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pa-xy · 4 years

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Crystal Caves

One thing that bothers me about the cave systems of minecraft is that there don’t seem to be any unique biomes. Obviously, having completely different biomes underground to the ones on the surface would kinda mess up generation and whatnot, so Crystal Caves would probably be more like a large-ish structure.

A Crystal Cave, (or CC for the sake of me not having to type that), are roughly chunk-sized hollow caves, with walls composed of Crystal Block and Glow Crystal Block and contain around 5 neutral ‘’Anenome’’ mobs (which I will cover in a moment). CCs spawn with around 3x the rate of mushroom islands (as in, you are 3x more likely to find a CC than a mushroom island), and at a y level of ~20-30.

the structure of a CC (yes, made in mspaint lol)

ANEMONES

Anemones are neutral (will not attack you unless you are holding a tool or weapon) and completely static, similar to a shulker. They have a body the size of a slab block, covered in swaying spines, and a small rotating head in the middle of their body.

Anemones can be picked up using a tool with silk touch, and cannot be stacked. However, if the player is within detection distance of an anemone, and is holding any item that causes more damage than a fist, they will proceed to anger, and shoot large crystal splinters at the player. These shards move at the speed of a firework, can move in any straight direction from the anemone and deal about 4 hearts of damage to a player not wearing armour. The anemone needs about 5 seconds between firing, but are often found clustered together, so can deal a lot of damage very quickly.

Items that cause the creature to anger include: swords, pickaxes, axes, shovels, bows and tridents.

Anemones will also target hostile mobs such as skeletons and zombies, making them extremely useful for protecting bases or making mobs farm, at the cost of them being extremely rare. They will also drop 2-3 Crystal or Glow Crystal blocks when mined or killed. Anemones will not attack endermen.

rough sketch of anemone

CRYSTAL AND GLOW CRYSTAL BLOCKS

The walls of a CC are made up entirely of two blocks, and will delete any blocks they spawn on top of, or around. Crystal Block is a deep purple coloured block, and can be crafted into slabs, stairs and walls, similar to purpur or prismarine. Crystal blocks do not have any purpose other than aesthetic value, but make up for it by looking very nice.

Glow Crystal Block is a block very similar to its non-glowing counterpart, aside from the fact it only spawns a fourth of the time as often as Crystal Block in the walls of a CC, and of course, it glows. Glow Crystal has a light level of strength 9, a little brighter than a redstone torch. In direct parallel to redstone ore, glow crystal will stop emitting light when stepped on by a player or mob, making it useful in mob farms, or even as a dance floor!

Neither crystal blocks require silk touch, unlike the mobs that spawn attached to them. There are about 2 stacks of Crystal Blocks, and half a stack of Glow Crystal Blocks in each CC, making them a quite an invaluable resource.

SHOULD THEY BE ADDED?

The prospect of a cave update anytime in 2019/20 does not seem likely, considering Mojang has been working so hard on the Nether/Bee/Mountain updates, but that doesn’t mean it isn’t well justified. The last noticeable change made to the mc underground was probably the flooded cave/ravines back in the Aquatic Update, which only really felt like a modification of a pre-existing feature anyway. The caves of minecraft desperately need some upgrading, and CCs are the contribution I would like to add, in order to give the first prefix in ‘’Minecraft’’ a little more depth!

Thank you for reading! Reblog/post if you think it’s a good idea, and leave your criticisms/contributions below if you have any.

