#Daniel Chasin

[herb10]

Justin guest starring on Chasin' It with Chase Daniel & Trey Wingo, 27 February 2024

📸 (c): The33rdTeam

#justin herbert #los angeles chargers #la chargers #nfl #2024 offseason #podcasts #interviews #Chasin It

[jonathantaylorthomas]

"I had no idea," the 33-year-old said of the buzz surrounding himself and Taylor, 33, during his Oct. 3 appearance on Chasin' It With Chase Daniel & Trey Wingo. "But you can't tell me that anybody else did either."

So, does Travis regret lighting the fuse of a chain reaction of countermoves? Not quite.

As he quipped with a laugh, "I can't be mad at how it's all played out."

#taylor swift #travis kelce

[antiquatedsimmer]

As the women engaged in pleasant conversation in the parlor, Eddy and Daniel made their way out of the kitchen through the side door, embarking on a leisurely stroll across the sprawling expanse of the property.

Eddy's eyes widened with intrigue as he absorbed the news. "Well, I'll be damned! A full-fledged Railsystem right here in Henford? "

Daniel, standing tall with a rugged demeanor, nodded with a sense of authority. "Yep," he replied, his voice resonating with confidence. "It's going to be a grand undertaking, my friend. We're still in the early stages, mind you. We're busy mapping out potential routes and acquiring the necessary parts to ensure the steam train functions flawlessly."

"It's going to be a grand undertaking, my friend. We're still in the early stages, mind you. We're busy mapping out potential routes and acquiring the necessary parts to ensure the steam train functions flawlessly."

Eddy turned his head towards Daniel, "Do you happen to know why they decided to begin construction through Henford? It seems rather distant, and the community is very close-knit. "

"We're nearing the end of our Western Expanse, Edward," Daniel said with a tinge of melancholy in his voice. "The days of the wild west are fading away, giving rise to a more civilized era. "

Daniel's countenance shifted to one of resolve as he spoke, "Out here in Henford, my friend, we witness the seeds of a promising future. The vast expanse of land holds great potential for a blossoming community. There's ample room for the construction of factories, bustling businesses, and stately homes. The men I've had the privilege of working with, esteemed businessmen who helm locomotive companies, are fervently seeking to establish extensive trade routes connecting cities near and far."

Eddy squinted his eyes, using his hand as a makeshift visor to shield them from the piercing sun. "You know my sentiments 'bout them overconfident industrialists. Them fancy men with their top hats and deep pockets, struttin' 'round like they own the world, noses high up in the air."

"Seems to me, this is nothin' but a bunch of wealthy folks gone mad, chasin' after more gold. They wanna tear up this land in Henford, disruptin' the natural order of things. Ain't sound thinkin', if you ask me."

"Ya know, Daniel, I've witnessed it all before," Eddy remarked, "These grand plans of progress, tearin' up the land, buildin' tracks, and hopin' that shiny locomotive keeps chuggin' along. But what happens when that contraption breaks down? You're stranded, dependin' on a hunk of metal rather than a trusty horse."

He paused for a moment, his gaze fixed on the horizon. "A good horse, now that's somethin' reliable.

"These young folks today, they're all caught up in this newfangled technology. " he scoffed

Daniel turned to Eddy his voice carrying a hint of amusement. "Well, Edward, I must say I didn't expect you to be such a skeptic. But hear me out." He motioned towards the vast horizon, his hand gracefully sweeping across the landscape. "This train system, it's not just about the fancy inventions and speed. It's about progress, about opening up new avenues for hardworking folks like yourself."

Eddy let out a hearty laugh, his voice tinged with a hint of skepticism. "Well, I reckon I'll believe it when my eyes behold it, Daniel."

#them kids and their gosh Darnet technology like steam engines and “ electric ” lighting. it'll never work out.... never. #helena doyle #doyle legacy #eddy harrington #edward harrington #daniel coombes #decades story #decade challenge #decades challenge #ts4 #decades legacy #ts4 historical #decade story #decade: 1890s #decade: 1890

[reveriexxgirlly]

*＊✿❀ welcome to my little refuge ❀✿＊*

18+ ONLY BLOGS

Hello all ! I decided to start over for the hell of it. Do not fret for I will be reposting all my old work, with more to come!

you’re welcome to ask and message me !

smut: ✰

fluff: ❤︎

angst: ☾

Ledger!Joker:

i know what you hate, so i do it constantly. ❤︎

this shit’s so good, should be illegal. ✰

fuck that feeling both us fighting. ✰

you love it when I always squeeze. ✰

what if you're curious and caught up in the moment ? ✰ COMING SOON

Shiv Roy:

you want a piece of me ? ✰ 

you can keep coming around ✰ COMING SOON

Daniel Plainview:

chasin' that feeling that's in me. Only on AO3!

