Parzinger:
"Es ist jetzt nicht mehr zu leugnen: Die Kultur wird angegriffen. Wir brauchen jetzt nicht nur verstärkten Schutz für unsere Schätze – wir brauchen eine gesellschaftliche Debatte darüber, wie wir unsere kulturellen Werte verteidigen.”
“Die markante und weltberühmte Granitschale vor dem Alten Museum ist auf fürchterliche Weise beschmiert worden.”
https://www.deutschlandfunkkultur.de/kulturnachrichten.265.de.html?drn:date=2020-10-25
https://www.faz.net/aktuell/feuilleton/debatten/stiftung-praesident-parzinger-die-kultur-wird-angegriffen-17017948.html
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Magische Spiegelungen – Johann Erdmann Hummel 22.10.2021 bis 20.02.2022 Alte Nationalgalerie, Johann Erdmann Hummel, Die Granitschale im Berliner Lustgarten, 1831, Staatliche Museen zu Berlin, Alte Nationalgalerie. SMB and Siraj al-Din al-Sakaki and al-Tibyan (The Clarification) and Kitab al-Shamil wa Bahr al-Kamil (The Encompassing Book and Ocean of Perfection)
Magische Spiegelungen – Johann Erdmann Hummel 22.10.2021 bis 20.02.2022 Alte Nationalgalerie, Johann Erdmann Hummel, Die Granitschale im Berliner Lustgarten, 1831, Staatliche Museen zu Berlin, Alte Nationalgalerie. SMB and Siraj al-Din al-Sakaki and al-Tibyan (The Clarification) and Kitab al-Shamil wa Bahr al-Kamil (The Encompassing Book and Ocean of Perfection)
https://blog.naver.com/artnouveau19/222645771700
Alte Nationalgalerie
:
Magische Perspektiven: Johann Erdmann Hummel in Virtual Reality
https://blog.smb.museum/magische-perspektiven-johann-erdmann-hummel-in-virtual-reality/?fbclid=IwAR07C0DxCMO2LOcZ5SkYNctUBGCK_MGHWbsguOV9MXVopsARDo5tzWscGDE
Johann Erdmann Hummel, Die Granitschale im Berliner Lustgarten, Detail, 1831, Öl auf Leinwand © Staatliche Museen zu Berlin, Nationalgalerie / Jörg P. Anders
https://www.smb.museum/ausstellungen/detail/magische-spiegelungen-johann-erdmann-hummel/
Magische Spiegelungen – Johann Erdmann Hummel
https://youtu.be/viq3nAz8FZs
Staatliche Museen zu Berlin
Die Alte Nationalgalerie widmet dem bis heute trotz seiner Bedeutung wenig wahrgenommenen Maler Johann Erdmann Hummel (1769 – 1852) eine längst fällige Ausstellung. Bereits 1924 zeigte die Nationalgalerie unter Ludwig Justi eine Retrospektive zum Künstler. Ausgehend von Werken aus der Sammlung der Nationalgalerie präsentiert die Werkschau „Magische Spiegelungen – Johann Erdmann Hummel“ nun rund 100 Jahre später eine Wiederentdeckung von Hummels Malerei.
Magische Spiegelungen – Johann Erdmann Hummel
22.10.2021 bis 20.02.2022
Alte Nationalgalerie
Magische Spiegelungen – Johann Erdmann Hummel
22.10.2021 bis 20.02.2022
Alte Nationalgalerie
Die Alte Nationalgalerie widmet dem bis heute trotz seiner Bedeutung wenig wahrgenommenen Maler Johann Erdmann Hummel (1769 – 1852) eine längst fällige Ausstellung. Bereits 1924 zeigte die Nationalgalerie unter Ludwig Justi eine Retrospektive zum Künstler. Ausgehend von Werken aus der Sammlung der Nationalgalerie präsentiert die Werkschau „Magische Spiegelungen – Johann Erdmann Hummel“ nun rund 100 Jahre später eine Wiederentdeckung von Hummels Malerei.
Siraj al-Din al-Sakaki
Sirāj al-Dīn Abū Yaʿqūb Yūsuf al-Sakkākī al-Khwārizmī (سراج الدين ابو يعقوب يوسف بن محمد السكاكي) was a Persian Muslim scholar famous for works on language, rhetoric, magic, and talismans. Like many scholars of his region and era, he wrote primarily in Arabic, although his book al-Tilasm (The Talisman) was written in Persian.
Sakkākī was born in 1160 AD (555 AH) in Khwarazm, Central Asia, where he lived most of his life.[1] He died in 1228-1229 AD (626 AH) in Qaryat al-Kindi near Farghana, in present-day Uzbekistan.[2]
Not much is known about his life. There is a hagiographical account saying that he was originally a blacksmith. When he was 30, he constructed an iron chest for the king. When he brought it to the court, he saw the members of course sitting in admiration of a man. He asked who that man was, and he was told he was a scholar. Sakkaki expressed his desire to become a scholar, at which time he was told that he was too old. In response, he dedicated himself to learning. Ten years later, he was still struggling with his studies. Frustrated, he went into the mountains, looked at the rocks, and decided that his heart (in his era, considered the center of intellect) was not harder than the rocks, rededicated himself to his studies, and became a famous scholar.[3]
In any case, it is recorded that he had connections with the state, in that he was said to have created a magical statue or image for the king at the time ('Ala al-Din Khwarazm-Shah) to use in his war against the 'Abbasid caliph al-Nasir.[4] Biographical literature also credited him with the ability to use magical powers to strike down cranes in mid-flight.[5]
In 2001, a copy of one of his handwritten manuscripts on magic, entitled Kitab al-Shamil wa Bahr al-Kamil (The Encompassing Book and Ocean of Perfection), was sold by auction for GBP 2,350.[6]
While he is said to have written on a breadth of subjects, his surviving works include:
Miftah al-'Ulum (The Key to Knowledge, on rhetoric)[7]
Kitab al-Jumal (The Book of Sentences, commentary on a pre-existing work by a similar name)
al-Tibyan (The Clarification)
al-Tilasm (The Talisman, in Persian)
Risalah fi 'Ilm al-Manazirah (A Treatise on Debating)
Kitab al-Shamil wa Bahr al-Kamil (The Encompassing Book and Ocean of Perfection)
https://en.wikipedia.org/wiki/Siraj_al-Din_al-Sakaki
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