#minecraft #mineblr #cave update

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wumblr · 5 years

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how to mash up

this is for full-track beatmatching, or changing the length of a whole song to match another. there are absolutely other techniques to make mashups, and automated processes, but this is the old fashioned way, kind of like stretching out two tape reels until they’re exactly the same length. (or, until the measures are the same length, or until the “beats match,” if for instance the songs have a different verse/chorus structure.)

what you need:

files of each song

key and bpm of each song (ideally)

audacity (it’s free)

strength of will to calculate a percentage and/or be wrong

let’s say you have two songs, one that is 139bpm and GMajor, and one that is 170bpm and Eminor. let’s gloss over the fact that Em is a sympathetic minor to GM, so we don’t have to change the pitch, and let’s not worry too much about music theory, or how to immediately know that, because in most cases you can just change the pitch of one track by +1 or -1 until you find a good match.

drop the tracks into audacity. you can do this in any order you want, but make sure you apply transformations to the correct track. the most important thing you need to know about audacity is these little fuckers!!

the cursor icon selects portions of a track. the two arrows move tracks around. i don’t know what the others do and honestly fuck them, but if you don’t make sure have the right type of “select” selected, you’re going to struggle. for most of this tutorial you will need the double arrow, because we’re moving tracks around to match the beats, but if you want to select a portion to cut and paste (see end) you will need the cursor.

for most of this tutorial, you want to have only one track selected, but the entire track. to do this, click the empty area below the volume/pan sliders on the left.

you need to either speed up the slower track, or slow down the faster track. i think you can use the same number for both but i might be wrong about that because i usually have to do a lot of fine tuning. this could also be because key/bpm sites are not always accurate. you can always try tapping out the tempo with a tap metronome, but i usually just proceed with guesswork.

let’s slow down the faster track. i just google “139 is what percent of 170″ (smaller tempo is what percent of bigger tempo), and i use geteasysolution because it provides enough decimal points (we need 3). the answer we’re looking for is 81.764. subtract that from 100. 100 - 81.764 = 18.236. that’s all the math, i promise.

select the faster track (if you don’t select a track, audacity will transform all tracks, so be careful), and select effects > change tempo. (don’t select “change speed” because that will change the pitch as well, which you could do, but it’s much harder.) enter the number we calculated above, and because we’re slowing down the faster track, make it a negative number:

if you wanted to speed up the slower track instead, use the same number, but as a positive value. (i could be wrong about this, and maybe you should calculate the percentage differently depending on which transformation you want to make, but really any number that’s close enough is good enough.) you can can change either track, or a little bit of both (cut the number in half, speed up the slower track by the positive half-number, and slow down the faster track by the negative half-number). however, some songs are occasionally just too gosh darn different to mash up without degrading the audio quality. sometimes you have to double or halve one of the tempos before you start calculating the percentage. (i.e. for 80 & 180, you might want to calculate “80 is what percent of 90,″ depending on how you want the measures to match.)

at this point you probably need to zoom in at the very beginning and match the first downbeat, unless you’re very lucky and they happen to occur at the same point in each file. the first downbeat might not be the first spike in the waveform, so you might need to mute each track, and look at and listen to each individually, until you can tell which spots need to vertically align. i’ve added red lines (in mspaint, audacity doesn’t have red lines) surrounding the alignments we’re looking for:

they are not always obvious and it’s easy to lose hours doing this. these are the first beats of each measure and (because both songs are in 4/4 time signature, which most but not all songs are), you could count them to ensure there are 4 beats per measure in each track and they’re matching up correctly, but i usually just sort of go by feel more than by precisely counting beats.

if they’re a little bit out of alignment, you need to figure out which one’s faster and slower, and make small adjustments. it’s easy to hear and see, over the course of a four minute song, a difference of as little as 0.01%, but it’s not always easy to make the correct adjustments. sometimes i change a song, in tiny increments, by as much as 2% or something, in addition to the original number calculated. i know i said there wasn’t any more math because this is, uh, applied, audio engineering?

there are any number of ways you can match the beats, and none are necessarily more correct than any other, but you might want to zoom out and look for the biggest spikes and drops in the waveform and try to match those. these usually correspond to verse/chorus transitions, and not all songs have verses and choruses that are the same length, but more often than not, if you get the tempo right, it sort of falls into place, even if the larger structure is made of different shapes.

