#九紋龍史進 | Explore Tumblr Posts and Blogs

wangwill · 2 months

Text

前塵往事

H：「時光已逝永不回，往事只能回味」，「往事如煙時隔多年是誰把歲月寫在眉宇之間？」最早知道「往事」1970，是從歌詞

「往事只能回味」得知。李煜虞美人「春花秋月何時了？往事知多少。」古人的往事詩情畫意，凡人的往事，白開水一杯，平淡無奇。一般人只能依稀記得，能精準說出的只能靠記錄，當然，燒了毀了，化成煙更成霧了。

「我的青春一去無影蹤

我的青春小鳥一去不回來」，「千金難買早知道，世間沒有後悔藥！無法重來就重新開始，雨過亦有天晴時，鹹魚豈無翻身日，我命由我不由天。」前塵往事記得最好，記不得也没關係，因為最後化作雲彩，飛向天空！

20240401W1

網路字典

前塵往事

從前的舊事。如：「爺爺一提起年輕時的前塵往事，就唏噓不已。」

往事

過去的、已往的事情。《史記．卷一三○．太史公自序》：「此人皆意有所鬱結，不得通其道也，故述往事，思來者。」《紅樓夢》第五○回：「詩雖粗鄙，卻懷往事，又暗隱俗物十件。」

李煜〈虞美人〉「春花秋月何時了」賞析

李煜

虞美人

春花秋月何時了？往事知多少。小樓昨夜又東風，故國不堪回首月明中。

雕欄玉砌應猶在，只是朱顏改。問君能有幾多愁？恰似一江春水向東流。

網路資料：

在經歷世態炎涼，人情冷暖，生、老、病、死、悲、歡、離、合、喜、怒、哀、樂、貪、嗔、痴，足跡踏遍大江南北，吃過山珍海味，穿過綾羅綢緞，歷盡顛沛流離雨雪風霜，嚐盡了舉目無親鄉背井的淒涼，直至今日方頓悟了！

命裏有時終須有

出處

《增廣賢文》：“竹籬茅舍風光好，道院僧堂終不如。命裏有時終須有，命裏無時莫強求。道院迎仙客，書堂隱相儒。庭栽棲鳳竹，池養化龍魚。”

《金瓶梅詞話》一四：“你説，有這等事?要得富，險上做。……富貴自是福來投，利名還有利名憂。命裏有時終須有，命裏無時莫強求。”[1]

往事如煙，不堪回首

分類＼美文

時間＼2016-09-22

花開無音，花落無痕。

塵緣如夢，夢醒無蹤。

往事如煙，不堪回首。

記憶猶新，憂思難忘。

且看今朝，風華正茂。

歲月蹉跎，能奈我何。

奈何橋水，孟婆湯。

彼岸花開，魂斷台。

尤雅

1970年，她憑著由劉家昌譜曲、林煌坤填詞、海山唱片發行的國語歌《往事只能回味》轟動華人地區的歌壇，並塑造了一位玉女型的歌星。

〈往事只能回味〉歌曲介紹

作詞：林煌坤／作曲：劉家昌

時光已逝永不回，往事只能回味

憶童年時竹馬青梅，兩小無猜日夜相隨

春風又吹紅了花蕊，你已經也添了新歲

你就要變心，像時光難倒回

我只有在夢里相依偎

藍波

往事如煙

作詞：一博、張池

作曲：一博、張池

桃花依舊艷蝶兒在彩雲間

清風吹動了誰藏好的琴弦

昨夜燈火闌珊清晨峰迴路轉

踏過汪洋又逢了幾座青山

片刻的因緣如同曇花一現

揮手那天時光流逝指縫間

若非太多虧欠若不是不勇敢

怎會明白世間愛恨難兩全

往事如煙時隔多年

是誰把歲月寫在眉宇之間

牽掛的人吶好久不見

留不住莽莽撞撞幾個少年

往事如煙時隔多年

舊情人如今陪在誰的身邊

離合悲歡幾分遺憾

彈指間寫進那匆匆的流年

遙遙懷念

桃花依舊艷蝶兒在彩雲間

清風吹動了誰藏好的琴弦

昨夜燈火闌珊清晨峰迴路轉

踏過汪洋又逢了幾座青山

片刻的因緣如同曇花一現

揮手那天時光流逝指縫間

若非太多虧欠若不是不勇敢

怎會明白世間愛恨難兩全

往事如煙時隔多年

是誰把歲月寫在眉宇之間

牽掛的人吶好久不見

留不住莽莽撞撞幾個少年

往事如煙時隔多年

舊情人如今陪在誰的身邊

離合悲歡幾分遺憾

彈指間寫進那匆匆的流年

遙遙懷念

往事如煙時隔多年

是誰把歲月寫在眉宇之間

牽掛的人吶好久不見

留不住莽莽撞撞幾個少年

往事如煙時隔多年

舊情人如今陪在誰的身邊

離合悲歡幾分遺憾

彈指間寫進那匆匆的流年

遙遙懷念

桃花依舊艷蝶兒在彩雲間

清風吹動了誰藏好的琴弦

昨夜燈火闌珊清晨峰迴路轉

踏過汪洋又逢了幾座青山

遙遙懷念

羅大佑

青春舞曲

作詞：新疆民謠/羅大佑

作曲：新疆民謠/羅大佑

編曲：山崎(禾念)

太陽下山明朝依舊爬上來

花兒謝了明年還是一樣的開

我的青春一去無影蹤

我的青春小鳥一去不回來

別的那樣喲　別的那樣喲

我的青春小鳥一去不回來

這首歌我們祖先唱了千萬次

現在輪到他們的子孫來唱

日月輪迴依舊

花開花謝依然

多少青春繼續不回

地下埋藏的　為自由付出的代價

是否我們已經忘記

黃花崗的靈魂　他們地下有知

能否原諒我們

紅樓夢第50回

蘆雪庭爭聯即景詩　暖香塢雅製春燈謎

《蘆雪庭爭聯即景詩　暖香塢雅製春燈謎》

電子圖書館

打開字典

話說薛寶釵道：「到底分個次序，讓我寫出來。」說著，便令眾人拈鬮為序。起首恰是李氏，然後按次各各開出。鳳姐兒道：「既這麼說，我也說一句在上頭。」眾人都笑起來了，說：「這麼更妙了！」寶釵將稻香老農之上補了一個「鳳」字，李紈又將題目講給他聽。

打開字典

鳳姐兒想了半天，笑道：「你們別笑話我。我只有了一句粗話，可是五個字的。下剩的我就不知道了。」眾人都笑道：「越是粗話越好。你說了，就只管幹正事去罷。」鳳姐兒笑道：「想下雪必刮北風，昨夜聽見一夜的北風，我有一句。這一句就是『一夜北風緊。』使得使不得，我就不管了。」眾人聽說，都相視笑道：「這句雖粗，不見底下的，這正是會作詩的起法。不但好，而且留了寫不盡的多少地步與後人。就是這句為首，稻香老農快寫上續下去。」鳳姐兒和李嬸娘平兒又吃了兩杯酒，自去了。

打開字典

這裡李紈就寫了：「一夜北風緊，」自己聯道：「開門雪尚飄。入泥憐潔白，」香菱道：「匝地惜瓊瑤。有意榮枯草，」探春道：「無心飾萎苗。價高村釀熟，」李綺道：「年稔府粱饒。葭動灰飛管，」李紋道：「陽回斗轉杓。寒山已失翠，」岫煙道：「凍浦不生潮。易掛疏枝柳，」湘雲道：「難堆破葉蕉。麝煤融寶鼎，」寶琴道：「綺袖籠金貂。光奪窗前鏡，」黛玉道：「香粘壁上椒。斜風仍故故，」寶玉道：「清夢轉聊聊。何處梅花笛？」寶釵道：「誰家碧玉簫？鼇愁坤軸陷，」李紈笑道：「我替你們看熱酒去罷。」寶釵命寶琴續聯，只見湘雲起來道：「龍鬥陣雲銷。野岸迴孤棹，」寶琴也聯道：「吟鞭指灞橋。賜裘憐撫戌，」湘雲那裡肯讓人？且別人也不如他敏捷，都看他揚眉挺身的說道：「加絮念征徭。坳垤審夷險，」寶釵連聲讚好，也便聯道：「枝柯怕動搖。皚皚輕趁步，」黛玉忙聯道：「剪剪舞隨腰。苦茗成新賞，」一面說，一面推寶玉命他聯。寶玉正看寶琴、寶釵、黛玉��人共戰湘雲，十分有趣，那裡還顧得聯詩？今見黛玉推他，方聯道：「孤松訂久要。泥鴻從印跡，」寶琴接著聯道：「林斧或聞樵。伏象千峰凸，」湘雲忙聯道：「盤蛇一徑遙。花緣經冷結，」寶釵和眾人又都讚好。探春聯道：「色豈畏霜凋？深院驚寒雀，」湘雲正渴了，忙忙的吃茶，已被岫煙搶著聯道：「空山泣老鴞。階墀隨上下，」湘雲忙丟了茶杯，聯道：「池水任浮漂。照耀臨清曉，」黛玉忙聯道：「繽紛入永宵。誠忘三尺冷，」湘雲忙笑聯道：「瑞釋九重焦。僵臥誰相問？」寶琴也忙笑聯道：「狂遊客喜招。天機斷縞帶，」湘雲又忙道：「海市失鮫綃。」黛玉不容他道出，接著便道：「寂寞封台榭，」湘雲忙聯道：「清貧懷簞瓢。」寶琴也不容情，也忙道：「烹茶水漸沸，」湘雲見這般自為得趣，又是笑，又忙聯道：「煮酒葉難燒。」黛玉也笑道：「沒帚山僧掃，」寶琴也笑道：「埋琴稚子挑。」

