you got your heart in your hands / but your hands are in trouble
hawkeye pierce truly THE character of all time 💖 please enjoy this silly little tribute featuring largest muscle by cheekface, which i'm half convinced was written with him in mind
Holy crap I completely forgot I attempted to download the entire Unus Annus channel right before it got deleted. I just found an old hard drive in my desk I forgot I even had, and like - dude. I have no idea how many videos are on here but it HAS to be in the triple digits, including thumbnails. This is friggin' insane.
I am never not thinking about Renji giving people rides on Hihiou Zabimaru, but somehow I forgot about the time Rukia used a Hakuren to launch Kon into the air during the kemari episode.
Reader, she was not sorry.
Unfortunately he started to go out of bounds, so Tessai felt it necessary to shoot him down with a Bakudou #99, p2.
I cannot emphasize enough that this was for a game of kemari to resolve some vague beef Rurichiyo and Kenryuu were having, there were literally no stakes whatsoever to everyone else, who just showed up and chose violence.
i have been enabled to be autistic about emesis blue so i will now study the first scene that absolutely killed me and one of my personal favorites in regards to cinematography
(screen recording so you can watch it first)
are you ready? let's go!
the phone call ends and we are overwhelmed by an unnerving silence. a clock in the room amplifies the sense of dread. it's beat feeling almost like a heart, while also grounding the scene on real time
the static guides us as scout turns his head to look at something off screen. the shot positions him in a clear comparison with the pawn on the chess board, the only blue piece surrounded by unlit red ones on and off the board.
it is between the queen and king implying the lack of importance and agency he has. we can appreciate a triangular composition based on these pieces and scouts face, leading the eye of the viewer towards the aforementioned pawn. a couple of rocks help cementing the effect by filling in the negative space left in between scouts face and the pawn, while also adding to the idea that the blue figure being surrounded, as they stand parallel to the other red pieces
he sees something and we switch camera so we can see what he spotted. someone starts whitelisting hall of the mountain king
despite being able to see him, we are in an angle that alludes to scouts pov. the light cast by the lap burns his face making us ignore his features and guiding us directly to where his mother's face is peaking in front of the window, surrounding her by darkness.
as we keep hearing the song, it builds up tension like winding a jackbox, becoming uncanny as it suddenly cuts to come back again like a record player getting momentarily stuck.
scout watches as her head drops when an off screen figure drops it. when it hits the floor the whistling ends breaking the tension to then pan to the left side of the room where we see the shadow made by an intruder wielding a blunt object
the clock stops ticking
while we can see the figure standing on screen, on a first watch, our eyes will focus on the shadow as it is situated withing the only well lit area on screen, being also the place we are led to by the panning.
FINAL THOUGHTS:
this scene builds up tension in a way that misdirects the viewer to explore the uncomfortableness and terror of being frozen in place (fight/flight/freeze/fawn).
we know something is wrong and therefore, something is about to happen. so we expectantly wait, unable to do anything about it. then, as it is about to end, we are made aware that the danger we were waiting for, had been creeping up towards us, out of our sight while we were staring the opposite way.
this entire movie is incredibly crafted, but as a fan of cinema and a fan of horror, this scene is my favorite.
(thanks @hydepotions for giving me an excuse to be a little more autistic than usual)
recently, i’ve been thinking about what a 100% social link/confidant run is like from the perspective of the persona protagonists, rather than the player. i’ve always been a sucker for thinking about the type of narrative created by a person’s gameplay choices (it can be so fun and deep) so!! i wrote this analysis / musing.
some notes before we start: this was written with the lens of persona 3 being the most recent game i played- but the concepts are applicable to the p4/p5 protagonists as well! no spoilers for any of the games are mentioned; this is moreso a general discussion of ludonarrative dissonance with the game mechanics and narrative and how it makes for fun angst (ft. personal interpretation).
(more under the cut!)
the framework: game mechanics
in all of the games, the social link system’s existence coincides with the social stats mechanic. certain social links require a specific set of stats in order to initiate it, or surpass a certain rank. each game has around 20 of these- each of which represent the major arcana (+ some bonuses, e.g. aeon / jester / faith / councilor).
for any players going for a 100% social link run, this basically requires each social stat to be maxed out. anyone who’s followed a guide for a 100% run would know that the beginning of the game tends to be very “strict” with how time can be used, most of which involves getting the stats raised as soon as possible.
outside of characterization and worldbuilding, completing social links are incentivized for a variety of gameplay reasons. so how could this completionist play style affect the protagonists?
prioritizing social stats over everything else: a general view
regardless of which protagonist you want to put under a petri dish, with a 100% run, you’re essentially asking the protagonist to form amicable bonds with 20 or so people, give or take. granted, not everyone becomes adjoined to the hip to the protagonist.
personally, i feel that forming 20 different bonds over the course of a year would be rather strenuous. during these 100% runs, the protagonists may feel that they’re spreading themselves thin trying to dedicate their resources to multiple different people as well as raising their “social stats.” i find the implications that this has on said bonds is so, utterly fascinating.
while this isn’t reflected in the game and would be better represented within a fic, i find it difficult to believe that this type of behavior doesn’t have any ramifications on the quality of the protagonist’s closer relationships (or their self-image, for that matter).
just… imagine calling one of your close friends but then they consistently give responses along the lines of “lmao sorry i’m busy doing other things,” and they rarely make the time of day for you. how would you feel? gameplay-wise, this deterioration of the relationship is best represented in persona 3 with social links reversing if you haven’t spent time with them in awhile.
part of my fascination with this concept is influenced by my own experiences. trying to maintain so many relationships can be difficult to keep up with and it quickly gets overwhelming (see dunbar’s number for more information). jumping between so many people also makes it difficult to focus on a few relationships meaningfully- meaning that relationships may be limited to being simple pleasantries. even then, ‘successfully’ keeping every relationship satisfying comes at the cost of being unable to pursue your own development and interests.