let’s assume for the purpose of this tutorial you’ve picked two songs that have the same verse/chorus structure, that are the same time signature, that don’t have any tempo or key changes -- although you can work around all of these things using the same basic tools (cut and paste, change pitch, change tempo)

i’m really sorry if these verse/chorus transitions aren’t immediately obvious, but it gets easier after you make like 150 of them, i promise. you can go back and listen to this mashup to compare if you like, and you can even probably form a reasonable argument that i’ve put them in the wrong place, and the mashup would be better if i rearranged them. you might be right. you might also notice there’s 30 seconds of silence at the end of the bottom track. the actual mashup has a third track (tracks > add new > stereo track), where i copied & pasted the first 30 seconds of the shorter track to fill the gap:

because the 21 pilots track just sort of cuts off at the end, i was able to pretty easily just cut it off at the end of the measure, but for other songs you might need to add a fade out (also available in the effects menu).

you probably want to get the tempo transformations finished before you start doing any cutting or pasting, because if you have tracks split up into multiple pieces, or if you try to apply transformations to multiple tracks, they may not maintain the alignment you had before you applied a multiple transformation. audacity works best if you keep the track whole; if you want to split it up into 64 pieces for each 2 bars and apply transformations after dropping markers, use a different program. audacity’s split track (cursor-type select + ctrl + i) does not work like markers. ableton would be great for that kind of control, and you can get a free 30 day trial, or if you’re willing to fork over $99 you can get the basic version (i did, but i don’t use ableton for mashups).

in order to match pitch (and really most of the time you should do this first, but the example in this tutorial was an example that already matched pitch), it can get complicated quickly but basically the rule is, if both songs are in major, or both or in minor, the letter needs to match. (i.e. for GMajor and CMajor, you need to change them to be the same letter. you can raise G +5 semitones or half-steps (the unit audacity uses in effects > change pitch) to match C, or you can lower it -7 semitones. you can raise C +7 semitones to match G, or you can lower C -5 semitones to match G. this is actually a bad example because that might be too large a transformation to avoid audio distortion, and if the two songs were that far apart i might split the difference.

if one song is in minor and one song is in major, you need to make the major one’s letter be two later than the minor one. in the example here, Eminor is two earlier (in the alphabet) than Gmajor. Aminor is two earlier than Cmajor. Emajor is two later than... surprise. C sharp (#) minor. good luck! learn the circle of fifths lol. (again, close enough is good enough to start fine tuning -- if your pitch is 1 semitone off it will sound obviously wrong, and you can try some +1 or -1 guesses until you find something that sounds right.)

audacity exports to .wav -- i use an online mp3 converter but you can also download an... encoder library...? to make audacity capable of exporting to mp3

audacity also might be how some of the (bass boosted) or (playing from another room) remixes are made. i also have an entire blog dedicated to simply slowing songs down, which never caught on, but i did all of them in audacity too

#audio #mashup #remix #tutorial #how to #audacity #beatmatching #does anybody in this thread use tags?

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littlehollyleaf · 5 years

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GOTHAM S05E04 “Ruin”

okay listen I know other stuff happened in this episode and it was even stuff I enjoyed and was interested in (like - WTF jeremiah??!) but I don’t have time to talk about any of that when there is SO.MUCH.FOXMA.AWESOMENESS to squee over (and you can’t say I didn’t warn you)

fyi - I’ve incorporated MULTIPLE VISUAL AIDS to assist in my flail!

let’s start by going through my FOXMA WISHLIST because there is WAY MORE to check off it that I thought possible in one hit!

