#BHS Hip-Hop Quotable Wednesdays - De La Soul (RIP Plug 2 Dave Jolicoeur) feat Mos Def - “Big Brother Beat”
#BHS Hip-Hop Quotable Wednesdays - De La Soul (RIP Plug 2 Dave Jolicoeur) feat Mos Def - “Big Brother Beat”
[Mos Def mumbling]Centralised or way out in the sticks
[Intro]Ha ha ha haHa, ha ha ha haHa! Ha ha ha haAh-ha ha ha, ah-ha ha ha ha, ha!!
[Hook: De La & Mos Def]Now, this goes out to all area cliquesCentralized or way out in the sticksRemember to keep the De La in the mixJust like log cabin syrup, our sound is game thickNow, this goes out to all area cliquesFrom manicured lawns to projects bricks…
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J. Cole Asserts Lyrical Dominance On “The Climb Back”
He may seem like an artist who remains silent, but behind the scenes, J. Cole is always cooking up something praiseworthy in the studio. The mostly-unproblematic rapper isn’t one for controversies, but his recent tit-for-tat with Noname found his name in headlines. The distraction didn’t seem to knock Cole off of his hustle as he prepares for the release of his forthcoming project, The Fall Off.
On Wednesday (July 22), J. Cole delivered not one, but two new singles. He shared his impressive “Lion King on Ice” produced by himself, T-Minus, and JetsonMade, and he followed that up with “The Climb Back.” The latter track, also produced by Cole, is a smoother approach from the North Carolina icon, so give it a few spins and let us know what you think of this one by the Dreamville mogul.
Quotable Lyrics
Of black corpses in county morgues, Lord, those images hauntin’
I ain’t been sleep yet, it’s 10 in the morning
I’m sendin’ a warnin’, a problem with me is like the BET hip hop awards
I’m startin’ to see you n*ggas don’t want it
I’m sick of this flauntin’, from n*ggas I know for sho’ ain’t got mo dough than Cole
Trash rappers, ass backwards, tryna go toe to toe
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One of my first vinyl records in my collection as a kid 🎼 "Candy Girl" by New Edition, call it soft or sweet but back then New Edition was and still is the shit. This song passed Michael Jackson in Billboard top 40 and was #1. The ladies loved them and the fellas respected them, when I look at this pic it makes me think of a hip hop quotable 🎙🎙🎙🎙🎙 A nigga never been as broke as me – I like that When I was young I had two pair of Lees, besides that The pin stripes and the gray The one I wore on Mondays and Wednesdays While niggas flirt I'm sewing tigers on my shirts, and alligators You want to see the inside, I see you later Here comes the drama, oh That's that nigga with the fake, blaow Why you punch me in my face? Stay in your place Play your position, here come my intuition Go in this nigga pocket, rob him while his friends watchin' And hoes clockin', here comes respect His crew's your crew or they might be next Look at they man eye, big man, they never try So we rolled with them, stole with them I mean loyalty, niggas bought me milks at lunch The milks was chocolate, the cookies, butter crunch 88 Oshkosh and blue and white dunks; pass the blunts! __________________ #neweditionmovie #newedition #neweditionbet #bbd #ralphtresvant #bobbybrown #abc #boys2men Mentally hip hop & r&b on some Smooth gangsta tip.
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Hip- Hop Quotable Wednesdays - Kendrick Lamar - “We Cry Together”
Hip- Hop Quotable Wednesdays – Kendrick Lamar – “We Cry Together”
Oh-oh, oh-oh, oh-ohOh-oh, oh-oh, oh-oh, ohHold, hold onto each otherHold, hold onto each other(This is what the world sounds like)Nah, f–k you, n—a
You got me f–ked upF–k you, f–k you
I swear, I’m tired of these emotional ass, ungrateful ass b—hes (shut the f–k up)Unstable ass, confrontational ass dumb b—hesYou wanna bring a n—a down even when I’m tryna do rightWe could go our separate ways…
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J. Cole Asserts Lyrical Dominance On “The Climb Back”
He may seem like an artist who remains silent, but behind the scenes, J. Cole is always cooking up something praiseworthy in the studio. The mostly-unproblematic rapper isn’t one for controversies, but his recent tit-for-tat with Noname found his name in headlines. The distraction didn’t seem to knock Cole off of his hustle as he prepares for the release of his forthcoming project, The Fall Off.
