#Bronisław Kaper

[donospl]

Sullivan Fortner „Solo Game”

Artwork Records, 2023 Pierwsze solowe nagrania pianisty i kompozytora Sullivana Fortnera są jednocześnie jego debiutem w wytwórni Artwork Records. Album „Solo Game” to prawie 80 minut muzyki na dwóch płytach. “Solo” i „Game” to tak naprawdę dwa odrębne wydawnictwa, różniące się wykorzystanymi instrumentami, zaprezentowanym programem, podejściem do wykonania. Pierwsza z płyt zawiera fotepianowy…

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#Antonio Carlos Jobim #Artwork Records #Bronisław Kaper #Cecile McLorin Salvant #Duke Ellington #Fred Hersch #Fryderyk Chopin #Herbert Martin #Ira Gershwin #Jason Moran #Kurt Weill #Kyle Poole #Lorenz Hart #Michael Leonard #Neal Hefti #Randy Weston #Richard Rodgers #Stevie Wonder #Sullivan Fortner

[nelson-riddle-me-this]

Thinking about how the film composer Bronisław Kaper once said (paraphrasing) "There is a small club of people in Hollywood who at one point or another did *not* run the RKO studio."

[dying-suffering-french-stalkers]

“Follow Me” (Love Theme - wordless version) from Mutiny on the Bounty (1962)

#it's real #bronisław kaper #hours #mutiny on the bounty 1962 #music #audio

[crushondonald]

Max Raabe & Palast Orchester “All God’s Chillun Got Rhythm” (Walter Jurman/Gus Kahn/Bronisław Kaper, 1937)

#Max Raabe #Max Raabe & Palast Orchester #All God's Chillun Got Rhythm #1937 #1930s #Walter Jurmann #Gus Kahn #Bronisław Kaper #Album: Heute Nacht oder nie - Live in New York #Carnegie Hall #2007 #fav #my music

[papermoonloveslucy]

LUCILLE & DESI SOLVE A PARENT PROBLEM

November 22, 1952

Lucille Ball and Desi Arnaz were on the cover of TV Digest for the week of November 22, 1952.  The inside article was titled “Lucille and Desi Solve a Parent Problem.” 

“With a baby due in January, how does the show stay on the air?” 

The article reveals that the past summer hiatus was spent ‘banking’ enough episodes of the show to last through March 1953.  Using a photo of Lucy tumbling through an open window in “The Anniversary Present” (ILL S2;E3) aired on September 29, 1952 but filmed on May 9, 1952, the article asserts that physical comedy will be temporarily omitted from future episodes.  A candid photo depicts Lucille and Desi relaxing with their infant daughter, Lucille Desiree. 

The inside listings include the original broadcast of “Redecorating” (ILL S2;E8) first aired on Monday, November 24, 1952. At the time of filming, Lucille Ball was already four months pregnant, although it was not yet part of the storyline on the show. To hide her condition, Lucy dressed in loose-fitting clothes throughout the episode. The big announcement would come two weeks later in “Lucy is Enceinte” (ILL S2;E10) aired on December 8, 1952. 

IN OTHER NEWS...

Also on November 22, 1952, an Arlington Heights, Illinois, cinema offered a double bill of Cuban Pete (1944) starring Desi Arnaz and Lover Come Back (1946) starring Lucille Ball, which was retitled for its’ 1952 re-release Lucy Goes Wild to capitalize on the success of “I Love Lucy.” In the early 1950s cinemas were worried that competition from TV would make them obsolete. 

The State Theatre in Richmond, Indiana, also wooed people away from the television into their popcorn palace, this time with second-run screenings of  Look Who’s Talking (1941) and Too Many Girls (1940).  