Touching - bonus points if it’s beyond practical, like Foxy resting a hand on Eddie’s arm to offer comfort or Eddie gripping Foxy to emotionally steady himself

they flunked on the bonus points but still, FUCKING CHECK!

and you know what? I’m awarding A WHOLE SET OF DIFFERENT BONUS POINTS for Luscious Lucius Fucking ‘down boy I’m in charge’ Fox fucking MANHANDLING ED LIKE IT’S NOTHING because it’s EVERYTHING I NEVER KNEW I NEEDED IN MY LIFE and didn’t even think to put on the list omgomg!

like... I’ve seen a TON of fic and fanart with Foxy being physically dominant with Ed and I do think it makes all the sense characterisation-wise, but for some reason I’d never properly envisioned/embraced it as part of their ship/dynamic (perhaps because in my one and only fic I had Eddie being more dominating when it came to physical stuff due to various contextual reasons... or maybe because we’ve never actually seen Foxy get physical with anyone in canon before, aside from wacking Alvarez with that chair that time, after which he looked frazzled as opposed to the glorious calm and in control he is here so it didn’t really convey his ability to be so.... UNF. while physically taking charge... idk)

(god I could watch this gif all day honestly....)

(it’s the way Foxy doesn’t hesitate, he’s just - BAM! I’m in control now)

(and juxtapositioned with Eddie’s epic flailing so they are just so perfectly, beautifully opposed)

(then the way Eddie, on seeing it’s Foxy, JUST.FUCKING.TAKES.IT, his fear and flailing dropping all at once as he submits and just holds himself all still and expectant under the hold, clearly THRILLED it’s Foxy who’s found him)

(and Foxy is only using his GODDAMN FINGERTIPS FOR FUCKS SAKE, so firm and commanding with so little effort I just - *fans self*)

(shit we’re only on point one and I’ve spent forever - strap in everyone!)

Speaking in tandem - ie. figuring out the same thing simultaneously and excitedly shouting out the answer together

Actually the talking in tandem one is really important to me so I’m adding it again

Okay the talking in tandem doesn’t have to be them figuring out the same thing, it could just be them reacting the same way to something and discovering they are like-minded

FUCKING CHECK!! The one thing I WANTED THE MOST, SO MUCH I PUT IT ON MY LIST THREE WHOLE TIMES. FUCKING CHECK??! ALREADY??!

Lucius: Unless whatever ignited those heated oil tanks - Together: - smashed through that window

(guys pls though look at the above travesty, I only have MSPaint, for the love of god someone gif this??)

I really can’t... there aren’t words for how ecstatic I am about this!

I was watching with my good friend @enchantersnight, who will attest that I squealed and grabbed her in excitement (which she took with good grace considering she didn’t even know about The List, so must have thought I was just being a mad woman for no reason :p)

And the way they both wave their hand at the window together. And Foxy’s little satisfied nod because he’s not thinking of Ed as a criminal in that moment, all he’s thinking is ‘fuck yeah we just cracked it.’ And they both turn their heads all synchronised because they are so perfectly on the same wavelength, so completely lost in solving the mystery, the parts of themselves that match are so beautifully ALIGNED!

Showing how they are similar people in many ways - check and check!

Foxy telling Ed he is a genius and pleading with him to use his intellect for the greater good

K, we’re not all the way there, but HALF A CHECK, because -

Plus he explicitly said he needed Ed’s ‘expertise.’ All of which amounts to acknowledging (and appreciating!) Ed’s genius, so -! *hearts eyes*

(this set covers it perfectly XD)

...and there is still time for Foxy to plead with Ed to use his genius for good *crosses fingers*

Eddie calling Foxy ‘Lucius’ just the once as part of a serious, emotionally charged moment

Not really what I was going for (I was thinking more Ed yelling his name out of fear for Foxy, or as a desperate plea for Foxy to help him), but A+ for effort for Eddie’s wild yell for ‘Lucius’ here -

Because I love the fact that Eddie was so caught up in working the case at this point that he wanted to keep helping even without personal incentive :)

(aside: Eddie you bad bad bad man killing that innocent old lady though, that was really NOT NECESSARY, pls! ...but it was also somewhat hilarious, in a black comedy kind of way :p

see - THAT’S the level of villainy/immorality I’m happy for Eddie to exist in, killing/torturing/maiming individuals, even innocent ones, yes, cool, because Eddie IS NOT A GOOD PERSON... but... not killing hundreds of innocents, including CHILDREN, in one hit, that’s... that’s a different kind of villainy, you know?)

