#Comtesse d'Egmont Pignatelli

[gogmstuff]

Now 1763 -

Top:  1763 Comtesse d'Egmont Pignatelli in Spanish Costume by Alexander Roslin (Minneapolis Institute of Art - Minneapolis, Minnesota, USA) From liveinternet.ru/users/marylai/post292168318 3437X4625 @72 5.5Mj.

Second row left:  1763 Louise-Marie or Marie Adelaide de Bourbon by Francois-Hubert Drouais (Châteaux de Versailles et de Trianon - Versailles, Île-de- France, France). From Wikimedia 636X638 @96 113kj.

Second row right:  1763 Louise-Marie Bourbon attributed to Francois-Hubert Drouais (Châteaux de Versailles et de Trianon - Versailles, Île-de- France, France). From Wikimedia 1157X1415 @96 3.2Mp.

Third row:  1763 Infanta María Luisa by Lorenzo Baldissera Tiepolo (Museo del Prado - Madrid, Spain). From Wikimedia 861X1024 @300 216kj.

Fourth row left:  1763 Agnese Anhalt-Dessau, Baroness of Loen by Christian Friedrich Reinhold Lisiewski (location ?). I did not record the source of the image 2357X3000 @240 1.7Mj.

Fourth row right:  1763 Susanna Dacre, half-length, wearing a blue satin dress with blue ribbons by circle of Thomas Hudson (auctioned by Bonhams). From their Web site 4292X5262 @300 6Mp.

Fifth row:  1763 Marie-Fortunée d'Este, princesse de Conti by ? (location ?). From twitter.com/MuseeLouvre/status/638402789488619520/photo/1 2010X2360 @144 4.9Mp.

Sixth row:  ca. 1763 Mary Little, Later Lady Carr by Thomas Gainsborough (Yale Center for British Art, Yale University - New Haven, Connecticut USA). From Wikimedia; spots, linear flaws from paint cracks, and veiling reflection suppressed with Photoshop with mixture of suppressing individual spots and flaws throughout image and blurring parts of the background with Photoshop 3384X4243 @9713.2Mp.

Seventh row:  ca. 1763 Augusta von Hannover, Herzogin von Braunschweig-Lüneburg attributed to Thomas Frye (auctioned by Sotheby's). From Wikimedia 3101X3692 @96 4.7Mj.

#1763 fashion #Rococo fashion #Louis XV fashion #Georgian fashion #Comtesse d'Egmont Pignatelli #Alexander Roslin #Marie Adelaide de Bourbon #Francois-Hubert Drouais #Louise-Marie Bourbon #Infanta María Luisa #Lorenzo Baldissera Tiepolo #fur #Agnese Anhalt-Dessau #Christian Friedrich Reinhold Lisiewski #Susanna Dacre #Thomas Hudson #Marie-Fortunée d'Este #coiffure #Mary Little #roba à la française #sacque back #Princess Augusta #Thomas Frye #court dress

[artthatgivesmefeelings]

Alexander Roslin (Swedish, 1718-1793) The Comtesse d'Egmont Pignatelli in Spanish Costume Minneapolis Institute of Art

#Alexander Roslin #Swedish #spanish #classical art #female portrait #female #portrait #women in art #pomaded hair #powdered hair #woman #black eyes #black hair #comtesse #art #fine art #fine arts #nobility #royal #royalty #noble #aristocracy #aristocrat #sweden #swedish art #brunette #dogs in art #1700s #18th century #hispanic

[miaikonartstudio]

Happy Star Wars Day. May the 4th be with you. I deciced on a whim to use an old painting of royalty as a reference to draw Leia, since she is a princess. The painting I referenced is The Comtesse d'Egmont Pignatelli in Spanish Costume by Alexander Roslin.

The colorscheme and dress are inspired by pictures of the Alderaanian palace and Breha Organa. I imagined a young Leia, still on Alderaan, trying to take a break in between political meetings and being annoyed with whoever took the picture. I do like how this one came out, and am happy I finished in time.

Commissions are open; mail to [email protected] if you'Re interested!

#star wars day #digital art #miaikon #artists on tumblr #progress #fanart #long hair #star wars fanart #princess leia #leia organa #palace #palace interior #based on a painting #cat #this was fun to shade #one of my prouder moments #may the fourth be with you #may the 4th

[artfoli]

Details in White

Princess Alexandra of Wales, 1863, by Richard Lauchert.