#ledger!joker #shiv roy #daniel plainview #eddie munson #tangerine #masterlist #masterlist fic

[dorindameddler]

sry idk how to preface this msg lol, devil's minion playlist, daniel pov, zombie by natalia kills? esp the line 'and i know that he like me cuz he chasin me nightly (throughout the entire slutty 80s) and i want him to bite me bc i kno i'm gonna like it (like it 🥴)'

WOW SOOOO TRUE ANON

#anonymous #thank you for sending me this so true

[my-chaos-radio]

Release: January 30, 2024

Lyrics:

I am looking at the city lights tryin' to get my head on right

And people walking by heads down miss everything in sight

Well, take my hand and let me guide you out into the endless night (endless night)

But why we chasin' all these butterflies?

Let them go now

Tell me, baby

Nothing but the truth will do

Call me crazy

'Cause I know it's our time, me and you

And I'm talkin' 'bout love

Talkin' 'bout love

I'm talkin' 'bout love

I'm talkin' 'bout love, love, love

I am thinking about this world and why we always tear each other apart

Time to put it all aside, maybe have some fun

Don't you say that you and I could never leave that world behind (behind)

So why (why, why, why) we chasin' all these butterflies?

Just let them go now

Tell me, baby

Nothing but the truth will do

Call me crazy (call me crazy)

'Cause I know it's our time, me and you

And I'm talkin' 'bout love

Talkin' 'bout love

I'm talkin' 'bout love, love, love

I'm talkin' 'bout love, love, love

(Talkin' 'bout love)

It's the love that we make

With no fear of heartbreak (talkin' 'bout love)

Come on, break it, break it (talkin' 'bout love)

Open your eyes

I'm standing in front of you, baby (talkin' 'bout love)

I'm no stranger (talkin' 'bout love)

Tonight is the time when we come alive, come on, take it (talkin' 'bout love)

We can make it (talkin' 'bout love)

Yeah, yeah (talkin' 'bout love)

Oh, I'm talkin' 'bout love

Songwriter:

Ooh, I'm talkin' 'bout love, ah-ooh

Ah-ooh, I'm talkin' 'bout love

Linda Perry / Johan Carlsson / Daniel Fujikawa

SongFacts:

“‘Talk About Love’ explores the ‘what ifs’ we experience in fleeting moments of a chance encounter,” Stuckwisch said in a statement. “Thematically, the video is about finding joy and love right in front of your eyes instead of constantly chasing it. It was important to Kate and I that the video stayed true to the lyrics by visually representing the powerful message of living in the moment and enjoying the present - a timely reminder in today's fast-paced world."

Hudson released "Talk About Love" back in January, co-writing the track with her fiancé, musician Danny Fujikawa, and acclaimed singer-songwriter Linda Perry. Although Hudson is obviously best known for her acting, she has been working on music for several years now and revealed on The Tonight Show back in 2022 that she had an album in the works. (This album is due out this year, although no title or release date has been announced.)

Upon releasing "Talk About Love," Hudson said music had always been a part of her life, but described it as "like the shadow self." Those things that you don’t see but that are always with you and a part of you.”

She added: “Ever since I started living on my own, I’ve always had a room for my piano. Since my childhood I have been writing songs and experiencing life in them. But it all depends on the moment and the ability to make sure you can be there for the music. For me, that time has finally come.”