One/either thinking the other is dead and being relieved to learn they are alive

Again, not quite. But Foxy does comment in the filing room that he thought Ed was dead. No, he doesn’t show any kind of relief that Eddie ISN’T, but since it’s now canon that Foxy somehow learnt of Ed’s supposed demise this opens up avenues for plenty of headcanons :)

Because - WHEN did Foxy hear that Ed was dead? and HOW? and even WHY? Was he ACTIVELY LOOKING for news on Ed because he personally WANTED TO KNOW? Did it MATTER to Foxy if Ed was alive or dead? Did he feel a pang of sorrow/regret on hearing the news at the fate of a man he saw potential in to be better and wished that somehow Ed’s life could have been different?

(look, Occam’s Razor suggests Jim was probably looking for news on Lee and heard back that both she and Eddie died in the Narrows and THAT’S how Foxy heard about Ed’s death, but SSSSHHHH - I’m gonna imagine Foxy was making quiet enquiries for himself and no-one can stop me!)

PHEW!

We made it to the end of the points on my Wishlist that got fulfilled.

KUDOS SHOW

Now - let’s talk about THE OTHER STUFF that was amazing!

Like -

Lucius RELEASING ED and HOLDING HIM IN PLACE JUST BY POINTING A FINGER AT HIM LIKE FUUUUCK!

And again there’s no fucking hesitation. The SHEER CONFIDENCE Foxy has that he CAN AND WILL exert this much power over Ed just. Wow. Just wow.

...there’s something interesting to make of this maybe actually...because Foxy...wasn’t this...commanding, with Ed before. No he was never intimidated, but during the whole riddle crime spree and the confrontation with Harvey on the stairwell Foxy was... nervous around Ed? Like Ed was a live wire or dangerous animal, someone Foxy found a little UNPREDICTABLE and thus was less firm and more pleading with? But NOW...

okay, the stakes are different here ofc - before there were lives on the line and Foxy’s interaction with Ed was the one thing that could save them, so that pressure would have made him hesitant to try and take control...

yeah, that’s it isn’t it - Ed needs a viable threat in order to exert power/control over Foxy (and anyone really)

but without that threat the balance of power absolutely lies with Foxy (so obviously here, with Eddie unarmed and in such a state of disarray! but was also true in that scene with them at the GCPD lab when Eddie was investigating the Red Hood Gang)

Then also EDDIE’S.FUCKING.SMILE!!

Anyone else displaying this much power over him, exposing his vulnerability, his ‘inadequacies’ (so Eddie might see it), would surely make Eddie furious, scared even perhaps - he might rail against them, scowl, try to fight or run.

But here with Foxy he just FUCKING SMILES. He is so GODDAMN HAPPY to have been caught by FOXY. He doesn’t try to fight or escape because HE WANTS TO HAVE A MOMENT WITH FOXY, he WANTS TO BANTER. Because, dare I say, he LIKES BEING IN FOXY’S POWER??

Likewise when Foxy busts out the blackmail THIS is Eddie’s reaction

THIS -

Just look at him he’s FUCKING DELIGHTED that Foxy has been smart enough to immediately suss out Ed’s desire for the file is something he can exploit.

And then the way he kinda gleefully tries to figure out what Foxy could possibly want from him - I ADORE IT.

Because it’s become a GAME to Eddie now ofc - he and Foxy playing off each other.

