#D. Rothon
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Blog post and linked up tracklist [HERE]
D. Rothon - The Ghost We Bring (Clay Pipe Music)
Glacis - You Are Born (Preserved Sound)
Hania Rani - Ghosts - from Pradziady (Gondwana Records)
Cass. - Let's Keep Us Close Until We Die (ft. Altars Altars) (Home Normal)
Amanda Whiting - Gone (Jazzman)
Laraaji - Illusion Of Time (Ahead Of Our Time)
Greg Foat - Motherly Love (Strut)
Trigg & Gusset - Blue Shades (Preserved Sound)
Andrew Wasylyk - Avril Hydrangeas (Clay Pipe Music)
ambientsketchbook - Life's Greatest Questions (Self Released)
Good Weather For An Airstrike - All Is Lost (ft. Jamie Brett) (Hawkmoon Records)
Ezra Feinberg - Letter To My Mind (Related States)
Kryshe - Fragile (Serein)
José González - Head On (Imperial)
Leifur James - Time (Night Time Stories)
Phi-Psonics - Mama (Nightnote Records)
Slow Meadow - Tethered To The Earth (Self Released)
Luke Howard Trio - A Plane Of Becoming (Hobbledehoy)
Matthew Halsall - Reflections (Gondwana Records)
Penguin Cafe - Protection (Erased Tapes)
Portico Quartet - Gateway (Gondwana Records)
The Cinematic Orchestra - Wait For Now / Leave The World (Ninja Tune)
Thomas Méreur - Left Behind and Irretrievably Lost (Preserved Sound)
The Search Party - So Many Things Have Got Me Down (Ole Smokey Instrumental Edit)
Download via [HEARTHIS]
#mixamorphosis#dj mix#soundcloud#ambient#downtempo#electronica#contemporary jazz#D. Rothon#Glacis#Hania Rani#Cass.#Amanda Whiting#Laraaji#Greg Foat#Trigg & Gusset#Andrew Wasylyk#ambientsketchbook#Good Weather For An Airstrike#Ezrs Feinberg#Kryshe#José González#Leifur James#Phi-Psonics#Slow Meadow#Luke Howard Trio#Matthew Halsall#Penguin Cafe#Portico Quartet#The Cinematic Orchestra#Thomas Méreur
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D. Rothon - Lonesome Echoes - new EP from Clay Pipe Music is out today, and it is gorgeous (of course)
Mini CD available here:
claypipemusic.greedbag.com
Digital-only pre-order from Bandcamp.
After the sell out success of the first series of Mini-CDs, Clay Pipe kicks off the second series with D.Rothons 'Lonesome Echoes'.
D. Rothon’s third solo release for Clay Pipe, Lonesome Echoes, is a selection of four beautiful melodic instrumentals, featuring pedal steel, Omnichord, theremin, flute and live drums – and inspired by the long-lost south London village of Lonesome.
“My curiosity about Lonesome started years ago when I noticed the name on the map in the London A to Z, not far from where I grew up. It seemed such an unlikely name. But it wasn't until recently that I discovered its slightly odd history…”
The origins of its name lost in the mists of time, the village of Lonesome emerged in the 19th century from the swampy, isolated lands between Streatham Vale and Mitcham Common. By the early 1900s intrepid reporters were already speculating on whether the place was mere myth.
The intervening years saw the rapid rise and fall of Lonesome. Its prospects as a desirable place to live were compromised by the combined fragrances of piggeries plus chemical, fireworks and gas mantle factories – which would undoubtedly have overpowered the sweeter aromas from the nearby lavender fields of Mitcham. It also gained a reputation as a haunt of footpads, vagabonds and cutpurses.
A failed development by one “Squire Blake” of aspirational middle class villas – which became known as Blake's Folly – helped cement Lonesome’s reputation as a ghost town.
Now long subsumed into suburbia, aside from the odd street and building name little trace remains of Lonesome.
Composed, Recorded and mixed by David Rothon at
The Lonesome Depot, Crystal Palace
Drums recorded by Ed Deegan at gizzard studios
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Wednesday 27 December Mixtape 408 “Aurora Trails”
Ambient, Electroacoustic, Electronic, Drone, Multi-Genre.