#new #new music #my chaos radio #Kate Hudson #Talk about love #music #spotify #youtube #music video #youtube video #good music #hit of the day #video of the day #2020s #2020s music #2020s video #2020s charts #2024 #rock #pop rock #electronic #pop #lyrics #songfacts #1411

[armydon]

#Spotify

[theloniousbach]

ON SAX/BASS/DRUMS TRIOS

NICOLE GLOVER with Tyrone Allen and Kayvon Gordon, SMALL’S JAZZ CLUB, 21 AUGUST 2022, 1st set Couch Tour

LEW TABACKIN with Boris Kozlov and Jason Tiemann, SMALL’S JAZZ CLUB, 6 AUGUST 2022, 2nd set Almost Couch Tour

RUDRESH MAHANTHAPPA with and Rudy Royston, SMOKE JAZZ CLUB, 26 AUGUST 2022, 2nd set Couch Tour

No chordal instrument is daring and, since my first exposure was Ornette Coleman, it has also meant VERY daring. Then there was John Coltrane having McCoy Tyner sit out for Chasin’ the Trane and Sonny Rollins at the Village Vanguard. But then Gerry Mulligan and Chet Baker had a significant quartet and Warne Marsh played with Red Mitchell. There’s also Lee Konitz’s Motion which, cool school and standards be damned, is one VERY daring album. More recently Mark Turner has recorded with the Fly Trio and Melissa Aldana had Crash Trio.

NICOLE GLOVER favors this format and she is a bold player, but Tyrone Allen and especially Kayvon Gordon and much subtler than her previous team of Daniel Duke and Nick Capaccio. And that allows her to be subtler too. There’s probably also more than some defensiveness in her no nonsense approach, but at this show she actually introduced tunes and bandmates. She acknowledged that this was a good audience (a Sunday 7/9:30 gig, not the usual Thursday at 10:30 one) which she commented that she only says when she means it. So she was in a good performer mood, not simply good musician mood. She is articulate, but probably both shy and disinclined to prevaricate. They opened with the likely original Open or Close which I wondered if it was Ornette Coleman with both spare figure/riff opening into a twisty melody. Allen had an acceleration and was, as the format demands, steady and full. It was Gordon who could dance around amusing himself and us with thoughtful comments. They are a good team and they serve her music too. She does Clifford Jordan’s Glass Bead Games often and it was welcome here in its early 1970s glory. Allen’s A Side was bass driven yes but much more than a riff. She arranged Vincent Youman’s Without A Song (and damn if I didn’t hear the bridge from The Song Is You in there). It was very much forward looking but I have not been aware of her doing Great American Song Book standards much. Instead it’s typically worthy fare like the Mulgrew Miller closer Eleventh Hour. As a WGCO podcast with Nate Chinen put it, she’s a bad ass with a capital B, but it’s good to see her take advantage of this band to find more spaces in the music.

LEW TABACKIN has been a name only for the entirety of my jazz listening, pigeon holed as the lead voice in the big band he co-led with Toshiko Akiyoshi. From what I read, she was the composer and arranger, but still it was a big band. But he’s been playing in this sparest of formats for a time, often with Boris Kozlov on bass. He’s 82 now and Akiyoshi, still alive, is 93 this year. He’s a bit of a gruff old man (I may be projecting) but he is full, inventive, and active. I kept thinking of Konitz but, frankly even more, Rollins. All three know tons of tunes and their improvisation is linear and melody based rather than chordal. The first was a standard I of course didn’t place but it stretched without filler. Garden at Light Time seems to be a regular flute showcase and it was evocative, as it was meant to be, of Japan. Plenty of “Orientalism” but also some realism and grit. Oscar Pettiford’s Tricotism had drive and intricacy for both Kozlov and Tabackin. Billy Strayhorn’s Chelsea Bridge was wonderful but a jazz piece to honor by stretching. Tabackin’s on Studio F, he described as free bop, but it also had a Monk quote and lots of busy playing. The closer was necessarily short but had a pleasant relaxed swing. He’s an interesting player and, not that he did, he doesn’t need to hide in Akiyoshi’s arrangements.

RUDRESH MAHANTHAPPA reconvened his Hero Trio to continue his rich engagement with Charlie Parker’s music. Rudy Royston is still magic behind the kit but Harish Raghvan replaces Francois Moutin on the bass. Raghvan’s playing was solid and just what is needed in this situation, of a piece with Allen with Glover and Kozlov with Tabackin, but I found his tone shallow. I’m perfectly willing to blame the room or the feed, but Smoke’s streams are usually so good. And, to be fair, Royston’s crisp cymbals and rolling tom toms were rich. Together they created quite a bed for Mahanthappa’s alto. The Parker tunes were deeper in the catalog as I hadn’t even heard the opener Segment. It took me a moment to get my bearings and, frankly, it didn’t seem all that Parkerish, rather like his Bird Calls album. Still the table was set to capture Parker’s playful spirit and humor and, particularly on Parker’s Red Cross, I could hear the play that Ornette Coleman also tapped into. They also did I Can’t Get Started and I’ll Remember April (also on Lee Konitz’s Motion in precisely this ensemble) to make the point that Parker played popular songs and not the Great American Song Book of jazz standards. To that end, he played Stevie Wonder’s Overjoyed in honor of all the music he heard on Sesame Street. But the most memorable tune was the theme to the video game Animal Crossing. It was catchy and jaunty and, though I can’t be sure where the theme bled into the improvisation, it was a reminder that jazz is everywhere. I came to a deeper appreciation of Mahanthappa’s appealing musical spirit and new levels of accessibility emerged for me.

