#*based on real life thing. i think its funny how you can be royalty yourself + | Explore Tumblr Posts and Blogs

youknowmymethods · 5 years

Text

Content Creator Interview #12

Tissues at the ready, because, sniff sniff, this is the last post in the current series. And we’re ending with me, @ohaine, putting questions to one of my favourite people in the whole world, @likingthistoomuch, who answers questions about her secret squish, how culture and language influence her writing, and why her eyeball occasionally rolls under the bed.

If you’ve been in the Sherlolly corner of the fandom for any length of time at all you’ll already know that likingthistoomuch is funny, sweet and not afraid to say what she thinks. What you may not know is that she’s one of the kindest, wisest people that you’ll ever meet. She’s a beautiful person, a wonderful friend, a bit crazy, a bit sarcastic, and now, by public vote (well, I voted for it), an honorary Irish cailín dána. As if all of those things weren’t enough she’s a damn fine writer too. Want me to prove it?

Molly looked surprised but followed his lead. They moved to the silent tune being played in his head, upping their tempo as the notes seemed to flow fast and with certainty until they reached a crescendo and slowly seemed to fall as leaves in autumn, leaving a wonderful silence in their wake.

“There’s no silence when I’m around you. It’s music. And its beautiful.”

The simplest symphony, one of her sixty two stories, is one of my all time favourites, and I was so happy to get the chance over Christmas 2018 to pick her brain about where these beautiful words come from.

OhAine: I’m always impressed by the gentle way you treat your words, and I’ve often wondered is that because English is a second language for you?

Likingthistoomuch: I am always surprised when reviewers say that because I honestly just blurt it all out. There is no deliberate attempt to make the words the way they are. And English, though it may seem like my second language, is in a way my first because my entire education has been in English. (I just may be more fluent in it than the local languages but that’s a discussion between my mum and me that you really don’t want to know.) The only real barriers are when it comes to the British way of putting words. Because we are so exposed to American TV, that’s the language that forms immediately in my mind. But it’s getting better, because nowadays it’s all British TV for me! (GoT is worldwide and based in Westeros so it’s not American ok!)

OhAine: Brit-picking you mean? Nothing will throw me out of a Sherlock story faster than reading something that just shouldn’t be there, so how do you get around it?

Likingthistoomuch: I (le gasp!!) ask people like you and Emma Lynch but mostly I just bulldoze ahead. (My muse lasts less than the winter here so I need to move it quickly.)

OhAine: And is it that love of film/TV/stories that inspired you to write in the first place, or are you a life-long writer? What was the very first moment that you thought to yourself; I can do that?

Likingthistoomuch: I would call myself the Accidental Writer (I can almost hear the play-writes scribbling that title down...royalties people!!!). I wanted to read a story with a certain story line, and the then regular prompt takers were all busy. @writingwife-83 was the one who suggested that I try writing the fic on my own, she said, “Why don’t you just give it a go!” And I did. The result, Moving with time, didn’t seem to be too bad considering. Of course I get the cringe moment when I read it now, but that’s what started the ball rolling!

OhAine: This seems like a really apt moment to slip in a reader question submitted by @writingwife-83. She asked; How does writing inspiration tend to strike for you? Does it hit you out of the blue or does it come from something more external?

Likingthistoomuch: It’s literally a hit from out of the blue! It can be a movie or a song or recollection of a scene, literally anything. That is exactly why my post-TFP took so long to finish, the story (Our love has a way about it) was just not getting through!! So I look at admiration when writers take on a prompt and expand it into stories. My mind’s inbox is full of Asks, waiting for the brain to acknowledge and work on it :).

OhAine: When I looked at your sixty two stories as a body, it occurred to me that there are two types of stories that you excel at; Victorian!lock, and short scenes—

Likingthistoomuch: Ooh thank you.

OhAine: No, genuinely, no smoke blowing here LOL. I think you have a real affinity for Victorian Sherlock. So, how do you get into the mind set and what about that era particularly inspires you?

Likingthistoomuch: The mind-set isn’t much of an imaginative journey. We Indians have a saying, "The English left India but left their bastard behind." This refers to the narrow minded, sexist mind-set that was highly followed during Victorian times, remnants of which we are still fighting to get rid of here. Not blaming it all on the English, we have been pretty inventive with our own original regressive thought process too. So for the social mind-set and fic setting, all I need is to look out the window.

I love putting Molly and Sherlock in that era because on some front, both of them epitomise "not all heroes wear capes". She is trying to reach for opportunities that are denied to her just because of her gender and he is seen as the almost vulgar, rude and insensitive soul who is ready to judge people on their merits alone...(oh how dare he!!) It’s a personal favourite to put them in an era where they do struggle and fight but eventually it always work towards what they want, and of course, they get it via some unrelenting angst but hey what’s the fun if it’s all bubble gum. (It’s almost my inner romantic peeping out but don’t you dare tell anyone about it, I have a reputation to keep!)

OhAine: I can kind of relate to that – and this is something I put to @hobbitsdoitbetter too, because she writes Victorian era Sherlolly so brilliantly as well – I often think of Molly in the Victorian works as being like Irish women of the last generation who took their small victories where they found them.

Likingthistoomuch: True, unfortunately every geography and people has a similar story to tell. Things are changing but this change has yet to reach the grassroots levels.

OhAine: We can’t talk about your Victorian!lock without mentioning With eyes shut tight, where you did a very interesting thing when you switched to John’s voice in a very ACD way. What inspired that? How did you find John’s voice?

Likingthistoomuch: I actually found John's character (and Martin's fabulous portrayal) in TAB to be very interesting. Here is a man who can see what’s correct, will support it but is also so short sighted that he doesn’t realise that in supporting the women's struggle elsewhere he is ignoring the struggle going on in his own home. So there was the empathy for Molly not getting her due treatment as Sherlock's wife balanced by the outrage at her wanting to follow her own heart. Martin's performance in TAB is my favourite of the special and it was fun to try and bring in his voice, the sarcasm battling the disbelief. I had great fun doing it :)

OhAine: I have this theory that you have a secret squish on John, am I right?

Likingthistoomuch: You mean crush? I absolutely adore the boots off Martin Freeman, his performance is exquisite. I know we all look in awe at Ben's work, but for me, performance wise Martin takes the cake.

As for John...you know Sherlock puts on a veil of indifference to hide that he feels so much. I think for John it’s the opposite. He thinks he feels a lot and understands it all, but he too is hiding the inner struggling man. That’s why the TLD exchange between these two, (S: Underneath all we may just be human. J:You too? S: No, you too) is so profound. Just as Sherlock found in John a partner, John did too. It’s just that Sherlock accepts that he needs John, John is too blind to understand that he needs Sherlock too. That is one man who has his emotions so cross wired and tangled, it’s a very interesting character. And the thing is I feel Sherlock understands that and hangs on to John, not looking at it as a weakness. John, if he ever introspects, will find his dependency on Sherlock as a weakness. It’s basically asking Sherlock to do something, which he himself would not apply.

And Martin adds a different layer each time he plays him.

OhAine: One of my favourites of yours is a short story (<1,000 words), New paths. There’s a very calm, meditative feeling to the story: could you tell me a bit about your inspiration?

Likingthistoomuch: So, couple of years back we made a trip to England, and had visited Filey, near Scarborough in Yorkshire. After a long drive from London, we arrived and realised that there was a view of this cliff face from our cottage. And while my city bred, urban self gawked at the lovely site, the cloud thing happened and the hills actually turned pink. In that moment, it went all quiet and I literally felt the tiredness from my long journey seep away. And it’s only nature that can do that magic.

While writing New Paths, I wanted to see things from Molly's perspective. Do I feel she broke down and cried buckets and ate two tubs of ice cream? Maybe, but I don’t think so. I think she just felt tired and also at the same time, like a huge weight was off her back. And sometimes, what you need for your soul to just feel even a little better is a few moments away from humanity. Not necessarily to forget things, but more like to recharge your batteries and get the energy to deal with things in a better way. So I made her experience what I did that evening. I made her experience the sea, the beautiful colours that nature shows and just heal her tired heart a little. God knows she needed it.

OhAine: Misty silhouettes is a unique story, and I don’t think I’ve ever seen one quite like it before. Can you tell me about how it came to you and what are the challenges of writing Sherlock and Molly through so many lives?