Wednesdays & Sundays.
Support the artists and labels.
Don't forget to subscribe/tip so future shows can bloom.
https://linktr.ee/trevlad
Trevlad Sounds-Welcome in you wonderful listener 00:00
Beira-Turn Me To Stone (Liadoaf Twist) 00:31
HHNOI-Me, the People 03:55
Sababa 5-Tri Li Li 08:19
Pulselovers-Autumn Arrives Again 14:03
Synthotherapy-Jumping Judy 19:04
Ekoplekz-Slime Trail 23:22
MOLOCH 303-Morphology 27:10
The Central Office of Information-The Wrong Kind Of Cuckoo Clock 36:35
Eje Eje-Wedding at the Vineyard (Spring) 38:11
Off Land-Colossi Of Memnon 40:32
Time Rival-Alchemy 45:20
D. Rothon-The Wagons Roll at Night 48:03
Don Leisure, Amanda Whiting-Crying Tiger 51:41
Hello Meteor-Community Event Night 55:39
#Beira#Bricolage#HHNOI#Modularfield#Sababa 5#Batov Records#Pulselovers#Castles In Space#Synthotherapy#Moolakii Club Audio Interface#Ekoplekz#MOLOCH 303#The Central Office of Information#Woodford Halse#Eje Eje#Off Land#Fantasy Enhancing#Time Rival#Triplicate Records#D. Rothon#Clay Pipe Music#Don Leisure#Amanda Whiting#First Word Records#Hello Meteor#Trevlad Sounds
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Hanglemez 2019/02
Default Genders: Main Pop Girl 2019 9.0 (future pop)
Ot to Not To: It Loved To Happened 9.0 (mark hollis of experimental r&b)
Y La Bamba: Mujeres 8.5 (latin alt, indiefolk)
Piroshka: Brickbat 8.5 (indierock)
Roses Gabor: Fantasy & Facts 8.5 (elektro r&b)
Feels: Post Earth 8.5 (lofi-posztpunk)
Fling: Fling Or Die 8.5 (indiepsychpop)
Golden Daze: Simpatico 8.0 (neopsychdreamjanglepop)
The Delines: The Imperial 8.0 (altcountry-soul)
Cherusii & Maria Minerva: ST 8.0 (hypnogogic outsider pophouse)
Sleaford Mods: Eton Alive 8.0 (spokenword posztpunk)
Powder: Powder In Space 8.0 (dj mix, house)
Time Grove: More Than One Thing 8.0 (electrosouljazz)
Nate Wooley: Columbia Icefield 8.0 (jazzambient)
Celestial Trax: Serpent Power 8.0 (ambient)
AJ Lambert: Careful You 8.0 (elegantpop-feldolgozáslemez Sinatra-unokától)
Leyla McCalla: The Capitalist Blues 8.0 (cajun, folkswing)
Swindle: No More Normal 8.0 (purple sound, uk hiphop)
Pom Poko: Birthday 8.0 (dancepunk)
Du Blonde: Lung Bread For Daddy 8.0 (indierock)
Wadada Leo Smith: Rosa Parks 8.0 (jazz)
Theon Cross: Fyah 8.0 (jazz)
Mikron: Severance 8.0 (ambient techno)
Sunwatchers: Illegal Moves 8.0 (jazzpsychrock)
Pierce Pettis: Father’s Son 8.0 (folk)
Vtgnike: Steals 8.0 (ambient juke)
Our Native Daughters: Songs Of Our Native Daughters 8.0 (banjofolk)
Jozef Van Wissem / Jim Jarmush: An Attempt To Draw 7.5 (avantfolk instru)
Tourist: Everyday 7.5 (deep house)
Nakhane: You Will Not Die 7.5 (artpop&b)
Greensky Bluegrass: All For Money 7.5 (progressive bluegrass)
Seed Ensemble: Driftglass 7.5 (souljazz)
Gum Takes Tooth: Arrow 7.5 (expreirock)
