#60s esquire magazine

[wh0-is-lily]

Esquire Covers of The '60s

THANK YOU FOR 1K NOTES!!!!! <3

#girlblogging #lana del rey #this is a girlblog #vintage aesthetic #vintage fashion #1967 #grungy aesthetic #marilyn monroe #susan bottomly #eccentric #art #fashion photography #1960s fashion #fashion #esquire #vogue #vogue magazine #1960s model #60s model #jane birkin #1960s #60s style #60s fashion #60s

[vintageadsmakemehappy]

1968 Lady Esquire Shoe Coloring

#1968 #lady esquire #shoe #dye #color #coloring #fashion #60s vintage #60s #60s advertising #1960s #vintageadsmakemehappy #vintage magazine #vintage advertising #magazine #advertising

[signorinaclaudiacardinale]

"The Next Goddess of Love" by Alberto Moravia:

▪ This is a dialogue made by Alberto Moravia to Claudia Cardinale in 1961.

▪ Originally the interview was published in "Esquire" magazine on May 1, 1961 and was later turned into a book for collectors with exclusive photos taken by great Italian photographers: Chiara Samugheo, Carlo Cisventi, Franco Pinna and Tazio Secchiaroli.

▪ The first book was published in 1965:

And the second one in 2003:

Photos during Moravia's interview with Cardinale:

~/And so as not to go on too long, I'm going to publish the interview with photos of Claudia Cardinale this week, so stay tuned !😊💖/~

#claudia cardinale #alberto moravia #60s #1961 #books #interview magazine #esquire #magazine #my gif edit #chiara samugheo #carlo cisventi #franco pinna #Tazio secchiaroli #actress #italian #french interview

[higherentity]

#esquire magazine #cover #1967 #60s #the american venus

[fayegonnaslay]

March 1967 Esquire Magazine Cover

#vintage #retro #1960s ad #60s nostalgia #james bond #sean connery #esquire #esquire magazine

[kekwcomics]

BRITT EKLAND. ESQUIRE. April, 1969.

#britt ekland #esquire #60s magazines #60s magazine #1960s magazine #1960s magazines #model #models #clone #clones #actress #1960s actresses #1960s aesthetic #60s actresses #60s aesthetic #1960s #1960s cinema #1960s film #1960s films #60s film #60s cinema #60s movies #1960s movies

[hotvintagepoll]

Propaganda

María Félix (Doña Barbara, La Mujer sin Alma, Rio Escondido, La Cucaracha)—Maria Felix is still possibly the most well-known Mexican film actress. She turned down multiple-roles in Hollywood and a contract with Metro-Goldwyn-Meyer in order to take roles in Mexico, France, and Argentine throughout the 1940s, 50s, 60s. She was so famous and so respected as a dramatic actress that she inspired painters, novelists and poets in their own art--she was painted by Diego Rivera, Jose Orozco, Bridget Tichenor. The novelist Carlos Fuentes used her as inspiration for his protagonist in Zona Sagrada. She inspired an entire collection by Hermes. In the late 1960s Cartier made her a custom collection of reptile themed jewels. She considered herself to be powerful challenger of morality and femininity in Mexico & worldwide--she routinely played powerful women in roles with challenging moral choices and free sexuality. But even still, years after he death, she is celebrated with Google Doodles, and appearances in the movie Coco, and holidays for the anniversary of her death.

Julie Andrews (The Sound of Music, Mary Poppins)—Oh where to start .... I'm not sure I even know how. She's just perfection. And it's not fair I can't bring post 70s work into this, because she just gets better and better, and her drag performance in to die for. But in the era I CAN talk about, she shows she has THE RANGE. Beautiful, feisty, funny, holding her own against Christopher Plummer, Paul Newman, Rock Hudson. Oh she's luminous.

This is round 4 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut.]

María Félix:

She's Thee Hot Vintage Movie Woman of México. She's absolutely gorgeous and always looks like she's about to step on you. you WILL be thankful if she does.

