Terence Davies (1945-2023) era el más grande director británico vivo. No tuvo el éxito comercial de John Boorman o el reconocimiento en festivales de Ken Loach. Pero ningún otro director británico retrató mejor la cultura popular de la postguerra, la alegría de los momentos mundanos y la crueldad de las convencios sociales como Davies. Privilegió la mirada de los niños y las mujeres, pero también dio protagonismo a su ciudad natal, Liverpool. Davies dio voz a su homosexualidad al igual que a su fe religiosa. Prodigó finales felices y despiadados por igual. Escribió historias originales, con grandes tintes autobiográficos, pero también fue un eficaz adaptador de novelas; no en balde, hizo dos películas sobre eminentes poetas. Terence Davies amplió los horizontes del cine británico al tiempo que hizo películas personales y conmovedoras. QEPD.
Terence Davies (1945-2023) was the greatest living British director. He didn't have the commercial success of John Boorman or the festival recognition of Ken Loach. But no other British director portrayed post-war popular culture, the joy of mundane moments and the cruelty of social conventions better than Davies. He privileged the gaze of children and women, but also gave prominence to his hometown, Liverpool. Davies gave voice to his homosexuality as well as his religious faith. He lavished happy and merciless endings alike. He wrote original stories, with great autobiographical overtones, but he was also an effective adapter of novels; not in vain, he filmed two biopics about eminent poets. Terence Davies expanded the horizons of British cinema while making personal and moving films. RIP.
53 notes
·
View notes
Favorite films watched in June & July 2022:
Distant Voices, Still Lives (1988), dir. Terence Davies
Great Freedom (2021), dir. Sebastian Meise
Întregalde (2021), dir. Radu Muntean
'night, Mother (1986), dir. Tom Moore
The Incredibly True Adventure of Two Girls in Love (1995), dir. Maria Maggenti
Museum Hours (2012), dir. Dem Cohen
Mississippi Masala (1991), dir. Mira Nair
Under the Volcano (1984), dir. John Huston
55 notes
·
View notes
TERENCE DAVIES (1945-Died October 7th 2023,at 77). British screenwriter, film director, and novelist. He is best known as the writer and director of autobiographical films, including Distant Voices, Still Lives (1988), The Long Day Closes (1992) and the collage film Of Time and the City (2008), as well as the literary adaptations The Neon Bible (1995), The House of Mirth (2000), The Deep Blue Sea (2011), and Sunset Song (2015). His final two feature films were centered around influential literary figures, Emily Dickinson in A Quiet Passion (2016) and Siegfried Sassoon in Benediction (2021). Davies was widely hailed by critics as one of the greatest British directors of his creative period. Terence Davies - Wikipedia
2 notes
·
View notes
British screenwriter, film director, and novelist Terence Davies (November 10, 1945 – October 7, 2023)
1 note
·
View note
<< . . . >>
Don't mind your muse being stared down by a translucent yet blue-skinned extraterrestrial with questionable intent. Don't mind the piercing gaze that is-- by no mistake, hardening in response to long-dead emotions they haven't felt since three generations ago. They weren't truly staring nor were they 'here'.
A part of them remains stuck in the past; from the time before Maiz invaded their planet.
Like an EARTHBOUND spirit, they're foreign to their slender, thin body-- they haunt the premises, unable to move on. Regrets they dare not think or verbalize-- lest they be found through the Kokytans' Hive-Mind Network and dealt with, permanently-- lay frozen and trapped behind a cage comprising squishy flesh and purple organs.
To be sorry, was wrong.
They weren't sorry.
Maybe they would have been several cycles ago, but not now. They couldn't afford it. His feelings and thoughts were shared with the collective and vice versa. To endanger them would bring the alien further heartache. He was lucky to have his family be spared. His kin were NOT SO LUCKY.
1 note
·
View note
i listened to a podcast where the guest comedian was raised irish catholic and he talked about how he doesn’t think he ever believed in god or hell or anything, he didn’t even think about it, it was more about the pageantry and the rhythm and routine and that is so relatable i’ve never heard anyone else put that into words
4 notes
·
View notes