Likingthistoomuch: Misty came about because of Mirrors, a short one I wrote on my phone, half asleep and trying to get rid of an ear (brain?) worm. Kiki had loved it and encouraged me to expand on it, which I attempted to do. I think I had just recently watched a historic Indian movie and was highly impressed with the battle scene, hence the opening sequence. I thought; why not work through time as well as geography, bringing these two closer and closer, like they showed in the short Sherlock episode before S3, where Anderson comments Sherlock is coming home? So they start in ancient India, and then slowly weave geographically as well as chronologically towards their current destination, London.

The challenges were to keep the story along the same theme as Mirrors, so trying to find characters, stories and their ending as well as the transition into the next life was some work. In short, I feel I have exhausted my small quota of creative imagination where the story stands right now, on the cusp of the last chapter where Sherlock is now in current time. It is definitely NOT abandoned; I have at least formulated ten stories and discarded them all because after such a long journey, Molly and Sherlock deserve a good reunion. And I trust myself to write it one day. Because that right end WILL come, I am sure of it.

OhAine: Have you found that end yet?

Likingthistoomuch: I may have! I have just started on that path, praying I stay on it.

OhAine: What does your proofreading and editing process look like?

Likingthistoomuch: Going through the document three times, checking for typos. Posting the fic, finding those three escaped typos and correcting them. Finding typos the more times I read a story. Yes, that’s the process. Elegant, no?

OhAine: Super elegant, LOL!!! You would rather do it yourself than press a beta into service? Or do you find working with someone else restrictive?

Likingthistoomuch: I think it may just be because I am such an impatient writer. I have loads and loads of ideas but putting them on paper takes a lot out of me. So once it’s there, I can’t wait to get it published and for you guys to see (and maybe get a few reviews too.)

I am learning. I do at times ask for help to oversee the plot and the work and it’s worth waiting.

OhAine: But you work without a beta most of the time… Is that a deliberate choice, or something that’s just evolved?

Likingthistoomuch: Actually, that’s just how it evolved. My first impression of a beta was someone who would do a read through and call out my typos and grammatical mistakes. Then it dawned that I could ask about the story line and if / how/ will it work. The advantage of working with someone is that you might get a better way of putting your story forward, get help when you are stuck. Or they’ll help you understand character’s motives and inspirations even more, which was a fantastic new experience for me. On the downside you could end up telling someone else's story.

OhAine: I think that’s a great point; you can end up telling someone else’s story, and it sort of has me reflecting that I’ve done that when I was very new to writing. Has it ever happened – even in relation to reader input – to you?

Likingthistoomuch: Actually no. But that’s also because almost 95% of my fics are one-shots. As for inspiring something new, only Kiki's advice at expanding Mirrors was an exception. The rest...? I am a free bird!!

OhAine: I’ve seen it argued lately that sites like tumblr stifle creativity and can lead your writing in directions you wouldn’t have otherwise taken it. What’s your take on that?

Likingthistoomuch: Oh good question! The social policing at times can inhibit your writing and introduce undue caution at best or a total change of direction of the story at worse. It’s something that every writer has to take a call on, and finally write a story that he or she wants to tell. Because, at least for me, I know when I have written something good, and maybe not many would like it. But it’s the story I want to tell, and if I am not able to do that, no matter how many accolades I get, there would always be a feeling of dissatisfaction bubbling beneath the surface. I may just not share my work next time, and that would even further piss me off :D So not a good cycle to get into. I would encourage writers to take pride in their creation and own it like a boss. Your words indeed are your baby!

OhAine: Does that mean that social media has been a stimulator more than a damper of creativity for you?

Likingthistoomuch: So far I have had a relationship with social media where I have been able to distance myself if there indeed is shit happening. Which, if you have been on tumblr long enough, you know is pretty frequent. I keep to my lane, and I expect you to do the same. So far it has been a stimulator, and the few moments where it could’ve been a dampener, I was able to remind myself that’s it’s all virtual and imaginary and I have a real life outside, and hence was able to ignore the shit.

I have a very simple mantra, you no like, you unfollow or block or ignore. I will survive, indeed thrive, in your absence....if I notice your absence in the first place.

OhAine: The thing that puts me off social media is the combative purity culture that seems to be so prevalent now.

Likingthistoomuch: *roll my eyes so hard am still looking for my right eyeball that rolled under the bed, the bugger* All I can say is, real life is tough as nails, Social Media should be a platform to release some steam, not to order or bully people around. Again, instead of telling people what to do, what to post it would be better if the Social Police (aka Staff) got their act together and BLOODY ADDRESSED THE PORN BOTS. (I got 5 new followers yesterday and no prizes for guess what they are.)

Also, as a blogger, it’s not MY responsibility to ensure that YOUR children and young people see clean content. There are tags and blocks meant for filtering NSFW stuff. I came to your free site because I thought I could post/follow the stuff I want. And people will always find a way to find 'blocked' content. It’s called Google.

OhAine: And a few quick fire questions to wrap it up. Starting with: how do you find your titles?

Likingthistoomuch: Like literally throwing a net out there and hoping the words caught make sense. Sometimes it’s just *snap* and you have your title, sometimes it takes time. I always hope the story inspires the heading but that rarely happens. Except for my post TFP, Our love has a way about it. That was purely the after effect of finishing chapter 1 that I had been trying for months.

OhAine: How do you gauge the success of a story? What’s the metric you live by?

Likingthistoomuch: Reviews! Comments! God, I love them. But honestly, sometimes it’s more about being happy myself and putting an honest effort on the paper. I feel the best when I know the job I have done is a good, genuine one, like for Our love has a way about it. It’s a lovely feeling and very few things can replace that knowledge of a job well done.

OhAine: Do you find writing is an outlet for real life pressure?

Likingthistoomuch: Not really. How can I say this, it adds a bit of colour? Like people who art! Writing makes me feel good, that I can do things that may not have a tangible benefit for anyone but it is a big achievement for me. And since not many know that I write, it’s a very personal feeling, a fight to the finish with myself.

I had a great time addressing all these questions, Áine. I am surprised that the answers aren’t one worded, as I half expected them to be. Caught me in a chatty moment I should say :) This has been a wonderful exercise, and dare I say, a wonderful initiative. Kudos to you for coming up with this.

OhAine: Aww, thanks Gee, you’re such a sweetie :) It’s been great fun, but I’ll be glad to get Friday afternoons back to normal!!

So guys, that’s it for now. I just want to say a massive thank you to everyone who read, followed, re-blogged, liked, left comments, and supported this project, none of which would have been possible without the oh-so many lovely writers and interviewers who gave up their their time to participate, and who so kindly shared their fandom and writing experiences. Thank you all so, so much ♥

#content creator interviews #Sherlock #sherlolly #likingthistoomuch #ohaine

47 notes · View notes

buzzedbabe · 6 years

Link

@thewolfdragon @richard-madden @maddennfl86 @thenorthremembersalways @thefashionprofessor @robbstarkmademedoit @what-would-wonderwoman-do

story below for those that can’t read it

How much time are you spending thinking about Bodyguard? A lot, I bet. The new BBC thriller, about the relationship between an ambitious and unknowable home secretary and her PTSD-addled protection officer, was written by Jed Mercurio of Line of Duty fame, and was cynically and artfully designed to hook, obsess and fixate an audience into appointment viewing.

Bodyguard is made to steal us away from all newly acquired suit-yourself, binge-watch and content-stream habits, with charismatic heroes who might actually be despicable antiheroes and a succession of frenzied plot twists that simply must be consumed on the night lest someone catch you out with a spoiler on social media. Even if that doesn’t happen, even if your viewing isn’t partly ruined by a stray Facebook comment, watch an episode even a little late and find yourself locked out of all the best conversations, the most detailed post mortems, most frenetic speculations. Bodyguard is, in essence, a middle-aged Love Island, a reason to gather excitedly round the screen at the prescribed hour in a way that hasn’t really happened since the late Nineties.

Bloody hell, it’s good, I tell its star Richard Madden. The 32-year-old Glaswegian actor made his name as Robb Stark in Game of Thrones and consolidated it as Prince Charming in 2015’s Kenneth Branagh-directed Cinderella. Now, after playing Mellors in Mercurio’s 2015 Lady Chatterley’s Lover for the BBC, he trembles on the verge of Poldarking himself into borderline indecent, heavily fetishised glory as Bodyguard’s David Budd, the protection officer at the heart of the story.