Frances Cone: Late Riser 7.5 (indieartpop)
Diat: Positive Disintegration 7.5 (posztpunk)
The Long Ryders: Psychedelic Country Soul 7.5 (paisley under, powerpop)
Yugen Blakrok: Anima Mysterium 7.5 (hiphop)
Julia Jacklin: Crushing 7.5 (indiefolk)
Angelo De Augustine: Tomb 7.5 (indiefolk)
Madolin Orange: Tides Of A Teardrop 7.5 (folk, altcountry)
Yola: Walk Through Fire 7.5 (soulpopcountryblues)
Twin Talk: Weaver 7.5 (sleepjazz)
Calva Louise: Rhinoceros 7.5 (indierock)
Lor Choc: Love Is Love 7.5 (rap&b)
Bjarki: Happy Earthday 7.5 (izlandi idm-ambient techno)
Brìghde Chaimbeul: The Reeling 7.5 (skót dudazene, folk)
International Teachers Of Pop: S/T 7.0 (disco-szintipop)
Buke And Gase: Scholars 7.0 (indietronica, artpop)
Betty Who: Betty 7.0 (softy, synthy, 80s-y dancepop)
Vandoliers: Forever 7.0 (cowpunk)
Finlay Shakespeare: Domastic Economy 7.0 (electro)
Copeland: Blushing 7.0 (dreampop)
Mykele Deville: Maintain 7.0 (hiphop)
Jio: TFW 7.0 (alt-elektro r&b)
XamVolo: All The Sweetness... 7.0 (alt&b)
Markers: Heaven In The Dark Earth 7.0 (droneposztfolk)
The Cool Greenhouse: Crap Cardboard Pet EP 7.0 (bedroom posztpunk) Spellling: Mazy Fly 7.0 (experi electropop)
Harlem: Oh Boy 7.0 (garage pop)
The Entrepreneurs: Noise And Romance 7.0 (noisepop)
Hugh Marsh: Violinvocations 7.0 (hegedűs glitchambient)
Julia Kent: Temporal 7.0 (vonós posztminimalambient)
Fran And Flora: Unfurl 7.0 (hegedűcselló modern classical)
The Unthanks: Emily Bronte 7.0 (kamarafolk)
Adia Victoria: Silences 7.0 (artrock)
Robert Ellis: Texas Piano Man 7.0 (piano pop)
Telekinesis: Effluxion 7.0 (indiepop)
James Yorkston: The Route 7.0 (indiefolk)
Chaka Khan: Hello Happiness 7.0 (dancesoulpop)
Charlotte Adigéry: Zandoli EP 7.0 (altdancepop)
Surachai: Come, Deathless 7.0 (noise)
Shook Twins: Some Good Lives 7.0 (decens folkpoprock)
Liz Brasher: Painted Image 7.0 (popsoul)
Mike Krol: Power Chords 7.0 (power garage)
Bass Clef: 111 7.0 (outsider dubhouse-idm)
Teeth Of The Sea: Wraith 7.0 (neopsych-elektroposztrock)
Desperate Journalist: In Search Of The Miraculous 7.0 (posztpunk-indierock) Tender: Fear Of Falling Asleep 6.5 (dreamy electropop)
Lee Gamble: In A Paravental Scale EP 6.5 (idm)
Subjective: Act One 6.5 (deephouse and bass)
Thelma: The Only Thing 6.5 (artpop)
Susanna & Brotherhood...: Garden Of Earthly Delights 6.5 (avantfolk-artpop)
And The Kids: When This Is Over 6.5 (indierock)
Yann Tiersen: All 6.5 (ambient pop)
Machinefabriek: With Voices 6.5 (konkrét elektronika)
Deer Tick: Mayonnaise 6.5 (folkrock, americanablues)
Julian Lynch: Rat’s Spit 6.5 (indie-dreamfolk)
Ry X: Unfurl 6.5 (folktronica)
Kehlani: While We Wait 6.5 (neosoul-r&b)
Efdemin: New Atlantis 6.5 (minimal/ambient/abstract techno)
Tiny Ruins: Olympic Girls 6.5 (folkpop)
