#150-600mm F5-6.3 DG OS HSM | C

[sitting-on-me-bum]

Junge Kegelrobbe - Beim Stretching by GemengenHeng Via Flickr: Die Kegelrobbe (Halichoerus grypus) ist Deutschlands größtes wildlebendes Raubtier. Diesem Examplar auf der Insel Düne war aber weniger nach Jagen sondern vielmehr nach Stretching. Im Frühjahr steht der Fellwechsel an, und in dieser Zeit lässt es sich nicht besonders gut schwimmen und tauchen. Auf dem Foto ist es gut erkennbar: Das längere, bräunliche Fell ist schon zum Teil durch das neue, kürzere graue Fell ersetzt worden.

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[guncelkal]

Sigma 150-600mm 5-6.3 Contemporary DG OS HSM Lens for Canon

Sigma 150-600mm 5-6.3 Contemporary DG OS HSM Lens for Canon

https://m.media-amazon.com/images/S/vse-vms-transcoding-artifact-us-east-1-prod/12390552-0c8e-4f65-bc29-c28248b4b401/default.jobtemplate.mp4.480.mp4 SIGMA 150-600MM LENS CANON 5-6.3 CONTEMP HSM LENS From the manufacturer 150-600 Millimeter F5-6.3 DG OS HSM | C Portability Meets Versatility The Sigma 150-600 millimeter 5-6.3 DG HSM OS Contemporary was created around the concept of maximum…

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Manual sigma 150 600 sport

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  Un puissant zoom super-téléobjectif le Sigma Sport 150-600mm f/5-6.3 DG DN OS est le tout premier objectif de la gamme Sports pour les systèmes sans miroir. The lens is great for what I want to do; a sports model probably would have been better. It's amazing but heavy, especially if you're doing a long shot at 400mmTout ce qu'il faut savoir sur 150-600mm F5-6.3 DG OS HSM | Sports En plus des modes AF/MF, un mode MO (Manual Override) est ajouté au curseur de The Sigma 150-600 Contemporary also touts a new zoom lock switch that can be locked at any focal length and a new manual override (MO) switch is Plage focale 150 à 600 mm · Ouverture maximale f/5 à 6.3 · Objectif OS stabilisé · Taille du filtre : diamètre de 105 mm Firmwares et manuels ; 70-300mm F4-5.6 DG MACRO · Télécharger ; 120-300mm F2.8 DG OS HSM | Sports · Télécharger ; 150-600mm F5-6.3 DG OS HSM | Sports · Télécharger. Consulter en ligne ou télécharger PDF (1 MB) Sigma 150-600mm F/5-6.3 DG OS HSM|C Cet objectif dispose de la fonction de [Retouche manuelle MF] (Manual The Sigma 150-600 Sports also touts a new zoom lock switch that can be locked at any focal length and a new manual override (MO) switch is incorporated as Consultez gratuitement le manuel de la marque Sigma 150-600mm f5-6.3 DG OS HSM S ici. Ce manuel appartient à la catégorie Objectifs et a été évalué par 2

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[johnishere-blog]

Broadway Cellblock

There were three cell blocks, A, B and C, all running parallel to each other. A Block was the shortest, while B and C ran the length of most of the main building.

Posted by david g schultz on 2014-01-16 07:08:24

Tagged: , Alcatraz , San Francisco , D800 , Nikon , Nikonians , Sigma , Nikonsigma , 01-14-2014 , davidschultzphotography.com , Mount Baker Camera Club , Cellblock , Prison , Vanishing Point , Through the Lens Revelations , FX , outdoor , aircraft , airplane , vehicle , car , 150-600mm F5-6.3 DG OS HSM | C , David Schultz Photography

The post Broadway Cellblock appeared first on Good Info.

[bestlensreviewstamron]

Tamron 100-400mm f/4.5-6.3 Di VC USD Lens for Canon EF AFA035C-700 (International Model) + 72mm 3 Piece Filter Kit + 128GB SDXC Class 10 Memory Card + Deluxe Cleaning Kit + Lens Cap Keeper Bundle

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Amazon Price: $797.19 $797.19 (as of May 14, 2018 3:18 pm – Details). Product prices and availability are accurate as of the date/time indicated and are subject to change. Any price and availability information displayed on the Amazon site at the time of purchase will apply to the purchase of this product.

The Tamron EF-mount 100-400mm f/4.5-6.3 Di VC USD For Canon spans a useful focal length range along with a lightweight design for even greater versatility. The lens's optical design incorporates three low dispersion elements to suppress color fringing and chromatic aberrations, while an eBAND coating has been applied to individual elements to reduce lens flare and ghosting for greater contrast and clarity. Complementing the optical design is a high-speed Ultrasonic Silent Drive autofocus system, which is benefitted by a dual MPU for quick and responsive performance. Vibration Compensation is also featured to minimize the appearance of camera shake for sharper handheld shooting. Suiting this 100-400's use outdoors, it's magnesium alloy construction is also weather-sealed for working in harsh environmental conditions.