“Oh, right,” he says. His accent is broad, non-posh Scottish; unexpected to those who remember it as generically Yorkshire in Game of Thrones. His eyes are intense. He’s arch and funny; he’d probably qualify as dangerously charming if there weren’t also something watchful and cautious about him. “Thanks very much! I enjoyed playing something a bit more adult, less boyish. I’m keen to play more grown-up roles, without actually growing up myself. Pretending to be adult. I’m done playing princes. Princes and royalty and lords. Also, it’s nice not to do an accent.” David Budd is – conveniently – Scottish. “One less thing to think about. Shall we get a drink? It is a Tuesday night, after all.”

It’s a Monday, I point out, but all the same we order a beer and wine from the front desk of the photographic studio in which we sit.

This is not the first time Madden and I have met. Three years ago, he bowled up to me at a friend’s party and demanded to know why I hadn’t featured him in Grazia magazine’s Chart of Lust recently. A placing in the list (which I compile weekly, and does exactly as its title suggests – rates the most fanciable people of that moment’s news), is deeply coveted among those who present themselves as above that kind of vanity, but definitely aren’t. Newscasters, Hollywood A-listers, national treasures, disruptive artists (Grayson Perry once told me he’d pinned his mention up on the wall in his studio), award-winning novelists … I’ve been lobbied by spads chasing mentions for their political charges on more than one occasion. But this was the first time a candidate had ever approached me in the flesh. I was both impressed and amused by his front.

“It does my frail ego good,” he’d elaborated, which, I’d thought, demonstrated a surprising amount of self-awareness in a young actor.

I remind him of our first meeting.

“Oh, God. Great start,” he says. Then, “I’m just trying to work my way up [the chart].”

Well, let’s see how this goes, shall we.

One of the reasons I think Bodyguard resonates so hard with its viewers is that it’s dealing with themes of safety – and so are we all. Terrorist attacks, suicide bombers and rooftop snipers recur from episode to episode; our current nightmares, and most catastrophising daytime fantasies, the ones that flicker through our minds every time we board a plane, go to a concert venue or swipe into a subway system, are played out in high definition on our small screens. Madden’s David Budd thwarts and buffers and foresees and repels; a hero with a fantastically of-the-moment brief. If Poldark is our ultimate historical TV pin-up – manly, tortured, good with his shirt off – then Budd is our ultimate Threat Level: Severe pin-up – manly, tortured, good in a bulletproof vest (“An actual bulletproof vest,” he’ll tell me, “which is so comfortable, for five months”).

I run this theory past Madden. How nervy is he in London right now?

“I don’t feel unsafe. I used to be more panicky, but I’m just less uptight. A few years ago, I’d get off at Tube stations because I’d have a sense of something.”

How much of David Budd’s wariness did Madden inherit through the course of filming?

“You get to a point where you clock everything. That’s what I’m doing for 12 hours a day, so …”

Walk into a room, scope it out for the nearest exit?

“I did that anyway. My dad’s a fireman, so that’s built in. Check into a hotel, first thing I do, find the fire exit.”

Richard Madden was born just outside of Glasgow, an only boy among older and younger sisters. His mother, Pat, is a classroom assistant. There were no other performers in his close family – no pub-singer uncles, no sisters at dance school.

You’re, like, a rogue luvvie.

“Yup!” he says.

How does that happen?

“I don’t know. I was fat. And shy. Crushingly shy, going to what was a fairly tough high school. Aggressive. Masculine. So I thought the best thing to do would be to go and be an actor. Ha ha! Not go and play football. Or get good at boxing. I’ll go and be an actor. They’ll love that.”

Aged 11, Madden joined Paisley Art Centre’s youth theatre programme. “And of course, they did not love that. But then I managed to dodge a couple of years of school, because …”

Because he was good enough to be cast, as a young teenager, in professional roles: in the film adaptation of Iain Banks’ Complicity, and in a kids’ TV show called Barmy Aunt Boomerang.

“So I was like, ‘I’m going to be acting, and not go to school.’ And get paid.”

Did you realise you were good? “I don’t think you ever feel good at it.”

He gave up acting in his mid-teens – “Life got a bit shit, when you’re on telly, among your peers, and you’re 14 years old”. He returned to it when he was 17, “because you have a bunch of teachers going, ‘Right, now you must decide what to do with the rest of your life,’ and 17 is of course the best time to choose.”

In 2004, he began studying at the Royal Scottish Academy of Music and Drama. “I wasn’t allowed to apply for drama school unless I applied for a ‘real’ course as well, which was computing science. I didn’t even know what it was. Had no interest. And then, luckily, the day before my first exams, I received a letter saying you’ve got into drama school, so I went to my exams and just wrote my name.”

At 22, barely out of the RSAMD, he was cast as Robb Stark in HBO’s epic, fantastically successful Game of Thrones. Stark is the noble, brave, integrity-hampered son of Sean Bean’s Ned Stark; a character with a genuine and credible claim on the kingdom’s iron throne, all of which condemned him to a phenomenally gruesome death in an episode entitled The Rains of Castamere, only fans of the show (among whom I count myself, unashamedly) call it “The Red Wedding”, on account of the blood-drenched ceremony during which Madden, his pregnant wife and his mother all die.

Madden says he thinks that early, formative brush with a TV career was both “a head-f***” and, “I was so thankful for it, because, going into the world of Game of Thrones, I’d already learnt so much from doing it as a kid, of feeling isolated, or getting arrogant because you’re on a TV show. I’d kind of done all that. I could deal with it a lot better.”

A lot better than whom, among your co-stars?

He cackles. “Wouldn’t you like to know.”

Yes! Can I guess? “No.”

Madden went into Game of Thrones knowing he would die within three series – the books on which the shows are based spelled out Robb Stark’s demise long before Madden was cast – which he thinks is a good thing, professionally speaking. “I didn’t just want to be known as that guy from Game of Thrones.” It also meant that his celebrity has, until this point at least, been tinged with pity, partly for the grotesque manner of his fictional death, partly because he was booted out of that juggernaut of a TV sensation early.

That might be about to change with Bodyguard. I am reasonably confident Madden’s fame is about to be tinged with something rather more lecherous. David Budd is in no sense a straightforward romantic hero – physically and emotionally scarred, with an undivorced wife and kids squirrelled away in a safe house – but heavens, he does brooding intensity well. His love affair with Keeley Hawes’ home secretary, Julia Montague, is as intensely sexy as it is quietly subversive, for making no reference to Hawes’ Montague being ten years older than Madden’s Budd. The whole thing is designed to charm the pants off us, and I wonder how prepared Madden is to receive the unbridled lust of thousands of women on social media.

If Twitter erupts with lechery …

“I won’t look.”

Why?

“Because if I do, and if I believe someone going, ‘Oh God, he’s hot,’ then I’ll also have to believe the person that goes, ‘He’s got pumpkin teeth.’ Do you know what I mean?”

Yes, but, you are widely considered handsome, so …

“I don’t see it.”

Truly not?

“Truly not.”

It is form for beautiful young actors to deny their looks, in the interest of seeming more humble and likeable than they really are, but I think, in Madden’s case, he could mean it. He tells me fame has made him feel less attractive, not more. “You chat to a girl at a bar, have a couple of drinks, and shy Richard is slowly going. This is going well. And then it’s, ‘My boyfriend’s a really big fan. Can I get a picture?’ And you go, ‘F***.’ You think they think you’re hot, but it’s because you’re on telly.”

I ask Madden if he thinks he’s irredeemably defined by the chubby, shy child he used to be.

“I feel like I should lie down on that sofa and give you a hundred quid.”

Were you really so scarringly fat?

“Thirty-eight inch waist when I was 12. I didn’t wear denim until I was 19, because denim is really hard to take up. My mum couldn’t take my jeans up.”

Would you say you have body issues?

“Absolutely, yeah.”

Despite all of which, Richard Madden does OK with women. When I originally met him, he’d been in the final stages of a long-term relationship with the actor Jenna Coleman, who stars as Victoria in the ITV show, and who is now in a relationship with her onscreen Albert, Tom Hughes. Since then, Madden has been gossip-column-linked to a succession of beautiful women – model Suki Waterhouse and TV presenter Laura Whitmore among them – none of whom seem notably put off by his pumpkin teeth.

“I think in the last year I was, as far as the tabloids went, dating seven different people. And when you receive a text saying, ‘Are you sleeping with blah blah,’ and you go, ‘No,’ that’s a bit weird.”

Who are you sleeping with?

“I’m not saying.”

But you are sleeping with someone?

“I am sleeping with someone. I am very happy with someone. There are pictures of it on the internet.”