"María Félix is a woman -- such a woman -- with the audacity to defy the ideas machos have constructed of what a woman should be. She's free like the wind, she disperses the clouds, or illuminates them with the lightning flash of her gaze." - Octavio Paz

María Félix is one of the most iconic actresses of the Golden Era of Mexican Cinema. La Doña, as she was lovingly nicknamed, only had one son, and when her first marriage ended in divorce her ex-husband stole her only child, so she vowed that one day she’d be more influential than her ex and she’d get her son back. AND SHE DID! María Félix rejected a Hollywood acting role to start her acting career in Mexico on her own terms with El Peñón de las Ánimas (The Rock of Souls) starring alongside actor, and future third husband, Jorge Negrete. She quickly rose to incredible heights both in Mexico and abroad, later on rejecting a Hollywood starring role (Duel in the Sun) as she was already committed to the movie Enamorada at the planned filming time. Of this snubbing she said, quote: “I will never regret saying no to Hollywood, because my career in Europe was focused in [high] quality cinema. [My] india* roles are made in my country, and [my] queen roles are abroad.” (Translator notes: here the “india” role means interpreting a lower-class Mexican woman, usually thought of indigenous/native/mixed descent —which she had interpreted and reinvented throughout her acting career in Mexico— and what abroad was typically considered the Mexican woman stereotype, with the braids, long simple skirts, and sandals. This also references the expectation of her possibly helping Hollywood in perpetuating this stereotype for American audiences that lack the cultural and historical contexts of this type of role which would undermine her own efforts against this type of Mexican stereotypes while working in Europe) She was considered one of the most beautiful women in the world of her time by international magazines like Life, París Match, and Esquire, and was a muse to a vast number of songwriters (including her second husband Agustin Lara,), artists, designers, and writers. Muralist Diego Rivera described her as “a monstrously perfect being. She’s an exemplary being that drives all other human beings to put as much effort as possible to be like her”. Playwriter Jean Cocteau, who worked with her in the Spanish film La Corona Negra (The Black Crown) said the following about her, “María, that woman is so beautiful it hurts”. Haute Couture houses like Dior, Givenchy, Yves Saint Laurent, Balenciaga, Hérmes, among others, designed and dressed her throughout her life. She died on her birthday, April 8, 2002, at 88 years old, in Mexico City. She was celebrated by a parade from her home to the Fine Arts Palace in the the city’s Historic Downtown, where a multitude of people paid tribute to her. Her filmography includes 47 movies from 1942 until 1970, and only two television acting roles in 1970. She has 2 music albums, one recorded with her second husband, Agustín Lara, in 1964 titled La Voz de María y la inspiración de Agustín «The voice of María and the inspiration of Augustín», and her solo album Enamorada «In Love» in 1998. Her bespoke Cartier jewelry is exhibited alongside Elizabeth Taylor’s, Grace Kelly’s and Gloria Swanson’s. In 2018, Film Director Martin Scorsese presented a restored and remastered version of her film Enamorada in the Cannes Classics section of the Cannes Festival and Google dedicated a doodle for her 104th birthday. On august 2023 Barbie added her doll to the Tribute Collection.

Julie Andrews propaganda:

"She has such a simple but amazing beauty to her. Not to mention her amazing and melodic singing voice!"

"Roles like nannies and governesses can make us forget how attractive she was! A perfect combination of elegant and adorable, with the most incredible vocal range to boot!"

"Besides having one of the most amazing singing voices ever to grace the silver screen, Julie always had an understated beauty to her that wasn't always shown off on screen. But it's there nonetheless because her characters managed to pull some of the hottest men ever to grace the screen."

"The juxtaposition between carefree Maria and stern but fun Mary Poppins shows the power of the acting of this HOT VINTAGE MOVIE WOMAN"

"Charming, genteel, incredibly charismatic, beautiful, and has an angelic singing voice to boot. Her screen roles as Maria in The Sound of Music and Mary Poppins are absolutely iconic for a reason and she originated several well-known Broadway roles before those."

"the most beautiful woman 12 year old me had ever seen possibly"

"OMG OMG OMG she’s definitely been submitted before how could she NOT but!!!! I loveeee her so muchhhh rahhhh prebby!!!! cool!!!! mary poppins the beloved <33333 some people dislike it but I love jolly holiday so much because it IS a jolly holiday with Mary!!! no wonder that it’s Mary that we love!!!!!"

"I know many people who were taught in singing lessons "when in doubt, pronounce words how julie andrews would pronounce them." THATS CALLED INFLUENCE. THATS CALLED MOTHERING THOUSANDS."