And it’s a delicious blend of Foxy being all controlling and also flippant in the way he talks to Ed, thus him gently leading Ed into taking it this way, and also Eddie’s clear respect and personal interest in Foxy making him inclined to put a positive spin on the situation, to find it enjoyable. And like... it doesn’t feel esp planned or manipulative on Foxy’s part? Their reactions to each other just feel... genuine? Obviously Foxy IS trying to convince Ed to help him but... the way he speaks to him and looks at him... it just feels like Foxy being NATURAL with Ed to me? Like, he’s not spending all the time carefully choosing his words and behaviour, calculating what he needs to do to win Ed over, he’s just... going with the flow? Reacting to Ed... in the way he WANTS to, and Ed is doing the same?

Sure they’ve both got end goals they want to achieve, but during their banter those almost seem secondary, just for moment, to the mutual enjoyment they are getting from their interaction?

And yes, mutual - look at this and tell me Foxy isn’t having fun as well!

Other great things about this scene -

Eddie calling Foxy ‘the second smartest man in Gotham’ <3 <3 Absolute proof he respects Foxy’s intellect :D

Eddie trying to surprise grab the file from Foxy’s hands. Because LOL. Foxy’s dry ‘...why?’ and shake of his head at Eddie’s childish antics totally makes it! Plus the way Eddie makes one last half-hearted grab before his eventual ‘fine.’

@vampirebillionaire pointed out it’s kinda crazy Eddie was able to physically capture a Street Demon thug, but can’t muster enough strength to yank a file from a scientist :p

I like your suggestion, Daisy, that this adds to the ‘mind controlled Eddie’ theory - ie. when Eddie is under the influence he becomes more physically capable perhaps.

May I also suggest another possibility - that the file grab was just for show? Because Eddie desperately WANTS to team up with Foxy for a bit. But he has to convince himself it is absolutely his ONLY OPTION in order to do so? Because Eddie is a confused and repressed and psychologically mixed up prawn and can’t accept just wanting to work with Foxy just because. Plus a blackmail scenario/game has already been established. So to Eddie’s mind the only way that makes sense for him to work with Foxy in this moment is for Foxy’s blackmail to hold up. Meaning before Eddie can agree he has to establish that he CANNOT get the file by other means? Hence all the huffing and puffing and extra lunge at the end - it’s all him adding to the pretence?

...idk it’s prob too involved for what the show was actually going for, but it crossed my mind :p Felt like ‘Riddler logic’ you know? And involves a bit of theatrics, and Eddie lying to himself...

Anyway, the other PHENOMENAL THING about this scene -

I am given and I am taken,

I was there from your first breath

and I will follow you until your death

You know, that riddle for ‘name’ that clever fandom people cleverly extracted from the voice over line in that dramatic pre-S05 promo? (’I will follow you until your death’) The one that lots of us were taken by because of the vague, possible nygmobblepot associations? (and some of us, ahem, one of us, even used to title a fic), but that was also suspected to be a possible exchange between Ed and a hallucinatory version of himself - maybe being about how the name and/or persona of ‘Riddler’ has been with Ed all along and will be part of him until he dies.

WELL TURNS OUT EDDIE SAYS THAT RIDDLE TO FOXY CAN YOU BELIEVE??

I mean, look, I know it’s just a riddle for plot purposes. But that doesn’t change the fact that Eddie, CANONICALLY, stands there, INCHES from Foxy -

STARING DEEPLY INTO HIS EYES, voice slightly whispery and husky

and he tells him

I WILL FOLLOW YOU UNTIL YOUR DEATH

I Just -

And they fucking end liKE THIS GUYS -

Literally POINTING AT FOXY LIKE HE’S MAKING A PROMISE?? (and oh shit I just thought is he pointing at Foxy’s HEART?? ...also does this technically fit my bonus point for touching? hotdamn)

And look at Foxy’s smile! Yeah it’s mocking but... maybe in a FOND way??

All - ‘name, the answer’s ‘name’ Ed, but you had to make a song and dance out of it didn’t you, you dork?’