If it’s the one everyone thinks you’re dating, I say – by which I mean the 21-year-old Ellie Bamber, with whom he was pictured most recently at the Serpentine Gallery summer party – then she’s another actor. Is it really a good idea to go out with other actors?

“Yes and no. Yes, because you understand what each other’s going through. No, because, there’s a certain level of self-focus you need, in order to do the job you’re doing. That’s hard on all relationships, because what am I going to talk to you about? I walk up and down for 12 hours a day, dealing with this character’s shit. That’s all I’ve done, every day, for the past three months … I really haven’t got anything to offer you as a friend.”

We return, briefly, to Bodyguard. He says he got on brilliantly with Keeley Hawes. “Love her, love her to pieces. She saved my arse, because it’s not a fun job. It’s not a comedy. But then Keeley and me, me and her, off screen, were just like two kids.”

Were you paid the same?

“No idea. I imagine she earned more. I care less about how much other people are paid, and more what it takes for me to shut up and go and do my job. The equality thing needs to be addressed hugely between male and female co-stars; I know that from friends of mine. But there’s only so much I can do for myself. Agents and lawyers, they do all that stuff. I just kind of deal with what I need to, so I don’t look a producer in the eye and f***ing hate them when they’re talking about their villas, and you’re thinking, shit, I’m getting the bus at the weekend, because I don’t have the money for a cab, you know?”

How rich are you?

“Not very. People think I am, because of Game of Thrones, but you know, when I signed up for that I was 22, with f*** all on my CV, so I was paid f*** all.”

Then, somehow, we end up talking about his body again.

“In between filming, I eat pizza, drink, don’t work out, get fat, then it’s six weeks till you have to be naked again. It’s always six weeks. Actually, that’s if you’re lucky. I have ten days till I take my clothes off again this time.”

What’s the occasion?

“I’m filming Rocketman, the Elton John film, and I play John Reid, his first boyfriend, his manager for 28 years.”

A straight man in a gay role; casting that has become contentious after Disney named comedian Jack Whitehall, who is straight, as the voice of its first openly gay hero.

“Yeah, and Taron Egerton [who is playing Elton John] is a straight man in a gay role,” says Madden, “and I think we’re all f***ed if we start going down the route of you can only play a gay part if you’re a gay actor. Diversity, equality and pay – of course we need to make sure of all that, but at the same time … I read reports that so and so’s pulled out of this role because they’re not transgender, and you go, yeah, but they’re a f***ing actor, and they’re probably really f***ing good in the part, and maybe that is part of the reason why that film’s getting made …”

We wind up with him telling me he isn’t bothered about an Oscar. “Because, who won best actress last year? Best actor? Best supporting actor? What won best musical?”

No idea.

“So what does it matter?” he says.

After which, he is beautifully mocking (off the record) about a very famous actor’s latest endeavour, before hugging me goodbye and pretending – well – he hopes to see me again soon, socially. Richard Madden made it to No 2 in the current issue of Grazia’s Chart of Lust Bodyguard continues tomorrow at 9pm on BBC One. Episodes 1 and 2 are on BBC iPlayer

#richard madden #bodyguardbbc #robb stark

15 notes · View notes

networkingdefinition · 4 years

Text

Family Quotes

Official Website: Family Quotes

• A dysfunctional family is any family with more than one person in it. – Mary Karr • A family can develop only with a loving woman as its center. – Karl Wilhelm Friedrich Schlegel • A family is a place where principles are hammered and honed on the anvil of everyday living. – Charles R. Swindoll • A happy family is but an earlier heaven. – George Bernard Shaw • A man should never neglect his family for business. – Walt Disney

• All happy families resemble one another, each unhappy family is unhappy in its own way. – Leo Tolstoy

PRODUCT REVIEWS

HOME & GARDEN

Animal Care & Pets

Crafts & Hobbies

Entertaining

Gardening & Horticulture

General

Homebuying

How-to & Home Improvements

Interior Design

Sewing

Weddings

PARENTING & FAMILIES

Divorce

Education

Genealogy

General

Marriage

Parenting

Pregnancy & Childbirth

Special Needs

AS SEEN ON TV

General

Backyard Living

Auto

Health and Beauty

Kitchen Tools and Gadgets

COOKING, FOOD & WINE

Baking

BBQ

Cooking

Drinks & Beverages

General

Recipes

Regional & Intl.

Special Diet

Special Occasions

Vegetables / Vegetarian

Wine Making

jQuery(document).ready(function($) var data = action: 'polyxgo_products_search', type: 'Product', keywords: 'Family', orderby: 'rand', order: 'DESC', template: '1', limit: '68', columns: '4', viewall:'Shop All', ; jQuery.post(spyr_params.ajaxurl,data, function(response) var obj = jQuery.parseJSON(response); jQuery('#thelovesof_family').html(obj); jQuery('#thelovesof_family img.swiper-lazy:not(.swiper-lazy-loaded)' ).each(function () var img = jQuery(this); img.attr("src",img.data('src')); img.addClass( 'swiper-lazy-loaded' ); img.removeAttr('data-src'); ); ); ); • Cherish your human connections: your relationships with friends and family. – Barbara Bush • Children are the seed for peace or violence in the future, depending on how they are cared for and stimulated. Thus, their family and community environment must be sown to grow a fairer and more fraternal world, a world to serve life and hope. – Zilda Arns • Dignity is not negotiable. Dignity is the honor of the family. – Vartan Gregorian • Every child deserves a chance at a life filled with love, laughter, friends and family. – Marlo Thomas • Every family has a story that it tells itself, that it passes on to the children and grandchildren. The story grows over the years, mutates, some parts are sharpened, others dropped, and there is often debate about what really happened. But even with these different sides of the same story, there is still agreement that this is the family story. And in the absence of other narratives, it becomes the flagpole that the family hangs its identity from. – A.M. Homes

[clickbank-storefront-bestselling] • Families are the compass that guide us. – Brad Henry • Families don’t have to match. You don’t have to look like someone else to love them. – Leigh Anne Tuohy • Family connexions were always worth preserving, good company always worth seeking. – Jane Austen • Family faces are magic mirrors. Looking at people who belong to us, we see the past, present and future. – Gail Buckley • Family is everything. Family comes first. It’s not what I expected it to be, but nothing ever is. – Madonna Ciccone • Family is just accident…. They don’t mean to get on your nerves. They don’t even mean to be your family, they just are. – Marsha Norman • Family is not an important thing. It’s everything. – Michael J. Fox • Family is the most important thing in the world. – Princess Diana • Family life is too intimate to be preserved by the spirit of justice. It can be sustained by a spirit of love which goes beyond justice. – Reinhold Niebuhr • Family likeness has often a deep sadness in it. – George Eliot • Family means no one gets left behind or forgotten. – David Ogden Stiers • Family not only need to consist of merely those whom we share blood, but also for those whom we’d give blood. – Charles Dickens • Family quarrels have a total bitterness unmatched by others. Yet it sometimes happens that they also have a kind of tang, a pleasantness beneath the unpleasantness, based on the tacit understanding that this is not for keeps; that any limb you climb out on will still be there later for you to climb back. – Mignon McLaughlin

• Family, nature and health all go together.- Olivia Newton-John • Family: A social unit where the father is concerned with parking space, the children with outer space, and the mother with closet space. – Evan Esar • Fathers should be neither seen nor heard. That is the only proper basis for family life. – Oscar Wilde • Feelings of worth can flourish only in an atmosphere where individual differences are appreciated, mistakes are tolerated, communication is open, and rules are flexible – the kind of atmosphere that is found in a nurturing family. – Virginia Satir • God’s dream is that you and I and all of us will realize that we are family, that we are made for togetherness, for goodness, and for compassion. – Desmond Tutu • Happiness is having a large, loving, caring, close-knit family in another city. – George Burns • Happy is said to be the family which can eat onions together. They are, for the time being, separate, from the world, and have a harmony of aspiration. – Charles Dudley Warner • He that raises a large family does, indeed, while he lives to observe them, stand a broader mark for sorrow; but then he stands a broader mark for pleasure too. – Benjamin Franklin • He who is overly attached to his family members experiences fear and sorrow, for the root of all grief is attachment. Thus one should discard attachment to be happy. – Chanakya