This trio format requires an inventive, melodic horn (Glover is allowing herself more space with her new more lithe rhythm section; Tabackin was remarkably so; and I could hear more of Mahanthappa’s aesthetic this time around), strong basses as the rock (check again, but they are the ones stuck with the heavy lifting), and dancing drummers (Gordon got to subtly flavor things with Glover whereas Royston was more of a force but sill light on his feet.).

The sax/bass/drums combination is a challenge these nine musicians met in worthwhile ways. It was good to explore it with them.

#concert review #jazz #couch tour #almost couch tour #smoke jazz club #small’s live #small’s jazz club #2022

[nvlv]

VICTORIA | Nuestras Manos | YOUTH + VIRA-LATA from The Youth on Vimeo.

“Nuestras Manos” by YOUTH & VIRA-LATA for Cerveza Victoria

Agency: Ogilvy MX Creatives: Javier Melo & Kevin Murcia Production Co.: Oriental Films Cinematography: Agustin Claramunt Additional Cinematography: Yuri Maranhão VFX Creative Direction: Diogo Gameiro & Juliano Storchi Production Design: Carol Ozzi AD: Rosella Fragoso 2AD: Diego Pineda Executive Production: Michelle Lacoste, Mauri Clavijo, Paola Ortega, Valeria Ascencio, Carolina Moreno Editing: João Machado & Maria Luísa Machado Grading: Fernando Lui at Marla VFX: Dopo Sound: Satelite Audio

Animation Quetzalcoatl Concept & Animation: Rodrigo Miguel Numecaniq

Animation Chilly Eater Animation Line Producer: Daniel Maia Concept Artist: Gustavo Magalhães Motion: Gabriel Rocha Animation Director: Bruno Brasil Clean up Supervisor: Denise Bargos Animation: Robbs Reis Clean Up: Gabriel Fraga, Ulisses Juca, Filipe Emerson, Willian Lieder

Post Production Oriental Post Supervisor: Pedro Aragón Coordinator: Alicia Ortega, Victor Oseguera

Production Design Director Production Design: Carol Ozzi Ass. Production Design: Nic Zaira, Letícia Sena Coordination PD: Josefina Sandroni Decoradora: Lauren Leal Utilero: Roberto "Negro" Díaz

Cinematography: DOP: Agustin Claramunt AC: Fernando Gutierrez 2 AC: Rodrigo González Gaffer: Ernesto Gil Rodríguez

Production Line Production: Arnold Inclan Production Coordination: Karla Esquivel Unit Manager: Jorge Alvarez Alor APOC: Tanya Meraz del Campo AP: Daniel Balanzario, Kenner Sharpe Pallares Runner: Jorge Woolrich

Styling Styling: Lele AS: Shardey Collin, Gerardo Roche

Make-Up: Israel Escareno Chong AM: César Nava

Coordinator Picture cars: Esther Ureña SFX Supervisor: Luis Ambriz

Sound Sound: Satelite Audio Direction: Roberto Coelho, Kito Siqueira e Hurso Ambrifi Account: Fernanda Costa, Renata Schincariol e Daniel Chasin. Production: Roberto Coelho, Kito Siqueira, Hurso Ambrifi, Thiago Colli, Mike Vlcek, Charly Coombes e Adilson Koiti. Post-Production Supervisor: Carla Cornea, Vithor Moraes, Ian Sierra, Arthur Dossa, Renan Marques Post-Production Supervisor Assistant: Alexandre Avicena. Production Coord.: Camila Guedes, Val Pacheco, Bruna Isidore e João Piccoli. Food Stylist: Paty Martínez

