List of Figures (1)
Figure 1 - 3: Sayvor cards.
Omonibeke, T. (2024). Three cards to illustrate the impact of different colors on taste. [digital images]. In possession of: the author.
Figure 4: Why monochrome is the next best food trend.
Taste.com.au (2024). Yellow monochromatic meal. [online image]. Available from: https://www.taste.com.au/articles/why-monochrome-is-the-next-best-food-trend/ev4zuzub [Accessed 02 February 2024].
Figure 5: Pressure Cooker.
imbd (2023). Title image of Pressure Cooker. [online image]. Available from: https://www.imdb.com/title/tt24224968/ [Accessed 02 February 2024].
Figure 6 - 14: FOOD AS FANTASY IN ARTIST JEN MONROE’S MONOCHROMATIC MEAL SERIES.
Monroe, J. (2017). Monochromatic Valentine dinner. [online images]. Available from: https://thisismold.com/visual/art/jen-monroe-red-meal-monochromatic-food [Accessed 02 February 2024].
Figure 15 - 16: Tamaradoubra’s Shopping List.
Omonibeke, T. (2024). My shopping list for monochromatic meals. [digital images]. In possession of: the author.
Figure 17 - 19: Tamaradoubra’s Sketches.
Omonibeke, T. (2024). Chosen color system that will be translated. [digital images]. In possession of: the author.
Figure 20 - 26: Tamaradoubra’s Cooked Meals.
Omonibeke, T. (2024). Monochromatic meals I made. [digital images]. In possession of: the author.
Figure 27 - 35: Droga5: Karma Kitchen identity.
Karma Kitchen. (2021). The London-based company aimed at the delivery-only food and drink market saw a surge in lockdown, and after a huge injection of funding, has rebranded and plans to expand. [online images]. Available from: https://www.itsnicethat.com/news/droga5-karma-kitchen-identity-graphic-design-120121 [Accessed 04 February 2024].
Figure 36: I Can Taste Colors | Synesthesia.
Community Health. (2020). Youtube video about Synesthesia (health condition) [online video]. Available from:https://www.youtube.com/watch?v=Yu7BcBbmYkU [Accessed 04 February 2024].
Figure 37: Synesthesia fonts.
Sarah Hyndman. (2022). Adobe Fonts about Synesthesia [online image]. Available from: https://fonts.adobe.com/collections/fonts-to-stimulate-the-senses [Accessed 05 February 2024].
Figure 38 - 44: Sketches of Sayvor Characters.
Omonibeke, T. (2024). Monochromatic character sketches. [digital images]. In possession of: the author.
Figure 45: Gen is Crunchy.
Omonibeke, T. (2024). How green food tastes. [digital images]. In possession of: the author.
Figure 46: Rose is Spicy.
Omonibeke, T. (2024). How red food tastes. [digital images]. In possession of: the author.
LIST OF FIGURES
Figure 47: Teri is Buttery.
Omonibeke, T. (2024). How yellow food tastes. [digital images]. In possession of: the author.
Figure 48: Draw with illustrated objects of Black British art in the Decentralise interactive toolkit.
Somerset House’s Young Producers collective: Decentralise (Copyright © RhyanRhyan,) (2020). Created by Somerset House’s Young Producers collective with design studio Comuzi, the online platform offers a fun and informative way to learn more about Black cultural history. [online image]. Available from: https://www.itsnicethat.com/news/decentralise-somerset-house-young-producers-collective-digital-170321 [Accessed 10 February 2024].
Figure 49: Bad Girl’s Club.
Jada Akoto. (2020). Jada Akoto’s design practice explores the intersection of pop culture and the African diaspora. [online image]. Available from: http://www.theebadgirlsclub.com/ [Accessed 10 February 2024].
Figure 50: The Black Elevation Map is a data visualisation project that elevates Black cultural data.
Performance Art, Black & Abroad: The Black Elevation Map. (2022).Black & Abroad collaborates with Performance Art and Tré Seals for the domestic travel platform, uplifting points of data such as Black-owned businesses. [online image]. Available from: https://www.itsnicethat.com/news/black-and-abroad-performance-art-the-black-elevation-map-digital-250222 [Accessed 10 February 2024].
Figure 51: Trippin.
Alright studio. (2022). Jada Akoto’s design practice explores the intersection of pop culture and the African diaspora. [online image]. Available from: http://www.theebadgirlsclub.com/ [Accessed 10 February 2024].
Figure 52: Engine land.
Engine. (2020). ENGINE is a distilled gin hand-crafted by the master distillers of the Alta Langa region, in north-western Italy. [online image]. Available from: https://www.engine.land/en/ [Accessed 15 February 2024].
Figure 53: Mrs. Coretta Scott King Museum.
Alright studio. (2022). This online museum is an homage to Mrs. Coretta Scott King. [online images]. Available from: https://unlocked.microsoft.com/dear-coretta-king-center/ [Accessed 19 February 2024].
Figure 54: Ruth’s Questions.
Omonibeke, T. (2024). Interview of questions [digital image]. In possession of: the author.
Figure 55 - 63: Gate of Palace of King Jaja of Opobo.
Omonibeke, T. (2024). 3D designed assets. [digital images]. In possession of: the author.
Figure 64: Gate of Palace of King Jaja of Opobo.
Punchng. (2019). Opobo: Land of the ‘great’ King Jaja where making noise at night is forbidden. [online image]. Available from: https://punchng.com/land-of-the-great-king-jaja-where-making-noise-at-night-is-forbidden/ [Accessed 24 March 2024].
Figure 65 - 70: House model 3D.
Omonibeke, T. (2024). 3D designed assets. [digital image]. In possession of: the author.
Figure 71 - 73: Pictures of the family house in Opobo.
unknown. (2024). Events hosted at the house in Opobo [digital image]. In possession of: the author. [Accessed 30 March 2024].