An Elegant Bouquet, 1886, by Gustave Jean Jacquet.

Katherine, Countess of Chesterfield, and Lucy, Countess of Huntingdon, c. 1640, by Anthony van Dyck.

Empress Elisabeth of Austria, 1865, by Franz Xaver Winterhalter.

Marie Antoinette in a Muslin dress, 1783, by Louise Élisabeth Vigée Le Brun.

Fredrika Dorotea Vilhelmina, 1826, by Joseph Karl Stieler.

The Comtesse d'Egmont Pignatelli in Spanish Costume, 1763, by Alexander Roslin.

Presumed Portrait of Miss White, 1838, by Joseph-Désiré Court.

Pea Blossoms, 1890, by Edward Poynter.

The Young Queen Victoria, 1842, by Franz Xaver Winterhalter.

#detail #art history #art detail #art history blog #Details in White #Richard Lauchert #Gustave Jean Jacquet #Anthony van Dyck #Franz Xaver Winterhalter #Louise Élisabeth Vigée Le Brun #Joseph Karl Stieler #1800's #19th century #1700's #18th century #colour white #white #Alexander Roslin #Joseph-Désiré Court #art history dresses #art history fashion #historical fashion #Edward Poynter #artwork #details #art details #art

[mia-paintings]

The Comtesse d'Egmont Pignatelli in Spanish Costume, Alexander Roslin, 1763, Minneapolis Institute of Art: Paintings

woman wearing a white satin gown trimmed with lace and pearls, holding a book, and seated on a yellow sofa; woman wears pearl necklaces and earrings, with her hair decorated with pearls; guitar and music next to woman on sofa; black and white lap dog in LRC The comtesse Septimanie d’Egmont Pignatelli (1740–73), depicted here at age twenty-three, was the Jackie Kennedy of Parisian high society in the 1760s. Her father was a trusted adviser to King Louis XV. At fifteen, she married Casimir Pignatelli, comte d’Egmont, descended from ancient nobility of the Netherlands and of Naples and Aragon. The comtesse sponsored many leading figures of the Enlightenment, including Jean-Jacques Rousseau and Wolfgang Amadeus Mozart. Swedish-born Alexander Roslin was famous for his portraits of French aristocrats. He painted the comtesse in a fashionable Spanish-style gown, a reference to her husband’s ancestry. The guitar at her side (she was a gifted player) continues the Spanish theme. The hand-carved, original frame is crowned with the torch of Hymen and the bow and quiver of Cupid, emblems of wedded bliss confirming that the comtesse’s husband commissioned the picture as a gift. Size: 53 5/8 x 40 5/8 in. (136.21 x 103.19 cm) (canvas) 71 x 56 x 5 in. (180.34 x 142.24 x 12.7 cm) (outer frame) Medium: Oil on canvas

https://collections.artsmia.org/art/99368/

#artsmia #minneapolisinstituteofart #alexanderroslin

[mia-decorative]

Plate with arms of Pignatelli, c. 1745, Minneapolis Institute of Art: Decorative Arts, Textiles and Sculpture

armorial plate, famille rose central coat of arms among colored flags and crown, three central urns with instruments, interior of rim with gilt spearheads; arms are those of Pignatelli of Naples, related to Antonius Pignatelli who was Pope Innocent XIII The service to which this plate belongs was made for Prince Pignatelli of Naples, a close relative of Antonius Pignatelli, elected Pope Innocent XII in 1691. In May of 2006, the Institute acquired an oil portrait of another member of this prominent European family, the Comtesse d'Egmont Pignatelli, painted in 1763. Size: 11 1/4 in. (28.58 cm) Medium: Porcelain

https://collections.artsmia.org/art/4906/

#artsmia #museumarchive #minneapolisinstituteofart

[danssesyeux]

Alexander Roslin (1718-1793) - The Comtesse d'Egmont Pignatelli in Spanish Costume (1763)  

#alexander roslin #18th century #sweden #art #painting

[paintingispoetry]

Alexander Roslin, The Comtesse d'Egmont Pignatelli in Spanish Costume detail, 1763

#alexander roslin #roslin #pets in art #art details #painting details #art #painting #18th century art

[buckwheatabbey]