打開字典

湘雲笑彎了腰，忙念了一句。眾人問道：「到底說的是什麼？」湘雲道：「石樓閒睡鶴，」黛玉笑得握著胸口，高聲嚷道：「錦罽暖親貓。」寶琴也忙笑道：「月窟翻銀浪，」湘雲忙聯道：「霞城隱赤標。」黛玉忙笑道：「沁梅香可嚼，」寶釵笑稱好句，也忙聯道：「淋竹醉堪調。」寶琴也忙道：「或濕鴛鴦帶，」湘雲忙聯道：「時凝翡翠翹。」黛玉又忙道：「無風仍脈脈，」寶琴又忙笑聯道：「不雨亦瀟瀟。」

打開字典

湘雲伏著，已笑軟了。眾人看他三人對搶，也都不顧作詩，看著也只是笑。黛玉還推他往下聯，又道：「你也有才盡力窮之時？我聽聽，還有什麼舌頭嚼了？」湘雲只伏在寶釵懷裡，笑個不住。寶釵推他起來，道：「你有本事把『二蕭』的韻全用完了，我纔服你。」湘雲起身笑道：「我也不是作詩，竟是搶命呢！」眾人笑道：「倒是你自己說罷。」探春早已料定沒有自己聯的了，便早寫出來，因說：「還沒收住呢。」李紋聽了，接過來，便聯一句道：「欲誌今朝樂，」李綺收了一句道：「憑詩祝舜堯。」

打開字典

李紈道：「夠了，夠了！雖沒作完了韻，騰挪的字，若生扭了，倒不好了。」說著，大家來細細評論一回，獨湘雲的多，都笑道：「這都是那塊鹿肉的功勞。」李紈笑道：「逐句評去，卻還一氣，只是寶玉又落了第了。」寶玉笑道：「我原不會聯句，只好擔待我罷。」李紈笑道：「也沒有社社擔待的。又說韻險了，又整誤了，又不會聯句，今日必罰你。我纔看見櫳翠庵的紅梅有趣，我要折一枝插在瓶裡，可厭妙玉為人，我不理他。如今罰你取一枝來，插著玩兒。」眾人都道：「這罰的又雅又有趣。」

打開字典

寶玉也樂為，答應著就要走。湘雲黛玉一起說道：「外頭冷得很，你且吃杯熱酒再去。」於是湘雲早熱起壺酒來了。黛玉遞了個大杯，滿斟了一杯。湘雲笑道：「你吃了我們這酒，要取不來，加倍罰你！」寶玉忙吃了一杯，冒雪而去。

打開字典

李紈命人好好跟著，黛玉忙攔說：「不必，有了人，反不得了。」李紈點頭道：「是。」一面命丫鬟將一個美女聳肩瓶拿來，貯了水，準備插梅，因又笑道：「回來該吟紅梅了。」湘雲忙道：「我先作一首。」寶釵笑道：「今日斷不容你再作了。你都搶了去，別人都閒著也沒趣。回來罰寶玉。他說不會聯句，如今就叫他自己做去。」黛玉笑道：「這話很是。我還有主意：方纔聯句不夠，莫若揀那聯得少的人作紅梅詩。」寶釵笑道：「這話是極。方纔邢李二位屈才，且又是客；琴兒和顰兒雲兒他們搶了許多，我們一概都別作，只他們三人做纔是。」李紈因說：「綺兒也不大會做，還是讓琴妹妹罷。」寶釵只得依允。又道：「就用『紅梅花』三個字做韻，每人一首七言律；邢大妹妹做『紅』字，你們李大妹妹做『梅』字，琴兒做『花』字。」李紈道：「饒過寶玉去，我不服。」湘雲忙道：「有個好題目命他做。」眾人問：「何題？」湘雲道：「命他就做『訪妙玉乞紅梅』，豈不有趣？」眾人聽了，都說：「有趣！」

打開字典

一語未了，只見寶玉笑欣欣擎了一枝紅梅進來。眾丫鬟忙已接過，插入瓶內。眾人都過來賞玩。寶玉笑道：「你們如今賞罷。也不知費了我多少精神呢！」說著，探春早又遞了一鍾暖酒來。眾丫鬟上來接了簑笠撣雪。各人屋裡丫鬟都添送衣裳來。襲人也遣人送了半舊的狐腋褂來。李紈命人將那蒸的大芋頭盛了一盤，又將硃橘、黃橙、橄欖等物盛了兩盤，命人帶給襲人去。湘雲且告訴寶玉方纔的詩題，又催寶玉快做。寶玉道：「好姐姐好妹妹們，讓我自己用韻罷，別限韻了！」眾人都說：「隨你做去罷。」

打開字典

一面說，一面大家看梅花。原來這一枝梅花只有二尺來高，旁有一枝，縱橫而出，約有二三尺長，其間小枝分歧，或如蟠螭，或如僵蚓，或孤削如筆，或密聚如林。真乃花吐胭脂，香欺蘭蕙。各各稱賞。誰知岫煙、李紋、寶琴三人都已吟成，各自寫了出來。眾人便依「紅」「梅」「花」三字之序看去，寫道：

打開字典

賦得紅梅花

桃未芳菲杏未紅，衝寒先喜笑東風。魂飛庾嶺春難辨，霞隔羅浮夢未通。

綠萼添粧融寶炬，縞仙扶醉跨殘虹。看來豈是尋常色？濃淡由他冰雪中。－－邢岫煙。

白梅懶賦賦紅梅，逞豔先迎醉眼開。凍臉有痕皆是血，酸心無恨亦成灰。

誤吞丹藥移真骨，偷下瑤池脫舊胎。江北江南春燦爛，寄言蜂蝶漫疑猜。－－李紋。

疏是枝條豔是花，春粧兒女競奢華。閒庭曲檻無餘雪，流水空山有落霞。

幽夢冷隨紅袖笛，遊仙香泛絳河槎。前身定是瑤台種，無復相疑色相差。－－寶琴。

打開字典

眾人看了，都笑著，稱讚了一回，又指末一首更好。寶玉見寶琴年紀最小，才又敏捷。黛玉湘雲二人斟了一小杯酒，都賀寶琴。寶釵笑道：「三首各有好處。你們兩個天天捉弄厭了我，如今又捉弄他來了。」李紈又問寶玉：「你可有了？」寶玉忙道：「我倒有了，纔一看見這三首，又唬忘了。等我再想。」

打開字典

湘雲聽了，便拿了一支銅火箸擊著手爐，笑道：「我擊了，若鼓絕不成，又要罰的。」寶玉笑道：「我已有了。」黛玉提起筆來，笑道：「你念，我寫。」湘雲便擊了一下，笑道：「一鼓絕。」寶玉笑道：「有了，你寫罷。」眾人聽他念道：「酒未開罇句未裁，」黛玉寫了，搖頭笑道：「起的平平。」湘雲又道：「快著！」寶玉笑道：「尋春問臘到蓬萊。」黛玉湘雲都點頭笑道：「有些意思了。」寶玉又道：「不求大士瓶中露，為乞孀娥檻外梅。」黛玉寫了，搖頭說：「小巧而已。」湘雲將手又敲了一下。寶玉笑道：

打開字典

入世冷挑紅雪去，離塵香割紫雲來。槎枒誰惜詩肩瘦？衣上猶沾佛院苔。

打開字典

黛玉寫畢，湘雲大家纔評論時，只見幾個丫鬟跑進來道：「老太太來了。」眾人忙迎出來。大家又笑道：「怎麼這等高興？」說著，遠遠見賈母圍了大斗篷，帶著灰鼠暖兜，坐著小竹轎，打著青綢油傘，鴛鴦琥珀等五六個丫鬟，每人都是打著傘，擁轎而來。李紈等忙往上迎。賈母命人止住，說：「只站在那裡就是了。」來至跟前，賈母笑道：「我瞞著你太太和鳳丫頭來了。大雪地下，我坐著這個無妨，沒的叫他娘兒們跴雪嗎。」眾人忙上前來接斗篷，攙扶著，一面答應著。