Location Manager: Victor Nava Clean: Gabriel Bolivar "Pacquiao" Safety: Alberto Rodriguez

Transportation Transportation: Oscar Garduño Production van: Isaac Navarro Camper: Fernando Gordillo

Catering Catering: LR Catering

DIT VTR Render: Gerardo Gómez Coord. Video: Ximena Jiménez

Gear Grip & Camera: Esperanza Caballero Tramoya & Planta: Esperanza Caballero Walkie Talkies: Martha Ríos

Covid Protocol Sanitization: SG Yan Legarreta

Casting Casting Director: Juan Álvarez "Gallo" Extras: Marcos Sanroman

Table Top Director: Marindia Ass Table Top: Giuliana Panvini DOP: Sabastián Cantillo AC: Alan Kelvin

Digital Unity: Nea Serrano DOP: Santiago Azuela AC: Armando Rodrigugez Gaffer: Antonio Betancourt

Insurance: AARCO: Guilherme Salido Ambulance: Adan Ávila

MKO: Oswaldo Luis Hidalgo, Elias Franco Still: Diego Flores

Storyboard: Walfrido Monteiro Treatment Visual Concepts: Fabio Miraglia

[emzeciorrr]

VICTORIA | Nuestras Manos | YOUTH + VIRA-LATA from The Youth on Vimeo.

“Nuestras Manos” by YOUTH & VIRA-LATA for Cerveza Victoria

Agency: Ogilvy MX Creatives: Javier Melo & Kevin Murcia Production Co.: Oriental Films Cinematography: Agustin Claramunt Additional Cinematography: Yuri Maranhão VFX Creative Direction: Diogo Gameiro & Juliano Storchi Production Design: Carol Ozzi AD: Rosella Fragoso 2AD: Diego Pineda Executive Production: Michelle Lacoste, Mauri Clavijo, Paola Ortega, Valeria Ascencio, Carolina Moreno Editing: João Machado & Maria Luísa Machado Grading: Fernando Lui at Marla VFX: Dopo Sound: Satelite Audio

Animation Quetzalcoatl Concept & Animation: Rodrigo Miguel Numecaniq

Animation Chilly Eater Animation Line Producer: Daniel Maia Concept Artist: Gustavo Magalhães Motion: Gabriel Rocha Animation Director: Bruno Brasil Clean up Supervisor: Denise Bargos Animation: Robbs Reis Clean Up: Gabriel Fraga, Ulisses Juca, Filipe Emerson, Willian Lieder

Post Production Oriental Post Supervisor: Pedro Aragón Coordinator: Alicia Ortega, Victor Oseguera

Production Design Director Production Design: Carol Ozzi Ass. Production Design: Nic Zaira, Letícia Sena Coordination PD: Josefina Sandroni Decoradora: Lauren Leal Utilero: Roberto "Negro" Díaz

Cinematography: DOP: Agustin Claramunt AC: Fernando Gutierrez 2 AC: Rodrigo González Gaffer: Ernesto Gil Rodríguez

Production Line Production: Arnold Inclan Production Coordination: Karla Esquivel Unit Manager: Jorge Alvarez Alor APOC: Tanya Meraz del Campo AP: Daniel Balanzario, Kenner Sharpe Pallares Runner: Jorge Woolrich

Styling Styling: Lele AS: Shardey Collin, Gerardo Roche

Make-Up: Israel Escareno Chong AM: César Nava

Coordinator Picture cars: Esther Ureña SFX Supervisor: Luis Ambriz

Sound Sound: Satelite Audio Direction: Roberto Coelho, Kito Siqueira e Hurso Ambrifi Account: Fernanda Costa, Renata Schincariol e Daniel Chasin. Production: Roberto Coelho, Kito Siqueira, Hurso Ambrifi, Thiago Colli, Mike Vlcek, Charly Coombes e Adilson Koiti. Post-Production Supervisor: Carla Cornea, Vithor Moraes, Ian Sierra, Arthur Dossa, Renan Marques Post-Production Supervisor Assistant: Alexandre Avicena. Production Coord.: Camila Guedes, Val Pacheco, Bruna Isidore e João Piccoli. Food Stylist: Paty Martínez

Location Manager: Victor Nava Clean: Gabriel Bolivar "Pacquiao" Safety: Alberto Rodriguez

Transportation Transportation: Oscar Garduño Production van: Isaac Navarro Camper: Fernando Gordillo