#julie andrews #maría félix #hotvintagepoll #fuck that old woman #ladies 4

[theamericanpin-up]

Alberto Vargas - "Saints Be Praised!" - February 1946 Esquire Magazine Varga Girl Gatefold Illustration - Esquire Magazine Varga Girl Gatefold # 60 of 63 - Verse by Phil Stack

St. Valentine is steppin' high In Nineteen Forty-six, For peace is in the saddle And love is doin' tricks; And Jim is home from England, And Bill is home from France, And cupid's home on furlough With a yen for real romance! 

#alberto vargas #february #1946 #esquire magazine #varga girl #gatefold #illustration #wwii #pin up #american pin up

[tgirldarkholme]

Nico and Andy Warhol posing as Batman and Robin, Esquire Magazine, August 1966

proclaiming the 60s as over in summer 1966... you are not ready for the following 3-4 years uh

#dc #batman #robin #bruce wayne #dick grayson #nico #christa paffgen #andy warhol #esquire #esquire magazine #ironically in hindsight one of the biggest cultural events of the following 3-4 years involves both nico and andy warhol #also the summer of love sgt pepper communist insurgents making the french president flee without anyone knowing where he is etc

[nalyra-dreaming]

What would Lestat be looking like in the 60's? 🤣

Ahahahahaha OMG yeah, definitely with the tight trousers 😂

But in the 60s…

Like this I‘d bet:

He would have felt sooooo at home ;)))

#tengoelcorazonnegro #asks #ask nalyra #interview with the vampire #iwtv #lestat de lioncourt #amc iwtv #60s

[palmtreepalmtree]

Alright charmers, farmers, and idiots. It's a brisk 60 degrees in Los Angeles so don't forget your booties, because it's coooooooold out there. And I'm back with another edition of...

The Worst Movie on Netflix Right Now™

This week's feature was by request of @anasandorpygoscelis. I think. I mean, I'm pretty sure there was a post somewhere. Anyhow, on this marvelous Monday, we're doing...

The Noel Diary. This is a movie starring Justin Hartley (This is Us) and Barrett Doss (Grey's Anatomy) and it's directed by Charles Shyer who is best known for writing and directing some rom-com classics from the late 80s and early 90s like Baby Boom and Father of the Bride.

The film is based on a book by Richard Paul Evans who apparently has a whole series of "Noel" books, so he's really the smartest person involved in this whole production because my bet is this dude is CASHING in on the whole Christmas concept (to the extent that any writer anywhere can cash in on anything, but you know what I mean).

THE PLOT

Alright, so this movie is about a best-selling novelist, Jacob Turner, who returns to his childhood home to handle the affairs of his recently deceased estranged mother when he meets Rachel, who has come to his mom's house in search of her birth mother. ...don't worry, it's revealed early on that her mom was the nanny, so there's no weird Folger's bro/sis thing happening here. But that's the plot.

Anyhow, my favorite part of this fucking movie was how the filmmaker actually used visual storytelling to communicate characters. Like for once we actually get some thoughtful set design - as in woooooooow this is actually trying to show me something other than generic-American-handsome man!

But like, siiiiiiiiiiiigh, nice effort, but did you have to make this dude out like some sort of Esquire magazine wet dream? As the camera pans-and-fades around his Moody Bachelors Anonymous pad, it lingers just long enough to let your eye catch a few key things: books by Bob Dylan and David Sedaris, a bulletin board with handwritten notes and black-and-white travel photos (the Eiffel tower obvs), multiple antique typewriters (an Underwood), an Edgar Allen Poe funko, a record player, and a stack of LPs with the only record showing being Nina Simone. Like... daaaaaaamn. This is the guy I wanted to date when I was twenty and was still trying to be a writer.

And of course his house is this beautifully furnished mid-century, eames-chair-sporting, ready for its Vogue walk-through drool-property. Can I just stop at this point in the movie? Job done. You've sold me. He's hot, rich, and lives in a gorgeous house with real actual art and a cute dog (that's just big enough to not be a small dog but not so big it's cliche). Like... FUCK. OH and then he tunes an actual transistor radio to... you guessed it... the local jazz station. Dating this guy is like dating an OC moodboard on tumblr.com.

