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#Auerbach
youreyeisinmyeye · 3 months
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Lisa Anne Auerbach - from Unraveling, 2022
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permanentstyle · 7 months
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https://www.permanentstyle.com/2023/11/berlin-a-menswear-shopping-guide.html
Berlin: A menswear shopping guide
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unfug-bilder · 2 months
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Warum irrt ein ebenso besorgter wie (wahrscheinlich) verwirrter Bürger mit einem (offenbar günstig erworbenen) Geigerzähler durch Auerbach (!) und mißt ausgerechnet die Radioaktivität von Bäumen? In einer Gegend, wo es tatsächlich mehr als genug tatsächliche Brutstätten für Radioaktivität gäbe?
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sherbertilluminated · 11 months
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Friends and mutuals thank you for enduring my auerblogging thus far. It is not in vain because Auerbach is putting such words into Lessing's letters:
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I don't know how to tag this so that more people see it but one of the things that particularly draws me to the study of the Lessing/Mendelssohn/Nicolai/Karsch/Wincklemann etc. writings is that nobody is independently wealthy; they inhabit a mercantilist /early capitalist paradigm which considers them for their ability to serve the state rather than their inherent value as human beings or the truth they themselves love, and that forces the first to supply the latter two.
The Sturm-und-Draenger contemporary to them and the Romantics after them may have sought liberty in the depths of human emotion, but it occurred to them, as it occurs to Auerbach's Ephraim Kuh on pg. 180 that they will never be loved by the institutions they will devote so much of their lives, and yet they love. And yet they think, and commit themselves in ink to an uncertain posterity, and centuries afterwards we read their words and recognize this hope was not in vain. There is a mind on the other end of the line worth knowing, and if we are lucky there is a mind centuries after us who will not remember us for our jobs but for our professions
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Kinderheim (orphanage / dom dziecka) near Auerbach / Vogtland / Germany
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Greetings from Auerbach, Saxony, Germany
German vintage postcard
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the-cricket-chirps · 11 months
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Frank Auerbach, JYM1, 1981
© the artist. Photo credit: Southampton City Art Gallery
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empirearchives · 1 year
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Stendhal joined Napoleon’s army when he was 17 and served in his administration. He was 32 when Napoleon fell. In his autobiography, he wrote “I fell when Napoleon fell.”
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gesiona · 1 year
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benkaden · 2 years
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Ansichtskarte
Auerbach (Vogtl.).
Erlbach i.V.: VEB Foto-Verlag 9656 Erlbach i. Vogtl. (III 23 4 K 1 78 07 14 03 016).
1978
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berlinverkehr · 2 years
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Radverkehr: Radschnellweg durch den Grunewald - Das sind die Pläne, aus Berliner Morgenpost
Radverkehr: Radschnellweg durch den Grunewald – Das sind die Pläne, aus Berliner Morgenpost
https://www.morgenpost.de/berlin/article235695535/Das-sind-die-Plaene-fuer-den-Radschnellweg-durch-den-Grunewald.html Die Strecke zwischen dem #S-Bahnhof #Wannsee und der Station #Messe Süd ist schon heute bei #Radfahrern beliebt; mehr als 2000 sind dem landeseigenen Unternehmen #Infravelo zufolge dort täglich unterwegs. Künftig sollen 143.000 weitere Radfahrende pro Jahr hinzukommen, motiviert…
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youreyeisinmyeye · 3 months
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Lisa Anne Auerbach - Let's Get Rid of Positives And Negatives (Positive and Negative) 2014
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hieronyma · 4 months
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*reading auerbach* yes, i get it... jesus christ is the figura of me— i am the true sufferer
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glenburnieplayers · 8 months
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nokzeit · 2 years
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Platzherren feiern souveränen Sieg
Platzherren feiern souveränen Sieg
SG Auerbach – SV Robern 5:1 Auerbach. (jp) Auf dem Kunstrasenplatz empfing die SG Auerbach die Gäste des SV Robern. Die Heimelf war gleich zu Spielbeginn sehr bestimmend und ließ die Gästemannschaft gar nicht erst ins Spiel kommen. Bereits in der dritten Spielminute ging die SGA durch J. Haag in Führung. Die Platzherren erspielten sich weitere Chancen, konnte aber die Führung nicht ausbauen. Aber…
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yvain · 4 months
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Women writers of the Victorian era regarded the fairy tale as a dormant literature of their own. When Charlotte Brontë's Jane Eyre hears hoofbeats approaching her in the dark, ice-covered Hay Lane, "memories of nursery stories" immediately flood her mind, especially the recollection of "a North-of-England" monster capable of assuming several bestial forms. But the beastly apparition Jane expects turns out to be Rochester, the "master" whom she promptly causes to fall off his horse and who will eventually become her thrall. Rochester himself soon shows his own conversance with, and respect for, powers he associates with the magical women of traditional fairy tales. "When you came on me in Hay Lane last night," he tells Jane, "I thought unaccountably of fairy tales, and had half a mind to demand whether you had bewitched my horse. I am not sure yet. Who are your parents?" When Jane replies that she is parentless, Rochester endows her with a supernatural ancestry. Surely, he insists, she must have been "waiting for [her] people," the fairies who hold their revels in the moonlight: "Did I break one of your rings, that you spread the damned ice on the causeway?"
Here and elsewhere in Jane Eyre, Charlotte Brontë takes even more seriously than her two characters do the potency of the female fairy-tale tradition to which she has them refer. Karen E. Rowe, who has so ably written on that tradition, was the first to show how fully saturated Jane Eyre is with patterns drawn from major folktales such as "Cinderella," "Sleeping Beauty," "Blue Beard," and, as a prime analogue for Jane's developing relationship with the homely Rochester, from "Beauty and the Beast," the 1756 Kunstmärchen (or literary fairy tale) adapted and popularized by Madame Le Prince de Beaumont.
Nina Auerbach, Forbidden Journeys: Fairy Tales and Fantasies by Victorian Women Writers
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