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#FLUX OF PINK INDIANS 1984
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THE END WAS NIGH FOR ANARCHO IN THE UK -- WELCOME TO 1984.
PIC(S) INFO: Spotlight on shots of UK anarcho punk bands CRASS and FLUX OF PINK INDIANS, performing live at Aberdare Coliseum, Wales, UK, on 11th July 1984, with both bands breaking up before the end of said year. 📸: John Wright.
Source: www.picuki.com/media/3222141522281605015 (2x).
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The Untold Story of Chumbawamba with Dunstan Bruce
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Dunstan Bruce is perhaps most famous for his lead vocals and listing of libations in the Chumbawamba pop hit, Tubthumping. But there is so much more to him and that band than that one song. For the hour we touch on some of the band’s 30 year history, their relation as a collective, anarchist band to social justice movements around the world and how they used their fame and money to give back, Dunstan’s recently finished documentary “I Get Knocked Down: The Untold Story of Chumbawamba” and his accompanying one man show “Am I Invisible Yet?”, aging and the battle for relevance, staying involved in politics and more. “I Get Knocked Down” is still seeking distribution so not streamable, but keep an eye on the fakebook page for updates on that, and you can find his prior documentary on Chumbawamba published about 20 years ago on youtube, entitled “Well Done, Now Sod Off!”
You can find a rather embarrassing mixtape from us years ago on archive.org, expect a replacement playlist for it soon.
Chumbawamaba-related:
Bandcamp: https://chumbawamba.bandcamp.com/music
Wikipedia Article: https://en.wikipedia.org/wiki/Chumbawamba
Good 2012 article on the band
Writeup on Anarcho-Punk.Net
Interrobang!?
Some hijinks from the era:
Miner Strike
Poll Tax
IndyMedia (benefited from Chumbawamba $$)
CorpWatch (benefited from Chumbawamba $$)
Bristol Social Centre (benefited from Chumbawamba $$)
Radio Onda Rossa (benefitted from Chumbawamba $$)
June 18, 1999 Carnival Against Capital protest party in London
The Sisters of Perpetual Indulgence (benefited from Homophobia Single)
Mumia Abu-Jamal on Letterman
BASE social centre in Bristol (benefited from Chumbawamba $$)
Other music related projects mentioned:
Loud Women Festival
Pussy Riot in the Orthodox Church
Flux of Pink Indians
Crass
Dunstan’s Other Docs
A Curious Life – The Story of the Levellers
Sham 69 China Tour Trailer
Announcements
Greg Curry Hunger Strike
Greg Curry, a prisoner in Ohio serving a life sentence in relation to the Lucasville Uprising of 1993 for which he claims innocence, has just begun a hunger strike for being stuck in extended solitary confinement known as TPU at Toledo Correctional Institution. To voice concern, you can call 419 726 7977 and select choice 8 to speak to the warden during business hours, or you can select 0 to speak to the operator at other times. You can also mail [email protected] requesting that his communications be re-instated and that he be able to re-enter general population.
You can find our 2016 interview with Greg at our website.
Social Media Documentary from SubMedia
Stay tuned to Sub.Media for a documentary film on the troubles with social media in early June
TFSR Fediverse Podcast
We've launched a temporary instance of Castopod podcasting app on the Fediverse at @[email protected]. Definitely a work in progress, but check it out if you care to.
Bad News, May 2022
The latest episode of the monthly english-language podcast from the A-Radio Network is available now at their website: A-Radio-Network.Org or here: https://www.a-radio-network.org/episode-56-05-2022/
. … . ..
Featured Tracks (get ready):
Tubthumping by Chumbawamba from Tubthumper
Top of the World (Olé, Olé, Olé) by Chumbawamba (single)
Do They Owe Us A Living? by Crass from The Feeding of the 5,000
The Cutty Wren by Chumbawamba from English Rebel Songs 1381–1984
Timebomb by Chumbawamba from Anarchy
I Never Gave Up by Chumbawamba from Never Do What You’re Told (Live)
Heartbreak Hotel by Chumbawamba from Fuck EMI (compilation)
Shhh-it by Oi Polloi from Bare Faced Hypocrisy Sells Records / The Anti-Chumbawamba EP (compilation)
Her Majesty by Chumbawamba (single)
Knit Your Own Balaklava by Chumbawamba from The Liberator - Artists For Animals (compilation)
Song Of The Mother In Dept / Song Of The Hardworking Community Registration Officer / Song Of The Government Minister Who Enjoys His Work / Song Of The (Now Determined) Mother by Chumbawamba from A Pox Upon The Poll Tax (compilation)
Smash Clause 29! by Chumbawamba from Uneasy Listening
Homophobia by Chumbawamba from Anarchy
One By One by Chumbawamba from Rock The Dock (compilation)
Pass It Along by Chumbawamba from WYSIWYG
Bella Ciao by Chumbawamba from A Singsong And A Scrap
Here Now by Interrobang‽ from Interrobang‽
The Day The Nazi Died by Chumbawamba from Class War
So Long, So Long by Chumbawamba from In Memoriam: Margaret Thatcher
Check out this episode!
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postpunkindustrial · 3 years
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Flux of Pink Indians - The Falklands War (1984)
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Now listening to...