Product Highlights: EF-Mount Lens/Full-Frame Format Maximum Aperture Range: f/4.5-6.3 Three Low Dispersion Elements eBAND and Fluorine Coatings Ultrasonic Silent Drive Autofocus Motor VC Image Stabilization Dust and Moisture-Resistant Construction Compatible with TAP-in Console

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1-Tamron 100-400mm f/4.5-6.3 Di VC USD Lens for Canon EF 1- 72mm 3 Piece Filter Kit Includes: UV, Circular Polarizer and Flourescent Filter and Hard Case 1- 128GB SDXC Class 10 Secure Digital High Speed Memory Card 1- Lens Cleaning Solution 1- Blower Brush 1- Microfiber Cloth 1- Lens Tissue Paper 1- 5pc Cotton Swabs 1- Lens Cap Keeper (Dont Lose your Caps!) 1- Lens Pen Cleaner 1- MicroFiber Cloth

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Tamron SP 150-600mm f/5-6.3 Di VC USD G2 for Nikon F 11PC Accessory Bundle – Includes 4PC Warming Filter Kit + Variable Neutral Density Filter (ND2-ND400) + Backpack + MORE

Deluxe Camera Lens Pouch Case by Altura Photo for Sigma 150-600mm, Tamron 150-600mm, JBL Xtreme Speakers and Other Telephoto Lenses

JJC Deluxe Lens Pouch / Lens Case for Tamron SP 150-600mm F/5-6.3 Di VC USD, Sigma 150-500mm F/5-6.3 DG OS HSM, Sigma 150-600mm F/5-6.3 DG OS HSM | C, JBL Xtreme Portable Bluetooth Speaker

TAMRON SUPER ZOOM LENS SP 150-600mm F5-6.3 Di VC USD G2 for CANON FULL SIZE A022E(Japan Import-No Warranty)

Tamron SP 24-70mm F/2.8 G2 Di VC USD Zoom Lens for Canon Cameras (6 Year Limited USA Warranty) Sandisk Ultra SDHC 32GB Memory Card, Polaroid 82mm Filter Kit, Lowepro Passport Bag and Accessory Bundle

Tamron, Sigma & Canon 70-200 f/2.8 Portrait Lens Review: Do you need the name brand?

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Black Friday sales accept been acceptable to photographers this year as there are a cardinal of outstanding deals on cameras, lenses, accessories and software to be had. Appropriate now you can grab the Sony A7R II for aloof $1,598 and the Sony A7 II with 28-70mm lens for $998. There are additionally abundant deals on the Nikon D750 ($1,396.95), Fujifilm X-T2 for $1,099, and the Canon 5D Mk iV for $2,799! The huge Sigma lens sale, and deals on software like the Buy one get two chargeless Lightroom presets array (over 16,000 presets) for $39, and the Ultimate Boudoir Array for $29 annular out this anniversary arcade division nicely.

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Also: The complete photography array 2018 is one of the best deals you will acquisition all year. This immense amalgamation of photography tutorials can be castigation for aloof $89 which agency you will be extenuative over $2,500 on some of the best educational bales from some of the worlds best photographers.

You’re activity to accept to act fast to get all of these camera deals admitting as they won’t be about for long. Beat the crowds, break in the warm, and get all of your camera, accessory, lens and software needs taken affliction of from the abundance of your own home this year. Take a attending at all of the massive deals below.

These Canon camera deals are red hot! Check out the 5d Mk iV that has a abatement of $500, and the Mirrorless M50 that can be castigation for aloof $599!

Canon EOS 6D Mark II Digital SLR Camera Body with array anchor $1,299 (Save $500)

Canon EOS 5D Mark IV Full Frame Digital SLR Camera Body $2,799 (Save $500)

Canon EOS 5DS Digital SLR (Body Only) $3,499 (Save $200)

Canon EOS M50 Mirrorless Camera Kit 15-45mm Lens Kit $599 (Save $300)

Canon EOS M50 Mirrorless Camera Body and EF-M15-45mm EF-M 55-200mm Lenses $829 (Save $420)

Canon EOS M5 Mirrorless Camera Kit 15-45mm Lens Kit $699 (Save $400.99)

Canon EOS M5 Mirrorless Camera Kit EF-M 18-150mm f/3.5-6.3 IS STM Lens Kit $849 (Save $630.04)

Canon EOS M6 (Black) EF-M 15-45mm f/3.5-6.3 IS STM Lens Kit $599 (Save $300.99)

Canon EOS M6 (Black) 18-150mm f/3.5-6.3 IS STM Kit $759.95 (Save $519.05)

There are some amazing camera deals on Nikon bodies appropriate now. The D750 is a crammer and is a arrangement with the array anchor at aloof $1396.95. Check out all the added Nikon camera deals below.

Nikon D750 with Array Anchor $1,396.95 (Save $636.95)

Nikon D500 with Array Anchor $1,796.95 (Save $468.28)

Nikon D810 with Array Anchor $2,796.95 (Save $426.95)

Nikon Z6 FX-Format Mirrorless Camera Body with Mount Adapter $2,146.90

Nikon Z6 FX-Format Mirrorless Camera and 24-70mm f4 S Kit with Mount Adapter $2,746.90

Nikon Z7 FX-Format Mirrorless Camera Body with Mount Adapter $3,546.90 (Save $103)

Nikon Z7 FX-Format Mirrorless Camera and 24-70mm f4 S Kit with Mount Adapter $4,146.90 (Save $103)

An A7R II for $1,598!! That’s crazy! A Sony A9 that has a $1,000 discount! WOW!  Sony alone the mic on camera deals this year. Act bound afore they’re all gone.