Black Taffy: Elder Mantis 6.5 (absztrakt hiphop)
Drenge: Strange Creatures 6.5 (garázsposztpunk)
Homeshake: Helium 6.0 (hypnagogic synthfunk)
Nate Young: Dilemmas Of Identity 6.0 (post-industrial)
Lorelle Meets The Obsolete: De Facto 6.0 (mexikói neopszichkrautrock)
Le Butcherettes: bi/MENTAL 6.0 (artrock)
Say Anything: Oliver Appropiate 6.0 (acousticemo)
Cub Sport: Cub Sport 6.0 (elektropop&b)
Rosie Carney: Bare 6.0 (indiefolk)
Cucina Povera: Zoom 6.0 (a capella minimal synth)
Deep Cut: Different Planet 6.0 (shoegaze-psych)
TMBOY: Steam 6.0 (elektropop)
Go Dark: Neon Young 5.5 (hipszeterelektropop)
Thyla: What’s On Your Mind EP 5.5 (indierock)
Tim Presley: I Have Toe Feed 5.5 (psychpop)
Elena Setién: Another Kind Of Revolution 5.5 (szofiszti artpoppy)
Hayes Carll: What It Is 5.5 (altcountry, americana)
Dreezy: Big Dreez 5.5 (trap-hiphopr&b)
Boogie: Everything’s For Sale 5.5 (westcoasthiphop)
Fredo: Third Avenue 5.0 (uk rap)
Perfect Son: Cast 5.0 (szintis artpop)
+++++
Brown Sugar: I’m In Love With A Dreadlock (Birth Of Lovers Rock 1977-1980) 9.5 (gyönyörű, úttörő lovers rock-életmű összegzése, 2018-as, decemberi lemez)
Don The Tiger: Matanzas 8.5 (2018-as évvégi lemez, poszt afrocuban)
VA: The Social Power Of Music 8.0 (négylemezes Smitshonian Folkways-válogatás, komoly protest song-history)
Damon Zucconi: Untitled Substance 8.0 (b-more deconstructed, 2007-es, elfeledett LP újrakiadása)
Stano: Content To Write 8.0 (1983-as ír posztpunk újrakiadása)
D. Rothon: Nightscapes 8.0 (2018-as évvégi, smoothpopjazzmoodmusic)
Moma Ready: Ocean Walker II 8.0 (2018-as évvégi, liquid funk, breaks)
Hedvig Mollestad Trio: Smells Funny 7.5 (2018-as évvégi, heavypsych-jazz)
BlueWhale: Process 8.0 (2018-as évvégi, atonal rock)
Rattle: Sequence 8.0 (2018-as évvégi, dobzene)
(Ezeken kívül még sok lemezbe belehallgattam, és maximum 10 percet töltöttem velük, mert annyira nem nekem szóltak vagy szimplán borzasztóak voltak, ezeket nem sorolom. És igen, ez amolyan laza sorrend.)
Eszméletlenül sok olyan zene van ma (kösz soundcloud/bandcamp), amit az alkotója valamilyen (leginkább életkori) oknál fogva nem tudott megvalósítani akkor, amikor az újszerű, releváns, aktuális, izgalmas lehetett volna. Ezek között persze akad több olyan, ami legalább érdekes, ügyesen nyúl a témához, jól hallgatható, de ha már hallottad azt, amiket másolnak, akkor nyilván nem tudnak revelációt kiváltani (vagy csak nagyon kivételes esetben). És akkor ugye hallani is minek, ha nem másnak, hogy szóljon valami elmegy háttérzene. Rengeteg lemez esik ebbe a kategóriába, a szabad újrafelhasználás, a miért ne korát éljük.
Ugyanakkor ha nem ösztönöz a remény, hogy potenciálisan jó zenéről maradhatok le, akkor nincs is értelme új megjelenéseket hallgatni. Vagy a régiek közül keresgélni.