The Comtesse d'Egmont Pignatelli in Spanish Costume - Alexander Roslin

[venicepearl]

The Comtesse d'Egmont Pignatelli in Spanish Costume

#Jeanne Sophie de Vignerot du Plessis #xviii century #people #portrait #paintings #art #arte

[bonjourversaile]

1763 Comtesse d'Egmont Pignatelli in Spanish Costume by Alexander Roslin

[mia-paintings]

The Comtesse d'Egmont Pignatelli in Spanish Costume, Alexander Roslin, 1763, Minneapolis Institute of Art: Paintings

woman wearing a white satin gown trimmed with lace and pearls, holding a book, and seated on a yellow sofa; woman wears pearl necklaces and earrings, with her hair decorated with pearls; guitar and music next to woman on sofa; black and white lap dog in LRC The comtesse Septimanie d’Egmont Pignatelli (1740–73), depicted here at age twenty-three, was the Jackie Kennedy of Parisian high society in the 1760s. Her father was a trusted adviser to King Louis XV. At fifteen, she married Casimir Pignatelli, comte d’Egmont, descended from ancient nobility of the Netherlands and of Naples and Aragon. The comtesse sponsored many leading figures of the Enlightenment, including Jean-Jacques Rousseau and Wolfgang Amadeus Mozart. Swedish-born Alexander Roslin was famous for his portraits of French aristocrats. He painted the comtesse in a fashionable Spanish-style gown, a reference to her husband’s ancestry. The guitar at her side (she was a gifted player) continues the Spanish theme. The hand-carved, original frame is crowned with the torch of Hymen and the bow and quiver of Cupid, emblems of wedded bliss confirming that the comtesse’s husband commissioned the picture as a gift. Size: 53 5/8 x 40 5/8 in. (136.21 x 103.19 cm) (canvas) 71 x 56 x 5 in. (180.34 x 142.24 x 12.7 cm) (outer frame) Medium: Oil on canvas

https://collections.artsmia.org/art/99368/

#alexanderroslin #artsmia #minneapolisinstituteofart

[mia-paintings]

The Comtesse d'Egmont Pignatelli in Spanish Costume, Alexander Roslin, 1763, Minneapolis Institute of Art: Paintings

woman wearing a white satin gown trimmed with lace and pearls, holding a book, and seated on a yellow sofa; woman wears pearl necklaces and earrings, with her hair decorated with pearls; guitar and music next to woman on sofa; black and white lap dog in LRC The comtesse Septimanie d’Egmont Pignatelli (1740–73), depicted here at age twenty-three, was the Jackie Kennedy of Parisian high society in the 1760s. Her father was a trusted adviser to King Louis XV. At fifteen, she married Casimir Pignatelli, comte d’Egmont, descended from ancient nobility of the Netherlands and of Naples and Aragon. The comtesse sponsored many leading figures of the Enlightenment, including Jean-Jacques Rousseau and Wolfgang Amadeus Mozart. Swedish-born Alexander Roslin was famous for his portraits of French aristocrats. He painted the comtesse in a fashionable Spanish-style gown, a reference to her husband’s ancestry. The guitar at her side (she was a gifted player) continues the Spanish theme. The hand-carved, original frame is crowned with the torch of Hymen and the bow and quiver of Cupid, emblems of wedded bliss confirming that the comtesse’s husband commissioned the picture as a gift. Size: 53 5/8 x 40 5/8 in. (136.21 x 103.19 cm) (canvas) 71 x 56 x 5 in. (180.34 x 142.24 x 12.7 cm) (outer frame) Medium: Oil on canvas

https://collections.artsmia.org/art/99368/

#minneapolisinstituteofart #artsmia #alexanderroslin

[mia-paintings]