A7II kit (including 28-70mm lens) $999.99 (Save $741.33)

A7R II Body Only $1598 (Save $400)

A6000 with Double Lens Kit (16-50mm and 55-210mm) $598 (Save $250)

Sony A9 Body Only $3,498 (Save $1,000)

Fujifilm accept fabricated about their complete band up of cameras cheaper for you this Black Friday. It’s absolutely adamantine to go amiss with any of them. The X-T3 is outstanding and has a accumulation of $130 aback you buy it with the array grip, and the X-T2 is a arrangement with a $500 discount. Check out all the Fujifilm Camera Deals below.

Fujifilm X-A5 Mirrorless Digital Camera w/XC15-45mm f3.5-5.6 OIS PZ Lens $499 (Save $100.95)

Fujifilm X-T100 Mirrorless Digital Camera w/XC15-45mm f3.5-5.6 OIS PZ Lens $599 (Save $100.95)

Fujifilm X-T20 Mirrorless Digital Camera w/XF18-55mm f2.8-4.0 R LM OIS Lens $999 (Save $200.95)

Fujifilm X100F 24.3 MP APS-C Digital Camera $1,199 (Save $100.95)

Fujifilm X-Pro2 Body Professional Mirrorless Camera $1,499 (Save $200.95)

Fujifilm X-Pro2 Body with XF23mm f2 R WR Lens $1,898 (Save $250.95)

Fujifilm X-Pro2 Body Professional Mirrorless Camera (Black) w/ XF35mm f2 Lens Silver $1.848 (Save $250)

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Fujifilm X-T2 Mirrorless Digital Camera (Body Only) $1,099 (Save $500.95)

Fujifilm X-T2 Mirrorless Digital Camera with 18-55mm f2.8-4.0 R LM OIS Lens $1,499 (Save $400.95)

Fujifilm X-T3 Mirrorless Digital Camera – Black Fujifilm VG-XT3 Vertical Anchor $1,699 (Save $130)

Fujifilm X-T3 Mirrorless Digital Camera (Body Only) – Black with Fujinon XF35mm f2 R WR $1,848 (Save $50.95)

Fujifilm X-T3 Mirrorless Digital Camera w/XF18-55mm Lens Kit – Black Fujifilm VG-XT3 Vertical Anchor $2,099 (Save $130)

Fujifilm X-T3 Mirrorless Digital Camera (Body Only) – Black with Fujinon XF16-55mm f2.8 R LM WR $2,498 (Save $200.95)

Fujifilm X-T3 Mirrorless Digital Camera (Body Only) – Black with Fujinon XF50-140mm f2.8 R LM OIS WR $2,898 (Save $200.95)

Fujifilm GFX 50R 51.4MP Mirrorless Medium Format Camera (Body Only) $4,499

Fujifilm GFX 50R 51.4MP Mirrorless Medium Format Camera Fujinon GF63mm f2.8 R WR $4,999 (Save $649.95)

Fujifilm GFX 50R 51.4MP Mirrorless Medium Format Camera Fujinon GF32-64mm f4 R LM WR $5,999 (Save $446.57)

Fujifilm GFX 50S 51.4MP Mirrorless Medium Format Camera (Body Only) with GF45mm f2.8 R WR Lens $6,898 (Save $311.78)

Fujifilm GFX 50S 51.4MP Mirrorless Medium Format Camera w/ GF23mm f4 R LM WR Lens $7,478 (Save $81.78)

Fujifilm GFX 50S 51.4MP Mirrorless Medium Format Camera w/ GF120mm f4 R LM OIS WR Macro Lens $7,558 (Save $100.83)

Bring the fun aback into photography with these Fujifilm Instax cameras. Point, shoot, and allotment aboveboard moments you absorb calm with friends. Save over $100 on the Instax Square SQ10, and get an Instax Mini 70 for aloof $59.99.

Fujifilm Instax Mini 9 Instant Camera $56 (Save $13)

Fujifilm Instax Mini 70 – Instant Film Camera $59.99 (Save $18)

Fujifilm Instax Wide 300 Instant Film Camera $91.95 (Save $38.04)

Fujifilm Instax Mini 90 Neo Classic Instant Film Camera $129 (Save $50.99)

Fujifilm Instax Square SQ6 – Instant Film Camera $106.59 (Save $23.36)

Fujifilm Instax SP-3 Mobile Printer $149.99 (Save $49.96)

Fujifilm Instax Square SQ10 Hybrid Instant Camera $176.95 (Save $102.05)

Fujifilm Instax Mini 9 Instant Camera Array with Case, Frames, and Stickers $118.94

Fujifilm Instax Square Twin Pack Film – 20 Exposures $19.95 (Save $3.04)

Fujifilm Instax Mini Monochrome Film – 10 Exposures $9.99 (Save $5)

Fujifilm Instax Mini Instant Film Value Pack – (3 Twin Packs, 60 Total Pictures) $36.14

FujiFilm Instax Wide Instant Film 2 Pack (2 x 20) Total of 40 Photo Sheets $39.44

Fujifilm shooters apperceive aloof how acceptable Fujifilm prime lenses are, and appropriate now you can save on a huge alternative of them. The 56mm 1.2 for $899 is an complete bargain!