• I am the baby in the family, and I always will be. I am actually very happy to have that position. But I still get teased. I don’t mind that. – Janet Jackson • I am the family face; flesh perishes, I live on. – Thomas Hardy • I believe the world is one big family, and we need to help each other. – Jet Li • I can get up in the morning and look myself in the mirror and my family can look at me too and that’s all that matters. – Lance Armstrong • I don’t have to look up my family tree, because I know that I’m the sap. – Fred Allen • I find the family the most mysterious and fascinating institution in the world. – Amos Oz • I had rather be shut up in a very modest cottage, with my books, my family, and a few old friends, dining on simple bacon, and letting the world roll on as it liked, than to occupy the most splendid post which any human power can give. – Thomas Jefferson • I have frequently been questioned, especially by women, of how I could reconcile family life with a scientific career. Well, it has not been easy. – Marie Curie • I have these visions of myself being thirty, thirty-five, forty having a family. – Nastassja Kinski • I realized my family was funny, because nobody ever wanted to leave our house. – Anthony Anderson • I stay in tune with my family and God. – Regina King • I sustain myself with the love of family. – Maya Angelou • I think togetherness is a very important ingredient to family life. – Barbara Bush • I would rather start a family than finish one. – Don Marquis • If the family goes, so goes our civilization. – Ronald Reagan • If the family were a boat, it would be a canoe that makes no progress unless everyone paddles. – Letty Cottin Pogrebin • If the family were a fruit, it would be an orange, a circle of sections, held together but separable – each segment distinct. – Letty Cottin Pogrebin • If we abandon marriage, we abandon the family. – Michael Enzi • If you cannot get rid of the family skeleton, you may as well make it dance. – George Bernard Shaw • If you don’t believe in ghosts, you’ve never been to a family reunion. -Ashleigh Brilliant • If you ever start feeling like you have the goofiest, craziest, most dysfunctional family in the world, all you have to do is go to a state fair. Because five minutes at the fair, you’ll be going, ‘you know, we’re alright. We are dang near royalty.’ – Jeff Foxworthy • I’ll never stop dreaming that one day we can be a real family, together, all of us laughing and talking, loving and understanding, not looking at the past but only to the future. – LaToya Jackson • Imagine life is a game in which you are juggling five balls. The balls are called work, family, health, friends, and integrity. And you’re keeping all of them in the air. But one day you finally come to understand that work is a rubber ball. If you drop it, it will bounce back. The other four balls…are made of glass. If you drop one of these, it will be irrevocably scuffed, nicked, perhaps even shattered. – James Patterson • In every conceivable manner, the family is link to our past, bridge to our future. – Alex Haley • In every dispute between parent and child, both cannot be right, but they may be, and usually are, both wrong. It is this situation which gives family life its peculiar hysterical charm. – Isaac Rosenfeld • In family life, love is the oil that eases friction, the cement that binds closer together, and the music that brings harmony. – Eva Burrows • In family life, love is the oil that eases friction. – Eva Burrows • In the family, happiness is in the ratio in which each is serving the others, seeking one another’s good, and bearing one another’s burdens. – Henry Ward Beecher • Insanity runs in my family. It practically gallops. – Cary Grant • It is not possible for one to teach others who cannot teach his own family. – Confucius • It takes a lot of work to put together a marriage, to put together a family and a home. – Elizabeth Edwards • Learn to enjoy every minute of your life. Be happy now. Don’t wait for something outside of yourself to make you happy in the future. Think how really precious is the time you have to spend, whether it’s at work or with your family. Every minute should be enjoyed and savored. – Earl Nightingale • My dear young cousin, if there’s one thing I’ve learned over the eons, it’s that you can’t give up on your family, no matter how tempting they make it. – Rick Riordan • My family is more important than my party. – Zell Miller • My family is my strength and my weakness. – Aishwarya Rai Bachchan • My family’s the most important thing in my life. – Joe Namath • No amount of law enforcement can solve a problem that goes back to the family. – J. Edgar Hoover • No matter how many communes anybody invents, the family always creeps back. – Margaret Mead • No matter what you’ve done for yourself or for humanity, if you can’t look back on having given love and attention to your own family, what have you really accomplished? – Lee Iacocca • No one’s family is normal. Normalcy is a lie invented by advertising agencies to make the rest of us feel inferior. – Claire LaZebnik • Nobody has ever before asked the nuclear family to live all by itself in a box the way we do. With no relatives, no support, we’ve put it in an impossible situation. – Margaret Mead • Of all the rocks upon which we build our lives, we are reminded today that family is the most important. – Barack Obama • Ohana means family – no one gets left behind and no one is ever forgotten. – Chris Sanders • One day you will do things for me that you hate. That is what it means to be family. – Jonathan Safran Foer • One of the things that binds us as a family is a shared sense of humor. – Ralph Fiennes • One’s family is the most important thing in life. I look at it this way: One of these days I’ll be over in a hospital somewhere with four walls around me. And the only people who’ll be with me will be my family. – Robert Byrd • Other things may change us, but we start and end with the family. – Anthony Brandt • Peace in society depends upon peace in the family. – Saint Augustine • Perhaps the greatest social service that can be rendered by anybody to the country and to mankind is to bring up a family. – George Bernard Shaw • Pray in your family daily, that yours may be in the number of the families who call upon God. – Christopher Love • Rejoice with your family in the beautiful land of life. – Albert Einstein • Satan’s ultimate goal is to destroy the family, because if he would destroy the family, he will not just have won the battle; he will have won the war. – Victor L. Brown • Show me a family of readers, and I will show you the people who move the world. – Napoleon Bonaparte • So much of what is best in us is bound up in our love of family, that it remains the measure of our stability because it measures our sense of loyalty. All other pacts of love or fear derive from it and are modeled upon it. – Haniel Long • Some even believe we (the Rockefeller family) are part of a secret cabal working against the best interests of the United States, characterizing my family and me as ‘internationalists’ and of conspiring with others around the world to build a more integrated global political and economic structure – one world, if you will. If that’s the charge, I stand guilty, and I am proud of it. – David Rockefeller • Some family trees bear an enormous crop of nuts. – Wayne Huizenga • Some of the most important conversations I’ve ever had occurred at my family’s dinner table. – Bob Ehrlich • Spend some time this weekend on home improvement; improve your attitude toward your family. – Robert Foster Bennett • Sticking with your family is what makes it a family. – Mitch Albom • The attempt to redefine the family as a purely voluntary arrangement grows out of the modern delusion that people can keep all their options open all the time. – Christopher Lasch • The best of all gifts around any Christmas tree: the presence of a happy family all wrapped up in each other. – Bill Vaughan • The bond that links your true family is not one of blood, but of respect and joy in each other’s life. – Richard Bach • The children have been a wonderful gift to me, and I’m thankful to have once again seen our world through their eyes. They restore my faith in the family’s future. – Jackie Kennedy • The family – that dear octopus from whose tentacles we never quite escape, nor, in our inmost hearts, ever quite wish to. – Dodie Smith • The family is a haven in a heartless world. – Christopher Lasch • The family is more sacred than the state. – Pope Pius XI • The family is one of nature’s masterpieces. – George Santayana • The family is the corner stone of our society. More than any other force it shapes the attitude, the hopes, the ambitions, and the values of the child. And when the family collapses it is the children that are usually damaged. When it happens on a massive scale the community itself is crippled. – Lyndon B. Johnson • The family is the school of duties – founded on love. – Felix Adler • The family is the test of freedom; because the family is the only thing that the free man makes for himself and by himself. – Gilbert K. Chesterton • The family unit plays a critical role in our society and in the training of the generation to come. – Sandra Day O’Connor • The family. We are a strange little band of characters trudging through life sharing diseases and toothpaste, coveting one another’s desserts, hiding shampoo, borrowing money, locking each other out of our rooms. . . and trying to figure out the common thread that bound us all together. – Erma Bombeck • The foundation of family – that’s where it all begins for me. – Faith Hill • The God who existed before any religion counts on you to make the oneness of the human family known and celebrated. – Desmond Tutu • The great advantage of living in a large family is that early lesson of life’s essential unfairness. – Nancy Mitford • The great danger for family life, in the midst of any society whose idols are pleasure, comfort and independence, lies in the fact that people close their hearts and become selfish. – Pope John Paul II • The greatest thing in family life is to take a hint when a hint is intended-and not to take a hint when a hint isn’t intended. – Robert Frost • The happiest moments of my life have been the few which I have passed at home in the bosom of my family. – Thomas Jefferson • The human heart is an idol factory that takes good things like a successful career, love, material possessions, even family, and turns them into ultimate things. Our hearts deify them as the center of our lives, because, we think, they can give us significance and security, safety and fulfillment, if we attain them. – Timothy Keller • The important thing is the family. If you can keep the family together – and that’s the backbone of our whole business, catering to families – that’s what we hope to do. – Walt Disney • The lack of emotional security of our American young people is due, I believe, to their isolation from the larger family unit. No two people – no mere father and mother – as I have often said, are enough to provide emotional security for a child. He needs to feel himself one in a world of kinfolk, persons of variety in age and temperament, and yet allied to himself by an indissoluble bond which he cannot break if he could, for nature has welded him into it before he was born. – Pearl S. Buck • The love of a family is life’s greatest blessing – Eva Burrows • The love of family and the admiration of friends is much more important than wealth and privilege. – Charles Kuralt • The most important Christian Education institution is not the pulpit or the school, important as those institutions are; but it is the Christian family. And that institution has to a very large extent ceased to do its work.- John Gresham Machen • The only people that you really have, that I learned, are your family, because they love you no matter what. – Miley Cyrus • The only rock I know that stays steady, the only institution I know that works, is the family. – Lee Iacocca • The strength of a family, like the strength of an army, lies in its loyalty to each other. – Mario Puzo • The whole world is my family. – Pope John XXIII • There is an interconnectedness among members that bonds the family, much like mountain climbers who rope themselves together when climbing a mountain, so that if someone should slip or need support, he’s held up by the others until he regains his footing. – Phil McGraw • There is no doubt that it is around the family and the home that all the greatest virtues, the most dominating virtues of human, are created, strengthened and maintained. – Winston Churchill • There’s nothing that makes you more insane than family. Or more happy. Or more exasperated. Or more . . . secure. – Jim Butcher • There’s no vocabulary For love within a family, love that’s lived in But not looked at, love within the light of which All else is seen, the love within which All other love finds speech. This love is silent. – T. S. Eliot • There’s nothing I value more than the closeness of friends and family, a smile as I pass someone on the street. – Willie Stargell • This is part of what a family is about, not just love. It’s knowing that your family will be there watching out for you. Nothing else will give you that. Not money. Not fame. Not work. – Mitch Albom • To maintain a joyful family requires much from both the parents and the children. Each member of the family has to become, in a special way, the servant of the others. – Pope John Paul II • To put the world in order, we must first put the nation in order; to put the nation in order, we must first put the family in order; to put the family in order; we must first cultivate our personal life; we must first set our hearts right. – Confucius • To us, family means putting your arms around each other and being there. – Barbara Bush • We believed in our idea – a family park where parents and children could have fun- together. – Walt Disney • We must restore the sacredness of the family as a bedrock of humane values everywhere, in peace as well as in war. – Kofi Annan • What can you do to promote world peace? Go home and love your family. – Mother Teresa • What greater blessing to give thanks for at a family gathering than the family and the gathering. – Robert Breault • When everything goes to hell, the people who stand by you without flinching – they are your family. – Jim Butcher • When trouble comes, it’s your family that supports you. – Guy Lafleur • When you look at your life the greatest happinesses are family happinesses. – Joyce Brothers • Where does the family start? It starts with a young man falling in love with a girl – no superior alternative has yet been found. – Winston Churchill • Without a family, man, alone in the world, trembles with the cold. – Andre Maurois • Women’s natural role is to be a pillar of the family. – Grace Kelly • You are born into your family and your family is born into you. No returns. No exchanges. – Elizabeth Berg • You can kiss your family and friends good-bye and put miles between you, but at the same time you carry them with you in your heart, your mind, your stomach, because you do not just live in a world but a world lives in you. – Frederick Buechner • You don’t choose your family. They are God’s gift to you, as you are to them. – Desmond Tutu • You go through life wondering what is it all about but at the end of the day it’s all about family. – Rod Stewart • You leave home to seek your fortune and, when you get it, you go home and share it with your family. – Anita Baker • You must remember, family is often born of blood, but it doesn’t depend on blood. Nor is it exclusive of friendship. Family members can be your best friends, you know. And best friends, whether or not they are related to you, can be your family. – Trenton Lee Stewart • Your family and your love must be cultivated like a garden. Time, effort, and imagination must be summoned constantly to keep any relationship flourishing and growing. – Jim Rohn