Catering Catering: LR Catering

DIT VTR Render: Gerardo Gómez Coord. Video: Ximena Jiménez

Gear Grip & Camera: Esperanza Caballero Tramoya & Planta: Esperanza Caballero Walkie Talkies: Martha Ríos

Covid Protocol Sanitization: SG Yan Legarreta

Casting Casting Director: Juan Álvarez "Gallo" Extras: Marcos Sanroman

Table Top Director: Marindia Ass Table Top: Giuliana Panvini DOP: Sabastián Cantillo AC: Alan Kelvin

Digital Unity: Nea Serrano DOP: Santiago Azuela AC: Armando Rodrigugez Gaffer: Antonio Betancourt

Insurance: AARCO: Guilherme Salido Ambulance: Adan Ávila

MKO: Oswaldo Luis Hidalgo, Elias Franco Still: Diego Flores

Storyboard: Walfrido Monteiro Treatment Visual Concepts: Fabio Miraglia

[scenesandscreens]

Hussy (1980)

Director - Matthew Chapman, Cinematography - Keith Goddard

#scenesandscreens #hussy #Matthew Chapman #helen mirren #john shea #Paul Angelis #Murray Salem #jenny runacre #Daniel Chasin #Imogen Claire #Patti Boulaye #Marika Rivera #Keith Goddard

[herb10]

Justin on Chasin' It with Chase Daniel & Trey Wingo

#justin herbert #los angeles chargers #la chargers #nfl #2024 offseason #podcasts #interview #Chasin It

[jonathantaylorthomas]

Travis comes on around the 30:50 minute mark

#taylor swift #travis kelce #Spotify

[pleasanttumb]

The Lost City World Premiere Q&A - Sandra Bullock and Daniel Radcliffe (SXSW 2022)

#Sandra Bullock #Daniel Radcliffe #q&a #premiere #sxsw #The lost city #adam nee #aaron nee #liza chasin

[dangoghz]

@ phil get a hockey mask u gotta up your game

#::///// #daniels chasin another boy while u aren’t looking! #gogh away ester

[dyffryn-ddibwys]

Brad Paisley's "Wheelhouse"

If you ever have a moment and the chance, I recommend checking out Brad Paisley's 2013 album called "Wheelhouse". You might recall the single he had back then called "Beat This Summer"; it's on the same album. And FWIW, the acoustic version of "Beat This Summer" is one of the best things ever made, solidly in The 5-Star Club, and I legit don't know why anyone ever listens to the non-acoustic version. Unless it's because they don't have it, because I believe the acoustic version may only be available on the special Cracker Barrel edition of the album (I'm not making jokes; that's actually what it's called).

There's a song called "Karate" that goes "He's in a bar chasin' Cuervo with Tecate/He doesn't know she's been takin' karate/The way she figures it, about July/She'll finally have the belt to match her eye". It's basically that movie Sleeping With the Enemy played out in 4 minutes, but at the end, instead of shooting the guy, she whips his ass. And listeners get to hear Charlie Daniels describing said ass-whooping in play-by-play detail over the sound of his own fiddling. So, in spite of the irritating subject matter, the song is worth knowing.

I don't like that "Accidental Racist" song featuring LL Cool J, and never did, but the rest of the album is good stuff. There's an instrumental with killer guitar; the title is some Asian characters I don't know how to pronounce. "Outstanding in Our Field" is a good ride, and so is "Harvey Bodine", "Those Crazy Christians", and "Pressing on a Bruise". "Mona Lisa" has one of the best sentiments I've ever heard as it's chorus: "I feel like the frame/That gets to hold the Mona Lisa/And I don't care if that's all I ever do!"--dawww.

There's also a song called "Death of a Single Man" with some badass steel guitar, and a folksy, feel-good melody, in spite of it's kinda eye-rolling Saving Silverman theme, comparing a wedding to a funeral: "I didn't understand, why, with champagne and cake/We celebrate the death of a single man."

But I'm not gonna lie, the best thing about the latter is the other track on the album, 42 seconds long, called "Death of a Married Man". After a musical intro it goes, "I had a heart attack/While I was playing charades/Everybody yelled "Heart attack!" ("Pledge of Allegiance?")/But it was too late." And that's the whole song! And it's hilarious. :D

#brad paisley #wheelhouse #Beat this summer #music