On Wednesday (July 22), J. Cole delivered not one, but two new singles. He shared his impressive “Lion King on Ice” produced by himself, T-Minus, and JetsonMade, and he followed that up with “The Climb Back.” The latter track, also produced by Cole, is a smoother approach from the North Carolina icon, so give it a few spins and let us know what you think of this one by the Dreamville mogul.
Quotable Lyrics
Of black corpses in county morgues, Lord, those images hauntin’
I ain’t been sleep yet, it’s 10 in the morning
I’m sendin’ a warnin’, a problem with me is like the BET hip hop awards
I’m startin’ to see you n*ggas don’t want it
I’m sick of this flauntin’, from n*ggas I know for sho’ ain’t got mo dough than Cole
Trash rappers, ass backwards, tryna go toe to toe
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0 notes
J. Cole Asserts Lyrical Dominance On “The Climb Back”
He may seem like an artist who remains silent, but behind the scenes, J. Cole is always cooking up something praiseworthy in the studio. The mostly-unproblematic rapper isn’t one for controversies, but his recent tit-for-tat with Noname found his name in headlines. The distraction didn’t seem to knock Cole off of his hustle as he prepares for the release of his forthcoming project, The Fall Off.
On Wednesday (July 22), J. Cole delivered not one, but two new singles. He shared his impressive “Lion King on Ice” produced by himself, T-Minus, and JetsonMade, and he followed that up with “The Climb Back.” The latter track, also produced by Cole, is a smoother approach from the North Carolina icon, so give it a few spins and let us know what you think of this one by the Dreamville mogul.
Quotable Lyrics
Of black corpses in county morgues, Lord, those images hauntin’
I ain’t been sleep yet, it’s 10 in the morning
I’m sendin’ a warnin’, a problem with me is like the BET hip hop awards
I’m startin’ to see you n*ggas don’t want it
I’m sick of this flauntin’, from n*ggas I know for sho’ ain’t got mo dough than Cole
Trash rappers, ass backwards, tryna go toe to toe
from Young And Hungry Entertainment https://ift.tt/3eMdxWo
via Young And Hungry Ent.
source https://youngandhungryent.blogspot.com/2020/07/j-cole-asserts-lyrical-dominance-on.html
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via Young And Hungry Ent.
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source https://youngandhungryent.blogspot.com/2020/07/j-cole-asserts-lyrical-dominance-on_24.html
0 notes
J. Cole Asserts Lyrical Dominance On “The Climb Back”
He may seem like an artist who remains silent, but behind the scenes, J. Cole is always cooking up something praiseworthy in the studio. The mostly-unproblematic rapper isn’t one for controversies, but his recent tit-for-tat with Noname found his name in headlines. The distraction didn’t seem to knock Cole off of his hustle as he prepares for the release of his forthcoming project, The Fall Off.
On Wednesday (July 22), J. Cole delivered not one, but two new singles. He shared his impressive “Lion King on Ice” produced by himself, T-Minus, and JetsonMade, and he followed that up with “The Climb Back.” The latter track, also produced by Cole, is a smoother approach from the North Carolina icon, so give it a few spins and let us know what you think of this one by the Dreamville mogul.
Quotable Lyrics
Of black corpses in county morgues, Lord, those images hauntin’
I ain’t been sleep yet, it’s 10 in the morning
I’m sendin’ a warnin’, a problem with me is like the BET hip hop awards
I’m startin’ to see you n*ggas don’t want it
I’m sick of this flauntin’, from n*ggas I know for sho’ ain’t got mo dough than Cole
Trash rappers, ass backwards, tryna go toe to toe
from Young And Hungry Entertainment https://ift.tt/3eMdxWo
via Young And Hungry Ent.
source https://youngandhungryent.blogspot.com/2020/07/j-cole-asserts-lyrical-dominance-on.html
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via Young And Hungry Ent.
source https://youngandhungryent.blogspot.com/2020/07/j-cole-asserts-lyrical-dominance-on_23.html
from Young And Hungry Entertainment https://ift.tt/2WQSRX1
via Young And Hungry Ent.