jQuery(document).ready(function($) var data = action: 'polyxgo_products_search', type: 'Product', keywords: 'a', orderby: 'rand', order: 'DESC', template: '1', limit: '4', columns: '4', viewall:'Shop All', ; jQuery.post(spyr_params.ajaxurl,data, function(response) var obj = jQuery.parseJSON(response); jQuery('#thelovesof_a').html(obj); jQuery('#thelovesof_a img.swiper-lazy:not(.swiper-lazy-loaded)' ).each(function () var img = jQuery(this); img.attr("src",img.data('src')); img.addClass( 'swiper-lazy-loaded' ); img.removeAttr('data-src'); ); ); );

jQuery(document).ready(function($) var data = action: 'polyxgo_products_search', type: 'Product', keywords: 'e', orderby: 'rand', order: 'DESC', template: '1', limit: '4', columns: '4', viewall:'Shop All', ; jQuery.post(spyr_params.ajaxurl,data, function(response) var obj = jQuery.parseJSON(response); jQuery('#thelovesof_e').html(obj); jQuery('#thelovesof_e img.swiper-lazy:not(.swiper-lazy-loaded)' ).each(function () var img = jQuery(this); img.attr("src",img.data('src')); img.addClass( 'swiper-lazy-loaded' ); img.removeAttr('data-src'); ); ); );

jQuery(document).ready(function($) var data = action: 'polyxgo_products_search', type: 'Product', keywords: 'i', orderby: 'rand', order: 'DESC', template: '1', limit: '4', columns: '4', viewall:'Shop All', ; jQuery.post(spyr_params.ajaxurl,data, function(response) var obj = jQuery.parseJSON(response); jQuery('#thelovesof_i').html(obj); jQuery('#thelovesof_i img.swiper-lazy:not(.swiper-lazy-loaded)' ).each(function () var img = jQuery(this); img.attr("src",img.data('src')); img.addClass( 'swiper-lazy-loaded' ); img.removeAttr('data-src'); ); ); );

jQuery(document).ready(function($) var data = action: 'polyxgo_products_search', type: 'Product', keywords: 'o', orderby: 'rand', order: 'DESC', template: '1', limit: '4', columns: '4', viewall:'Shop All', ; jQuery.post(spyr_params.ajaxurl,data, function(response) var obj = jQuery.parseJSON(response); jQuery('#thelovesof_o').html(obj); jQuery('#thelovesof_o img.swiper-lazy:not(.swiper-lazy-loaded)' ).each(function () var img = jQuery(this); img.attr("src",img.data('src')); img.addClass( 'swiper-lazy-loaded' ); img.removeAttr('data-src'); ); ); );

jQuery(document).ready(function($) var data = action: 'polyxgo_products_search', type: 'Product', keywords: 'u', orderby: 'rand', order: 'DESC', template: '1', limit: '4', columns: '4', viewall:'Shop All', ; jQuery.post(spyr_params.ajaxurl,data, function(response) var obj = jQuery.parseJSON(response); jQuery('#thelovesof_u').html(obj); jQuery('#thelovesof_u img.swiper-lazy:not(.swiper-lazy-loaded)' ).each(function () var img = jQuery(this); img.attr("src",img.data('src')); img.addClass( 'swiper-lazy-loaded' ); img.removeAttr('data-src'); ); ); );

0 notes

equitiesstocks · 4 years

Text

Family Quotes

Official Website: Family Quotes

• All happy families resemble one another, each unhappy family is unhappy in its own way. – Leo Tolstoy

PRODUCT REVIEWS

HOME & GARDEN

Animal Care & Pets

Crafts & Hobbies

Entertaining

Gardening & Horticulture

General

Homebuying

How-to & Home Improvements

Interior Design

Sewing

Weddings

PARENTING & FAMILIES

Divorce

Education

Genealogy

General

Marriage

Parenting

Pregnancy & Childbirth

Special Needs

AS SEEN ON TV

General

Backyard Living

Auto

Health and Beauty

Kitchen Tools and Gadgets

COOKING, FOOD & WINE

Baking

BBQ

Cooking

Drinks & Beverages

General

Recipes

Regional & Intl.

