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#Anny Ondra
diana-andraste · 13 hours
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Alfred Hitchcock's Blackmail, 1929
Full movie at the link
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dalsimoravskyblog · 4 months
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ŠTRAMÁCI/ANDY: Vyřazovací kolo
Skupina 2 (do turnaje postupují 3 osobnosti)
Rolf Wanka | Marie Rosůlková | Anny Ondráková (vpravo)
Olga Scheinpflugová | Ladislav Hemmer
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Propaganda pod perexem!
Rolf Wanka (1901–1982)
Pohlédněte do jeho očí. Ne, reálně, týpek původně z Vídně (asi, nikdo to dodnes neví přesně), ale uměl skvěle česky, takže velké kudos pro Rolfa. Sexy hlas, samé kladné role. Filmy: Sextánka, Srdce v soumraku, Lízin let do nebe, Krok do tmy.
Marie Rosůlková (1901–1993)
Podívejte se na ni! (zcela vážně, dosud jsem ji znala jenom z rolí starších žen, ale pak jsem se podívala na wikipedii. Vypadá, že by mě svedla na scestí, a já bych ji nechala.)
Anny Ondráková (taky Anny Ondra) (1902–1987)
Hvězda němáků, doporučuji hlavně Milenky starého kriminálníka nebo Příchozího z temnot, to je velmi sledovatelné i dnes. Kromě českých režisérů (čti "milion filmů od Karla Lamače") hrála třeba i u Hitchocka. A byla překrásná, takže nominuji proto, obočí bohužel poplatné své době.
Olga Scheinpflugová (1902–1968)
zatím bez propagandy :(
Ladislav Hemmer (1904–1949)
V Ducháček to zařídí je to naprosto okouzlující Štramák, naprosto rozumím Ducháčkovi, že mu mohlo srdce utrhnout, že už u něj v kanceláři nemohl více štemplovat.
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withnailrules · 7 months
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Anny Ondra in Blackmail, 1929
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Anny Ondra on a German vintage postcard
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mote-historie · 10 months
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Anny Ondra, 1920s.
Anny Ondra (1903-1987) was a Czech film actress. She was married to German boxing great Max Schmeling. She acted in Czech, Austrian, and German comedies in the 1920s; and in some British dramas, most notably Alfred Hitchcock's The Manxman and Blackmail (both 1929). Ondra formed a production company, Ondra-Lamac-Films, with her boyfriend, director Karel Lamač. Lamac directed her in several silent films, acted with her in films directed by other filmmakers, and continued to work together after her marriage with Max. However, when Blackmail was remade with sound, Ondra's thick accent was considered unacceptable, so her dialogue was recorded by actress Joan Barry. Anny Ondra made some 40 more films in the sound era, the last in 1957, and in total over 90 films. 
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scarytheory · 4 months
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Anny Ondráková si místo v anketě @dalsimoravskyblog zaslouží už jen kvůli téhle super titulce. Olly Flintovou bohužel nikdo nenominoval, ale slušelo jim to oběma moc.
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silentdivasblog · 1 year
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Anny Ondra ❤️
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thejazzera · 4 months
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Anny Ondra
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Cinéfilo, No. 73, January 11 1930
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thedabara · 2 years
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ACTRESSES WHO DIED 1987
Rita Hayworth at 68 from Alzheimer’s disease
June Knight at 74 from stroke
Pola Negri at 90 from pneumonia
Wynne Gibson at 88 from cerebral thrombosis
Anny Ondra at 84 from cerebrovascular disease
Joyce Jameson at 54 from suicide
Sari Maritza at 77 from unknnown events
Raquel Torres at 78 from heart attack
Verree Teasdale at 83 from natural causes
Mary Astor at 81 from respiratory failure
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WHAT A GAME!
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davidhudson · 2 years
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Anny Ondra, May 15, 1903 – February 28, 1987.
Alfred Hitchcock’s Blackmail (1929).
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dalsimoravskyblog · 3 months
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ŠTRAMÁCI/ANDY: první kolo, 32
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Propaganda pod perexem!
Anny Ondráková (1902–1987)
Hvězda němáků, doporučuji hlavně Milenky starého kriminálníka nebo Příchozího z temnot, to je velmi sledovatelné i dnes. Kromě českých režisérů (čti "milion filmů od Karla Lamače") hrála třeba i u Hitchocka. A byla překrásná, takže nominuji proto, obočí bohužel poplatné své době.