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source https://youngandhungryent.blogspot.com/2020/07/j-cole-asserts-lyrical-dominance-on_58.html
0 notes
J. Cole Asserts Lyrical Dominance On “The Climb Back”
He may seem like an artist who remains silent, but behind the scenes, J. Cole is always cooking up something praiseworthy in the studio. The mostly-unproblematic rapper isn’t one for controversies, but his recent tit-for-tat with Noname found his name in headlines. The distraction didn’t seem to knock Cole off of his hustle as he prepares for the release of his forthcoming project, The Fall Off.
On Wednesday (July 22), J. Cole delivered not one, but two new singles. He shared his impressive “Lion King on Ice” produced by himself, T-Minus, and JetsonMade, and he followed that up with “The Climb Back.” The latter track, also produced by Cole, is a smoother approach from the North Carolina icon, so give it a few spins and let us know what you think of this one by the Dreamville mogul.
Quotable Lyrics
Of black corpses in county morgues, Lord, those images hauntin’
I ain’t been sleep yet, it’s 10 in the morning
I’m sendin’ a warnin’, a problem with me is like the BET hip hop awards
I’m startin’ to see you n*ggas don’t want it
I’m sick of this flauntin’, from n*ggas I know for sho’ ain’t got mo dough than Cole
Trash rappers, ass backwards, tryna go toe to toe
from Young And Hungry Entertainment https://ift.tt/3eMdxWo
via Young And Hungry Ent.
source https://youngandhungryent.blogspot.com/2020/07/j-cole-asserts-lyrical-dominance-on.html
from Young And Hungry Entertainment https://ift.tt/2WN0GNy
via Young And Hungry Ent.
source https://youngandhungryent.blogspot.com/2020/07/j-cole-asserts-lyrical-dominance-on_23.html
from Young And Hungry Entertainment https://ift.tt/2WQSRX1
via Young And Hungry Ent.
source https://youngandhungryent.blogspot.com/2020/07/j-cole-asserts-lyrical-dominance-on_4.html
0 notes
J. Cole Asserts Lyrical Dominance On “The Climb Back”
He may seem like an artist who remains silent, but behind the scenes, J. Cole is always cooking up something praiseworthy in the studio. The mostly-unproblematic rapper isn’t one for controversies, but his recent tit-for-tat with Noname found his name in headlines. The distraction didn’t seem to knock Cole off of his hustle as he prepares for the release of his forthcoming project, The Fall Off.
On Wednesday (July 22), J. Cole delivered not one, but two new singles. He shared his impressive “Lion King on Ice” produced by himself, T-Minus, and JetsonMade, and he followed that up with “The Climb Back.” The latter track, also produced by Cole, is a smoother approach from the North Carolina icon, so give it a few spins and let us know what you think of this one by the Dreamville mogul.
Quotable Lyrics
Of black corpses in county morgues, Lord, those images hauntin’
I ain’t been sleep yet, it’s 10 in the morning
I’m sendin’ a warnin’, a problem with me is like the BET hip hop awards
I’m startin’ to see you n*ggas don’t want it
I’m sick of this flauntin’, from n*ggas I know for sho’ ain’t got mo dough than Cole
Trash rappers, ass backwards, tryna go toe to toe
from Young And Hungry Entertainment https://ift.tt/3eMdxWo
via Young And Hungry Ent.
source https://youngandhungryent.blogspot.com/2020/07/j-cole-asserts-lyrical-dominance-on.html
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via Young And Hungry Ent.
source https://youngandhungryent.blogspot.com/2020/07/j-cole-asserts-lyrical-dominance-on_23.html
0 notes
J. Cole Asserts Lyrical Dominance On "The Climb Back"
He may seem like an artist who remains silent, but behind the scenes, J. Cole is always cooking up something praiseworthy in the studio. The mostly-unproblematic rapper isn't one for controversies, but his recent tit-for-tat with Noname found his name in headlines. The distraction didn't seem to knock Cole off of his hustle as he prepares for the release of his forthcoming project, The Fall Off.
On Wednesday (July 22), J. Cole delivered not one, but two new singles. He shared his impressive "Lion King on Ice" produced by himself, T-Minus, and JetsonMade, and he followed that up with "The Climb Back." The latter track, also produced by Cole, is a smoother approach from the North Carolina icon, so give it a few spins and let us know what you think of this one by the Dreamville mogul.