Flux Of Pink Indians - Taking A Liberty (1984)
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miningandsociety · 5 years
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Crass - the Final Concert: A Benefit for Striking Welsh Miners
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Continuing the theme of mining and music/popular culture, it has recently come to my attention that the last ever concert played by the legendary UK anarcho-punk band Crass (with Flux of Pink Indians) in 1984 was a benefit for striking miners in Aberdare, Wales, during the UK Miner’s Strike.  Crass – a diverse collective whose prolific work included everything from punk music to art to literature – was an important critical force during the 1980s. Their provocative texts, music, and imagery provided a vernacular crash course for many (including my young self) about imperialism, neoliberalism, colonialism, class struggle, misogyny, and religious intolerance which continues to resonate today.
From this excellent 2008 blog post by Anthony Brockway: “Whether their largely teenage audience at the Coliseum fully understood why the band wanted so much to do something positive for the miners was hard to tell. The sight of miners' agent Emlyn Jenkins onstage presenting a brass miner's lamp to Crass guitarist N. A. Palmer must have seemed a little odd to those who had turned up mainly to bash their heads against the amps. ... Accompanied for every number by almost a dozen intrepid members of the audience who forced themselves aloft to join the 'messiahs', the band blasted out their anti-establishment slogans with constant vocal support.
The lyrics of such numbers as Do They Owe Us A Living? rang out with conviction and gave many food for thought. But the burly miners-cum-bouncers who had been on standby around the hall in case of trouble left with just a few battered eardrums.” Read all about it at the link above, and enjoy the classic song referenced in the article here at YouTube:
(Image of the Aberdare Leader front page courtesy of Anthony’s blog)
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deadtank · 7 years
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Now in stock! Many influential characters graced the stage of Max’s Kansas City within the creative zeitgeist of New York City during the late 1970’s, but one local native named Annie Bandez thrust herself into the downtown scene with her punk ensemble Annie and the Asexuals, establishing her nom de plume Annie Anxiety (later known as “Little Annie”) and colliding head-on with the social norms of contemporary punk culture entangling the city at that time. After a couple years of disintegrated pursuits in New York, Annie relocated to England, finding herself at the doorstep of the famed anarchro-commune Dial House headed by activist Penny Rimbaud. It was here that Annie Anxiety established herself as a singular artist and voice with her debut 1981 single “Barbed Wire Halo” on seminal Crass Records and forging a creative alliance with Crass members Penny Rimbaud and Eve Libertine. As the landscape of punk in the United Kingdom was shifting towards a more diverse, multicultural focal point, artists such as Annie Anxiety found themselves exploring musical signatures in styles such as dub reggae and rocksteady. In the summer of 1983, Annie began work at Southern Studios on what would be her first full length endeavor which encompassed all of her creative assets at that time. Employing the expertise of legendary dub producer Adrian Sherwood to realize this vision, Annie pulled together members of Crass, Flux of Pink Indians, Family Fodder, African Head Charge, London Underground and Art Interface to record her groundbreaking dub industrial masterpiece. Upon its initial release by the unofficial Crass off-shoot label Corpus Christi in 1984, Soul Possession started the avalanche of activity that would include dozens of releases and collaborations with Nurse With Wound, Coil, Current 93, Swans and Marc Almond.
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differenthead · 4 years
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Volume 159
0:00:00 — "New Aryans" by Reagan Youth (1984)
0:01:20 — "Ten Years" by The Proletariat (1983)
0:03:44 — DJ
0:06:08 — "I Hate the Rich" by The Dils (1977)
0:07:47 — "The Dicks Hate the Police" by The Dicks (1980)
0:09:44 — "A.C.A.B." by The Oppressed (1984)
0:11:29 — "Pigs" (Demo) by Discharge (1977)
0:13:31 — "John Wayne Was a Nazi" by Stains (1981)
0:15:23 — DJ
0:19:29 — "Les Seigneurs De La Guerre" by Komintern Sect (1983)
0:23:00 — "The R'n'R Factory Strike" by Chumbawamba (1985)
0:27:16 — "Ping Pong" by Stereolab (1994)
0:30:14 — "Closed Shop" by Poison Girls (1979)
0:32:54 — DJ
0:38:11 — "Poison in a Pretty Pill" by Crass (1981)
0:41:02 — "Custom Rock" by Conflict (1986)
0:42:50 — "Background of Malfunction" by Flux of Pink Indians (1981)
0:45:24 — "All the Wars" (Demo) by Anthrax (1982)
0:47:04 — "Here's What You Find in Any Prison" by Hit Parade (1982)
0:50:03 — DJ
0:55:56 — "Incineration" by Dog Faced Hermans (1988)
0:58:31 — "The Sky Is Blue Again" by The Ex (1980)
1:00:28 — "Modern Needs" by Really Red (1980)
1:02:31 — "Revolution Times" by Red London (1983)
1:05:30 — DJ
1:09:40 — "Life in Their Hands" by The Newtown Neurotics (1983)
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SPIDERLEG & CRASS RECORDS ACTS UNDER ONE ROOF -- WELCOME TO 1984.
PIC(S) INFO: Spotlight on assorted shots of UK anarcho punk band FLUX OF PINK INDIANS when they supported CRASS at Cleator Moor Civic Hall, Cumbria, UK, c. 1984, showing Colin, Tim and Lou. Photos courtesy of Trunt of "Scrobe" fanzine.
Source: www.picuki.com/media/2785239583050135615.
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