打開字典

賈母來至室中，先笑道：「好俊梅花！你們也會樂，我也不饒你們！」說著，李紈早命人拿了一個大狼皮褥子來，鋪在當中。賈母坐了，因笑道：「你們只管照舊玩笑吃喝。我因為天短了，不敢睡中覺，抹了一會牌，想起你們來了，我也來湊個趣兒。」李紈早又捧過手爐來。探春另拿了一副杯箸來，親自斟了暖酒，奉給賈母。賈母便飲了一口，問：「那個盤子是什麼東西？」眾人忙捧了過來，回說：「是糟鵪鶉。」賈母道：「這倒罷了，撕一點子腿兒來。」李紈忙答應了，要水洗手，親自來撕。賈母道：「你們仍舊坐下說笑，我聽著纔喜歡。」又命李紈：「你也只管坐下，就如同我沒來的一樣纔好；不然，我就走了。」眾人聽了，方纔依次坐下，只李紈挪到儘下邊。賈母因問：「你們作什麼玩呢？」眾人便說：「做詩呢。」賈母道：「有做詩的，不如做些燈謎兒，大家正月裡好玩。」眾人答應。

打開字典

說笑了一會，賈母便說：「這裡潮濕，你們別久坐，仔細著了涼。倒是你四妹妹那裡暖和，我們到那裡瞧瞧他的畫兒，趕年下可能有了不能。」眾人笑道：「那裡能��下就有了？只怕明年端陽纔有呢。」賈母道：「這還了得！他竟比蓋這園子還費工夫了！」說著，仍坐了竹椅轎，大家圍隨，過了藕香榭，穿入一條夾道，東西兩邊皆是過街門，門樓上，裡外都嵌著石頭匾。如今進的是西門，向外的匾上鑿著「穿雲」二字，向裡的鑿著「度月」兩字。來至堂中，進了向南的正門，賈母下了轎，惜春已接出來了。從裡面遊廊過去，便是惜春臥房，廈簷下掛著「暖香塢」的匾，早有幾個人打起猩紅氈簾，已覺暖氣拂臉。

打開字典

大家進入屋裡，賈母並不歸坐，只問惜春：「畫到那裡了？」惜春因笑回：「天氣寒冷了，膠性都凝澀不潤，畫了恐不好看，故此收起來了。」賈母笑道：「我年下就要的，你別脫懶兒。快拿出來，給我快畫。」

打開字典

一語未了，忽見鳳姐披著紫羯羢褂，笑嘻嘻的來了，口內說道：「老祖宗今兒也不告訴人，私自就來了，叫我好找！」賈母見他來了，心中喜歡，道：「我怕你凍著，所以不許人告訴你去。你真是個小鬼靈精兒，到底找了我來。論禮，孝敬也不在這上頭。」鳳姐兒笑道：「我那裡是孝敬的心找了來呢？我因為到了老祖宗那裡，鴉沒鵲靜的，問小丫頭子們，他又不肯叫我找到園裡來。我正疑惑，忽然又來了兩個姑子，我心裡纔明白了：那姑子必是來送年疏，或要年例香例銀子，老祖宗年下的事也多，一定是躲債來了。我趕忙問了那姑子，果然不錯，我纔就把年例給了他們去了。這會子老祖宗的債主兒已去了，不用躲著了。已預備下稀嫩的野雞，請用晚飯去罷，再遲一回就老了。」他一行說，眾人一行笑。

打開字典

鳳姐兒也不等賈母說話，便命人抬過轎來。賈母笑著，挽了鳳姐兒的手，仍上了轎，帶著眾人，說笑出了夾道東門。一看，四面粧妝銀砌，忽見寶琴披著鳧靨裘，站在山坡背後遙等，身後一個丫鬟，抱著一瓶紅梅。眾人都笑道：「怪道少了兩個，他卻在這裡等著，也弄梅花去了。」賈母喜的忙笑道：「你們瞧，這雪坡兒上，配上他這個人物兒，又是這件衣裳，後頭又是這梅花，像個什麼？」眾人都笑道：「就像老太太屋裡掛的仇十洲畫的『豔雪圖』。」母搖頭笑道：「那畫的那裡有這件衣裳？人也不能這樣好！」

打開字典

一語未了，只見寶琴身後又轉出一個穿大紅猩猩氈的人來。賈母道：「那又是那個女孩兒？」眾人笑道：「我們都在這裡，那是寶玉。」賈母笑道：「我的眼越發花了。」說話之間，來至跟前，可不是寶玉和寶琴兩個。寶玉笑向寶釵黛玉等道：「我纔又到了櫳翠庵，妙玉竟每人送你們一枝梅花，我已經打發人送去了。」眾人都笑道：「多謝你費心。」

打開字典

說話之間，已出了園門。來至賈母房中，吃畢飯，大家又說笑了一回。忽見薛姨媽也來了，說：「好大雪！一日也沒過來望候老太太。今日老太太倒不高興？正該賞雪纔是。」賈母笑道：「何曾不高興了？我找了他們姐妹去玩了一會子。」薛姨媽笑道：「昨兒晚上，我原想著今日要和我們姨太太借一天園子，擺兩桌粗酒，請老太太賞雪的，又見老太太安歇的早。我聽見寶兒說，老太太心裡不大爽，因此，如今也不敢驚動。早知如此，我竟該請了纔是呢。」賈母笑道：「這纔是十月，是頭場雪；往後下雪的日子多著呢，再破費姨太太不遲。」薛姨媽笑道：「果然如此，算我的孝心虔了。」鳳姐兒笑道：「姨媽怎麼忘了？如今現秤五十兩銀子來，交給我收著，一下雪，我就預備下酒。姨媽也不用操心，也不得忘了。」賈母笑道：「既這麼說，姨太太給他五十兩銀子收著，我和他每人分二十五兩，到下雪的日子，我裝心裡不爽，混過去了。姨太太更不用操心，我和鳳姐倒得實惠呢！」鳳姐將手一拍，笑道：「妙極！這和我的主意一樣。」眾人都笑了。賈母笑道：「呸！沒臉的！就順著竿子爬上來了。你不說姨太太是客，在偺們家受屈，我們該請姨太太纔是；那裡有破費姨太太的理？不這麼說呢，還有臉先要五十兩銀子？真不害臊！」鳳姐笑道：「我們老祖宗最是有眼色的，試一試，姨媽要鬆呢，拿出五十兩來，就和我分；這會子估量著不中用了，翻過來拿我做法子，說出這些大方話來。如今我也不和姑媽要銀子了，我竟替姨媽出銀子，治了酒，請老太太吃了，我另外再封五十兩銀子孝敬老祖宗，算是罰我個包攬閒事，這可好不好？」話未說完，眾人都笑倒在炕上。

打開字典

賈母因又說及寶琴雪下折梅，比畫兒上還好；又細問他的年庚八字並家內景況。薛姨媽度其意思，大約是要給他求配。薛姨媽心中因也遂意，只是已許過梅家了，因賈母尚未說明，自己也不好擬定，遂半吐半露，告訴賈母道：「可惜了這孩子沒福！前年他父親就沒了。他從小兒見的世面倒多，跟他父親四山五岳都走遍了。他父親好樂的，各處因有買賣，帶了家眷，這一省逛一年，明年又到那一省逛半年，所以天下十停走了有五六停了。那年在這裡把他許了梅翰林的兒子，偏第二年他父親就辭世了。如今他母親又是痰症。」

打開字典

鳳姐兒也不等說完，便嗐聲跺腳的說：「偏不巧！我正要做個媒呢，又已經許了人家！」賈母笑道：「你要給誰說媒？」鳳姐兒笑道：「老祖宗別管。心裡看準了，他們兩個是一對。如今有了人家，說也無益，不如不說罷了。」賈母也知鳳姐兒的意思，聽見已有人家，也就不提了。大家又閒話了一會方散。一宿無話。

打開字典

次日雪晴，飯後，賈母又吩咐惜春：「不管冷暖，你要畫去。趕到年下，十分不能，就罷了。第一要緊，把昨兒琴兒和丫頭、梅花，照樣一筆別錯，快快添上。」惜春聽了，雖是為難的事，就應了。一時，眾人都來看他如何畫。惜春只是出神。李紈因笑向眾人道：「讓他自己想去，偺們且說話兒。昨兒老太太只叫做燈謎兒，回到家，和綺兒紋兒睡不著，我就編了兩個四書的。他兩個每人也編了兩個。」