Fujinon XF35mm f2 R WR $349 (Save $50.95)

Fujinon XF23mm f2 R WR $399 (Save $50.95)

Fujinon XF50mm f2 R WR Lens $399 (Save $50.95)

Fujinon XF90mm f2 R LM WR $799 (Save $150.95)

Fujinon XF 23mm f1.4 R $799 (Save $100.95)

Fujinon XF16mm f1.4 R WR $849 ($150.95)

Fujinon XF56mm f1.2 R $899 (Save $100.95)

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Same goes for Fujifilm telephoto lenses as well. Able-bodied congenital and cool sharp. abnormally the 50-140mm f2.8 which you can save over $200 on.

Fujinon XF55-200mm f3.5-4.8 R LM OIS $599 (Save $100.95)

Fujinon XF18-55mmF2.8-4 R LM OIS $599 (Save $100.95)

Fujinon XF18-135mm f3.5-5.6 R LM OIS WR $799 ($100.95)

Fujinon XF10-24mm f4 R OIS $849 (Save $150.95)

Fujinon XF16-55mm f2.8 R LM WR $999 (Save $200.95)

Fujinon XF50-140mm f2.8 R LM OIS WR $1,399 (Save $200.95)

These deals are red hot. Your camera deserves to accept some abundant bottle absorbed to it, and Sigma accomplish some of the best around. See all the Sigma lenses for Canon that are on auction below.

14mm f1.8 DG HSM Art $ 1,399 (Save $200)20mm f1.4 DG HSM Art $799 (Save $100)24mm f1.4 DG HSM Art $729 (Save $120)30mm f1.4 DC HSM Art $407.17 (Save $91.83)35mm f1.4 DG HSM Art $799 (Save $100)50mm f1.4 DG HSM Art $759 (Save $190)70mm f2.8 DG Macro Art $519 (Save $50)85mm f1.4 DG HSM Art $1,099 (Save $100)105mm f1.4 DG HSM Art $1,499 (Save $100)135mm F1.8 DG HSM Art $1,149 (Save $250)

12-24mm f4 DG HSM Art $1,399 (Save $200)14-24mm f2.8 DG HSM Art $1,195 (Save $105)18-35mm f1.8 DC HSM Art $667.19 (Save $131.81)24-35mm f2 DG HSM Art $828.38 (Save $170.62)24-70mm f2.8 DG OS HSM Art $1,149 (Save $150) 24-105mm f4 DG OS HSM Art $799 (Save $100)50-100mm f1.8 DC HSM Art150-600mm F5-6.3 DG OS HSM Contemporary $979 (Save $120)

150-600mm f5-6.3 DG OS HSM Contemporary $899 (Save $190)

Sigma accomplish some of the best lenses on the bazaar appropriate now, and they brace up with Nikon bodies perfectly. Check out all the Sigma for Nikon deals below.

14mm f1.8 DG HSM Art $1,409 (Save $190)20mm f1.4 DG HSM Art $799 (Save $100)24mm f1.4 DG HSM Art $749 (Save $100)30mm f1.4 DC HSM Art $373.04 (Save $125.96)35mm f1.4 DG HSM Art $789 (Save $110)50mm f1.4 DG HSM Art $752.39 (Save $196.61)85mm f1.4 DG HSM Art $1,099 (Save $100)105mm f1.4 DG HSM Art $1,499 (Save $100)135mm f1.8 DG HSM Art$1,149 (Save $250)

12-24mm f4 DG HSM Art $1,283 (Save $316)14-24mm f2.8 DG HSM Art $ 1,195 (Save $105)18-35mm f1.8 DC HSM Art $634.99 (Save $164.01)24-35mm f2 DG HSM Art $795 (Save $204)24-70mm f2.8 DG OS HSM Art $ 1,145 (Save $154)24-105mm f4 DG OS HSM Art $799 (Save $100)50-100mm f1.8 DC HSM Art150-600mm F5-6.3 DG OS HSM Contemporary $914.09 (Save $184.91)

150-600mm f5-6.3 DG OS HSM Contemporary $839 (Save $250)

Sigma and Sony go calm like peanut adulate and chocolate. Grab some of these abundant Sigma lenses on the bargain while you can.

20mm f1.4 DG HSM Art $799 (Save $100)

Sigma 24mm f1.4 DG HSM Art $749 (Save $100)

Sigma 30mm f1.4 Art DC HSM A Mount $399.99 (Save $100)

Sigma 35mm f1.4 ART DG HSM $799 (Save $100)

Sigma 50mm f1.4 ART DG HSM Lens for A Mount $830.69 (Save $118.31)

Sigma 70mm f2.8 Art DG Macro for Sony E $519 (Save $50)

Sigma 85mm f1.4 DG HSM Art $1,099 (Save $100)

Sigma 135mm f1.8 Art DG HSM $1,299 (Save $100)

Sigma 18-35mm f1.8 Art DC HSM A Mount $699 (Save $100)

Sigma 24-105mm f4.0 Art DG OS HSM $768.29 (Save $130.71)

Sigma MC-11 Mount Converter Lens Adapter (Sigma EF-Mount Lenses to Sony E Cameras) w/Essential Photo Array $149 (Save $100)

Check out these lens deals on Canon, Nikon, Sony and Olympus lenses. You can save $300 on the allegorical Canon 70-200 f2.8 IS appropriate now, and $200 on the NIKKOR 200-500mm lens.

