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#Condé Nast
eirene · 6 months
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Models wear a variety of hats on the roof of the Condé Nast building on Lexington Avenue, New York City.
American Vogue, October 15, 1949.
Photographer: Norman Parkinson
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mote-historie · 1 year
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Edward Steichen, Lee Miller, in Jay Thorpe. Necklace by Marcus. Condé Nast Apartment. Vogue. 1928.
Description: American model Lee Miller wearing a rayon velvet evening gown with matching jacket by Jay-Thorpe.
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thoughtportal · 3 months
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Anne Hathaway walked out of a Vanity Fair photo shoot Tuesday morning in support of the Condé Nast Union walk out.
Nearly 400 union members who work at Condé Nast are currently holding a 24-hour work stoppage to protest negotiation practices they claim are unlawful.
Hathaway was unaware of the work stoppage when she arrived at the New York City photo shoot. She was still in hair and makeup when her team was notified by a staffer from SAG-AFTRA to advise Hathaway to support the work stoppage.
“They hadn’t even started taking photos yet,” a source tells Variety. “Once Anne was made aware of what was going on, she just got up from hair and makeup and left.”
The work stoppage coincided with the announcement of the 2024 Oscar nominations, which took place Tuesday morning at 8:30 a.m. ET. Employees at Vanity Fair, Vogue, GQ, Allure, Condé Nast Entertainment, Architectural Digest, Glamour, Self, Teen Vogue and other Condé Nast publications walked to hold a rally in front of the company’s offices in New York.
Videos posted to the union’s X/Twitter show protesters holding signs that read, “Layoffs are out of fashion.” They can also be chanting, “Say it loud, say it clear, winter’s extra cold this year,” an obvious play on Anna Wintour’s name.
Last week, Condé Nast merged Pitchfork with men’s magazine GQ — resulting in layoffs at the digital music publication, including the exit of editor-in-chief Puja Patel.
Wintour, Condé Nast’s chief content officer and global editorial director of Vogue, explained the changes in a memo to company staff, writing, “Today we are evolving our Pitchfork team structure by bringing the team into the GQ organization. This decision was made after a careful evaluation of Pitchfork’s performance and what we believe is the best path forward for the brand so that our coverage of music can continue to thrive within the company.”
The Condé Nast Union shared its potential walkout plans last Thursday on X: “Our longest yeah boy ever: Nearly 400 of us have pledged to STOP WORK when our bargaining committee calls for a 24 hour walk out. RT to tell @CondeNast you stand with workers: stop breaking the law, stop union busting, and stop the layoffs. Keep your eyes here for more soon.”
Condé Nast CEO Roger Lynch announced in November 2023 that the company will lay off upwards of 300 employees and take other cost-reduction measures to improve efficiency.
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1937 Horst P Horst, Coco Chanel wearing one of her designs for Vogue.
Photo Credit: Horst P Horst/Condé Nast/Shutterstock
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stonerbughead · 2 years
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Stand with Condé Nast United on Met Gala Day
Did you know that the people who make Condé Nast run have been fighting for union recognition? These hard working individuals will be making the Met Gala happen tonight while fighting for their right to a union so they can bargain for a fair contract. I highly recommend you read their thread, screenshotted below and retweet it here.
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image description below the cut
image description = a screenshot of a thread from @/condeunion on Twitter.
tweet 1 = "Tomorrow is a special day, so we thought we’d give you a special edition of THE ISSUES all about (you guessed it!) the Met Gala. What's Inside:" with a picture of a mock issue of VOGUE
tweet 2 = +An Invisible Workforce—While the cameras are pointed at the red carpet, there are countless invisible hands making sure every moment goes off without a hitch. These are freelancers, assistants, and producers who work tirelessly starting months before events like the Met Gala
tweet 3 = but receive no spotlight or recognition for their work. It’s the universal Condé experience on an even larger, more intense scale, proving that there would be no @condenast—or Met Gala—without us.
tweet 4 = +Overwork, but no Overtime—Making the Met Gala takes hours of extra work from the entire @voguemagazine team, not to mention other employees throughout the company. Yet Condé believes that prestige is enough to cover the incredible amounts of unpaid labor.
tweet 5 = If we do a job, we deserve to get paid for it, even if it is something as incredible as the Met Gala
tweet 6 = +24/7 with no breaks—Events may end at a certain time, but that doesn’t mean the work ends. With events like the Met Gala, the Oscars, the Grammys, and more, the all-night news coverage and viral video moments come from somewhere
tweet 7 = —the computers of hard-working writers, video editors, and social media managers who have to stay up until the early hours to bring you content. Burnout is endemic to Condé Nast, and events like these do nothing but make it worse.
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goldenwhiter · 3 months
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Sebastian Sauve photographed by Cristiano Miretti and styled by Andrea Porro, for GQ Italia. Grooming by Simone Prusso.
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whatafirefeelslike · 3 months
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that’s mother https://bit.ly/42c7mW3
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happywebdesign · 1 year
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https://www.condenast.com/
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uwmspeccoll · 1 year
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Milestone Monday, part two
On this date, November 7 in 1929, the Museum of Modern Art in New York City was opened to the public. We commemorate this milestone with a few images from our copy of the catalog for the museum’s inaugural loaned exhibition of works by Paul Cézanne, Paul Gauguin, Georges Seurat, and Vincent van Gogh, with a text by the American art historian and the museum’s first director Alfred Hamilton Barr, Jr.
The catalog was issued in November 1929, printed by Condé Nast, and with the halftone plates printed by the Gill Engraving Company. Our copy is the third edition, of which there were 2000 copies.
View other Milestone Monday posts.