Nationwide, other cinemas were taking a similar tact with re-bookings of:  

Fancy Pants (1950) in Bunkie, Louisiana and Hazleton, Pennsylvania 

Sorrowful Jones (1949) in El Paso, Texas

A double bill of The Fuller Brush Man (1948) and The Fuller Brush Girl (1950) in Dorchester, Massachusetts 

The Magic Carpet (1951) in Vancouver, British Columbia

Too Many Girls (1940) in Miami Beach, Florida

In a San Mateo, California, newspaper, Bob Foster credited the success of “I Love Lucy” with saving General Services Studios from bankruptcy.

Meanwhile, in Hawaii, one of Lucy and Desi’s favorite vacation spots, an appliance dealership in Honolulu was tempting potential viewers to buy a set in order to see “I Love Lucy” and other great shows when network television broadcasts finally arrived on the island in December 1952.

Groff’s Hardware in New Holland, Pennsylvania, took out a classified ad to let readers know they were selling the “I Love Lucy” baby doll. 

Erkskine Johnson did a story on the ubiquitous laugh track, getting a quote from “I Love Lucy” DP Karl Freund. 

SATURDAY’S SYNDICATED STORIES!

Lucy’s friend and future co-star Hedda Hopper claimed Lucy often wore ribbons in her hair, making her look like a Christmas tree.  B. Kaper is composer  Bronisław Kaper, who scored Without Love (1945) starring Lucille Ball and would also score Forever, Darling starring Lucy and Desi in 1956. 

Walter Winchell’s “Broadway and Elsewhere” reported that the latest “I Love Lucy” episode was “30 minutes long and a smile wide...”  There was no new episode the previous Monday (November 17, 1952), so Winchell must be referring to “The Courtroom” (ILL S2;E7) which aired on Monday, November 10, 1952.

Erskine Johnson’s November 22, 1952, syndicated column “In Hollywood...” provided an anecdote about an “I Love Lucy” fan and the show’s record-setting viewership. 

Dorothy Kilgallen’s syndicated column “Broadway: Gossip in Gotham” reported that Lucy and Desi were thinking about moving production of “I Love Lucy” to Cuba for tax reasons!  As history knows, this never happened and sounds highly unlikely knowing Desi’s patriotic love of the USA. 

Earl Wilson’s November 22, 1952 syndicated column “It Happened Last Night” closed with a barb attributed to Lucille Ball: “Will you please excuse me while you leave my table?”

#Lucille Ball #1952 #TV Digest #I Love Lucy #Desi Arnaz #Earl Wilson #Dorothy Kilgallen #Hedda Hopper #Erskine Johnson #Walter Winchell #TV

[onejazztrackaday]

On Green Dolphin Street – Miles Davis

Polish film composer Bronisław Kaper wrote On Green Dolphin Street for the film Green Dolphin Street. While the movie is generally panned by today’s critics, war-weary audiences of 1947 were ready for an extravaganza. It was the top box office draw of the year and won Academy Awards for visual and sound effects. The theme song however was not a hit, at least not until over a decade later, when Miles Davis recorded it with his sextet in 1958. It has become a jazz standard and was recorded by many of the big names in the years immediately following the Miles Davis release.

Although there are lyrics, written by Ned Washington, it is most often recorded as an instrumental, as the melody is quite difficult to sing in tune. 

Alto Saxophone – Julian "Cannonball" Adderley Bass – Paul Chambers Drums – Jimmy Cobb Piano – Bill Evans Tenor Saxophone – John Coltrane Trumpet – Miles Davis

–Bozzie 🎷

#on green dolphin street #bronisław kaper #miles davis #Julian cannonball adderley #cannonball adderley #paul chambers #jimmy cobb #bill evans #john coltrane #ned washington

[coylady]

1958 Recording  - On Green Dolphin Street -Miles Davis Sextet

 On Green Dolphin Street is a 1947 popular song composed by Bronisław Kaper with lyrics by Ned Washington. The song was composed for the film Green Dolphin Street, which was based on a 1944 novel of the same name by Elizabeth Goudge, and became a jazz standard after it was recorded by Miles Davis in 1958.