This whole scene is only bested by the next set-decorating moment where he returns to his childhood bedroom: Drugstore Cowboy poster (unframed), basketball and football trophy (both???), Larry Bird signed jersey (framed), French New Wave poster (framed????), stack of miscellaneous board games with TRIVIAL PURSUIT GENUS I on top, another antique typewriter, bedside reading featuring On the Road by Jack Kerouac and A Moveable Feast by Ernest Hemingway (like, of course), and another bulletin board with various concert ticket stubs.

Fuck, I need a cigarette.

Honestly, that's it, that's all I want to talk about. An hour and 40 minute movie and I'm done with it 12 minutes in. He's THE MOST INTERESTING MAN IN THE WORLD. This dude is too perfect. No amount of trauma makes this guy suddenly undateable. He's an unbelievable character not because we didn't get enough detail, but because the detail is just too perfect. Jesus, he's walking out of a Restoration Hardware catalogue dragging a brass telescope behind him and asking if you want to look at the stars (I do).

Anyhow, here's the thing about this movie - it's actually pretty well done, but FUCK it's really fucking sad. Unlike most Christmas movies that look like they spent too much time at fucking Hobby Lobby, this movie sort of side-swipes Christmas. Like all this shit is happening, and oh yeah, it's Christmas time. This is good because it avoids the cliches, but it's bad because ISN'T THIS SUPPOSED TO BE A CHRISTMAS MOVIE!?!? WHERE IS SANTA!? You can't have an entire Christmas romance movie and the only comic relief is on the dog. That's too much pressure for a pup!

Anyhow, one of my common gripes about these movies is that by the end of the movie you want to think the couple belongs together. The way this movie tries to sell you on it is essentially two key details: Rachel (the love interest) has a tattoo of Billie Holliday on the inside of her forearm and once Jacob starts playing a jazz classic on the piano (OH YEAH HE PLAYS PIANO TOO) and Rachel immediately starts singing, beautifully, along. Seeeeeeeee? They're fucking perfect for each other.

Rachel is also an interesting character in a too-perfect sort of way (she's a language major who speaks fluent Italian on screen HOTTTTTTTT!). It's still a moodboard it's just got black and white photos of Italy on it instead of France. I bet her childhood bedroom has a framed poster that says ITALIAN NEW WAVE. Annnnnyhow... are they perfect for each other?

Nah, they're still not. This entire movie is a lot of sorting through some fucked up childhood trauma and I think that would bond most people. But do they belong together? Naaaaaaah.

Rachel shows some insane amount of patience for the men in her life in this movie and I don't really want to get into the plot too deeply (even though it's a little fucked) cause it's too fucking sad. Jacob apparently suddenly decides he no longer wants to be a permanent bachelor and he's all in for Rachel and we don't know really why. But like... sure, I GUESS.

If your jam is sad Christmas vibes, then this is the movie for you. These two live sadly ever after.

Last note: Bonnie Bedelia is in this movie and she is as radiant as ever.

Where is her movie? Bonnie Bedelia is the nosy neighbor artist next door and I have never felt so in need of a bi rom-com starring her. LET'S GO, NETFLIX. FUCK THIS SAD SHIT. GIVE ME HOT BONNIE.

Alright, that's all I got.

#ptpt reviews #long post #this is definitely one of my more incoherent stream-of-consciousness reviews #but really i'm just living in that house from the opening scene in my mind #so forgive me for leaving the fantasy #that's the real fantasy these days #a man with property

[anotheruserwithnoname]

Jenna Coleman on audio

This is a followup to my post a few days ago itemizing the various DVD and Blu-ray releases featuring Jenna Coleman. While await word of Jenna’s next series, The Sandman, I thought I’d quickly make note of where you can stream or buy audio works featuring Jenna.

There aren’t that many, but there are a few. Spoiler break first:

* The Secret Garden: Still billed as Jenna-Louise Coleman, Jenna recorded an abridged 60-minute reading of the classic children’s story for AudioGo way back around 2012 or early 2013. It was available briefly on CD before AG folded later in 2013. You can still find the CD, but it’s expensive (Amazon Canada has it for Cdn$45 right now. Otherwise, it’s on Audible and as I reported the other day, in 2016 it was included in a release called Timeless Tales for Kids that can be found at Audible and on CD from outlets such as Book Depository and Amazon.