打開字典

眾人聽了，都笑道：「這倒該做的。先說了，我們猜猜。」李紈笑道：「『觀音未有世家傳』，打四書一句。」湘雲接著就說道：「『在止於至善。』」寶釵笑道：「你也想一想『世家傳』三個字的意思再猜。」李紈笑逼：「再想。」黛玉笑道：「我猜罷。可是『雖善，無徵』？」眾人都笑道：「這句是了。」李紈又道：「『一池青草草何名？』」湘雲又忙道：「這一定是『蒲蘆也。』－－再不是不成？」李紈笑道：「這難為你猜。紋兒的是『水向石邊流出冷』，打一古人名。」探春笑著問道：「可是山濤？」李紈道：「是。」李紈又道：「綺兒是個『螢』字，打一個字。」眾人猜了半日，寶琴道：「這個意思卻深，不知可是花草的『花』字？」李綺笑道：「恰是了。」眾人道：「螢與花何干？」黛玉笑道：「妙的很！螢可不是草化的？」眾人會意，都笑了，說：「好。」寶釵道：「這些雖好，不合老太太的意；不如做些淺近的��兒，大家雅俗共賞纔好。」眾人都道：「也要做些淺近的俗物纔是。」湘雲想了一想，笑道：「我編了一支《點絳脣》，卻真是個俗物，你們猜猜。」說著，便念道：

打開字典

溪壑分離，紅塵遊戲，真何趣？名利猶虛，後事終難繼。

打開字典

眾人都不解，想了半日，也有猜是和尚的，也有猜是道士的，也有猜是偶戲人的。寶玉笑了半日道：「都不是。我猜著了，必定是耍的猴兒。」湘雲笑道：「正是這個了。」眾人道：「前頭都好，末後一句怎麼樣解？」湘雲道：「那一個耍的猴兒不是剁了尾巴去的？」眾人聽了，都笑起來說：「偏他編個謎兒也是刁鑽古怪的！」李紈道：「昨日姨媽說，琴妹妹見得世面多，走的道路也多，你正該編謎兒。況且你的詩又好，為什麼不編幾個兒我們猜一猜？」

打開字典

寶琴聽了，點頭含笑，自去尋思。寶釵也有一個，念道：

打開字典

鏤檀鐫梓一層層，豈係良工堆砌成？雖是半天風雨過，何曾聞得梵鈴聲？

打開字典

眾人猜時，寶玉也有一個，念道：

打開字典

天上人間兩渺茫，琅玕節過謹提防。鸞音鶴信須凝睇，好把欷歔答上蒼。

打開字典

黛玉也有了一個，念道：

打開字典

騄駬何勞縛紫繩？馳城逐塹勢猙獰。主人指示風雲動，鰲背三山獨立名。

打開字典

探春也有了一個。方欲念時，寶琴走來笑道：「從小兒所走的地方的古蹟不少，我也來挑了十個地方古蹟，做了十首懷古詩。詩雖粗鄙，卻懷往事，又暗隱俗物十件，姐姐們請猜一猜。」眾人聽了，都說：「這倒巧！何不寫出來大家一看？」

打開字典

要知端的，且聽下回分解。

0 notes

rahbekle45 · 1 year

Text

飛往台中的航班：立即預訂！

新竹整骨如果你正在尋找最便宜的解決方案，值得飛往中國或香港，或者日本、馬來西亞，從那裡你可以前往台灣的幾個大城市，包括台中、高雄和花蓮，以低廉的價格花費幾美分。關於一個特殊但被旅遊者忽視的群島的一些有用信息。機車後方是匈牙利隆成發車輛廠（lóngchéng fāchēliàng chǎng）2002-2004年生產的40FPK10600系列客車。所有此類客車長20m，寬2.9m，高3.8m，最高運輸速度為110km/h。車內空調運行所需的電力由潛伏在後台的45PBK10500系列行李發電車提供。 G 系列的所有型號（5 軸產品線）都具有類似的堅固設計。在全國的住宿設施中，每個人都可以找到適合自己口味和預算的酒店或青旅。類似於日本，所謂的“愛情旅館”通常提供寬敞的房間和設施，以換取最少的設施。預訂、Hotelscombined 等可用於預訂全國所有地區的住宿，但偏遠地區，例如蘭嶼（蘭嶼），或南投的大部分地區也需要對中文進行一些研究，因為這些地方很少為外國遊客準備。除了被認為是內灣線永久居民的TRA DR1000系列內燃機車外，感興趣的人還可以看到TRA R150系列內燃機車。 R150型內燃機車是EMD G22CU系列的本土代表，其��共25台於1973年至1982年間抵達台灣。將 Eurosport 設為您的主頁，了解從足球到網球、騎自行車到斯諾克等等的所有內容。您可以更輕鬆地訂閱我們的價格監控服務並管理您保存的搜索。您可以保存預訂所需的信息，以便更快地預訂航班。

這位外號“小貝拉克”的女士在台中市市場的一家肉店工作了一個晚上，就成功地將顧客數量增加了四倍。一輛 TRA R100 系列 (EMD G22U) 內燃機車在康定 (崁頂) 站附近運行其遊覽列車。清水附近的TRA R20系列內燃機車（清水，qīngshuǐ）。 R 系列後期成員之間的設計差異，例如表示沒有凸起的鼻子部分。 2017 年 6 月 11 日，在龍井（龍井，lóngjǐng）站附近的 TRA 蒸汽機車 DT668。空調客車的電力由潛伏在後台的GE E42C系列E400電力機車提供。因此，美軍司令部派出的訓練員中，有160多名是具有實戰經驗的士官。在與搜索引擎和社交網絡共享的情況下，該地址將由上述系統顯示和分析。 MASTERSTUDIES 使研究生更容易找到合適的學位。使用我們的網站查找來自世界各地的學位和職業機會的信息，並直接與您感興趣的學校和大學的招生人員交談。據報導，4月初，美軍教官前往嘉善空軍基地，重新評估掩體、防爆和防護設施的安全性。他們調查了衛星是否難以探測到露天存放的彈藥以及用於放置戰鬥機的區域。甚至在第一天上班之前，小桃子就在她的 Facebook 頁面上表達了她的擔憂，並解釋說她不相信老闆的策略。氣球臉的女孩帶著疑惑開始了工作，但很快她的恐懼就消失了。在不應用它的情況下駕駛，匈牙利未知的一些 KRESZ 規則使情況更加複雜。我們可以通過高鐵、TRA，當然還有航空公司的網站，以及幾乎遍布每個角落的便利店（7-11、FamilyMart、OK Mart、Hi-Life）的自動售貨機進行預訂。可以在便利店（也）購買的公共交通卡，即 EasyCard 和 iPass，可以極大地幫助您在市中心乘坐公共交通工具和乘坐當地火車。這些卡省去了我們買票的麻煩，可以在很多地方充值，充值大一點的時候，我們甚至可以用它來日常購物，因為那裡有很多商店，餐館等等。我們選擇的電力機車只限於4個系列，其中3個是幾乎相同參數生產的，剩下的一個系列已經報廢了，但我們可以在關於台灣的帖子的第二部分獲得更多信息鐵路。不管歷史事件如何，台灣當局都沒有避免訂購日本製造的機車來更新車輛庫存，但成本最終使當地決策者轉向了GM-EMD、GE、ALCO等美國製造商。台東 (台東, táidōng) 車站的台鐵 DR2700 系列 DMU 車廂。在由不銹鋼製成的車輛上，我們可以清楚地觀察到巴德車輛特有的棱紋側板。今年（2017 年）台灣鐵路局 (TRA) 是該國的國有鐵路公司，慶祝成立 one hundred thirty 週年。活動本身聽上去聲量很大，但也由負責台灣高鐵營運的台灣高鐵（高鐵）完成，今年一月就滿10歲，還有作為TRA和JR北海道的一台蒸汽機車的“姐妹”關係，他今年也滿5歲了。大部分美國教官將在台軍新訓練中心和後備旅服役。培訓將在現場進行評估，並提出進一步發展的建議。因此，新兵訓練也將採用美軍提出的戰場訓練計劃來對付偉大的中國“人民解放軍”。在日本佔領台灣期間，即 1935 年至 1937 年間，該系列的前九名成員立即以 C55 1 ... 9 的名稱運往台灣，以慶祝日本統治 forty 週年。