Ami még általánosságban jellemző, az a kislemez (albumtrekk)-nagylemez örök szkanderének aktuális kiélesedése. Még a legtöbb 6.5 alatti lemezről is tudnék egy jó számot kiemelni, és végülis nem ez a lényeg? Jó számokat hallgatni. Pont ez van, Spotify-kor definíció szerint: jó számokat kiválasztani, abból jó playlisteket hallgatni. De ha én baszom el ezzel az időt, akkor csak ezzel foglalkozom (és jó eséllyel úgy sem fogom két-három alkalomnál többször hallani), ha más, nem hiszek neki, nem hiszem el, hogy ne hagyott volna le valami jót és a végén becsavarodunk az értelmetlen, újzenét megszállottan (ennél, amit itt csinálok, sokkal megszállottabban) kereső spirálba. Plusz, ha tudtál egy jó számot, akkor hallani akarom, hogy tudsz-e többet is? Ha nem, az sajnálatos. Ha igen, akkor meg csinálj belőlük egy jó lemezt, ami képes egy egységes hangulatot, világot nyújtani, amibe szívesen elmerülök.
Ebben a hónapban két lemeznek is az a címe, hogy Unfurl. Sok februári LP volt már az első részben is, így ez a második most alighanem rövidebb. Kevesebb a kiemelkedő album, ennélfogva. Most is kettő tetszett nagyon, az egyik a legtipikusabb future pop, mindent bele Default Genders friss albuma, ő a reményteljes, de ki nem igazán teljesedő Elite Gymnastics egyik fele volt (ez a chillwave idején feltűnt zenekar mindent mashupolt: dreampopot, jungle-t, house-t, k-popot stb.), ez a második szólólemeze és a zenekarral elkezdett munka eddigi betetőzése. Perfekt jövőpop, ami természetesen nem jelent mást, mint, hogy 2019-ben ilyennek is kellene lennie a jó popzenének, miközben alig ilyen. A másik nagyon tetszetős lemez egy Ot to Not To nevű előadó harmadik albuma, róla nem hallottam korábban. A zenéjére nem én találtam ki a Talk Talk-os Mark Hollis-párhuzamot, ami tökéletesen illik: mark hollis of experimental r&b. Valami nagyon szellős, szétszerelt-újrarakott folk r&b ez, nagyon távoli kapaszkodónak lehet használni Kindness-t, aki nagyon kicsit hasonlóan szerelte az 80s softpopos r&b-t néhány éve. Ebből a kínmondatból is látszik, milyen nehéz körbeírni a zenét, inkább hallani kell. Jó még a Y La Bamba eklektikus indiefolkpopja, nagyon kicsit US Girls, ha ez segít, aztán a Lush-os milányunk, Miki Berényi új zenekara, a Piroshka egy több mint korrekt albummal debütált, persze vele elfogódott vagyok, ezt itt be is jelentem, de mindenesetre ez sokkal jobb, mint a három évvel ezelőtti Lush-visszatérő EP, és úgy általában is. Kellett neki három hallgatás, hogy a korrektnél többnek halljam, itt tartok most vele. Roses Gabor szerintem nem a mi lányunk, ha jól veszem ki, grenadai szülők gyereke (Gábor ZsaZsa ihlethette a nevét?) erős elektro r&b-t tol, a Feels nekemvalóan megkapó lofi-posztpunkot, a Fling pedig szórakoztató indiepsychedéliát, utóbbi három lemezt lehet, hogy kicsit túlértékelem. Majdnem ennyire jó még a Golden Daze télies, ártalmatlan dreampopja (picit Real Estate-es jangle is), amibe nagyon jó belebújni. Akárcsak a The Delines soulos altcountryjába. A Sleaford Mods ismét szórakoztató, zeneileg talán minden korábbinál, izé, zeneibb. Cherusii & Maria Minerva kiadványa félig posztumusz anyag, Cherusii fiatalon hunyt el, barátnője, Minerva gondozta, fejezte be közös felvételeiket, nyilván nagyon sajnálatos, hogy előbbi nem tudott kibontakozni, utóbbi viszont hosszabb hallgatást tört meg ezzel a jó lemezzel. Mi van még? Nyilván mindig keverednek a friss megjelenések közé pár hetes, hónapos kiadványok is, ennyit csak ilyen tempóban lehet feldolgozni. Nem nekem, a nemzetközi sajtónak, amiből mondjuk a Popmatters úgy tud minden nap pár lemezt bemutatni, hogy nem ismétli a Pitchfork-féle fősodor kínálatát és mégis érdekes. De amúgy nagyon sok mindent kell olvasni, hogy összeálljon egy ilyen kép, ilyen lemezsor.