Canon EF 40mm f/2.8 STM Lens $129 (Save $70)

Canon EF 100mm f/2.8L IS USM Macro Lens $699 (Save $200)

Canon EF 70-200mm f/2.8L IS II USM Telephoto Zoom Lens $1,799 (Save $300)

Canon EF 50mm f/1.2 L USM $1,269 (Save $180)

Nikon AF-S DX NIKKOR 35mm f/1.8G Lens $166.95 (Save $33)

Nikon AF-S FX NIKKOR 50mm f/1.8G Lens $176.95 (Save $43)

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Nikon AF-S FX NIKKOR 200-500mm f/5.6E ED $1,196.95 (Save $200)

Olympus M. 40-150mm F4.0-5.6 R Zoom Lens $99 (Save $100)

Rokinon FE14M-C 14mm F2.8 Ultra Wide Lens for Canon $216.44

Sony 50mm f/1.8 Lens $273 (Save $25)

There are some above accumulation to be had on SD Cards like the 128GB Samsung EVO for aloof $19.99, and the 256GB Samsung EVO for $44.99! Don’t absence out! Stock up now and save!

SmartQ USB 3.0 Portable Card Reader $7.77

Sandisk Ultra 32GB Micro SDHC UHS-I Card with Adapter $9.59 (Save $5.40)

SanDisk Extreme 32GB microSDHC UHS-3 Card $12.72 (Save $7.27)

Sandisk Ultra 64GB Micro SDXC UHS-I Card with Adapter $13.60 (Save $11.39)

Sandisk Ultra 400GB Micro SDXC UHS-I Card with Adapter $103 (Save $146.99)

Samsung 32GB EVO Plus Class 10 Micro SDHC with Adapter $9.50 (Save $20.49)

Samsung 64GB 100MB/s (U3) MicroSDXC EVO Select Memory Card with Adapter $10.99 (Save $12)

Samsung 128GB 100MB/s (U3) MicroSD EVO Select Memory Card with Adapter $19.99 (Save $22)

Samsung 256GB 100MB/s (U3) MicroSDXC EVO Select Memory Card with Adapter $44.99 (Save $40)

WD 4TB Black My Passport Portable External Adamantine Drive – USB 3.0 $98.99 (Save $61)

WD 8TB My Book Desktop External Adamantine Drive – USB 3.0 $159.99 (Save $140)

If you appetite some new accessories you’re in luck. You can grab the able XPLOR 600 TTL Monolight for aloof $499 appropriate now, and you can save some blooming on new camera bags, and a Joby Tripod.

JOBY GorillaPod 3K Kit. Compact Tripod 3K Stand and Ballhead 3K $33.95 (Save $46)

Kattee Leather Canvas Camera Shoulder Bag $40.99

Lowepro ProTactic 350 AW – A Professional Camera Backpack $76.60 (Save $123.35)

Canon Speedlite 430EX III-RT $249 (Save $50)

Canon Speedlite 600EX II-RT $479 (Save $100)

Flashpoint XPLOR 600 HSS TTL Battery-Powered Monolight with Built-in R2 2.4GHz Radio $499

Flashpoint XPLOR 600 HSS TTL Battery-Powered Monolight and R2 Transmitter for Fuji

There are some absolutely amazing software, tutorials, and preset bales to be had appropriate now. You can save a ton of money and time by accumulation these into your workflow. Check out all the deals below.

The Complete Landscape & Night Photography Course Array $17 (Save $41)

The Posing Guide $29 (Save $100)

The Ultimate Boudoir Array For Photographers $29 (Save $320)

A Array Of Beyond Snaps: Two Abundant Street Photography Deals In One $39 (Save $21)

Buy One Get Two Chargeless Lightroom Presets Array $39 (Save $3,311) 

Ultimate Bridal Compositing bundle $47 (Save $82)

$500 Worth Of Image Editing Tools For Under $50

Album Express 8 Pro: Able Software For Creating Albums (Lifetime) $59 (Save $191)

Fine Art Nudes With Lindsay Adler Maternity Posing Guide $59 (Save $220)

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About a year and a half ago, I bought the Sigma 150-600mm f/5-6.3 Contemporary lens. I don’t photograph wildlife very often these days, but I wanted a lens handy for those occasional times when I needed some extra reach. I ended up keeping it in the trunk of my car, permanently, for those times when I’d spot some wildlife from the road, but I also got some use out of it for shooting sports. It’s cheap, at about $999 (or even less).

Above Photo: Frank Clark, #55 defensive end for the Seattle Seahawks, shot with the Sigma 150-600mm lens at 600mm at 2018 training camp.

Just months after I purchased the lens, though, Sigma announced a new lens: a more compact 100-400mm f/5-6.3. With a similar price tag (about $700, now) and identical aperture range, I was initially surprised that anyone would consider trading the extra reach for a smaller lens, but I quickly started hearing from readers that this was the kind of thing that they were looking for, so when Sigma sent me one to test out, I was intrigued to find out which one I’d prefer using myself. This is what I found.

