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#Fayssal bazzi
crumb · 7 days
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𝐋𝐚𝐭𝐞 𝐍𝐢𝐠𝐡𝐭 𝐰𝐢𝐭𝐡 𝐭𝐡𝐞 𝐃𝐞𝐯𝐢𝐥 𝟐𝟎𝟐𝟑 | 𝐝𝐢𝐫. 𝐂𝐚𝐦𝐞𝐫𝐨𝐧 & 𝐂𝐨𝐥𝐢𝐧 𝐂𝐚𝐢𝐫𝐧𝐞𝐬
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ozu-teapot · 3 days
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Late Night with the Devil | Cameron Cairnes / Colin Cairnes | 2023
Fayssal Bazzi
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abs0luteb4stard · 25 days
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W 🔥 T C H I N G
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ginjointscafes · 5 days
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Late Night With The Devil (2024)
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agentnico · 1 month
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Late Night with the Devil (2024) review
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Nothing beats retro 70’s demonic haunting. It was a simpler time…
Plot: Johnny Carson rival Jack Delroy hosts a syndicated talk show ‘Night Owls’ that has long been a trusted companion to insomniacs around the country. However, ratings for the show have plummeted since the tragic death of Jack's beloved wife. Desperate to turn his fortunes around, on October 31st, 1977, Jack plans a Halloween special like no other- unaware he is about to unleash evil into the living rooms of America.
Ladies and gentlemen, please do not adjust your television sets, for there is a new found-footage horror film in town from the indy circuit, and it might just breath the right amount of fresh air into an oversaturated genre. Personally I’ve never been a major fan of found-footage. I hear folks raving about the original Blair Witch Project yet all I watched was a bunch of guys running around the woods screaming endlessly for no reason. Additionally the shaky-cam element can be so dizzying and sickly that I truly end up questioning the entertainment value of it all. There are exceptions to the rule of course. 2008’s science fiction invasion popcorn flick Cloverfield was tons of fun, as it provided a genuine experience of what it would be like if you were thrown right into the middle of monster attack in the millennial age. There are also some genuine scares and the found footage format worked really well with the film’s themes. I too enjoyed the 2020 black comedy Spree, where Joe Keery’s driver goes on a murder spree whilst constantly filming himself in hopes of becoming a viral sensation. It may not be a five-star ride, but it earns its tip for being a well crafted and inspired effort. To be fair, The Visit from M. Night Shyamalamadingdong was enjoyable piece of horror involving creepy grandparents. Okay, maybe I do enjoy found-footage flicks, but as long as they are decently made and that format style supports the narrative in a cohesive and advantageous way.
With Late Night with the Devil, ideologies of faith and the paranormal are challenged through the lens of the late-night TV format. Think how the 1976 Network analysed the corruption of the television industry, and how the camera can influence the politics and beliefs of those watching, Late Night with the Devil does the same but with the supernatural. Presented as a rediscovered master tape of a notorious Halloween late night special, it feels like we’re watching an actual talk show in real time, and the 70’s inspiration is in full display here from the grainy monitor display to the costumers to the special effects. It truly feels like we’re looking into a time capsule of the past, and that this all really happened. Again, found-footage as a filmmaking style works when it serves the purpose of the narrative, which in this case it does. It is a shame then that the movie in its finale loses the found-footage element and instead opts for the shock value by showcasing a dream-like vision of one of the characters. Granted at the time of watching the ending it did give me a “what the fuck” reaction that the movie was going for, but looking back this sequence did hinder what otherwise was a fantastic piece of creepy unique horror.
Performances across the entire cast were great and really dedicated. Wonderful to see David Dastmalchian finally get a leading role, as he’s always been a stand-out supporting performer, whether he was polka-dotting in The Suicide Squad, or stealing the comedic limelight from Paul Rudd in the Ant-Man movies, or being a haunting presence in every Denis Villeneuve epic. Dastmalchian is a true scene stealer, and at age 48 it is shocking that only now he finally gets a lead role. Regardless he is fantastic as Jack Delroy, as he balances the charming charisma of a late-night talk show host whilst also showcases the inner demons of this character, still mourning the recent death of his wife, as well as his eagerness to become relevant again after consistently losing ratings. From the quivers in his voice to the fear in his eyes, this is a really juicy showcasing role for Dastmalchian and one that is sure to be a memorable one when looking back on the actor’s rich filmography. Ingrid Torelli as Lilly the possessed survivor of a Satanic cult was truly creepy and unnerving. From her voice changes to her awkward movements, she truly felt unnatural, or dare I say supernatural, and her strangeness was at times even comical, but also really uncomfortable. Ian Bliss as Carmichael Hunt, a paranormal sceptic, too gave a powerhouse performance, delivering lines with prowess and was a truly commanding presence. Rhys Auteri rounds up the cast as Gus the announcer of Jack’s late night show, acting very befit of, say, a Higgins for Jimmy Fallon or a Guillermo for Jimmy Kimmel. He very much embraced the role as Dastmalchian’s side-kick and provided some solid light-hearted comedy to the proceedings.