Ezek tetszettek a legjobban februárban. A második kupacban (és harmadik elején) még olyanok vannak, amiket szerintem abszolút érdemes meghallgatni annak, aki bírja az adott stílust, a harmadik-negyedik adagban viszont már azok szerepelnek, amikhez rajongónak kell lenni és úgy sem kizárt a csalódás.
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AM Gold 2021 Part One: Alexandre Bazin to Dummy
Alexandre Bazin - Concorde
Andre Ethier - Further Up Island
Andrew Wasylyk - Balgay Hill: Morning in Magnolia
Andy Shauf - Wilds
Anika- Change
Apta- Echoes
Astral Swans- Astral Swans
Badbadnotgood - Talk Memory
Beautify Junkyards- Cosmorama
Bell Orchestre - House Music
Bernice - Eau de Bonjourno
Bitchin Bajas- Switched On Ra
Chad VanGaalen - World's Most Stressed Out Gardener
Charles Spearin- My City of Starlings
Cobalt Chapel - Orange Synthetic
Cold Beat - War Garden
Colleen - The Tunnel and the Clearing
Concretism - Teliffusion
Cool Ghouls - At George's Zoo
D Rothon - Memories of Earth
Damon Locks Black Monument Ensemble - Now
Deerhoof - Actually, You Can
Drummachinemike - A Certain Death
Dry Cleaning - New Long Leg
Dummy - Mandatory Enjoyment
See also:
Part Two: El Michels Affair to Leanne Betasamosake Simpson
Part Three: Liila to Psychic Pollution
Part Four: Pye Corner Audio to Yu Su
Part Five: EPs
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Sanfte Instrumentalmusik über die Einsamkeit in dunkelster Nacht. Der Designer und Illustrator Frances Castle betreibt in London das Label Clay Pipe, der Output ist übersichtlich, aber jede Veröffentlichung hat es in sich: Musik und Gestaltung bilden eine Einheit, wer sich tiefer in das Design der LPs oder Kassetten vertieft, bekommt eher den Eindruck, ein klingendes Bilderbuch zu hören als einen herkömmlichen Tonträger. Clay-Pipe-Produktionen...
https://www.musikexpress.de/reviews/d-rothon-nightscapes/
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D Rothon - Lonesome Echoes (Awful Lonesome edition) - expanded download edition of his Clay Pipe 3" CD release
The origins of its name lost in the mists of time, the village of Lonesome emerged in the 19th century from the swampy, isolated lands between Streatham Vale and Mitcham Common. By the early 1900s intrepid reporters were already speculating on whether the place was mere myth.
The intervening years saw the rapid rise and fall of Lonesome. Its prospects as a desirable place to live were compromised by the combined fragrances of piggeries plus chemical, fireworks and gas mantle factories – which would undoubtedly have overpowered the sweeter aromas from the nearby lavender fields of Mitcham. It also gained a reputation as a haunt of footpads, vagabonds and cutpurses.
A failed development by one “Squire Blake” of aspirational middle class villas – which became known as Blake's Folly – helped cement Lonesome’s reputation as a ghost town.
Now long subsumed into suburbia, aside from the odd street and building name little trace remains of Lonesome.
Tracks 2, 6, 8 and 10 were issued as an EP by Clay Pipe Music. The remaining tracks are also taken from the Lonesome-inspired sessions.