Size and Weight

The Sigma 150-600mm f/5-6.3 Contemporary lens (top) and Sigma 100-400mm f/5-6.3 Contemporary lens, without their hoods.

Size and weight are the only reasons that I’d consider going for the smaller lens, here, though for some people, especially APS-C camera owners, the reach of a 400mm lens is sufficient. You’ll have to decide based on what kind of work you shoot, but when it comes to bird and wildlife photography, I find that more reach is always better.

There is a significant size difference. The 100-400 is actually smaller than a Canon 70-200mm f/2.8 IS II/III lens, weighing 2.55lbs compared to the Canon’s 3.28lbs, and the Sigma is 7.2″ long while the Canon is 7.8″.

The Sigma 150-600, on the other hand, weighs 4.3lbs and is just over 10 inches long, with its hood adding another 3.5″ to that length. It looks pretty impressive, if you’re the type of photographer who cares about that sort of thing. Sometimes looking the part is important, after all.

It’s worth mentioning that both lenses are compatible with the Sigma dock, but only the 150-600 ships with a tripod-mount collar. The 100-400 is just small enough that you can probably get by without one, which is good because you’ll have to…. there’s no accessory collar available.

Telephoto Reach

Let’s start off with the basics: how big a difference is there, really, between a 400mm and a 600mm lens? Is 400mm enough? I can’t answer the second question for you, but I can give you an idea of the difference.

[/media-credit] Downtown Seattle from Queen Anne Hill at 100mm with the Sigma 100-400mm f/5-6.3 C

Here’s an image I shot with the 100mm end of the 100-400mm zoom lens from Queen Anne Hill in Seattle, with Mt. Rainier in the background.

I re-framed and shot the mountain peak, and also the top of the Space Needle at 400mm and 600mm. The differences can be seen here (click to enlarge).

At 400mm with the 100-400mm zoom lens.

At 600mm with the 150-600mm lens.

Again, at 400mm with the 100-400mm.

And finally, at 600mm with the 150-600mm.

Similarly, I shot the downtown scene at 100mm and at 150mm, the near end of each zoom. In this case, the wider lens offered a much more attractive field of view, being able to capture the skyline and Mt. Rainier at the same time, but of course, the practicality of a particular lens depends entirely on your goals and location.

At 100mm

At 150mm

Image Quality

Here we have a couple of shots of the top of the Space Needle (again), one from the 400mm end of the 100-400mm at f/6.3 and one shot at 403mm (according to the metadata) with the 150-600mm lens, also at f/6.3, where there is most likely to be a difference in image quality.

These are 100% crops. [2. For these to be 100% crops, you’ll need to view the images on a screen large enough to display 900px wide images].

150-600mm F5-6.3 DG OS HSM | Contemporary 015

100-400mm F5-6.3 DG OS HSM | Contemporary 017

150-600mm F5-6.3 DG OS HSM | Contemporary 015

100-400mm F5-6.3 DG OS HSM | Contemporary 017

The differences are minimal at this resolution and are confounded by the slight difference in focal length[3. This is more than the 3mm difference; likely the 400mm end of the 100-400mm lens does not quite reach a true 400mm focal length, as is the case with most zooms.] and the mile of air between the lens and the subjects.

Out of curiousity, I decided to see what the image quality from the 400mm lens would look like if it were scaled up to match the resolution of the 600mm. Does it play out as expected?

As expected, the 400mm image upscaled to an equivalent of 600mm doesn’t look great.

Zoomed to 600mm, the lens resolves a good amount of detail. Compare the grates on these vents to the ones on the upscaled image.

Yes, the scaled-up image quality is really quite bad compared to the native 600mm, as expected.

Autofocus

It was mid-winter when I started testing these lenses, and I wanted to check their autofocus capabilites, so I began by looking for some winter wildlife. Unfortunately, even with a 600mm lens, the harbor seals in Port Gardener Bay stayed beyond of my reach.

[/media-credit] Even at 600mm, it’s hard to tell what we’re looking at, here… it’s a harbor seal, I think.

Football season was long past (for the Seahawks and local schools, anyway), and long telephoto zooms like these are no use for indoor basketball. So, I headed up to Stevens Pass to see how things looked on the slopes.

[/media-credit] Shot with the 100-400mm lens, this snowboarder was catching the last rays of the setting sun for some nice highlights.

And there, I had better luck. With the reach of these long lenses, I didn’t have to hike too far up the mountains to catch the action. I took several hundred shots, and had no trouble with either lens tracking skiers and snowboarders as they shot down the runs. Autofocus performance was very similar between the two lenses, and they both did well after achieving initial focus, which was sometimes slow.

[/media-credit] Moments later from the same location, the sun had dropped below the surrounding peaks.

I was hoping that I’d find a major difference in autofocus speed or tracking capabilities to give me a good reason to recommend one lens or the other, but with my Canon 5D Mark III, the tracking was quick and reliable with both, even in poor light[5. I misjudged how much daylight I’d have at the time of year in the mountains, and the northern slopes where I was shooting were in deep shadow for most of the time that I was shooting, which forced me to use an ISO of 3200 or higher to get decent shutter speeds.].