Quotable Lyrics
Of black corpses in county morgues, Lord, those images hauntin'
I ain't been sleep yet, it's 10 in the morning
I'm sendin' a warnin', a problem with me is like the BET hip hop awards
I'm startin' to see you n*ggas don't want it
I'm sick of this flauntin', from n*ggas I know for sho' ain't got mo dough than Cole
Trash rappers, ass backwards, tryna go toe to toe
from Young And Hungry Entertainment https://ift.tt/3eMdxWo
via Young And Hungry Ent.
source https://youngandhungryent.blogspot.com/2020/07/j-cole-asserts-lyrical-dominance-on.html
0 notes
Doja Cat Proves Her Versatility On “Boss Bitch” Off The “Birds Of Prey” Soundtrack
When it was announced earlier this month that Doja Cat would be among the artists featured on the official Birds of Prey soundtrack dropping on February 7th, the moment couldn’t come soon enough. Though Megan Thee Stallion and Normani dropped their collab, “Diamonds,” for the soundtrack ahead of the film’s release, but there was no guarantee that any other ladies on the hip-hop-heavy tracklist would be following in their footsteps. It was a pleasant surprise, then, when Doja revealed on Wednesday that her single, “Boss B*tch,” from the film would be dropping on Thursday. The moment has arrived, and truth be told, Doja has absolutely smacked us over the head and delivered excellence with this track.
Spitting energetically over an infectious house beat, Doja’s flow on “Boss B*tch” is reminiscent of an early Azealia Banks, particularly on the second pre-chorus. Of course, the track approaches the film’s girl power messaging with a braggadocious, unapologetic attitude mirroring the core theme executed in “Diamonds” both lyrically and sonically, though with less seduction and more intimidation. The “Juicy” rapper even seems to give a shoutout to one of her Birds of Prey soundtrack-mates in the line, “I been a stallion, you been a seahorse.”
What “Boss B*tch” serves to do, if nothing else, is to reaffirm Doja’s ability to adapt. She is constantly reinventing herself with a yet another new sound, and this track just further proves her versatility as an artist.
Quotable Lyrics
You ain’t even here to party
Ken in the club tryna pipe a Barbie
I don’t wanna go go go with the flow
Back bend till I touch my toes
I don’t wanna row row row the boat
Wrist full of rocks and I hope I float
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0 notes
Doja Cat Proves Her Versatility On “Boss Bitch” Off The “Birds Of Prey” Soundtrack
When it was announced earlier this month that Doja Cat would be among the artists featured on the official Birds of Prey soundtrack dropping on February 7th, the moment couldn’t come soon enough. Though Megan Thee Stallion and Normani dropped their collab, “Diamonds,” for the soundtrack ahead of the film’s release, but there was no guarantee that any other ladies on the hip-hop-heavy tracklist would be following in their footsteps. It was a pleasant surprise, then, when Doja revealed on Wednesday that her single, “Boss B*tch,” from the film would be dropping on Thursday. The moment has arrived, and truth be told, Doja has absolutely smacked us over the head and delivered excellence with this track.
Spitting energetically over an infectious house beat, Doja’s flow on “Boss B*tch” is reminiscent of an early Azealia Banks, particularly on the second pre-chorus. Of course, the track approaches the film’s girl power messaging with a braggadocious, unapologetic attitude mirroring the core theme executed in “Diamonds” both lyrically and sonically, though with less seduction and more intimidation. The “Juicy” rapper even seems to give a shoutout to one of her Birds of Prey soundtrack-mates in the line, “I been a stallion, you been a seahorse.”
What “Boss B*tch” serves to do, if nothing else, is to reaffirm Doja’s ability to adapt. She is constantly reinventing herself with a yet another new sound, and this track just further proves her versatility as an artist.
Quotable Lyrics
You ain’t even here to party
Ken in the club tryna pipe a Barbie
I don’t wanna go go go with the flow
Back bend till I touch my toes
I don’t wanna row row row the boat
Wrist full of rocks and I hope I float
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via Young And Hungry Ent.
source https://youngandhungryent.blogspot.com/2020/01/doja-cat-proves-her-versatility-on-boss.html
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source https://youngandhungryent.blogspot.com/2020/01/doja-cat-proves-her-versatility-on-boss_11.html
0 notes
Doja Cat Proves Her Versatility On “Boss Bitch” Off The “Birds Of Prey” Soundtrack
When it was announced earlier this month that Doja Cat would be among the artists featured on the official Birds of Prey soundtrack dropping on February 7th, the moment couldn’t come soon enough. Though Megan Thee Stallion and Normani dropped their collab, “Diamonds,” for the soundtrack ahead of the film’s release, but there was no guarantee that any other ladies on the hip-hop-heavy tracklist would be following in their footsteps. It was a pleasant surprise, then, when Doja revealed on Wednesday that her single, “Boss B*tch,” from the film would be dropping on Thursday. The moment has arrived, and truth be told, Doja has absolutely smacked us over the head and delivered excellence with this track.