#bogin

1 note · View note

rojasfrost45 · 1 year

Text

飛往台中的航班：立即預訂！

在日本佔領台灣期間，即 1935 年至 1937 年間，該系列的前九名成員立即以 C55 1 ... 9 的名稱運往台灣，以慶祝日本統治 40 週年。這位外號“小貝拉克”的女士在台中市市場的一家肉店工作了一個晚上，就成功地將顧客數量增加了四倍。一輛 TRA R100 系列 (EMD G22U) 內燃機車在康定 (崁頂) 站附近運行其遊覽列車。清水附近的TRA R20系列內燃機車（清水，qīngshuǐ）。 R 系列後期成員之間的設計差異，例如表示沒有凸起的鼻子部分。 2017 年 6 月 11 日，在龍井（龍井，lóngjǐng）站附近的 TRA 蒸汽機車 DT668。空調客車的電力由潛伏在後台的GE E42C系列E400電力機車提供。因此，美軍司令部派出的訓練員中，有160多名是具有實戰經驗的士官。在不應用它的情況下駕駛，匈牙利未知的一些 KRESZ 規則使情況更加複雜。我們可以通過高鐵、TRA，當然還有航空公司的網站，以及幾乎遍布每個角落的便利店（7-11、FamilyMart、OK Mart、Hi-Life）的自動售貨機進行預訂。可以在便利店（也）購買的公共交通卡，即 EasyCard 和 iPass，可以極大地幫助您在市中心乘坐公共交通工具和乘坐當地火車。這些卡省去了我們買票的麻煩，可以在很多地方充值，充值大一點的時候，我們甚至可以用它來日常購物，因為那裡有很多商店，餐館等等。我們選擇的電力機車只限於4個系列，其中3個是幾乎相同參數生產的，剩下的一個系列已經報廢了，但我們可以在關於台灣的帖子的第二部分獲得更多信息鐵路。氣結不管歷史事件如何，台灣當局都沒有避免訂購日本製造的機車來更新車輛庫存，但成本最終使當地決策者轉向了GM-EMD、GE、ALCO等美國製造商。

如果我們的倫勃朗收藏品完��，我們可以在 Syntrend 的��當商店中用新型藝術作品擴展我們的展覽。位於台中的 Wuller Homebrew Supplies 提供特色國產和進口啤酒。據 OpenAI 首席執行官稱，以色列將在降低 AI 風險方面發揮巨大作用——Elon Musk 談到了中國對 AI 的監管。公司在 1-gamma 節點的情況下採取了不可避免的步驟。前景是 TRA 的 DR2510 系列的兩輛製造件，後面是報廢的 DR2700 DMU 和其他乘用車。台東 (台東, táidōng) 車站的台鐵 DR2700 系列 DMU 車廂。在由不銹鋼製成的車輛上，我們可以清楚地觀察到巴德車輛特有的棱紋側板。今年（2017 年）台灣鐵路局 (TRA) 是該國的國有鐵路公司，慶祝成立 130 週年。活動本身聽上去聲量很大，但也由負責台灣高鐵營運的台灣高鐵（高鐵）完成，今年一月就滿10歲，還有作為TRA和JR北海道的一台蒸汽機車的“姐妹”關係，他今年也滿5歲了。大部分美國教官將在台軍新訓練中心和後備旅服役。整脊培訓將在現場進行評估，並提出進一步發展的建議。因此，新兵訓練也將採用美軍提出的戰場訓練計劃來對付偉大的中國“人民解放軍”。在澎湖的島嶼上，夏季，我們有機會在未鋪砌的無水泥沙灘上享受日光浴，而這些沙灘與蔚藍的大海接壤。在屬於台東的蘭嶼和綠島（Orchid Island, Green Island），在類似夏威夷的高山峽谷中，我們可以一窺世界別處的雅美族文化。有了國際駕照，我們還可以選擇租車，或者如果有條件，可以租一輛小型摩托車。不過要強調的是，台灣人往往有相當有趣的作風、方向標、謹慎等。台灣台鐵R20系列柴油野獸載著短小的水泥列車行駛在大渡站附近。鐵路公司共有 fifty two 輛基於 EMD G12 系列的車輛，於 1960 年至 1966 年間為台灣製造，最高時速為 one hundred 公里/小時，額定功率為 1060 千瓦。

#bogin

1 note · View note

qingfeng5290 · 1 year

Text

三問觀音

我問觀音：一地至八地，何以精進如斯？觀音曰：觀得世音方知千手之妙也。又問：怎觀之？觀音曰：聞鼓聲雷鳴而見火光四起、殺聲震天，使使伏之矣。再問：九紋龍史進聞得，薛蟠何曾聞得？觀音曰：後曾聞得。复再問：成關公否？觀音曰：然。未聞未聞者謂聾，未見未見者謂瞽。故聞所能聞者即未聞，聞所未聞者即聞也。