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sixstringphonic · 10 months
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GQ pulls article slamming Warner Bros. Discovery CEO Zaslav after complaint
The writer said he asked to have his byline removed after GQ made extensive changes after publication. The magazine removed the story instead. 
The Washington Post, July 5th 2023 - In an unusual step, GQ magazine removed an article critical of powerful media executive David Zaslav from its website just hours after it was published Monday, following a complaint from Zaslav’s camp.
The story, by freelance film critic Jason Bailey, excoriated the CEO of Warner Bros. Discovery for his handling of the company’s entertainment properties — specifically perceived crimes against film, such as the layoffs at the Turner Classic Movies channel that outraged prominent directors and other superfans and his decision to not release finished movies such as “Batgirl” for tax purposes. At one point, Bailey compared Zaslav to tyrannical “Succession” patriarch Logan Roy.
“In a relatively short period of time, David Zaslav has become perhaps the most hated man in Hollywood,” Bailey wrote.
A Zaslav spokesman complained to GQ about the story soon after it was published, according to people close to the process who spoke on the condition of anonymity to preserve confidences. By early afternoon on Monday (7/3), the magazine had made extensive edits to the story...
Archived versions of the original and edited versions of the article show significant changes that had the effect of softening its tone. A line calling Zaslav “the most hated man in Hollywood” was deleted. The “Succession” comparison was removed, as was a segment where Bailey called the reality shows that Zaslav oversaw while running Discovery “reality slop.”
The final paragraphs of the original article compared Zaslav to the pitiless businessman played by Richard Gere in “Pretty Woman,” with Bailey writing that the executive is “only good at breaking things.”
The ending of the edited article was much kinder to Zaslav, removing the “Pretty Woman” reference and simply noting that film aficionados’ complaints have “gotten personal.”
Bailey told The Washington Post that, after GQ made the changes, he asked editors to remove his byline. He said an editor told him that GQ would not keep an article on its website without the author’s name. By Monday afternoon, the article was removed entirely from the site.
“I wrote what I felt was the story I was hired to write,” Bailey said. “When I was asked to rewrite it after publication, I declined. The rewrite that was done was not to my satisfaction, so I asked to have my name removed and was told that the option there was to pull the article entirely, and I was fine with that.”
...“I think a side-by-side comparison of the piece before and after GQ’s internal edits reveals exactly what WBD wanted changed, and that GQ was happy to do so,” Bailey wrote in an email to The Post.
GQ has a corporate connection to Warner Bros. Discovery. The magazine’s parent company, Condé Nast, is owned by Advance Publications, a major shareholder in Warner Bros. Discovery. Advance Publications did not respond to a request for comment.
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dweemeister · 3 months
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January 30, 2024
By Paul Farhi
(The Atlantic) -- For a few hours last Tuesday, the entire news business seemed to be collapsing all at once. Journalists at Time magazine and National Geographic announced that they had been laid off. Unionized employees at magazines owned by Condé Nast staged a one-day strike to protest imminent cuts. By far the grimmest news was from the Los Angeles Times, the biggest newspaper west of the Washington, D.C., area. After weeks of rumors, the paper announced that it was cutting 115 people, more than 20 percent of its newsroom.
The Times was once a pillar of the American media establishment, celebrated in David Halberstam’s classic media study, The Powers That Be. Now it has become a national exemplar of what the journalist Margaret Sullivan calls the “ghosting” of the news—the gradual withering of news-gathering muscle as once-proud publications become shadows of their old selves. The biotech billionaire Patrick Soon-Shiong looked like a savior when he bought the Times from its cost-cutting corporate parent in 2018. For a few years, he was; Soon-Shiong invested about $1 billion, by his count, to build up the depleted organization. But he turned out to have his limits. Facing mounting losses, in June last year the Times dropped 74 people from its newsroom. Last week’s even bigger blow was foreshadowed by managerial turmoil: Three top editors, including the executive editor Kevin Merida, resigned just before the news came down. “I won’t fault him for being unwilling to write checks,” Matt Pearce, a Times reporter who is head of the newspaper’s union, told me, referring to Soon-Shiong. But, he added, “we don’t seem to have a clear theory of the case as a business. We need to execute on a strategy. And we don’t have one.” (Soon-Shiong declined to comment for this article.)
The decline of the legacy news media has been playing out for decades, exacerbated most recently by the advent of the internet and the explosion of digital platforms, especially the ad-revenue-gobbling tech giants Google and Meta. Even when the ad-supported model of journalism still worked, the history of American media was punctuated by periods of dramatic expansion and contraction, often coinciding with the arrival of new technologies. The latest round of cuts, however, represents a grim new milestone. The Washington Post, NBC News, ABC News, NPR, Vice, Vox, and BuzzFeed, among others, have shed hundreds of journalists over the past year. (Disclosure: I’m one of them. In December, I took a buyout from The Washington Post.)No corner of national media seems unaffected. Even Condé Nast’s The New Yorker magazine, heretofore seemingly impervious, announced a numerically insignificant but symbolically freighted staff cut in December. All told, job losses among print-, digital-, and broadcast-news organizations grew by nearly 50 percent during 2023, according to the consulting firm Challenger, Gray & Christmas.
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guy60660 · 1 year
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Michael Butler | Zachary Freyman | Condé Nast | Shutterstock
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Gourmet Cover Featuring A Variety Of Italian
Publication: Gourmet Image Type: Cover Date: March 1st, 1954 Description: Gourmet magazine cover featuring an illustration of a variety of Italian objects with a cityscape in the background.
by Henry Stahlhut
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ado0odi · 2 years
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Julia Fox for Vogue, July 2022
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paolalopezfeliu · 1 month
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