Figure 74 - 77: Within House.
Omonibeke, T. (2024). 3D designed assets. [digital images]. In possession of: the author.
Figure 78: Bereibia Omonibeke at home.
unknown. (2022). Mother in home. [digital image]. In possession of: the author. [Accessed 30 March 2024].
Figure 79 - 87: Compound Celebrations.
Omonibeke, T. (2024). 3D designed assets. [digital images]. In possession of: the author.
Figure 88 - 95: Mrs Ibinye and Kumo Amgbaduba’s ceremony.
Ipac (2023). Egerebite and Bibite celebration [digital images]. In possession of: the author. [Accessed 24 March 2024].
Figure 96 - 105: Outfits for ceremony.
Omonibeke, T. (2024). 3D designed assets. [digital images]. In possession of: the author.
Figure 106 - 127: Mrs Ibinye and Kumo Amgbaduba’s ceremony.
Ipac (2023). Egerebite and Bibite celebration [digital images]. In possession of: the author. [Accessed 24 March 2024].
Figure 128 - 129: Unsuccessful Models.
Omonibeke, T. (2024). 3D designed assets. [digital images]. In possession of: the author.
Figure 131: Opobo.
Punchng. (2019). Opobo: Land of the ‘great’ King Jaja where making noise at night is forbidden. [online image]. Available from: https://punchng.com/land-of-the-great-king-jaja-where-making-noise-at-night-is-forbidden/ [Accessed 24 March 2024].
Figure 132 - 134: Sims:FreePlay.
Sims:Freeplay. (2011). A 3D game to create a virtual town. Mobile and PlayStation. [game]. Electronic Arts.
Figure 135 - 137: June’s journey.
June’s journey. (2013). A mystery hidden object game. Mobile. [game]. Wooga.
Figure 138 - 140: Murder in the Alphs.
Murder in the Alphs. (2016). A mystery hidden object game. Mobile. [game]. Nordcurrent.
Figure 140 - 143: Murder by Choice
Murder by Choice. (2021). A mystery hidden object game. Mobile. [game]. Nordcurrent.
Figure 144 - 160: Typefaces.
Adobe. (2024). Screenshots of Adobe fonts. [digital images]. In possession of: the author.
Figure 161 - 162: Typefaces.
Google. (2024). Screenshots of Google fonts. [digital images]. In possession of: the author.
Figure 163 - 169: Boat regatta in Opobo.
Eneefa. (2024). BOAT REGATTA, OPOBO. [photography] Available from: https://artsymoments.com/2017/01/23/boat-regatta-opobo/ [Accessed 19 April 2024].
Figure 170 - 177: Logos for Iria.
Omonibeke, T. (2024). 3D logos. [digital images]. In possession of: the author.
Figure 178 - 180: Final Crit.
Omonibeke, T. (2024). 3D wireframes. [digital images]. In possession of: the author.
Figure 181 - 183: Final Crit.
Omonibeke, T. (2024). 3D wireframes. [digital images]. In possession of: the author.
Figure 184 - 186: Final Crit.
Omonibeke, T. (2024). 3D wireframes. [digital images]. In possession of: the author.
Figure 187 - 189: Final Crit.
Omonibeke, T. (2024). 3D wireframes. [digital images]. In possession of: the author.
Figure 190 - 192: Final Crit.
Omonibeke, T. (2024). 3D wireframes. [digital images]. In possession of: the author.
Figure 193 - 194: Final Crit.
Omonibeke, T. (2024). 3D wireframes. [digital images]. In possession of: the author.
Figure 195 - 197: Final Crit.
Omonibeke, T. (2024). 3D wireframes. [digital images]. In possession of: the author.
Figure 198 - 199: Final Crit.
Omonibeke, T. (2024). 3D wireframes. [digital images]. In possession of: the author.
Figure 200 - 201: Final wireframes.
Omonibeke, T. (2024). 3D wireframes. [digital images]. In possession of: the author.
Figure 202 - 203: Final wireframes.
Omonibeke, T. (2024). 3D wireframes. [digital images]. In possession of: the author.
Figure 204 - 205: Final wireframes.
Omonibeke, T. (2024). 3D wireframes. [digital images]. In possession of: the author.
Figure 206 - 207: Final wireframes.
Omonibeke, T. (2024). 3D wireframes. [digital images]. In possession of: the author.
Figure 208 - 209: Final wireframes.
Omonibeke, T. (2024). 3D wireframes. [digital images]. In possession of: the author.
Figure 210 - 211: Final wireframes.
Omonibeke, T. (2024). 3D wireframes. [digital images]. In possession of: the author.
Figure 212 - 213: Final wireframes.
Omonibeke, T. (2024). 3D wireframes. [digital images]. In possession of: the author.
Figure 214 - 215: Final wireframes.
Omonibeke, T. (2024). 3D wireframes. [digital images]. In possession of: the author.
Figure 216 - 217: Final wireframes.
Omonibeke, T. (2024). 3D wireframes. [digital images]. In possession of: the author.
Figure 218 - 219: Final wireframes.
Omonibeke, T. (2024). 3D wireframes. [digital images]. In possession of: the author.
Figure 220 - 221: Final wireframes.
Omonibeke, T. (2024). 3D wireframes. [digital images]. In possession of: the author.
Figure 222 - 223: Final wireframes.
Omonibeke, T. (2024). 3D wireframes. [digital images]. In possession of: the author.
Figure 224 - 225: Final wireframes.
Omonibeke, T. (2024). 3D wireframes. [digital images]. In possession of: the author.
Figure 226 - 227: Final wireframes.
Omonibeke, T. (2024). 3D wireframes. [digital images]. In possession of: the author.
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0 notes