Late Night with the Devil is a true delight for horror enthusiasts, with some great use of old-school practical effects evidently inspired by 1982’s The Thing, solid sound design that harkened back to that era of television, and enough unsettling moments of suspense to entertain and shock. Minus a couple of cheap electrical sparks there isn’t any CGI used which is refreshing, and overall visually the retro element was truly delightful. Again, the ending does scratch some heads, but overall this is a refreshing piece of campy horror, with a showcasing performance from Dastmalchian. In this you can truly put your faith on.
Overall score: 7/10
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cinemaquiles · 6 days
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O curioso "Tarde da noite com o diabo" (Late night with the devil, 2023)
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moviesandmania · 6 months
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LATE NIGHT WITH THE DEVIL (2023) Reviews of found-footage horror and release news
‘The live television event that shocked the nation!’ Late Night With the Devil is a 2023 Australian found-footage horror film about a live television broadcast in 1977 that goes horribly wrong, unleashing evil into the nation’s living rooms. Written and directed by Cameron Cairnes and Colin Cairnes (Scare Campaign; 100 Bloody Acres). Produced by Roy Lee (It; The Grudge; The Ring), Steven…
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hughmanrights · 16 days
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Late Night With The Devil review Director(s): Colin and Cameron Cairnes. Main cast: David Dastmalchian, Laura Gordon, Fayssal Bazzi, Ian Bliss and Ingrid Torelli. Runtime: 93 minutes. Basic Plot: A struggling talk show host in 1970s America interacts with dark forces to improve his reputation. Caution Warning: ⁃ Depictions of extreme violence. Overall Thoughts: Late Night with the Devil is an intriguing film. This film’s story, acting and special effects are all great. Grief, greed, fear and gullibility are themes heavily explored in Late Night with the Devil. Overall rating: 4.7 out of 5 stars
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themosleyreview · 19 days
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The Mosley Review: Late Night with the Devil
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The easiest and sometimes over saturated genre of horror is the supernatural. Specifically, dealings in the occult, religious themes and the occasional demonic possession arc of a story can be fun, if its with a fresh take. Honestly, I believe every year there is at least 4 different possession films alone and they all are sourced back to the church one way or another. Every once in a while, you get a possession story that has a unique twist on the genre. This film takes not only the psychological road, but also the skepticism and illusionary work and I loved every second of it. The documentary / found footage element truly works in its favor in keeping you immersed in the story and the characters in a way that was refreshing and exciting. Its a small and contained story that felt more like a stage play at times than an episode of a late night talk show which also is a major plus.
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David Dastmalchian is one of the most underappreciated character actors working in Hollywood and as Jack Delroy, the host of Night Owls with Jack Delroy, he shows that he can most definitely hold your attention as a leading man. The emotional depths he takes Jack on in some of the most subtle ways in his eyes was magical. Jack was definitely the classic portrayal of ambition and selfishness that overtakes his care for those he calls friends. I was absolutely enthralled with his performance and I can't stress enough how amazing he is. Rhys Auteri was fantastic and heartwarming as his sidekick, Gus McConnell. The two of them are your classic duo of host and comedic relief, but you get a deeper look into their friendship and I loved how he was the voice of reason in many scenes. Gus gets a moment that was visually grotesque and awesome in practicality. Josh Quong Tart was perfect as their greedy and intense producer Leo Fiske. Fayssal Bazzi was great and fun as a the first psychic guest Christou. I liked that through him, we see the level of skepticism in motion and the first taste of the paranormal that may or may not have happened. Ian Bliss was truly one of the biggest standouts and a great antagonist as the magician turned skeptic, Carmichael the Conjurer. Even though he was such a condescending and sometimes obnoxious guest, he had truly great arguments. He had the juiciest dialogue in the film as well. Laura Gordon was excellent as the parapsychologist and author, Dr. June Ross-Mitchell. Her connection to her patient was never understated and it was tense with every warning she gave about how unstable things could get. Ingrid Torelli was outstanding as her patient Lilly D'Abo. There are so many layers to her performance and the many visual tricks that are displayed on and around her. Once she becomes possessed, she gives a great physical performance even if its a bit brief. The amount of time used in her demonic state was well utilized and I liked that even when she wasn't under control of the other being, there was a sense of something clawing at the surface of her mind.