Special Diet

Special Occasions

Vegetables / Vegetarian

Wine Making

0 notes

helenpattersoon · 6 years

Text

How to share creative work fairly in the digital age

Reposting beautiful illustrations, inspiring quotes, and funny doodles on social media has become ingrained in our online habits—it’s a new era of digital sharing, and we’re still kinda figuring things out. But there are certainly a few fundamental things to take into consideration before sharing the next illustration that makes you feel, “it me”.

In many cases, these viral gems are original creative works by an artist—an illustrator or graphic designer who has decided to bless us by posting their work online. Artists share their own work as a means of growing their business, to build their portfolio or online presence—of course they want to attract fans and customers who might purchase from their store, hire them for a project, or recommend them to others.

But what often happens is that the original creator’s Instagram handle gets cut off in the process of reposting, or their image is simply uploaded to Twitter without any credit, shared without any trace back to where it came from. There are consequences to this which can affect a designer’s livelihood. So it’s important for all of us to know how to share creative work properly online, whether we want to repost something to a personal channel, or a brand social account. I reached out to artist and author Adam J. Kurtz to learn more and put together this deep dive on how to do it right.

View this post on Instagram

this is actually sorta the opposite of that old one i posted last week oops

actually just made this today during a zine making workshop i did for @wix’s design playground. it was a fully analog exercise (except for one or two designers who cheated but ok i know it’s hard to not use all our tools!!!) but i just did this little single panel version to share because i like it so much. anyway i had a great time thanks for having me etc.

event photos by @yotiroboti!

A post shared by Adam J. Kurtz (@adamjk) on Jun 18, 2018 at 7:49pm PDT

//www.instagram.com/embed.js

Meet Adam J. Kurtz, an artist and author whose work often goes viral—often without credit

Adam recently published a vlog about his experience of finding his work posted to a company’s social media channel, without his permission or credit. Adam’s first step was to contact the company directly first, asking for the post to be deleted. He received an apology, and was promised that it wouldn’t happen again, however it totally did happen again with the same company. So Adam decided the next step was to request a payment for a ‘retroactive social media license’ for the use of his work—he invoiced the company and was successfully paid. Adam’s vlog is a great explainer on how to share creative work properly online, whether for personal or work use:

youtube

When I first saw Adam’s video I was instantly struck by how well he addressed this new aspect of digital sharing. “I don’t think many of us can exist without sharing our work online”, Adam told me by email, when I asked him about being a very shareable creative in the digital age. “Whether it’s a creative studio portfolio showcase, or individual creatives sharing new work, process, daily warm-ups, or other bits and pieces. It’s how we build our brands, find new fans, and get more clients. This is how the business mostly works now. It can be scary enough to share your work with an audience when you’re worried they might not like it,” Adam explained.

Adam makes a living from his creative work—he’s designed products for the likes of Fish’s Eddy, Urban Outfitters, Tattly, and some of his other clients are Adobe, Instagram, The New York Times, Penguin Random House, Pepsi. Adam’s products, his writing and graphics tap into universal themes that resonate deeply (and are super fun)—it’s understandable that many people connect with what he does and that his work often goes viral.

View this post on Instagram

the bitch (ur undeniable responsibility for ur own actions) is back

A post shared by Adam J. Kurtz (@adamjk) on Dec 23, 2017 at 9:35am PST

//www.instagram.com/embed.js

While an artist can choose to share their work online to build their own following and establish a presence online—Adam for example has built a following of nearly 200,000 followers on his Instagram account—we need to be more aware of the best way to share designs when it’s created by someone else—whether it’s on our personal account, or when sharing something for a business.

What are the best practices when sharing creative work online?

View this post on Instagram

inspired by the response to my lil “f u pay me” vlog, here are some guidelines on how to repost my work. in general i’m rly chill and grateful about this but i’m not trying to directly help you sell your granola or meditation classes… when a company wants to use my art for business purposes they can hire me or license something. and of course use your best judgement! . if you’re coming to my instagram or anyone else’s and thinking it’s just a stock image service, you’re mistaken. if you’re enjoying something or feeling encouraged, that’s totally awesome (and the point) and i’m so glad. this post is really more geared towards stopping companies from posting for their own profit, under the guise of “friendly reposts” that undervalue creative work made by real human people. . and if you wanna hear me talk about this for 13 minutes head to YOUTUBE.COM/ADAMJK

i kinda just went in on how our creative work has value and how it’s up to all of us to educate others, especially if we work for a company with a social media team.

the response has honestly got me inspired to talk more and put more videos up. . p.s. i’m not here to publicly shame anyone! that’s not usually the best way to get things done. but if you wanna repost these guidelines or privately share this post with an account you see doing this stuff often, that’d be cool. remember that kindness is often more powerful than anger, especially when trying to educate someone!

A post shared by Adam J. Kurtz (@adamjk) on Jun 18, 2018 at 4:44am PDT

//www.instagram.com/embed.js

Of course if you find something funny or touching, you want to share it with your followers—and there are soooooo many social sharing buttons which make this super easy. But this also makes it easy to accidentally or otherwise cut off the original creator’s handle. When people repost artist’s work to a personal network, this is no doubt a very beneficial action for artists, but you still want to just check quickly that you’ve credited the work properly.

Adam’s tip: When sharing to your personal account, tag the creator in both the image and caption, don’t alter the image, or edit out the creator’s handle or watermark.

Here are some best practises based on Adam’s suggestions, that we encourage everyone (whether for personal or biz use) to consider when sharing creative work—that could be a cartoon, illustration, quote, photo or other image. It’s super helpful advice that can generally be applied to all creative work:

Check that the artist’s credit is not buried under a long comment and paragraph of hashtags. Be mindful of tagging the artist in the first couple of lines underneath the post.

Feature the artist: Is the work being shared because it’s going viral and you want to get in on that, or to showcase the artist? In Adam’s case, he is only ok with brands sharing his work if the point is to showcase the work itself.

Communicate: Brands should not share work without a credit or if the image has been altered. A partnership should not be implied, and the post shouldn’t advertise a sale or promotion if there isn’t one. If you want to set up a partnership with a designer based off an example of their work you like, reach out!

Some of this is common sense, but it’s always good to remind ourselves that there are living, breathing humans behind these designs whose livelihood depends on being properly credited for their work. Why do they post it online if they don’t want us to share it, you ask? Good question! The point is, artists are quite happy for you to share their work—the right way, and with a proper credit. And if you’re a brand using someone’s creative work to build your following online, there should be compensation involved for the artist.

View this post on Instagram

checklist for getting over common fears — read the book for the actual advice broken down!

. i’m donating 100% of my pride month royalties for @thingsarewhatyoumakeofthem to the @teganandsarafoundation to help them support economic justice, health, and representation for LGBTQ girls and women. . you might remember we raised $7,500 for this great organization with the book preorder campaign last year, but I’m hoping this is a continued opportunity to use my art for good in the same way that @teganandsara continue to use theirs, leading by example for so many of us. . i earn $1.05 per book sold (in bookstores, on amazon, at my 6/13 @strandbookstore event, etc) so we’ll see how much it ends up being! if you haven’t got a copy yet this might be a perfect excuse to help yourself and others. . more details at thingsarewhatyoumakeofthem.com/pride. #thingsare #pride

A post shared by Adam J. Kurtz (@adamjk) on Jun 5, 2018 at 12:47pm PDT

//www.instagram.com/embed.js

I don’t want to scare you from sharing your favourite artist’s work, just be careful about how you share it. Creative people are tired of being told that the ‘exposure’ will be great—if it’s for personal use, a credit can go a long way to bringing new fans (and possible buyers) to a designer’s website. If you’re a brand, unless you’re showcasing the artist’s work only, there’s a responsibility to pay the artist for using their creative work—bills can’t be paid with exposure.

Tips for creators: what to do when you find your work shared without credit

Adam also pointed out to me that the risk for artists these days is not only if the work will be received well, but if it might take on a life of its own without any connection back to the artist, spiralling off into the digital sphere across the umpteen platforms we’re all constantly updating, streaming and scrolling through.

“Now you have to be kind of worried that they will [like it], and might help themselves to it for any number of reasons,” Adam explained. “My perspective is kind of the same for both—make your work and share it. If people don’t like it, they keep on scrolling. If one bad apple out there does repost or otherwise use your work unfairly, you can deal with it then.”

For designers who might be hesitant about sharing their work online, Adam feels that the positive results outweigh the possible risk. “If you don’t share, nobody can ever see anything,” he says. “That is worse than any other negative outcomes. We can’t worry about what we can’t control, so try to let go of those concerns until they become relevant. That’s just good life advice in general, really.”