David Rothon: Omnichord, pedal steel, theremin, keyboards, Bentley Rhythm Ace, digital drum programming, acoustic, electric, baritone and bass guitars, Stylophone, percussion, Indian harmonium, harmonica, melodica, banjo
Special thanks to…
Ed Deegan: drums on tracks 3 and 6
Johanna Warren: flute on tracks 8 and 9
Artwork by Frances Castle (as featured on the original Lonesome Echoes CD)
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Blog post and linked up tracklist [HERE]
Tracklist
01. Luftrum - Dawn Chorus (Self Released)
02. Andrew Wasylyk - Blossomness #2 (Clay Pipe Music)
03. D. Rothon - The Ghost We Bring (Clay Pipe Music)
04. Trigg & Gusset - Blue Shades (Preserved Sound)
05. Amanda Whiting - After Dark (Jazzman)
06. Nat Birchall - Mirror Mind (Ancient Archive Of Sound)
07. Ishmael Ensemble - The River (Reprise) (Severn Songs)
08. Dwight Trible ft. Matthew Halsall - Deep River (Gondwana)
09. Yusef Lateef - Like It Is (Music On Vinyl)
10. Chip Wickham - Pushed Too Far (Lovemonk)
11. Katya Yonder - Mood (Meteron)
12. Arooj Aftab - Last Night (New Amsterdam Records)
13. Warren Hampshire - Eye Of The Deluge (Athens Of The North)
14. Luke Howard Trio - Phases (Hobbledehoy)
Download available via [Hearthis]
#mixamorphosis#dj mix#soundcloud#music#ambient#downtempo#field recordings#contemporary jazz#Luftrum#Andrew Wasylyk#D Rothon#Trigg & Gusset#Amanda Whiting#Nat Birchall#Ishmael Ensemble#Dwight Trible#Matthew Halsall#Yusef Lateef#Chip Wickham#Katya Yonder#Arooj Aftab#Warren Hampshire#Luke Howard Trio#SoundCloud
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Forgotten Mixes
Upper Sine
Grover Washington Jr.-Masterpiece 00:00
Matthew Halsall-Upper Space 05:04
Menahan Street Band-Queens Highway 12:04
The Ocean Tango-Hirondelles 13:05
Quantic & Nidia Góngora-Macumba de Marea (Instrumental) 17:59
Robohands-Mistakes 23:03
Synchro Rhythmic Eclectic Language-Pasto 24:02
The Zenmenn-Topaz 2 29:46
Zero 7-The Space Between 35:11
Alif Tree-Deadly Species 41:02
Burt Orange-Passion Fruit 45:37
Clive Zanda- Ogun 50:00
D Rothon-Aquarius Rising 53:20
Euglossine-Orion as Cowboy 57:32
Greg Foat-The Magic Radish 1:01:20
#Grover Washington Jr.#Matthew Halsall#Menahan Street Band#The Ocean Tango#Quantic & Nidia Góngora#Robohands#Synchro Rhythmic Eclectic Language#The Zenmenn#Zero 7#Alif Tree#Burt Orange#Clive Zanda#D Rothon#Euglossine#Greg Foat#Gondwana Records#Daptone Records#Tru Thoughts#KingUnderground#BEACH DIGGIN' SERIES#Heavenly Sweetness#Music From Memory#New State Music#Compost Records#Analog Junkie Studio#Cree Records#Clay Pipe Music#Athens Of The North#Trevlad Sounds
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Mixtape 221 “After-Hours Hidden Doors” An uptempo Library Music extravaganza.
#listening center#lectric horc#piero umiliani#the twelve hour foundation#domenique dumont#claude larson#jake schrock#sam prekop#d rothon#robin artus#paul kass#ata records#pabellón sintético#cavern of anti-matter#alan hawkshaw#the metamorph#the british stereo collective#town & county#mixcloud#library music#retro electronic#experimental#nowplaying
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My WVUD playlist and stream, 1/22/2024
Acid Twilight - Mystic Sunday
Nailah Hunter - Through The Din
SQÜRL - Silver Haze
Cocteau Twins - Violaine (2024 Remaster)
Beverly Glenn-Copeland - Prince Caspian's Dream
Melodien - Aulasy
Kali Uchis - Te Mata
Laetitia Sadier - Panser L’inacceptable
United States Of America - The American Metaphysical Circus
Dorothy Moskowitz - Metallic Rain
Silver Apples & Makoto Kawabata - Future Reminiscence
The Lovecraft Sextet - Life Beyond
Arooj Aftab, Vijay Iyer & Shahzad Ismaily - To Remain/To Return
D. Rothon - The Wagons Roll at Night
Happy Rhodes - If Love Is a Game, I Win
Vince Clarke - Passage
Moritz von Oswald - Opaco
The Crossing & Donald Nally - David Shapiro, Sumptuous Planet (A Secular Mass): XI. Substance. Giant Megalopolis
Sinikka Langeland - Row My Ocean
Nils Petter Molvær - Simply So
Ancient Infinity Orchestra - Equanimity
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My WVUD playlist and stream, 11/27/2023
André 3000 - Ants To You, Gods To Who ?
