a small indie company that barely gets by. It is a million-dollar company with around 25 employees who live lavishly in one of the most expensive cities in the world. They do not need more money. They want more money.
Plus, people are entitled to their content when that content is mostly based on fan-submission. A lot of Watchers shows rely heavily upon fan submissions and support. Are You Scared?, Too Many Spirits, Food Files, and Ghost Files happen because fans submit stories, places to go, evidence, and more. In fact, Are You Scared and Too Many Spirits are just stories and personal anecdotes that fans share and submit, or that Watcher finds online and read aloud in a backyard. (NOT what I would call TV quality, but okay...)
They posted a while ago that they were taking submissions for a new season of Are You Scared?, Too Many Spirits, and Ghost Files. They did this fully well-aware that they would soon release a paywall. Do they expect fans to pay 6 dollars to see their own submissions? Additionally, they could pass it off as free before this- even though they were getting paid- but now they are locking this service behind a paywall, meaning they make money directly from these stories and this content. People who submitted stories should be compensated since Watcher makes money from fan content.
This still does not acknowledge that they have not responded yet. It has been nearly three days since this blew up, and they have been almost silent. And it is deafening. The only things people have gotten are posts and statements from friends and spouses of the owners that are as out-of-touch and ridiculous as this decision. This shows people that they are doubling down. They had time in the initial 24 hours to respond, and the longer they took to respond, the worse it was getting. It's very telling and a slap in the face to people who have supported them for years, from Buzzfeed to this, through many different times, including the pandemic. Watcher relies so heavily on their audience, yet they do not have the respect for their audience to at least put out a small statement. That is why people are upset. They were helped and built up so much by their audience, then made a video saying, "Thanks for supporting us for years, but if you can't afford us anymore, get out," and maintained radio silence. At the same time, their close friends and family basically called people entitled for not wanting to pay for a service they did not ask for, during a global economic crisis. No one asked for "higher production value" or "TV quality." People were happy with normal, low-production content, like the kind that got them famous/popular in the first place. Yes, they can want to make more expensive content, but they cannot guilt-trip their fanbase into paying for it. I am a small creative. If I make a ridiculously expensive art piece or something with expensive materials, then hand it to someone and say, now you have to pay me for this, even though you didn't ask for this, they will not pay me. It's as simple as that.
Yes, artists should get paid. But Watcher already get paid generously. Not only have they done wrong to their fans, but they have also screwed over their patreon members by essentially saying that they have to pay double for their content. They suddenly switched the tiers on Patreon, removed most of the content, and left only the podcast, and their members do not even get the subscription for free. Most of their Patreon members pay between the $ 10 and $20 tiers, but many also pay around $100. They don't get the service for free even after paying Watcher that much and for so many years. That's spitting on the people who have financially supported you for years.
All in all, this is a very poor financial and business decision, and they are making it worse by remaining silent. They have alienated most of their audience, upset most paying supporters, and been trending for three days for all the wrong reasons. Massive YouTubers have made videos on this, and it has broken from fandom drama into the general internet. This is the beginning of the end, unfortunately. I don't wish any ill will, this is not hate at all. No one at Watcher is a bad person at all, they just made a bad business decision. Unless they apologize, I can't see this working out.
Sorry for the massively long post, I’m not an avid watcher (hehe) or fan of their content but I've had many thoughts bouncing around my head about this business decision since this started, and I wanted to share.
TLDR: Watcher made a seriously bad business decision that upset most of their audience, including paying supporters; claimed to be struggling even though they very clearly aren't and have not responded to their incensed fanbase yet, despite the urgent need to do so.
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