* Doctor Who: The Time Machine: Around the time Jenna recorded The Secret Garden, she also recorded an original one-hour-long Eleventh Doctor story for AudioGo, in collaboration with Big Finish. The finale of a year-long Destiny of the Doctors story arc that was produced for the 50th anniversary (so released around November 2013), Jenna actually plays a new character in this, not Clara, but also provides the voice of the Eleventh Doctor. Release was nearly cancelled when AudioGo went under a few weeks before the planned issue, but Big Finish white-knighted it and released not only the CD but it was also part of a box set. Today the CD is hard to find, but last I looked you could buy a download of it from Big Finish.

*A Christmas Carol: Concurrent with her appearing in Victoria Series 1 in late 2016, Jenna recorded a role in an audio drama based on the classic. Produced by Audible, no CD release is expected, but most of the places I’ve seen it listed (such as Amazon Canada) have it listed as a free stream. As far as I am aware this is the only audio drama in which Jenna has performed, the others being dramatic readings.

* Pressures, Residential: During the C19 lockdown in 2020, Esquire Magazine sponsored celebrity readings of short stories to raise money UNICEF UK. One of these was a story by Philip Hensher that feels like something that could be an episode of Black Mirror, if not Inside No. 9 or the original Twilight Zone. It’s still available online. It’s pretty good, even if you get startled early by Jenna channelling Malcolm Tucker for a moment.

* The Tale of the Flopsy Bunnies. Another C19-era project was the all-star collection, Beatrix Potter The Complete Tales. Also featuring fellow Who alumni such as David Tennant and Pearl Mackie, this collection includes 7 or so minutes of Jenna reading one of Potter’s short books. Available on CD and for download. There are a number of similar releases, so be careful to order the one with Jenna in it.

#jenna coleman #our queen

[autoeroticalgolania]

Pornotopia by Paul Preciado 

This was probably the most enjoyable book of theory I’ve tried to stomach. The language deployed is legible to those who may not be familiar with biopolitics or the Playboy empire. Preciado repeats the central arguments multiple times, articulated slightly different so as the understanding of the pharmacopornographic machine is confronted from all sides. 

Pornotopia outlines how post-war American design and architecture created new biopolitical subjects, such as the Bunny and the Bachelor. The new consumer-objects housed in post-war domesticated spaces created new consumer-subjects and therefore new avenues for Capital to pervase and complete its function. 

Using Hefner’s world of Playboy, we trace the genealogy of what we now know as ‘reality tv’; in which domestic spaces are broadcast onto the television. The public and private spheres merge in a post-war sexual liberation. Playboys domestic haven is a digital, connected sex cave for the available professional bachelor. quite different from the familial family setting dominating the market in the 60s. however, it is still hegemonic and heterosexual; not countercultural. as it rehashes the mainstream. a counter space located within the regime of hetero capitalist patriarchy. 

As we’re introduced to Hefner + the begins of the Playboy brand. It all started with the intention of a magazine, how it would allow access to pornography on the go, [continuing the pin up girls on a warhead etc], fused with Esquire-type articles for those keeping up to date; such as design, technology, architecture and ‘bachelor’ life. the philosophy of male domesticity is demonstrated by the rotating bed, the playboy mansion and other spaces Hefner designed that Preciado details in each chapter that builds on the last.  

The weaving of emerging technologies; war-telecomunications, the brothel, the panopticon, disneyfication, theme park [carnivalesque], fake naturalisation [european], the club, mating pod, teledildonics, horizonality, prison, bunker, psycotropic drugs, ampethtimenes for war, housewives, businessmen, the advertising machine etc etc

Archive of the latter half of the 20th century in biopolitical terms. Documents this new world of proper capitalist-realism. 

My favourite chapter was chapter 4.

playboy as a myth machine. 

[to be edited]

[higherentity]

#may britt #May Britt Wilkens #actress #swedish #60s #esquire magazine #cover #1960

[beatlesonline-blog]

[hotvintagepoll]

Propaganda

María Félix (Doña Barbara, La Mujer sin Alma, Rio Escondido, La Cucaracha)—Maria Felix is still possibly the most well-known Mexican film actress. She turned down multiple-roles in Hollywood and a contract with Metro-Goldwyn-Meyer in order to take roles in Mexico, France, and Argentine throughout the 1940s, 50s, 60s. She was so famous and so respected as a dramatic actress that she inspired painters, novelists and poets in their own art--she was painted by Diego Rivera, Jose Orozco, Bridget Tichenor. The novelist Carlos Fuentes used her as inspiration for his protagonist in Zona Sagrada. She inspired an entire collection by Hermes. In the late 1960s Cartier made her a custom collection of reptile themed jewels. She considered herself to be powerful challenger of morality and femininity in Mexico & worldwide--she routinely played powerful women in roles with challenging moral choices and free sexuality. But even still, years after he death, she is celebrated with Google Doodles, and appearances in the movie Coco, and holidays for the anniversary of her death.