0 notes

grambagger · 2 years

Text

Cateraide It 絕緣食品盤架

商業戶外烤架提供美味的飯菜，無需擔心移動設備，並且便於在內部運輸烤架當地商店的價格可能與顯示的價格有所不同。顯示為可用的產品通常有庫存，但無法保證庫存水平。但是，在考慮經營餐飲業務所需的條件時，這些項目是一個很好的起點。探索我們的商用戶外家具，以擴展您餐廳的用餐空間。有了這款家具，您的客戶可以輕鬆享受好天氣。您可以在任何帶有便攜式洗手台的工作區域創建一個移動洗手台，並為您的員工和客戶提供衛生設施。您可以使用電或燃氣商用電熱板有效地利用有限的空間，並添加一個額外的燃燒器來煮鍋或保持平底鍋溫暖。使用隔熱飲料容器將大量熱飲或冰鎮點心放在手邊。便攜式托架帶有便於運輸的把手和真空絕緣，可讓內容物長時間保持滾燙。塑料飲料服務器站也非常適合供應冷凍飲料，保持冰塊數小時。場地現在比以往任何時候都更重要的是，我們保護自己和家人。盡你所能確保你的假期客人幫助你遵守 CDC 的指導方針，以確保安全和有趣的聚會。如果沒有，您可以打開窗戶、保持社交距離，並為任何進入您家的人準備洗手液和口罩。對於許多人來說，舉辦假期是您一生都期待的事情。 BOK 大樓擁有眾多可供出租的空間，包括一個享有風景如畫的 8 樓露台，是真正獨一無二的費城地標。麗莎對她這一天的設想是質樸的，帶有淡淡的色彩和柑橘味。當她參觀五橋客棧的穀倉時，她立刻愛上了這個空間。這是一個完美的背景來讚美她的視野，她喜歡穀倉是如何坐落在它自己的私密空間中的。大多數客人從佛蒙特州和西雅圖旅行，酒店非常適合容納許多外地人。他們的婚禮在意大利花園舉行，噴泉背景上裝飾著花卉頂柱。您的客人將在充滿活力的五星級意大利餐廳 Piero's 受到熱烈歡迎，您可以選擇家庭式、自助式和多道菜的用餐方式。 Piero's 擁有活動策劃專家，最多可容納 one hundred seventy five 人就座，並提供最多 225 人的自助餐服務。在 Bouchon，您的儀式后慶祝活動可以是私人用餐體驗，也可以是多達 350 人的常設招待會，其中包括使用其私人庭院。無論哪種方式，每個人都樂在其中——廚師 Thomas Keller 對法國美食的現代演繹贏得了 Bouchon 的菜單多項獎項。羅德島首屈一指的餐飲公司，提供無可挑剔的客戶服務以及從頭開始的烹飪。當移動食品熱潮與燃木比薩運動融合時，這意味著無論你身在何處，附近總會有很棒的餡餅。對於想要為客人提供真正美味的食物而不必簽下他們的長子的夫婦來說，那些那不勒斯風格的比薩餅變得越來越普遍。美國許多腳踏實地的夫婦一直在為他們的婚禮尋找pitmaster。有些絕對比其他人更好，但北卡羅來納州格林斯伯勒的新娘和新郎確實用 Stamey 負擔得起的列剋星敦風格的“提示”製作了它。每人只需 9.45 美元，客人就可以享用西式慢熏豬肩肉，佐以番茄醬和新鮮出爐的紅糖醋醬。 Stamey 的餐飲套餐包括其著名的自製沙拉、烤豆、麵包卷、hushpuppies、冰茶和自製桃餡餅甜點。全方位服務餐飲意味著什麼我們有您的支持，讓您的婚禮大餐令人印象深刻。大量交付主要是他們可以實際服務的人數。全方位服務的餐飲服務能夠為數百甚至數千名客人提供服務。這意味著他們擁有從送貨車到服務人員的資源，可以提供沒有專門餐飲服務的餐廳根本無法提供的服務。這包括提供盤子、器皿、床單和任何其他服務可能需要的東西。餐飲服務商負責為活動準備所有食物，無論是簡單的自助餐還是更複雜的坐席餐。菜單選擇完成後，餐飲服務商將準備和烹飪食物。主廚 stanley 的東南亞和歐陸烹飪風格具有鮮明的現代氣息，反映了他在德國的成長經歷，母親是德國人，父親是中國人。通過單擊“註冊”，您同意允許 Social Tables 存儲和處理上面提交的個人信息，以便為您提供所請求的內容。請參閱我們的隱私政策或聯繫我們了解更多詳情。他們應該有一名主管在活動期間與您保持持續溝通，以確保涉及食物和飲料的每一個重要過渡都按計劃進行。像大多數事情一樣，你得到你所支付的。如果您找到非常便宜的交易，您很可能會獲得匹配的服務。生命支持服務你必須給客戶留下深刻印象，保持財產價值，讓每個人都堅持下去，而不是想著一團糟。商業辦公室的員工不能進行一般清潔活動，如回收、垃圾清除等。 Deborah Sanford 是 Northern Light 東緬因州醫療中心的護理和患者護理服務副總裁。 Stacia Dreyer 博士獲得了環境心理學和行為經濟學博士學位。她在將定量和定性社會科學研究方法應用於廣泛的環境研究項目方面擁有豐富的經驗，從海洋可再生能源的人類維度到食品、能源和水系統的關係。我們的食物垃圾解決方案系列可幫助您跨品牌、行業和地區跟踪和減少浪費。公司參與從收集到最終處理的整個廢物生命週期，並將其回收作為優先事項。在 COVID-19 大流行中德國食品服務部門的食物浪費的產生和預防 - 應對與大流行相關的危機的數字方法。餐館會以剩餘或陳舊的食物、準備或包裝時的浪費形式產生大量食物浪費。保持衛生標準至關重要，因為這些因素可以獲得積分和認證。把所有的垃圾倒在後巷裡，就能解決食物垃圾的處理問題；但是，它可能會招致處罰。麵條看起來工作量很大，但結果卻很值得。我想我們上次去台灣旅行時每晚都會收到一袋這樣的東西。如果您正在訪問九份，那麼沒有比阿朱花生冰淇淋更有名的小吃攤了。它沒有我們在東大門夜市吃的那麼多冰淇淋，但它仍然非常好。如果您有很多孩子或想節省侍應生費用，此提示也非常有用。在為大型團體尋找餐飲菜單創意時，請確保考慮到一天中的時間。有興趣在您的下一次公司或社交活動中最大化您的客戶或公司的餐飲預算嗎？與此同時，台灣食品在全球範圍內越來越受歡迎。對於更清醒的一口，高山烏龍茶和紅茶仍然是台灣人生活的核心，無論是種植還是消費。作為島上菠蘿種植歷史的遺跡，這些手掌大小的酥餅餡餅塞滿了濃郁的菠蘿或甜冬瓜醬，是該國珍貴的糕點和廣受歡迎的紀念品。家具您還需要為服務員提供用品，包括圍裙等衣物和訂單墊、菜單封面和支票夾等工具。幸運的是，您可以在一個方便的位置滿足所有這些需求。在 Restaurantware，我們致力於在食品和飲料行業引領具有環保意識的企業。我們努力創造能夠激勵消費者的創新產品 - 並推動企業領先於行業趨勢。一個關鍵的決定是餐廳裝飾，它有助於定義餐廳的品牌和審美。就像餐廳的概念一樣，餐廳家具的選擇也很豐富——你怎麼知道你在挑選合適的家具？繼續閱讀以了解購買餐廳家具的所有不同方式，以及所涉及的一些利弊，以及所需的所有餐廳家具的完整列表。一家好的家庭餐廳不僅有高腳椅和加高座椅來容納您的孩子。很棒的兒童菜單、兒童開胃菜和活動地墊可以讓孩子們在用餐前保持耐心。如今，餐飲業者設立廚師行動站向客人展示食物是如何烹製的，這是一個大趨勢。餐廳座位通常決定了顧客在您的餐廳用餐的時間，這與他們的消費金額直接相關。尋找完美的餐廳椅子、木製吧台凳、展位座位、層壓板桌面和其他餐廳家具，讓您的客戶保持舒適和��定的利潤。顧客一進入您的場所，餐廳餐廳就會投射出您企業的氛圍和風格。無論是正式餐廳還是休閒餐廳，從餐盤到座位的一切都會影響到顧客的用餐體驗。 Flash Furniture 和 Oak Street Manufacturing 等製造商提供多種選擇和價格點。 – 粘合到塑料或複合材料底座上的印刷塑料薄片。物有所值，它們有各種各樣的純色、仿木紋，甚至是類似石頭的圖案。桌面有多種標準尺寸可供選擇，大多數製造商都會接受定制訂單。使用頁面頂部的搜索欄搜索您的產品。將產品保存在您的願望清單中，以便以後購買或與您的朋友分享。為人群製作的 20 道滋補湯食譜這種充滿活力的黃色的秘訣只是 half of 茶匙薑黃。許多這些大批量湯食譜的一個額外好處是它們可以冷凍。將單獨的部分放入冰箱中，以便在您需要快速午餐或適合人群的碗時隨時準備好。沒有徘徊，肉湯是平淡無奇的，瓦罐裡還有所有多餘的液體。在預熱的烤箱中烤，每 15 分鐘攪拌一次，直到蔬菜變軟，洋蔥焦糖化，大約 1 小時。這種超清淡、超清爽的湯最好冷藏後飲用，因此請提前做好。它可以熱食或冷食，含有卡路里。蘆筍湯 - 超級奶油，富含蔬菜，這是另一頓又快又簡單的飯菜。我也用了 3/4c 大麥，把鷹嘴豆換成了海軍藍。我發現它有點咸，但這可能是因為使用了較少的大麥。 38 道開胃菜，非常適合餐飲完美的油條外皮酥脆，內裡柔軟粘稠。搭配啜飲巧克力，它們是完美的一口大小的甜點。辛辣、俗氣和放縱——這種水牛雞蘸醬檢查了後院派對或足球後擋板的所有盒子。它產生了有史以來最美味、最柔軟、一口大小的椒鹽脆餅！當蘸上濃稠的奶油奶酪醬時，它們簡直就是天堂。你有完美調味的肉餡（在這個食譜中，我們用的是雞肉）包裹在一層薄薄的黃油外殼中，然後油炸或烘烤至金黃色。土豆、培根、酸奶油和奶酪的味道和質地相得益彰，沒有人能抗拒這些令人無法抗拒的土豆皮。一條牛里脊肉，穿在 6 英寸的烤肉串上，配上蘸醬。堆放各種各樣的物品——只要你把它們展示得很好，沒有人會注意到實際食物比放在長方形桌子上少！好的，是的，我們剛剛說過人們每年這個時候都在努力吃得更健康。但是，如果您要在活動菜單中加入甜點，請確保它是 Instagram 值得擁有的甜甜圈牆中的這些超級多彩的款待。棉花糖、軟糖和灑滿糖屑的棉花糖棒是任何春季��單的有趣補充。西式餐盒

#catering

1 note · View note

taiwanwebmuseum · 2 years

Text

唐朝女皇武則天越窯秘色青瓷浮雕鳳(女皇)霸臨天下紋筆洗

Tang Dynasty Empress Wu Zetian Yue Kiln Secret Color Celadon Relief carved Phoenix (Empress) dominating the world Brush Washer

https://youtu.be/HHsfyAlKONo

https://youtu.be/PPFJeQOtgI8

https://youtu.be/JcU8iyQhK5w

https://youtu.be/zigAXiy2ERo

https://youtu.be/yfyygfTn3tM

https://youtu.be/68e755vWA7g

https://youtu.be/m9Ux4vcwXAY

https://youtu.be/aFi1rm3IfQI

https://youtu.be/tD4v92jon2o

https://youtu.be/vCb60qelr04

https://youtu.be/sRzqH_NOs6U

https://youtu.be/pebzMAciR4M

https://youtu.be/34bteIk8Udc

https://m.facebook.com/groups/fine.art.to.sell/permalink/3236331590022555/

https://www.facebook.com/groups/fine.art.to.sell/permalink/3237582189897495/

https://www.facebook.com/groups/fine.art.to.sell/permalink/3233790350276679/

https://www.facebook.com/groups/fine.art.to.sell/permalink/3233786293610418/

https://www.facebook.com/groups/fine.art.to.sell/permalink/3233784463610601/

https://www.facebook.com/groups/fine.art.to.sell/permalink/3227831320872582/

唐朝女皇武則天越窯秘色青瓷浮雕鳳(女皇)霸臨天下紋筆洗

尺寸：高 5.1 - 5.2 x 最大圓腹徑 25.2 - 25.4 x 口徑 20.7 - 20.8 x 圈足底徑 21.1 - 21.2 cm 公分

此筆洗堪稱為唐代「帝國重器」，其工藝、尺寸、浮雕紋飾、器型、全器表面溫潤如玉器、浮雕如玉雕、全器滿釉呈現清徹光亮滑順光澤、聚釉處晶亮光澤如冰面，秘色青釉等皆遠勝於其未來 1,300 年內，五代後周世宗柴榮帝柴窯筆洗，宋朝皇帝徽宗汝、官、哥、定、鈞五大名窯筆洗，明朝永樂、宣德青花筆洗，甚至於遠超過清三代康熙、雍正、乾隆朝帝王單色釉筆洗。