PAUL LAURENCE DUMBAR CHAMBERS- double bass JIMMY COBB- Drums BILL EVANS-Piano CANNONBALL  ADDERLEY- sax contralto JOHN COLTRANE-sax tenore MILES DAVIS-Trumpe

#jazz #MIles Davis #on Green Dolphin Street #coltrane #chambers

[khwethemule]

Tränen in der Geige - From Ich will dich Liebe lehren · Walter Jurmann - Bronisław Kaper - Daniel Hope - Quintett des Deutschen Kammerorchesters Berlin - Jacques Ammon - Maria Todtenhaupt

I found this song with #BeatFind

Tränen in der Geige - From Ich will dich Liebe lehren · Walter Jurmann - Bronisław Kaper - Daniel Hope - Quintett des Deutschen Kammerorchesters Berlin - Jacques Ammon - Maria Todtenhaupt

#Spotify #Youtube

[roundaboutmidnight]

A música é "Just One of Those Things", uma canção popular escrita por Cole Porter para o musical “Jubilee” de 1935. No meio da apresentação aparece também a música "On Green Dolphin Street" (originalmente intitulada "Green Dolphin Street"), uma canção popular de 1947 composta por Bronisław Kaper com letra de Ned Washington. A canção foi composta para o filme Green Dolphin Street, que foi baseado em um romance de 1944 de mesmo nome por Elizabeth Goudge, e tornou-se um standard de jazz depois que foi gravado por Miles Davis em 1958.

A interpretação é nada mais nada menos do que com Mel Torme cantando (já falei isso, mas para mim o maior cantor de jazz de todos os tempos) & George Shearing (um fabuloso pianista cego) ao piano, uma dupla fabulosa, ao vivo em 18 de agosto de 1989 no Newport Jazz Festival.

Cara, isso é maravilhoso!...

[m-a-86]

Guarda "Lili | Soundtrack Suite (Bronisław Kaper)" su YouTube

#Youtube

[statguypaul]

TOP 100 FILM SCORES: Part VII (1900-99; ranked by year)

Though rankings vary from person to person (and even individually day to day), this might be a definitive personal list for the previous century. It still may change with media not yet seen, so feel free to suggest ones. Until then, enjoy the next three months.

#70: El Cid (1961) (Miklós Rózsa) https://www.youtube.com/watch?v=bf0JtLhm4Io

#69: Taras Bulba (1962) (Franz Waxman) https://www.youtube.com/watch?v=CovY06K3NnY

#68: To Kill a Mockingbird (1962) (Elmer Bernstein) https://www.youtube.com/watch?v=Ssz7Qmb7e1Q

#67: Mutiny on the Bounty (1962) (Bronisław Kaper) https://www.youtube.com/watch?v=zAv95sj3_Gc

#66: Lawrence of Arabia (1962) (Maurice Jarre) https://www.youtube.com/watch?v=ro7ustlPLuc

[donospl]

Chick Corea Akoustic Band “Live”

Chick Corea Akoustic Band “Live”

Concord Jazz, 2021 Muzyczny świat cały czas opłakuje odejście Chicka Corei.  Postać wielkiego artysty przypominać nam będą jego nagrania, także wcześniej  nie publikowane. Ich zwiastunem jest zapis koncertu akustycznego tria Corei. Wydawnictwo opracowane jeszcze przy współudziale pianisty. Chick Corea Akoustic Band zadebiutował na fonograficznym rynku w roku 1987 – także albumem koncertowym.…

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#Bronisław Kaper #Chick Corea #Concord Records #Dave Weckl #Duke Ellington #Gayle Moran Corea #John Patitucci #piano trio #Thelonious Monk

[nelson-riddle-me-this]

top five music composers and top five arrangers?

Here are 5 of my faves in both categories!