Vyjayanthimala (Madhumati, Amrapali, Sangam, Devdas)—Strong contender for /the/ OG queen of Indian cinema for over 2 straight decades. Her Filmfare Lifetime Achievement Award came not a moment too soon with 62 movies under her belt. Singer, dancer, actor, and also has the most expressive set of eyes known to man

This is round 5 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut.]

Vyjayanthimala:

Linked gifset

Linked gifset 2

Linked gifset 3

Linked gifset 4

Linked gifset 5

Linked gifset 6

María Félix:

She's Thee Hot Vintage Movie Woman of México. She's absolutely gorgeous and always looks like she's about to step on you. you WILL be thankful if she does.

"María Félix is a woman -- such a woman -- with the audacity to defy the ideas machos have constructed of what a woman should be. She's free like the wind, she disperses the clouds, or illuminates them with the lightning flash of her gaze." - Octavio Paz

María Félix is one of the most iconic actresses of the Golden Era of Mexican Cinema. La Doña, as she was lovingly nicknamed, only had one son, and when her first marriage ended in divorce her ex-husband stole her only child, so she vowed that one day she’d be more influential than her ex and she’d get her son back. AND SHE DID! María Félix rejected a Hollywood acting role to start her acting career in Mexico on her own terms with El Peñón de las Ánimas (The Rock of Souls) starring alongside actor, and future third husband, Jorge Negrete. She quickly rose to incredible heights both in Mexico and abroad, later on rejecting a Hollywood starring role (Duel in the Sun) as she was already committed to the movie Enamorada at the planned filming time. Of this snubbing she said, quote: “I will never regret saying no to Hollywood, because my career in Europe was focused in [high] quality cinema. [My] india* roles are made in my country, and [my] queen roles are abroad.” (Translator notes: here the “india” role means interpreting a lower-class Mexican woman, usually thought of indigenous/native/mixed descent —which she had interpreted and reinvented throughout her acting career in Mexico— and what abroad was typically considered the Mexican woman stereotype, with the braids, long simple skirts, and sandals. This also references the expectation of her possibly helping Hollywood in perpetuating this stereotype for American audiences that lack the cultural and historical contexts of this type of role which would undermine her own efforts against this type of Mexican stereotypes while working in Europe) She was considered one of the most beautiful women in the world of her time by international magazines like Life, París Match, and Esquire, and was a muse to a vast number of songwriters (including her second husband Agustin Lara,), artists, designers, and writers. Muralist Diego Rivera described her as “a monstrously perfect being. She’s an exemplary being that drives all other human beings to put as much effort as possible to be like her”. Playwriter Jean Cocteau, who worked with her in the Spanish film La Corona Negra (The Black Crown) said the following about her, “María, that woman is so beautiful it hurts”. Haute Couture houses like Dior, Givenchy, Yves Saint Laurent, Balenciaga, Hérmes, among others, designed and dressed her throughout her life. She died on her birthday, April 8, 2002, at 88 years old, in Mexico City. She was celebrated by a parade from her home to the Fine Arts Palace in the the city’s Historic Downtown, where a multitude of people paid tribute to her. Her filmography includes 47 movies from 1942 until 1970, and only two television acting roles in 1970. She has 2 music albums, one recorded with her second husband, Agustín Lara, in 1964 titled La Voz de María y la inspiración de Agustín «The voice of María and the inspiration of Augustín», and her solo album Enamorada «In Love» in 1998. Her bespoke Cartier jewelry is exhibited alongside Elizabeth Taylor’s, Grace Kelly’s and Gloria Swanson’s. In 2018, Film Director Martin Scorsese presented a restored and remastered version of her film Enamorada in the Cannes Classics section of the Cannes Festival and Google dedicated a doodle for her 104th birthday. On august 2023 Barbie added her doll to the Tribute Collection.

#vyjayanthimala #maría félix #hotvintagepoll #fuck that old woman #ladies 5