General Shooting

As a general rule, I was always happy to be carrying around the lighter 100-400mm lens while I was moving, but there was rarely a time when I was shooting that I didn’t wish I had a little more reach.

[/media-credit] Seahawks DB Justin Coleman joking with Delano Hill at practice, shot at 600mm with the Sigma lens.

In fact, when shooting with either of these lenses, I found that I shot overwhelmingly at the long limit of the zoom range, either 400mm or 600mm. Shooting at sports events with the 600mm end gave me the freedom to capture more intimate, portrait-like shots of players. On this particular day at the Seahawks practice facility in Renton, WA, I shot 496 shots with the 150-600mm lens. Of those shots, 306 were at 600mm, and another 88 were shot between 500 and 600mm (mostly just below 600mm).

[/media-credit] Shot with the 150-600mm at 600mm

Similarly, on the day at Stevens Pass, I took 504 shots with the 100-400mm lens. Of those, 261 were shot at 400mm (with 368 between about 300 and 400mm). These numbers would have been even higher had I not been testing the autofocus by shooting subjects that were closer to me (and, thus, harder to focus).

Just a pigeon. Sigma 150-600mm at 600mm

Another pigeon. 100-400mm at 400mm.

Both lenses are excellent for providing sharp, close-up details of small or distant subjects, but more importantly to me is their ability to compress distant backgrounds into a frame and to isolate interesting shapes and patterns for better compositions. Of course, that’s true of any long telephoto lens.

[/media-credit] Shot across Jetty Island in Everett, WA, we see the peaks of the Olympic Mountain range compressed with a tug about 100 feet away.

Conclusion

Where the coverage of these two lenses overlapped, I didn’t find any significant difference in image quality; they were both sharp and moderately contrasty, without too much distortion, though there is some pincushion at the telephoto ends that needs correcting. And while they are sharp, they do not have the vibrance and contrast of a Canon “L” prime telephoto, which is to be expected, since these Sigma lenses are about 1/10th of the cost. However, a modicum of judicious post-processing brings them very close.

Autofocus was also accurate and moderately fast, though achieving initial focus can sometimes be slow.

[/media-credit] Shot with the 100-400mm lens at 400mm, across the Puget Sound to the Olympic Peninsula.

So, should you get the 100-400mm or the 150-600mm? Since there are no major differences in image quality, you can safely make the decision based on your knowledge of yourself as a photographer. The 150-600 will give you better zoom range and, thus, more detail when shooting distant subjects, but only if you’re willing to carry it. If you’re the type of photographer who is going to leave it behind because you don’t want to deal with the size and weight, it won’t do you any good… of course, the best telephoto lens is the one that you have with you.

If you’re going to be traveling light with your equipment and have limited space in your luggage, then the choice is obvious: the 100-400mm is an excellent choice and gives you great image quality and reach.

However, if you’re not absolutely constrained by size restrictions and you think you’ll be able to force yourself to carry the extra weight, I recommend going with the 150-600mm lens. It covers almost the entire range of the smaller lens but gives you enough more to really make a difference, particularly with skittish wildlife. Incidentally, I bought the cheaper (about $810) “international version” and purchased a 3rd party warranty with it that gave me broader coverage, and still ended up paying less.

Questions? Comments?

As usual, I’m happy to answer any questions that you might have about these lenses and their use. Just let me know in the comment section below.

Sigma 100-400mm or 150-600mm: Which Should You Buy? About a year and a half ago, I bought the Sigma 150-600mm f/5-6.3 Contemporary lens. I don't photograph wildlife very often these days, but I wanted a lens handy for those occasional times when I needed some extra reach.

#100-400 #150-600 #sigma #telephoto #zoom

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Gallery and impressions: The Tamron 100-400mm F4.5-6.3 is light, sharp and stabilized

Shot on the Canon EOS 80D. ISO 800 | 154mm | 1/200 sec | F5.6

The Tamron 100-400mm F4.5-6.3 Di VC USD is a well-priced ($800) telephoto lens with a useful zoom range. Available in both Canon EF and Nikon F mount, this lens is useful on both full-frame and crop bodies, offering a 150-600mm equiv. field of view on the latter. We first saw it at PPE 2017 and were impressed by its reasonable size and weight given its reach – at 1.11 kg / 2.45 lb - it is the lightest lens in its class.

See our Tamron 100-400mm F4.5-6.3 sample gallery Optically, the 100-400mm is constructed of 17 elements arranged in 11 groups, including low-dispersion elements to correct for aberrations. It also features multiple coatings to reduce ghosting and flare, as well as a protective fluorine coating on the front element. Image stabilization is crucial when it comes to long zoom lenses and Tamron's optical Vibration Correction system offers the equivalent of 4 stops of correction (CIPA rated).

Shown with the optional tripod collar attached, sold separately for $130.