Spitting energetically over an infectious house beat, Doja’s flow on “Boss B*tch” is reminiscent of an early Azealia Banks, particularly on the second pre-chorus. Of course, the track approaches the film’s girl power messaging with a braggadocious, unapologetic attitude mirroring the core theme executed in “Diamonds” both lyrically and sonically, though with less seduction and more intimidation. The “Juicy” rapper even seems to give a shoutout to one of her Birds of Prey soundtrack-mates in the line, “I been a stallion, you been a seahorse.”
What “Boss B*tch” serves to do, if nothing else, is to reaffirm Doja’s ability to adapt. She is constantly reinventing herself with a yet another new sound, and this track just further proves her versatility as an artist.
Quotable Lyrics
You ain’t even here to party
Ken in the club tryna pipe a Barbie
I don’t wanna go go go with the flow
Back bend till I touch my toes
I don’t wanna row row row the boat
Wrist full of rocks and I hope I float
from Young And Hungry Entertainment https://ift.tt/2TRF3e8
via Young And Hungry Ent.
source https://youngandhungryent.blogspot.com/2020/01/doja-cat-proves-her-versatility-on-boss.html
from Young And Hungry Entertainment https://ift.tt/2TRuCYg
via Young And Hungry Ent.
source https://youngandhungryent.blogspot.com/2020/01/doja-cat-proves-her-versatility-on-boss_23.html
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source https://youngandhungryent.blogspot.com/2020/01/doja-cat-proves-her-versatility-on-boss_24.html
0 notes
Doja Cat Proves Her Versatility On “Boss Bitch” Off The “Birds Of Prey” Soundtrack
When it was announced earlier this month that Doja Cat would be among the artists featured on the official Birds of Prey soundtrack dropping on February 7th, the moment couldn’t come soon enough. Though Megan Thee Stallion and Normani dropped their collab, “Diamonds,” for the soundtrack ahead of the film’s release, but there was no guarantee that any other ladies on the hip-hop-heavy tracklist would be following in their footsteps. It was a pleasant surprise, then, when Doja revealed on Wednesday that her single, “Boss B*tch,” from the film would be dropping on Thursday. The moment has arrived, and truth be told, Doja has absolutely smacked us over the head and delivered excellence with this track.
Spitting energetically over an infectious house beat, Doja’s flow on “Boss B*tch” is reminiscent of an early Azealia Banks, particularly on the second pre-chorus. Of course, the track approaches the film’s girl power messaging with a braggadocious, unapologetic attitude mirroring the core theme executed in “Diamonds” both lyrically and sonically, though with less seduction and more intimidation. The “Juicy” rapper even seems to give a shoutout to one of her Birds of Prey soundtrack-mates in the line, “I been a stallion, you been a seahorse.”
What “Boss B*tch” serves to do, if nothing else, is to reaffirm Doja’s ability to adapt. She is constantly reinventing herself with a yet another new sound, and this track just further proves her versatility as an artist.
Quotable Lyrics
You ain’t even here to party
Ken in the club tryna pipe a Barbie
I don’t wanna go go go with the flow
Back bend till I touch my toes
I don’t wanna row row row the boat
Wrist full of rocks and I hope I float
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Doja Cat Proves Her Versatility On “Boss Bitch” Off The “Birds Of Prey” Soundtrack
When it was announced earlier this month that Doja Cat would be among the artists featured on the official Birds of Prey soundtrack dropping on February 7th, the moment couldn’t come soon enough. Though Megan Thee Stallion and Normani dropped their collab, “Diamonds,” for the soundtrack ahead of the film’s release, but there was no guarantee that any other ladies on the hip-hop-heavy tracklist would be following in their footsteps. It was a pleasant surprise, then, when Doja revealed on Wednesday that her single, “Boss B*tch,” from the film would be dropping on Thursday. The moment has arrived, and truth be told, Doja has absolutely smacked us over the head and delivered excellence with this track.