*dreamy sigh*

Other stuff -

Eddie investigating the crime scene and working it all out was some GENUINE PI RIDDLER SHIT right there *swoon*

I love the way Foxy just steps back and lets Ed get on with it. I flail over Eddie showing his respect for Foxy, but there was real respect in Foxy for Ed here, which was beautiful <3

On the rooftop - *hearts* over Eddie genuinely praising Foxy for figuring out it was the exact spot of the shooting from angles etc, showing he CLEARLY rates Foxy’s intelligence very high :) Only for Foxy to admit that he worked it out because he noticed the weapon’s casing had been left behind :p (which - SLOPPY of blacked out Ed now I think about it?). That was both a fun gag, lightly highlighting how Eddie sometimes misses the obvious and reaches for the most complex option when a much simpler one is on hand (making his advice to Oswald way back when about how sometimes the simpler solution is best really just... lolz... take your own advice Eddie, pls), as well as, I think, maybe hinting that Eddie really may be SMARTER than Foxy on a purely intellectual level - because it was potentially suggesting that Foxy could ONLY tell it was the right place because of the weapon case and might not have been able, at least as fast, to have worked out the angles etc like Eddie did. Maybe...

Eddie telling Foxy in complete seriousness that he hopes Foxy finds the criminal and makes them pay - playing out just like I hoped in the tags over here after seeing the Eddie preview clip of the episode, yes win!

(#holly you're an idiot going to the gcpd is how ed is gonna team up with foxy it's an excellent plan!!! #...I bet that 'make them pay' line in the trailer fits here #ed is talking about helping foxy found the haven bomber and how they should make them pay #but ~plot twist Eddie - it was you!! #yus I like that #pls be true!)

aside: Foxy now has that weapon case and is going to see if it has clues as to the perpetrator - Eddie thinks it won’t but I wonder... while blacked out Eddie left himself a message... I wonder if it’s possible he may have left the weapon case on purpose in the HOPE that he will be found out? that someone will catch him and put a stop to him being mind controlled??

...in any case, this opens up the possibility of Foxy finding out the shooter was Ed and OMG I HAVE ~HOPES AND DREAMS ABOUT THAT

In my hopes and dreams Foxy simply DOES.NOT.BELIEVE that Eddie would/could have committed such a crime, at least not willingly. And especially since Ed literally helped him solve the crime and he saw and heard Ed be GENUINELY affected by the crime enough to want the criminal to pay - and yes, sure, Ed could have been playing him and faking that, getting a kick out of giving Foxy clues to his own crime, but Foxy just feels sure Ed was being honest on that rooftop, that he really didn’t seem to know he was responsible, and it convinces Foxy there is something much more sinister going on here...

*CROSSES FINGERS TIGHT*

(omg - we know Babs gets Eddie at some point... WHAT IF Foxy ends up trying to save Eddie from her??! UGH IT’S TOO GOOD TO BE TRUE IT’LL NEVER HAPPEN BUT WHAT A DREAM! Foxy could even go to Oswald maybe to get help saving Ed, maybe providing evidence that Ed is in fact innocent... and in doing so he frees Ozzie from any personal anguish he might be suffering due to believing that Eddie really did commit the crime perhaps? even less likely, but I’m gonna roll with it for now :p)

Right one last thing. I did also have on my wishlist a proviso of the ‘talking in tandem’ thing -

When they talk in tandem they have to finish smiling at each other

Obviously this didn’t happen (POINTS DEDUCTED!!).

But then, we did get THIS as their final moment so ALL IS FORGIVEN -

In conclusion

I am dead

Gotham?

(here’s hoping for the remainder of the Wishlist in their next episode together! :p)

#gotham spoilers #gotham: ruin #foxma #lucius fox #edward nygma #the riddler #guys it's 5am I've ~LITERALLY spent ~ALL NIGHT SQUEEING OVER THESE TWO #I am dead #I am a ghost #I am an idiot #I'm a dead idiot ghost #if it's not foxma related don't even speak to me right now :p

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