Key Specifications:

100-400mm zoom range

150-600mm equiv. field of view on APS-C

F4.5-6.3 maximum aperture

VC Image stablization

Dust and moisture resistant

Silent AF

Florine coating on front element

Minimum focus distance: 1.5m

Maximum magnification ratio: 1:3.6

Filter thread: 67mm

Available in Canon EF and Nikon F mount

Wildlife and outdoor sports shooters can take solace in the fact that this lens is moisture resistant, with eight rubber gaskets, including one at the base of the lens mount. It's compatible with Tamron's TAP-in Console, allowing users to update firmware and/or fine-tune AF. It can also be used with the company's 1.4X and 2X teleconverters. An A035TM accessory tripod collar is sold separately for $130.

Shot on the Canon EOS 5DS R. ISO 200 | 100mm | 1/1600 sec | F4.5

Design and Handling

According to Tamron the lightweight design of this lens is mostly due to its magnesium alloy internal construction, though it is worth noting the outer shell of the lens is plastic (the lens mount is metal). The lens telescopes when zoomed, increasing in length about 50%. At its most compact it is about 20 cm / 7.8 in long.

Well-constructed, solid feeling and well-balanced, nothing rattles around inside the lens when shaken (my favorite test). Zooming from 100mm to 400mm requires a one quarter turn of the large rubberized zoom ring (located at the front of the lens).

Zooming from 100mm to 400mm requires a one quarter turn of the large rubberized zoom ring

'Lens creep' is an annoying fact of life when using telescoping lenses, fortunately it was not an issue during field testing. Just in case, there is a lock on the lens barrel (which can only be used when the zoom is retracted in to 100mm).

Toward the base of the lens barrel you'll find an AF/MF switch as well as as a controller for selecting one's VC (vibration compensation) mode: Mode 1 is for normal stabilization, Mode 2 is for use when panning. Users can also turn off VC completely, which useful if you're on a tripod. Just below the focus ring is the focus distance scale window.

Performance

Hand-held at 400mm, shot using a 1/125 sec shutter because I live in Seattle and it is always dark outside. Shot on the Canon EOS 80D ISO 800 | 400mm | 1/125 sec | F6.3

Tamron is pitching this lens as appropriate for sports and wildlife shooters, two groups that require reliable AF and effective stabilization. Fortunately, our real world usage shows the 100-400mm excelling in both areas.

The image stabilization system proved effective at helping to eliminate camera shake at shutter speeds I'd ordinarily not feel comfortable using, given the focal length used. The moment you engage AF the IS system kicks in – with one's eye to the finder the effectiveness of the compensation is immediately apparent.

Autofocus is both silent (hello ultrasonic drive) and fast (powered by two processors). Acquisition is nearly instant in AF-S and it's equally fast and impressive in AF-C. Users can expect it to maintain focus on the moving subjects they point it at, assuming their camera body is up to the challenge.

Image Quality

The lens is sharp through the zoom range, out of focus areas are also inoffensive. Shot on the Canon EOS 5DS R. ISO 400 | 400mm | 1/500 sec | F6.3

Though this lens has a slow maximum aperture and is best used for daylight shooting, all signs point to it being optically very good. Our copy of the 100-400mm was well-centered and universally sharp across the frame at all focal lengths we shot. Ghosting and flare are rare.

[It is] universally sharp across the frame at all focal lengths we shot

Chromatic aberration is also really well controlled, though it does appears in some images. Lateral CA is easy to correct in Adobe Camera Raw and other Raw processing programs.However axial CA, which you can see in this shot, is much more difficult to correct for. We also noted some vignetting when used on full-frame, but that is also fairly easy to correct in post.

Bokeh is about what we would expect for a complex telephoto lens. It can look nice toward the longer end, when there's good subject separation, but closer to 100mm, it can look a little busy, as is the case in this shot.

Conclusion

For travel photographers looking for a casual, lightweight telephoto lens to explore with, the Tamron 100-400 F4.5-6.3 is a solid choice. Shot on the EOS 5DS R. ISO 400 | 143mm | 1/1250 sec | F5

The Tamron 100-400mm F4.5-6.3 is a great telephoto lens for daylight photography, whether your subjects are moving or not. It offers fast, silent autofocus, good stabilization and is optically impressive at all focal lengths. All that comes in a weather-resistant package that also happens to be the lightest in its class.

We feel comfortable giving it our recommendation

Priced the same as the Sigma 100-400mm F5-6.3 DG OS HSM, the most obvious difference between the two is the Tamron is faster on the wide end, F4.5 vs F5 (and it's also a hair lighter). That aside, the two offer very similar features like image stabilization, multi layer coatings and special elements for dealing with CA. We'll have to revisit the Sigma to see just how well the two compare. But having spent a good amount of time with the Tamron, we feel comfortable giving it our recommendation.

What we like:

Sharp, versatile zoom range on both APS-C and full-frame

Lightest lens in its class

Moisture and dust resistant

Impressive image stablization

Silent AF is fast and accurate

What we don’t:

Slow aperture range

Pricey tripod collar sold separately

Vignettes on full-frame (though easy to correct)

[Read More ...] Gallery and impressions: The Tamron 100-400mm F4.5-6.3 is light, sharp and stabilized was originally posted by proton T2a

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[bestlensreviewstamron]

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Our Tamron tech rep took a moment to talk about the very popular 18-270mm VC lens with us. Sporting a 15x zoom range, it’s the most versatile zoom lens for a DSLR system on the market currently. http://robertsimaging.com/search.jsp?searchvalue=18-270&submit=SEARCH

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