overall, i think that trying to do so many things ends up lowering the quality of the relationship(s) involved, especially when you also consider the fatigue from going to school as well as fighting shadows.
playing the therapist friend / listening role: a general view
another aspect of the 100% run that i think about is how the protagonists rarely open up to other people. a good chunk of SLs follow a storyline of the protagonist acting as a therapist friend/helping the other person through one central issue. some SLs are an exception to this and have a more casual “we’re just hanging out vibe.”
basically, SLs tend to be weighted toward the other character’s growth, moreso than the protagonist’s (which is handled by the main story). that said, the idea of mostly playing a listening role across most of your relationships and not having many that you feel comfortable to speak freely about your own stuff… feels really unbalanced and unhealthy?
i do think that part of the lack of “input” can be attributed to the silent-protagonist approach taken in the games (which is a whole ‘nother topic). but!! i find that each protagonist’s options, while limited, are fun to think about! some of the traits and interpretations i’ve seen for the differing protags, to name a few, include:
being afraid to open up / get attached and keeping people at arm’s distance as a result
needing to be around other people, even if it’s just listening them, to distract from their own struggles / pretend nothing’s wrong with them
enjoying helping others, being a good and careful listener who can provide an appropriate and helpful response
the willingness to prioritize others over themselves; a lack of self-preservation
compulsive people pleasing
at its worst, the lack of “protagonist talking” or equal reciprocation in response could be misinterpreted by the other person as disinterest (like they’re talking to a wall). alternatively- the lack of “personal tidbits” could be taken as, “you don’t trust me enough to be able to open up, huh.” and i just think that seeing this in a fic would be the biggest shitshow ever (and i would read that).
concluding thoughts:
overall, i feel that the protagonists taking a predominantly listening approach to several relationships at once can lead to compassion fatigue and general burnout. the protagonists are rarely at the receiving end of being listened to and/or having their issues worked through… and that’s kind of sad?
while the 100% social link run can provide great power to any persona fusions (and other cool battle abilities + hijinks)... i ultimately think that there’d be a lot of mental strain that would make achieving this much more difficult when you take a narrative-emphasized approach.
i do realize that it is possible to see the general vibe of this post as “100% social link is bad,” but like… there’s something i find really appealing about the messiness of attempting to manage so many relations at once- only to fall short in several of them and attempting to salvage the last bits of their sanity. when you think about the complications of the 100% SL run from the shoes of the protagonist… yeah!! that’s the good shit!
anyways! if anyone knows of any fics with this kinda vibe for the p3/4/5 protags… feel free to drop it in my askbox… i like them all VERY much :3c… and if this raised any food for thought- i’d be equally honored! let the protags go through shit i wanna see their emotions and coping mechanisms damn it! 👏
dunk saying he's never met anyone who likes hugging as much as joong does is making me laugh really hard as a very touchy-feely person myself bc like yeah. dunk has clearly never met me (and that's probably a good thing dfkkjdfkjd)
i really want to start making a table collecting statistics on the audience demographics i'll perform my aubrey material for (like what generation most of the audience is, whether i'm performing in a predominantly queer space, etc.) and how well the jokes land bc like. i need to collect more data points before i can properly present my findings but the results so far have been fascinating
aaaaaaaaaaaaaaaaaaaaaaaaahhhh i just get so upset sometimes bc i don't know how to express my love and adoration in a way that isn't just "omg i love that" or "omg that's so cool" THAT'S NOT ENOUGHH IT ISN'TTTTTTTTT THIS GOES FOR ALL OF MY BELOVED WRITES AND ARTISTS AND FILMS AND DIRECTORS AND COMPOSERS AND CINEMATOGRAPHERS AND SOUND DESIGNERS AND FICTIONAL CHARACTERS AND POEMS AND STUNTMEN AND JUST ABOUT EVERYBODY AAAAAAAAAAAAAAAAAAAAAAAAAAA
a few days ago i had the epiphany of like, okay, i’m not kidding anybody here and the only people disagreeing with me are figments of past people who float around in my head. i have BPD. and it would take a major fucking overhaul of my entire life and the way that i have operated for seventeen years to say any different. so instead of me saying BPD with fifteen asterisks specifying i am not technically sure and this is medically recognized but not professionally diagnosed etc etc let me just say i have it.
and then now i’m like oh God but what if i don’t have it
i'm getting to the point where i'm going to have to start shooting my thesis film and the idea of shooting in an office rental instead of in my apartment is growing more and more attractive by the day
If you're curious about my top 10 k-pop songs of 2022 check them out here!!!
Cypress By Sarah Kinsley
That's Our Lamp By Mitski
In Flight By Sunflower Bean
Happiness By The 1975
Love, Try Not To Let Go By Julia Jacklin
Tonight By Phoenix Featuring Ezra Koenig
Mr. Schwartz By Arctic Monkeys
Angelica By Wet Leg
Sidelines By Phoebe Bridgers
Bad Habit By Steve Lacy
I'm tagging: @pieces-of-silverwing @heichoumama @imaginationofacrazyfangirl @a-rhinestone-cowboy @vauqita @peter-kirkland @roseamiginger @thesetwoinone @american-virtues @littlemisssweetdreams and anyone who happens to see this im also tagging you! And as always you dont have to do this but it would be fun if you did!!!
ppl responding “remember” to comments/commenting it on videos someone made in 2020/2021 in a pathetic attempt to make the person who initially made the comment/video ashamed bc anything done in that time period is automatically deemed cringe is so fucking annoying. what if those ppl got hobbies that didn’t include trying to shame others for enjoying things.