View this post on Instagram

sometimes laughter is the best medicine… sometimes it’s mood stabilizers! this pin is for anyone working towards balance. about to be sold out for good, i’ve got 20 left.

A post shared by Adam J. Kurtz (@adamjk) on May 19, 2018 at 9:17am PDT

//www.instagram.com/embed.js

If you’re a designer and you find that someone has posted your work without permission or without a credit, here are some tips for creatives that Adam shared with me.

Ask accounts to update their caption: Adam says, “It sucks when it’s already been up for a while, so there’s not the same benefit of having your work seen and a possible influx of followers. But I have a keyboard “text replacement” shortcut on my phone now. With a few taps I can easily paste a little comment that basically says, “Hi thanks for sharing my work but please credit me in the caption so your followers can find my art and books.” It’s not written aggressively, and since I started doing it, most people have responded positively.

Send a private email or direct message first: “There are plenty of people tweeting at big brands and seeing no retweets, no comments, and no response from the brand. So my approach is typically to be direct and discreet first. I DM the brand, email a listed address, or something like that. It keeps people from being on the defensive. And while I can’t really spend the time to educate everybody, it can make a difference later.”

Adam also told us how a proper credit can go a long way for an artist, if their work is featured and shared with a big audience:

When ‘exposure’ is maybe okay but probably not legal: Adam says, “I’ve had one or two popular Instagram accounts […] share my work properly, with clear credit, to audiences of several million. That’s the kind of reposting that we’d all like, where a huge audience gets exposed to our work, and maybe 100+ new followers find us as a result. Reposting content might be questionably legal in the first place, but in the case of those big meme accounts, you can get your ‘payment’ in the form of that proper crediting.”

At the end of the day, if you’re a creative person who’s producing artwork, you should get to decide how that art is used.

Remember, it’s your work—decide how you want your work to be shared: Adam says, “When it’s a company, you are in charge. You might not want a certain business using your art to promote their stuff. You can ask them to delete it, and if they really keep ignoring you, you actually can file a copyright claim through Instagram support. Your work has a value and if a brand hasn’t asked or paid for it first, then you can decide how to respond. It’s your work.”

So, what’s the best way to share my next favourite relatable #content?

In an ideal world everyone would stop and think, “Where did this come from?” before sharing the next pug cartoon or cute illustration which is going viral. When posting to your personal social media channels, make sure you credit the original artist properly with a visible tag, and if an artist has added their name at the bottom of an artwork, don’t cut it off if you’re using a tool which resizes an image (the work should really not be edited at all).

What to do if you’re not sure where an illustration came from? Try to trace it back from where you found it, or use Google reverse image search.

If you’re working for a brand and want to share original work to showcase an artist’s work, at least seek permission first with an explanation as to why you want to make the post, and make sure to add a link to their handle at the top of the description. If the post is being used to promote a business or build brand awareness, contact the artist first to discuss compensation—or commission something especially for you!

Finally, if you notice someone sharing original work without an artist credit, give them a polite heads up and encourage them to repost it with a correction. The artist will love you for it.

Want something created especially for you?

Work directly with a designer to make it happen.

Let’s do it!

The post How to share creative work fairly in the digital age appeared first on 99designs.

via https://99designs.co.uk/blog/

0 notes

pamelahetrick · 6 years

Text

How to share creative work fairly in the digital age

View this post on Instagram

this is actually sorta the opposite of that old one i posted last week oops

event photos by @yotiroboti!

A post shared by Adam J. Kurtz (@adamjk) on Jun 18, 2018 at 7:49pm PDT

Meet Adam J. Kurtz, an artist and author whose work often goes viral—often without credit

View this post on Instagram

the bitch (ur undeniable responsibility for ur own actions) is back

A post shared by Adam J. Kurtz (@adamjk) on Dec 23, 2017 at 9:35am PST

What are the best practices when sharing creative work online?

View this post on Instagram

i kinda just went in on how our creative work has value and how it’s up to all of us to educate others, especially if we work for a company with a social media team.

A post shared by Adam J. Kurtz (@adamjk) on Jun 18, 2018 at 4:44am PDT

Adam’s tip: When sharing to your personal account, tag the creator in both the image and caption, don’t alter the image, or edit out the creator’s handle or watermark.

Check that the artist’s credit is not buried under a long comment and paragraph of hashtags. Be mindful of tagging the artist in the first couple of lines underneath the post.

View this post on Instagram

checklist for getting over common fears — read the book for the actual advice broken down!

A post shared by Adam J. Kurtz (@adamjk) on Jun 5, 2018 at 12:47pm PDT

Tips for creators: what to do when you find your work shared without credit

View this post on Instagram

sometimes laughter is the best medicine… sometimes it’s mood stabilizers! this pin is for anyone working towards balance. about to be sold out for good, i’ve got 20 left.

A post shared by Adam J. Kurtz (@adamjk) on May 19, 2018 at 9:17am PDT

If you’re a designer and you find that someone has posted your work without permission or without a credit, here are some tips for creatives that Adam shared with me.

Adam also told us how a proper credit can go a long way for an artist, if their work is featured and shared with a big audience:

At the end of the day, if you’re a creative person who’s producing artwork, you should get to decide how that art is used.

So, what’s the best way to share my next favourite relatable #content?

What to do if you’re not sure where an illustration came from? Try to trace it back from where you found it, or use Google reverse image search.

Finally, if you notice someone sharing original work without an artist credit, give them a polite heads up and encourage them to repost it with a correction. The artist will love you for it.

Want something created especially for you?

Work directly with a designer to make it happen.

Let's do it!

The post How to share creative work fairly in the digital age appeared first on 99designs.

via 99designs https://99designs.co.uk/blog/marketing-advertising-en-gb/sharing-creative-work-fairly/

0 notes

catherinesnyder · 6 years

Text

How to share creative work fairly in the digital age

View this post on Instagram

this is actually sorta the opposite of that old one i posted last week oops

event photos by @yotiroboti!

A post shared by Adam J. Kurtz (@adamjk) on Jun 18, 2018 at 7:49pm PDT

//www.instagram.com/embed.js

Meet Adam J. Kurtz, an artist and author whose work often goes viral—often without credit

youtube

View this post on Instagram

the bitch (ur undeniable responsibility for ur own actions) is back

A post shared by Adam J. Kurtz (@adamjk) on Dec 23, 2017 at 9:35am PST

//www.instagram.com/embed.js

What are the best practices when sharing creative work online?

View this post on Instagram

i kinda just went in on how our creative work has value and how it’s up to all of us to educate others, especially if we work for a company with a social media team.

A post shared by Adam J. Kurtz (@adamjk) on Jun 18, 2018 at 4:44am PDT

//www.instagram.com/embed.js

Adam’s tip: When sharing to your personal account, tag the creator in both the image and caption, don’t alter the image, or edit out the creator’s handle or watermark.

Check that the artist’s credit is not buried under a long comment and paragraph of hashtags. Be mindful of tagging the artist in the first couple of lines underneath the post.

View this post on Instagram

checklist for getting over common fears — read the book for the actual advice broken down!

A post shared by Adam J. Kurtz (@adamjk) on Jun 5, 2018 at 12:47pm PDT

//www.instagram.com/embed.js

Tips for creators: what to do when you find your work shared without credit

View this post on Instagram

sometimes laughter is the best medicine… sometimes it’s mood stabilizers! this pin is for anyone working towards balance. about to be sold out for good, i’ve got 20 left.

A post shared by Adam J. Kurtz (@adamjk) on May 19, 2018 at 9:17am PDT

//www.instagram.com/embed.js

If you’re a designer and you find that someone has posted your work without permission or without a credit, here are some tips for creatives that Adam shared with me.

Adam also told us how a proper credit can go a long way for an artist, if their work is featured and shared with a big audience:

At the end of the day, if you’re a creative person who’s producing artwork, you should get to decide how that art is used.

So, what’s the best way to share my next favourite relatable #content?

What to do if you’re not sure where an illustration came from? Try to trace it back from where you found it, or use Google reverse image search.

Finally, if you notice someone sharing original work without an artist credit, give them a polite heads up and encourage them to repost it with a correction. The artist will love you for it.

Want something created especially for you?

Work directly with a designer to make it happen.

Let’s do it!

The post How to share creative work fairly in the digital age appeared first on 99designs.

via https://99designs.co.uk/blog/

How to share creative work fairly in the digital age syndicated from https://www.lilpackaging.com/

0 notes