The Comtesse d'Egmont Pignatelli in Spanish Costume, Alexander Roslin, 1763, Minneapolis Institute of Art: Paintings

woman wearing a white satin gown trimmed with lace and pearls, holding a book, and seated on a yellow sofa; woman wears pearl necklaces and earrings, with her hair decorated with pearls; guitar and music next to woman on sofa; black and white lap dog in LRC The comtesse Septimanie d’Egmont Pignatelli (1740–73), depicted here at age twenty-three, was the Jackie Kennedy of Parisian high society in the 1760s. Her father was a trusted adviser to King Louis XV. At fifteen, she married Casimir Pignatelli, comte d’Egmont, descended from ancient nobility of the Netherlands and of Naples and Aragon. The comtesse sponsored many leading figures of the Enlightenment, including Jean-Jacques Rousseau and Wolfgang Amadeus Mozart. Swedish-born Alexander Roslin was famous for his portraits of French aristocrats. He painted the comtesse in a fashionable Spanish-style gown, a reference to her husband’s ancestry. The guitar at her side (she was a gifted player) continues the Spanish theme. The hand-carved, original frame is crowned with the torch of Hymen and the bow and quiver of Cupid, emblems of wedded bliss confirming that the comtesse’s husband commissioned the picture as a gift. Size: 53 5/8 x 40 5/8 in. (136.21 x 103.19 cm) (canvas) 71 x 56 x 5 in. (180.34 x 142.24 x 12.7 cm) (outer frame) Medium: Oil on canvas

https://collections.artsmia.org/art/99368/

#minneapolisinstituteofart #artsmia #alexanderroslin

[mia-paintings]

The Comtesse d'Egmont Pignatelli in Spanish Costume, Alexander Roslin, 1763, Minneapolis Institute of Art: Paintings

woman wearing a white satin gown trimmed with lace and pearls, holding a book, and seated on a yellow sofa; woman wears pearl necklaces and earrings, with her hair decorated with pearls; guitar and music next to woman on sofa; black and white lap dog in LRC The comtesse Septimanie d’Egmont Pignatelli (1740–73), depicted here at age twenty-three, was the Jackie Kennedy of Parisian high society in the 1760s. Her father was a trusted adviser to King Louis XV. At fifteen, she married Casimir Pignatelli, comte d’Egmont, descended from ancient nobility of the Netherlands and of Naples and Aragon. The comtesse sponsored many leading figures of the Enlightenment, including Jean-Jacques Rousseau and Wolfgang Amadeus Mozart. Swedish-born Alexander Roslin was famous for his portraits of French aristocrats. He painted the comtesse in a fashionable Spanish-style gown, a reference to her husband’s ancestry. The guitar at her side (she was a gifted player) continues the Spanish theme. The hand-carved, original frame is crowned with the torch of Hymen and the bow and quiver of Cupid, emblems of wedded bliss confirming that the comtesse’s husband commissioned the picture as a gift. Size: 53 5/8 x 40 5/8 in. (136.21 x 103.19 cm) (canvas) 71 x 56 x 5 in. (180.34 x 142.24 x 12.7 cm) (outer frame) Medium: Oil on canvas

https://collections.artsmia.org/art/99368/

#artsmia #alexanderroslin #minneapolisinstituteofart

[mia-paintings]

The Comtesse d'Egmont Pignatelli in Spanish Costume, Alexander Roslin, 1763, Minneapolis Institute of Art: Paintings

woman wearing a white satin gown trimmed with lace and pearls, holding a book, and seated on a yellow sofa; woman wears pearl necklaces and earrings, with her hair decorated with pearls; guitar and music next to woman on sofa; black and white lap dog in LRC The comtesse Septimanie d’Egmont Pignatelli (1740–73), depicted here at age twenty-three, was the Jackie Kennedy of Parisian high society in the 1760s. Her father was a trusted adviser to King Louis XV. At fifteen, she married Casimir Pignatelli, comte d’Egmont, descended from ancient nobility of the Netherlands and of Naples and Aragon. The comtesse sponsored many leading figures of the Enlightenment, including Jean-Jacques Rousseau and Wolfgang Amadeus Mozart. Swedish-born Alexander Roslin was famous for his portraits of French aristocrats. He painted the comtesse in a fashionable Spanish-style gown, a reference to her husband’s ancestry. The guitar at her side (she was a gifted player) continues the Spanish theme. The hand-carved, original frame is crowned with the torch of Hymen and the bow and quiver of Cupid, emblems of wedded bliss confirming that the comtesse’s husband commissioned the picture as a gift. Size: 53 5/8 x 40 5/8 in. (136.21 x 103.19 cm) (canvas) 71 x 56 x 5 in. (180.34 x 142.24 x 12.7 cm) (outer frame) Medium: Oil on canvas

https://collections.artsmia.org/art/99368/

#minneapolisinstituteofart #artsmia #alexanderroslin