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The score by Glenn Richards and Roscoe James Irwin was excellent and I loved the theme of the talk show and how much of an earworm it became for me. The use of silence is well used to punctuate the level of terror and eerie visuals. There are so many subtle touches visually happening at all times and one of my favorites happens once Lilly arrives. The cinematography was outstanding and I loved that the aspect ratio was correct for the time period and how the backstage footage was captured in black and white. It was a great breathing point for the narrative and the characters. The cgi effects that happen in the last bit of film sort of ruined the magic a bit and I wished that was more subtle in execution. With a genre that is overly saturated with the same type of story, this film truly takes a trip down an untapped avenue of the supernatural horror spectrum and it was a welcomed one. This was something truly special. Let me know what you thought of the film or my review in the comments below. Thanks for reading!
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thepapillon · 1 year
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it’s just as important to know that sometimes, no matter how wrong it is, you can’t change it. a lot of the bad stuff in the world wasn’t really that bad until someone tried to change it.
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spryfilm · 6 days
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Film review: “Late Night with the Devil” (2023)
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spookytuesdaypod · 11 days
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spooky tuesday is a (now not so new!) podcast where we’re breaking down all of our favorite slashers, thrillers, monster movies and black comedies on the new scariest day of the week.
late night with the devil (2024) is making waves as the newest found-footage, real-time feature in horror, but does it live up to the hype? and what’s up with that ai art controversy? we sat down in front of our tv sets to see what the deal was for ourselves, but we think we might’ve gotten a little sleepy halfway through — or did anyone else hallucinate that a big giant worm was part of this movie? on a new spooky tuesday, we’re reviewing the tapes as we talk about all things aspect ratio, feminine rage, and forest orgies.
give spooky tuesday a listen on apple podcasts, spotify, iheart radio, or stitcher
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screenzealots · 1 month
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"Late Night With the Devil"
I really loved the period horror film “Late Night With the Devil,” a near-total success of a genre thriller from co-writers and co-directors (and real-life brothers) Cameron and Colin Cairnes. Taking a crackerjack premise and combining it with a clear creative vision, this may very well prove to be one of the most well done indies of the decade. Set on Halloween night in 1977 during Sweeps Week,…
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jmunneytumbler · 1 month
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Book Me a Permanent Seat at the 'Late Night with the Devil'!
Book Me a Permanent Seat at the 'Late Night with the Devil'!
Welcome back! (CREDIT: IFC Films and Shudder) Starring: David Dastmalchian, Laura Gordon, Ingrid Torelli, Rhys Auteri, Ian Bliss, Fayssal Bazzi, Josh Quong Tart, Georgina Haig, Michael Ironside Directors: Colin and Cameron Cairnes Running Time: 93 Minutes Rating: R Release Date: March 22, 2024 (Theaters) Here’s the deal: in the weeks leading up to Late Night with the Devil‘s release, I kept…
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ginjointscafes · 1 day
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Late Night With The Devil (2024)
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themnmovieman · 1 month
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Movie Review ~ Late Night with the Devil
With its unconventional approach to storytelling, blurring the lines between reality and fiction, Late Night with the Devil has the groovy goods to elicit a few nice shocks.
Late Night with the Devil Synopsis: A live television broadcast in 1977 goes horribly wrong, unleashing evil into the nation’s living rooms.Stars: David Dastmalchian, Laura Gordon, Ian Bliss, Ingrid Torelli, Fayssal Bazzi, Rhys AuteriDirector: Cameron and Colin CairnesRated: RRunning Length: 93 minutes Review: Every subgenre has its day, and the time of the found footage horror films has passed.…
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