此筆洗也因具備越窯秘色青瓷浮雕鳳(女皇)霸臨天下紋飾，且釉色為唐代初期的「青泛黃」，全器滿釉，器底圈足內有七個「灰白色豆狀」支燒釘泥點印痕，全器溫潤明亮脂狀光澤類似玉雕品，明顯為越窯進貢唐朝皇室貢瓷，臣民不得使用，據此推論應屬唐朝女皇武則天 (公元 624 年 - 705 年) 之筆洗重器。

此筆洗又因具備有喻意「延年益壽」的「鶴紋」，據此推論應屬唐朝女皇武則天晚年自立為武周皇帝 (公元 690 年 - 705 年) 時之越窯向唐朝皇室祝壽貢瓷筆洗重器。

越窯是唐朝、五代時浙江紹興越州的瓷窯，窯址主要分佈於慈谿的上林湖一帶。隋朝、唐朝時紹興叫「越州」，因此得名為「越窯」。越窯燒製的青瓷器在唐代很出名。

越窯是中國聞名遐邇的青瓷窯之一。越窯青瓷是中國最久遠的瓷器之一，是世界公認的「瓷母」。

越窯燒造瓷器歷史悠久，從西周原始瓷到唐宋秘色瓷，從未間斷，唐代越窯青瓷成為皇室貢品。

唐詩人陸龜蒙用「九秋風露越窯開，奪得千峰翠色來。」讚美越窯青瓷的典雅秀美，對其釉色清澈碧綠、如冰似玉的光澤，給人以一種捉摸不定的感覺，譽稱為「秘色瓷」。

唐代陸羽在《茶經》中寫道：「碗，越州為上。其瓷類玉、類冰。」。

晚唐、五代時最上品的越窯千峰翠色青瓷專門作為皇室貢品，臣民不得使用，因此稱為「秘色青瓷」。

五代時閩國王王審知曾派徐夤貢秘色瓷，徐夤作詩:《貢余秘色瓷器》：「捩翠融青瑞色新，陶成先得貢吾君。功剜明月染春水，輕旋薄冰盛綠雲。

古鏡破苔當席上，嫩荷涵露別江濆。中山竹葉醅初發，多病那堪中十分。」。

宋朝趙彥衡《雲麓漫鈔》說越窯秘色瓷艾色，又引唐代詩人陸龜蒙《進越器詩》曰："九秋風露越窯開，奪得千峰翠色來；好向中霄盛沆瀣，共稽中散斗遺杯。」。

1987 年 4 月 3 日，法門寺真身寶塔的地宮被打開，出土大量珍貴文物，其中包括十三件秘色瓷器，現存法門寺博物館。

越窯器物燒製，凡是在外底有泥點支燒印痕的器物，定是無匣明火迭燒，其時代可以早到初、盛唐時期，晚至北宋元祐、政和時期。

在初、盛唐時期，隨著人們從席地而坐逐步發展成用桌椅配套座飲、會客，因此許多瓷器從較大器形逐步為端巧多樣的造型所代替。

施釉也由「半釉」邁向「滿釉」發展。所支燒的器物，往往用豆狀的泥點，排列在外底，而遺留下四到八粒「灰白色豆狀泥點印痕」。這種豆狀的泥點所反映的情況，為我們提供了一個信息，它的生產年代是在初、盛唐時期。

在初唐時期，越窯雖然在窯爐結構上獲得了改善，但燒造的氣氛除了一部分還原焰較好的器物呈現青色外，有很大一部份弱還原焰或氧化焰呈色便為「青泛黃或米黃色」。

關于越窯胎體，由於所用瓷土含鐵量較高，所呈色為「灰白色」，這已為眾多越窯器所證明，化學成份測試也證明了這一點。因此凡是唐、五代、北宋越窯製品，胎體呈色絕對不可能像龍泉窯那麼白，也不可能像長沙窯、婺州窯那麼疏鬆的缸胎，在胎體也是呈「灰白色」。

此筆洗胎質堅硬緻密，器物胎壁較厚重，界於瓷與陶之間。胎色灰白。圓鼓腹邊牆。外壁口沿旁有一圈弦紋。古時越窯窯工的修胎是很有特點的，為了追求時效，熟練窯工往往就在快速的幾刀之中完成了修坯的工作，因此，在此筆洗器物內外壁上及器底圈足內可見到修坯時所留下的明顯轉輪製痕。

此筆洗亦具備古瓷應有之千年開片紋、千年蛤蜊光、器壁上亦有數個明顯的「棕眼之古瓷瑕疵」及一些「黑斑與白點之古瓷瑕疵」、與古代的柴燒氣泡。器底圈足內有七個「灰白色豆狀」支燒釘泥點印痕，其中有三個支燒釘泥點印痕具「千年火石紅」痕跡。

器底圈足線邊緣與浮雕勾勒線邊緣等薄釉處皆露出醬柿泛紫色如「紫線邊緣」。圈足露胎處上有「數個磕碰凹痕的古瓷瑕疵」及「黏窯砂、粘渣底」。內壁牆邊於「鶴」紋飾外圈弦紋圓圈線旁有一「蚯蚓走泥紋的古瓷瑕疵」。

另外，器底於光線下呈現略為凹凸不平，是由於泥坯中間的部位水份未乾，成型泥胎在掙脫粘連的泥范（模）時，由越窯窯工左右輕微轉動脫模操作所形成。現代仿製品完全無法製作器底略為凹凸不平現象。

來源：

屬擊敗蒙古元朝歐亞大帝國的明朝皇帝朱元璋所分封為軍事大元帥的「陳秀甫」(陳秀甫亦為明代開國功臣光祿大夫《光祿大夫為皇帝開國及軍事作戰的出糧出資金錢財主》) 家族傳世的祖傳傳世品。

...

Tang Dynasty Empress Wu Zetian Yue Kiln Secret Color Celadon Relief carved Phoenix (Empress) dominating the world Brush Washer

Dimensions: Height 5.1 - 5.2 x Maximum round Abdomen Diameter 25.2 - 25.4 x Mouth Diameter 20.7 - 20.8 x Ring Foot Diameter 21.1 - 21.2 cm

This brush washer can be called the "Imperial Important Ware" of the Tang Dynasty. Its craftsmanship, size, relief pattern, shape, surface of the entire utensil being as smooth as jade, relief being like jade carving, full glaze of the entire utensil being clear, bright and smooth, poly glaze being crystal clear and bright luster being like ice surface, secret color celadon glaze, etc., are far better than those in the next 1,300 years, the brush washer of Hou Zhou Shizong Emperor Chai Rong of the Five Dynasties, Song Dynasty Emperor Huizong's brush washer out of five famous kilns: Ru Guan Ge Ding Jun, Ming Dynasty Yongle Xuande blue and white brush washer, even far more than the monochrome glaze brush washer of Emperors in three dynasties of Qing dynasty: Kangxi Yongzheng Qianlong.

This brush washer is also decorated with a Yue kiln secret color celadon embossed relief phoenix (Empress) dominating the world pattern, and the glaze color is "greenish yellow" in the early Tang Dynasty. The whole utensil was full-glazed. There are seven "gray-white bean-shaped" supporting-nail marks with mud dots inside the bottom ring foot. The whole utensil is smooth with bright luster like a jade carving. It was obviously an imperial tribute porcelain to the Tang Dynasty royal family from Yue kiln, and subjects were not allowed to use it. Based on this, it is inferred that it should be the important brush washer ware belonged to the Empress Wu Zetian (A.D. 624 - 705) of the Tang Dynasty.

This brush washer also has the "crane pattern" which means "prolonging longevity", so it can be deduced that it should be belonged to the important ware brush washer of Empress Wu Zetian of the Tang Dynasty who proclaimed herself as Empress Wu Zhou (A.D. 690-705) in her later years as a birthday gift of tribute porcelain to the Tang Dynasty royal family from Yue kiln.

Yue kiln is a porcelain kiln in Yuezhou, Shaoxing, Zhejiang during the Tang and Five Dynasties. The kiln sites are mainly distributed in the Shanglin Lake area of Cixi. In the Sui and Tang Dynasties, Shaoxing was called "Yuezhou", so it was named "Yue kiln". The celadon wares fired in Yue kilns were very famous in the Tang Dynasty.

Yue Kiln is one of the famous celadon kilns in China. Yue kiln celadon porcelain is one of the oldest porcelains in China, and is recognized as the "mother of porcelain" in the world.

Yue kiln has a long history of firing porcelain, from the original porcelain of the Western Zhou Dynasty to the secret color porcelain of the Tang and Song Dynasties, and it had been uninterrupted. The Yue kiln celadon porcelain in the Tang Dynasty became a tribute to the royal family.