Matthewdavid - Liquidity
V.C.R - Everyday (sunshine)
Carlos Niño & Friends - Eightspace 082222
Tetelepta - Flowers
Ancient Infinity Orchestra - Michael & Zelah
Tengger - VORTEX
Fila Brazillia - Lee Van Cleef
D. Rothon - Lammas Lands
Phil Struck - Blau und Unverhofft
Daft Punk - Motherboard (Drumless Edition)
Prins Emanuel - Paia
Shackleton - The Majestic Yes
Marijus Aleksa - Guided By Sensations
Nok Cultural Ensemble - Y.T.T.T
African Head Charge - Never Regret a Day
Ghetto Kumbé - Pila Pila
Chouk Bwa & The Ångströmers - Kimelem
Ndox Electrique - Ngor Diouf Né Du Wallé
Lý Trang - sạp đổ đàn tre
Ziúr - Pique
El Kontessa - Moka3bat
Salamanda - Tonal, Fluid
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Gilroy Mere - Bicycle Ballet - from his forthcoming Clay Pipe Music album Gilden Gate
Oliver Cherer is back with a new Gilroy Mere record which follows on from his other much lauded Clay Pipe releases (The Green Line, Adlestrop and last year’s D Rothon collaboration, Estuary English). Over the last two decades Ollie has released numerous collections of music in an ever shifting array of modes, from folktronic, singer-songwriter styles through psychogeographic electronica to jazz-tinged, confessional ghost-pop and most recently, the “guitar tainted machine rock disco” of Aircooled.
Gilden Gate is an album of two halves. Side 1 ‘Rising’ celebrates the sun-drenched beaches, pastures and heaths of rural Suffolk, whereas Side 2 ‘Falling’ explores the underwater world of the lost city of Dunwich and its five church spires.
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D. Rothon - Aquarius Rising from Memories of Earth, his new album for Clay Pipe Music inspired by retro-future nostalgia (June 26)
Memories of Earth is D Rothon’s second LP for Clay Pipe Music. In the years since 2018’s critically acclaimed Nightscapes, aside from working on this follow-up, he has played pedal steel on albums by Lost Horizons (on the John Grant-fronted track Cordelia), Liela Moss and Johanna Warren. He has also contributed to two recent compilations by the Second Language label – a kindred spirit to Clay Pipe.
The catalyst for Memories of Earth was the 2019 Moving to Mars exhibition at London’s Design Museum - which created a simulation of a future Martian settlement. For Rothon this triggered recollections of a childhood fascination with space – fuelled by the moon landings, visits to the London Planetarium and being taken aged six to see Kubrick’s 2001: A Space Odyssey. “I recall it as a time when a science fiction-style future seemed just around the corner,” he says. He cites as another influential experience the landmark Cybernetics Serendipity show at the ICA, which featured collaborations between artists and scientists: machines were shown alongside artwork in a spirit of postwar optimism for the positive power of new technologies. “I actually remember very little about it other than it was very noisy and somewhat scary!”
Memories of Earth reflects a spectrum of emotional responses to the idea of space travel – from the optimism and wonder of those childhood dreams to the sense of disconnection, isolation and loss we might feel on a one-way trip to Mars… or beyond. The final, bittersweet track brings us back down to earth with a sense that perhaps it’s caring for our own planet that should be our priority.
Musically Memories of Earth draws on a varied palette of influences including early prog, electronica and European film soundtracks. This diversity of styles flows together to form an album that’s coherent but full of surprises. It also benefits from vocal contributions by acclaimed US musician Johanna Warren and actress/chanteuse Claudia Barton, who wrote and performs the words for the title track – a paean to Earth’s “soft, green bacterial surface”; its “deep, wet, blue mysteries”…
Clay Pipe Music · 01 Apeman, Spaceman
Clay Pipe Music · 10 Memories Of Earth
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