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Soňa Valentová (1946–2022)
zatím bez propagandy :(
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byneddiedingo · 1 year
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Cyril Ritchard and Anny Ondra in Blackmail (Alfred Hitchcock, 1929) Cast: Anny Ondra, Joan Barry (voice), John Longden, Donald Calthrop, Cyril Ritchard, Sara Allgood, Charles Paton, Hannah Jones, Harvey Braban. Screenplay: Alfred Hitchcock, Benn W. Levy, based on a play by Charles Bennett. Cinematography: Jack E. Cox. Film editing: Emile de Ruelle. Music: Jimmy Campbell, Reginald Connelly. Anny Ondra has the distinction of having appeared in both Alfred Hitchcock's final silent film, The Manxman (1929), and his first talkie, Blackmail. Unfortunately, it was the arrival of sound that put an end to her nascent career in English-language films. Blackmail was begun as a silent movie, but not long after filming started Hitchcock got what he wanted: permission to turn it into a talkie. Which presented a problem for Ondra, who was born in a part of the Austro-Hungarian empire that is now Poland and grew up in Prague, where she was a successful stage actress, but had been unable to lose her accent. In the infancy of film sound, a satisfactory technique of dubbing another actor's voice had yet to be developed, so actress Joan Barry was hired to speak Alice White's lines off-camera as Ondra silently mouthed the words. (After Blackmail, Ondra returned to the continent and was a major star in Czech and German films; she married boxer Max Schmeling in 1933.) The tricky problem of synching Barry's voice with Ondra's performance only spurred Hitchcock to other innovative uses of sound, for example the scene in which Alice White, stunned by having stabbed her assailant to death, hears a neighbor chattering about the murder and repeating the word "knife," which becomes increasingly louder until Alice breaks down in hysterics. Hitchcock also pioneers a gag he will use again: Alice opens her mouth to scream, but in a quick cut the scream comes from the landlady who has discovered the victim's body. The cut anticipates the one in The 39 Steps (1935) in which a woman's scream becomes the shrill whistle of a locomotive. Sound was still such a novelty that a silent version of Blackmail was made for theaters still not equipped for it. And even in the sound version the first six minutes of the film, which take place in the streets where the London police "flying squad" makes an arrest, are silent except for the background music, even though we see cops talking to each other and there are plenty of opportunities for ambient sound. Some scenes also have that curious slackness of pace of early talkies, as if the directors were uncertain about how quickly audiences could assimilate spoken dialogue. But it's far more "Hitchcockian" than most of his late silent films in that he's working effectively with thriller material, including a chase through the British Museum that anticipates his later exploitation of such landmarks as the Statue of Liberty in Saboteur (1942) and Mount Rushmore in North by Northwest (1959). It also contains the longest of Hitchcock's familiar cameo appearances, as a passenger on the Underground being tormented by a small boy.
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Anny Ondra on a vintage postcard
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perfettamentechic · 2 months
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28 febbraio … ricordiamo …
28 febbraio … ricordiamo … #semprevivineiricordi #nomidaricordare #personaggiimportanti #perfettamentechic
2023: Yvonne Constant, attrice, cantante e ballerina francese. Dopo gli esordi come ballerina classica, Yvonne Constant orientò la sua carriera verso il cinema, in cui debuttò nel 1953, e la commedia musicale. La carriera di Constant si è estesa al cinema e alla televisione. Nel 1958 fece il suo debutto a Broadway nella rivista La Plume de Ma Tante.  (n. 1930) 2023: Adriana Ambesi, nota anche con…
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1934: Anny Ondra, eigentlich Anna Sophie Ondráková, verheiratete Anny Schmeling-Ondra (* 15. Mai 1902 oder 1903 in Tarnów, Galizien, Österreich-Ungarn; † 28. Februar 1987 in Dierstorf-Heide) war eine deutsche Schauspielerin tschechisch-österreichischer Herkunft. (Wikipedia) - Bild Nr. 182. - Diese Serie Caid-Zigaretten umfaßt 360 Bilder. MASSARY GmbH Cigarettenfabrik, Berlin-Mitte, Rungestr. 19
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