Spitting energetically over an infectious house beat, Doja’s flow on “Boss B*tch” is reminiscent of an early Azealia Banks, particularly on the second pre-chorus. Of course, the track approaches the film’s girl power messaging with a braggadocious, unapologetic attitude mirroring the core theme executed in “Diamonds” both lyrically and sonically, though with less seduction and more intimidation. The “Juicy” rapper even seems to give a shoutout to one of her Birds of Prey soundtrack-mates in the line, “I been a stallion, you been a seahorse.”
What “Boss B*tch” serves to do, if nothing else, is to reaffirm Doja’s ability to adapt. She is constantly reinventing herself with a yet another new sound, and this track just further proves her versatility as an artist.
Quotable Lyrics
You ain’t even here to party
Ken in the club tryna pipe a Barbie
I don’t wanna go go go with the flow
Back bend till I touch my toes
I don’t wanna row row row the boat
Wrist full of rocks and I hope I float
from Young And Hungry Entertainment https://ift.tt/2TRF3e8
via Young And Hungry Ent.
source https://youngandhungryent.blogspot.com/2020/01/doja-cat-proves-her-versatility-on-boss.html
from Young And Hungry Entertainment https://ift.tt/2TRuCYg
via Young And Hungry Ent.
source https://youngandhungryent.blogspot.com/2020/01/doja-cat-proves-her-versatility-on-boss_23.html
from Young And Hungry Entertainment https://ift.tt/2RIzex8
via Young And Hungry Ent.
source http://feedproxy.google.com/~r/yahblogger/~3/jpt3KEofCG8/doja-cat-proves-her-versatility-on-boss_83.html
from Young And Hungry Entertainment https://ift.tt/2TY3bfr
via Young And Hungry Ent.
source https://youngandhungryent.blogspot.com/2020/01/doja-cat-proves-her-versatility-on-boss_27.html
0 notes
Doja Cat Proves Her Versatility On “Boss Bitch” Off The “Birds Of Prey” Soundtrack
When it was announced earlier this month that Doja Cat would be among the artists featured on the official Birds of Prey soundtrack dropping on February 7th, the moment couldn’t come soon enough. Though Megan Thee Stallion and Normani dropped their collab, “Diamonds,” for the soundtrack ahead of the film’s release, but there was no guarantee that any other ladies on the hip-hop-heavy tracklist would be following in their footsteps. It was a pleasant surprise, then, when Doja revealed on Wednesday that her single, “Boss B*tch,” from the film would be dropping on Thursday. The moment has arrived, and truth be told, Doja has absolutely smacked us over the head and delivered excellence with this track.
Spitting energetically over an infectious house beat, Doja’s flow on “Boss B*tch” is reminiscent of an early Azealia Banks, particularly on the second pre-chorus. Of course, the track approaches the film’s girl power messaging with a braggadocious, unapologetic attitude mirroring the core theme executed in “Diamonds” both lyrically and sonically, though with less seduction and more intimidation. The “Juicy” rapper even seems to give a shoutout to one of her Birds of Prey soundtrack-mates in the line, “I been a stallion, you been a seahorse.”
What “Boss B*tch” serves to do, if nothing else, is to reaffirm Doja’s ability to adapt. She is constantly reinventing herself with a yet another new sound, and this track just further proves her versatility as an artist.
Quotable Lyrics
You ain’t even here to party
Ken in the club tryna pipe a Barbie
I don’t wanna go go go with the flow
Back bend till I touch my toes
I don’t wanna row row row the boat
Wrist full of rocks and I hope I float
from Young And Hungry Entertainment https://ift.tt/2TRF3e8
via Young And Hungry Ent.
source https://youngandhungryent.blogspot.com/2020/01/doja-cat-proves-her-versatility-on-boss.html
from Young And Hungry Entertainment https://ift.tt/2TRuCYg
via Young And Hungry Ent.
source https://youngandhungryent.blogspot.com/2020/01/doja-cat-proves-her-versatility-on-boss_23.html
from Young And Hungry Entertainment https://ift.tt/2RIzex8
via Young And Hungry Ent.
source http://feedproxy.google.com/~r/yahblogger/~3/jpt3KEofCG8/doja-cat-proves-her-versatility-on-boss_83.html
0 notes