COMPOSERS

Michael Giacchino (X, X, X)

John Barry (X, X, X)

Bronisław Kaper (X, X, X)

Henry Mancini (X, X, X)

Jerry Goldsmith (X, X, X)

ARRANGERS

Nelson Riddle (X, X, X)

Billy May (X, X, X)

Billy Byers (X, X, X)

Johnny Mandel (X, X, X)

Pete Matz (X, X, X)

[dying-suffering-french-stalkers]

“The Girl From Patusan” (Love Theme) from Lord Jim (1965)

#a.k.a. one of the most hauntingly beautiful themes i've ever heard #i bought the record for this track and the main theme #not that the rest isn't good but this track is transcendent #lord jim #bronisław kaper #music #audio

[garudabluffs]

Andy Bey At 80: A Love Letter To A Jazz Legend

Here are a few indisputable truths about Andy Bey. First things first: as he approaches 80, Bey occupies the first rank of living jazz singers. He has led a circuitous career — starting out as a prodigy, slipping into obscurity, experiencing a late renaissance. And he's an original: nobody else has ever sounded quite like him and it's almost certain nobody else ever will.

"I've always been a loner, and I was looking for nobody's approval," Bey reflects. "I never tried to follow anybody, musically or otherwise." And in this episode of Jazz Night in America, we're celebrating his unique artistry and telling his story.

We'll listen in on an illuminating conversation between Bey and his producer, Herb Jordan. We'll hear tributes from collaborators, like guitarist Paul Meyers, and longtime admirers, like jazz-vocal guru Dominique Eade. And of course, we'll hear plenty of music — an exquisite, previously unissued concert recorded at the Stanley H. Kaplan Penthouse in New York in 2002.

Set List:

                    "Pick Yourself Up" (Jerome Kern, Dorothy Fields)

                    "Invitation" (Bronisław Kaper, Paul Francis Webster)

                    "Tuesdays In Chinatown" (Herb Jordan, Dorian Elliot)

                    "Riverman" (Nick Drake)

                    "All The Things You Are" (Jerome Kern, Oscar Hammerstein II)

Musicians: Andy Bey, voice and piano; Paul Meyers, guitar; Joe Martin, bass; Mark McLean, drums.

#music video Andy Bey

[852recordstores]

An old soul in a young body, Dan Nimmer plays with the spirit, the passion and the soul of someone who has been on the planet much longer. With prodigious technique and an innate sense of swing, his playing often recalls that of his own heroes, specifically Oscar Peterson, Wynton Kelly, Erroll Garner and Art Tatum. As a young man, Mr. Nimmer's family inherited a piano and he started playing by ear; he was, if you will, "called" by the instrument. He studied classical piano and eventually became interested in jazz.

In 2005, Mr. Nimmer became a member of Wynton Marsalis's Jazz at Lincoln Center Orchestra and the Wynton Marsalis Quintet, both in which he has been a member ever since. In addition to Wynton Marsalis, Mr. Nimmer has performed and or recorded with Jimmy Cobb, Norah Jones, Willie Nelson, Paul Simon,Chick Corea, George Benson, Houston Person, Eric Clapton, Tom Jones, Jon Faddis, Benny Golson, Brian Lynch, Lewis Nash, Peter Washington, Fareed Haque and many more.

Lisa (Victor Feldman) 4:23

Rain (Eugene Ford) 6:32

Teef (Sonny Red) 4:59

Horizons (Charles McPherson) 3:50

On Green Dolphin Street (Bronisław Kaper) 5:37

South Seas (Rudy Stevenson) 4:27

Theme From M.A.S.H. (Johnny Mandel) 3:29

Open Sesame (Tina Brooks) 4:59

Flamenco Sketches (Miles Davis, Bill Evans) 5:41

Mr. Lucky (Henry Mancini) 4:41

Old Folks (Willard Robison) 5:51

The Fall Of Love (Dimitri Tiomkin) 3:24

Untitled #5 (Dan Nimmer) 4:53

Release Date: 27 June 2019