The Tang poet Lu Guimeng used "When the autumn winds dropped dew in September, the Yue kiln opened and won the green color of the thousand mountain peaks." He praised the elegance and beauty of Yue kiln celadon porcelain, and its glaze color is clear and green, luster is like ice and jade, giving people an unpredictable feeling. It was well known as the secret color porcelain.

In the Tang Dynasty, Lu Yu wrote in "The Classic of Tea": "Bowl, Yuezhou is the best. Its porcelain is like jade and ice."

In the late Tang and Five Dynasties, the top-quality Yue kiln celadon porcelain with the green color of the thousand mountain peaks was specially used as a tribute porcelain, and the subjects were not allowed to use it, so it was called the "secret color celadon porcelain".

In the Five Dynasties, the King of Fujian, Wang Shenzhi, once sent Xu Yin to pay tribute with the secret color porcelain. Xu Yin wrote a poem: "Pay my tribute with the Secret Color Porcelain": "The green celadon color is completely new, and the fired porcelain is the first to pay tribute to my Emperor. Fine work was cut under bright moonlight with water in the Spring. It was rotated slightly on the wheel plate like thin ice to load green clouds. On the seat it was like the broken green moss on the ancient mirror, the tender lotus and dew showed farewell to the river side. The bamboo leaves in the mountains were first developed for grains to be wine, and it was feared to be very sick to finish the work completely.".

Song Dynasty Zhao Yanheng's "Yunlu Manchao (Cloud, Foot of a mountain, Overflow, Banknote)" said that Yue kiln's secret color porcelain was beautiful, and also quoted Tang Dynasty poet Lu Guimeng's "To purchase Yue porcelain ware Poem" as saying: "When the autumn winds dropped dew in September, the Yue kiln opened and won the green color of the thousand mountain peaks; it was so good in order to load same color from the middle sky. Let's salute together and share the cups left by the scattered utensils.".

On April 3, 1987, the underground palace of the True Body Pagoda of Famen Temple was opened, and a large number of precious cultural relics were unearthed, including thirteen pieces of secret color porcelain, which are now collected in the Famen Temple Museum.

When Yue kiln wares were fired, all the wares with marks of clay dots' supporting-nails on the outer bottom of the utensils must have been burned under rotating open fire without box. The age can be as early as the early and prosperous Tang Dynasty, and as late as the Yuanyou and Zhenghe periods in the Northern Song Dynasty.

In the early and prosperous Tang Dynasty, as people gradually developed from sitting on the floor to using tables and chairs to sit, drink, and meet guests, many porcelain wares were gradually replaced from larger ones to various delicate shapes.

Glazing had also developed from "half glaze" to "full glaze". The supporting-nails of burnt utensils were often made of bean-shaped mud dots arranged on the outer bottom, leaving four to eight "grey white bean-shaped mud dot marks". The situation reflected by this bean-shaped mud dots provides us with information that its production age was in the early and prosperous Tang Dynasty.

In the early Tang Dynasty, although the furnace structure of the Yue kiln had been improved, in the firing atmosphere, in addition to a part of the utensils with better reducing flame showing green color, a large part of the weak reducing flame or oxidizing flame showed "Greenish yellow or Beige".

Regarding the Yue kiln porcelain carcass, due to the high iron content of the porcelain clay used, the color is "grey white", which has been proved by many Yue kiln wares, and the chemical composition test has also proved this. Therefore, for the Yue kiln products of the Tang, Five Dynasties, and Northern Song Dynasties, the color of the porcelain carcass is absolutely impossible to be as white as Longquan kiln, and it is impossible to be as loose as Changsha kiln and Wuzhou kiln, and the porcelain carcass is also "grey white".

The quality of the porcelain body of this brush washer is very hard and dense, and the wall of the utensil is thicker and heavier, between the porcelain and the pottery. Porcelain fetal color is grey white. It has a round belly wall. There is a circle of string pattern by the mouth edge on the outer wall. In ancient times, kiln workers in Yue kilns were very characteristic in trimming ceramic bodies. In order to pursue time-saving, skilled kiln workers often completed the work of trimming ceramic bodies in a few quick cuts. On the inner and outer walls and inside the ring foot of the bottom of this brush washer utensil, there are obvious rotating-wheel-making marks left when the porcelain body was trimmed.

This brush washer also has the the millennium cracking pattern, the millennium clam light, several obvious marks of "brown-eyed-small-holes" which are ancient porcelain flaws on the walls of the utensile, and some "black and white spots of ancient porcelain flaws", together with the ancient wood-fired air bubbles, all that ancient porcelain should have. There are seven "gray-white bean-shaped" supporting-nail marks with mud dots inside the bottom ring foot. Among them, there are three supporting-nail marks' mud dots with the traces of "millennium flint red".

The places with thin glaze, such as the edge of the ring foot line on the bottom ring foot of the utensil, and the edge of the relief outline, all reveal the color of sauce-persimmon which was turned purple, such as the "purple line edge". There are "several ancient porcelain flaws of bumps and dents out of collisions" and "pasted kiln sands, sticky slag bottom" at the exposed ceramic body of the ring foot. On the inner wall, there is an "ancient porcelain flaw of Earthworm Walking in the Mud Pattern" next to the "crane" pattern by the outer round string line pattern.

In addition, the bottom of the utensil is slightly uneven under the light. Because when the water in the middle of the porcelain mud body was not dry yet and meanwhile the molded mud body was slightly turned left and right to be broken away from the sticking mud mold. So long as the Yue kiln porcelain workers took the above procedure, then the uneven bottom would have been formed. Modern imitations are completely unable to produce slightly uneven bottoms.

Provenance:

The handed down collection from the family ancestor of Chen Xiufu, a military marshal who was assigned by the Ming Emperor Zhu Yuanzhang (Zhu Yuanzhang defeated the Eurasian Empire of the Mongolian Yuan Dynasty), (Chen Xiufu was also the founding hero of the Ming Dynasty, whose official name was Guangludafu, "Guangludafu was the rich and wealthy capitalist of food and money supplied for the emperor's nation-founding and military operations.").

http://myfatebook.com

...

網誌 Blogger：

Orion Museum

文章 Article：

VIP 尊貴客戶鑑賞 7 件藝術品

Seven valuable works of art for VIP valued customers to appreciate

連結 Link：

https://orionsmuseum.blogspot.com/2022/05/vip-7-seven-valuable-works-of-art-for.html

...

網誌 Blogger：

Orion Museum

文章 Article：

明朝開國功臣軍事大元帥陳秀甫家族祖傳的傳世汝窯瓷器有精美紋飾圖案

The Ru kiln porcelains handed down from the ancestors of the Chen Xiufu family, who was the founding hero and military marshal of the Ming Dynasty, have exquisite decorative patterns.

連結 Link：

https://orionsmuseum.blogspot.com/2022/05/ru-kiln-porcelains-handed-down-from.html

...

網誌 Blogger：

Orion Museum

文章 Article：

「天神密碼」保護「無價生命」我們知道你的昨天、今天和明天！

"The God's Code" protects "Priceless Life" We know your yesterday, today and tomorrow!

連結 Link：

https://orionsmuseum.blogspot.com/2022/05/gods-code-protects-priceless-life-we.html

...

網誌 Blogger：

Orion Museum

文章 Article：

明朝開國功臣軍事大元帥陳秀甫家族祖傳的傳世藝術收藏品

The art collections handed down from the family ancestors of the military marshal Chen Xiufu, the founding hero of the Ming Dynasty

連結 Link：

https://orionsmuseum.blogspot.com/2022/05/art-collections-handed-down-from-family.html

...

網誌 Blogger：

Orion Museum

文章 Article：

明朝正統年製官窯五彩歐洲使節天朝進貢人物風景紋天球瓶

A Wucai European Envoy presenting Tribute to the Sovereign of China Figures and Landscape Bottle Vase Tianqiuping Imperial Palace Workshop Zhengtong Period (1436 - 1449) Four-character Seal-mark Ming Dynasty

連結 Link：

https://orionsmuseum.blogspot.com/2022/05/wucai-european-envoy-presenting-tribute.html

...

網誌 Blogger：

Orion Museum

文章 Article：

五代後周時期柴官窯綠釉皇室工藝底部篆印 “柴” 一字款雙龍紋薄胎鏤空管心瓶

Chai imperial kiln green glaze royal craftsmanship with bottom seal-marked-and-printed one-character "Chai", double dragon patterns, thin shell, hollow-carved, tube heart, Bottle Vase, Imperial Palace Workshop, Hou Zhou Period (921 - 959 A.D.) Five Dynasties.

連結 Link：

https://orionsmuseum.blogspot.com/2022/06/chai-imperial-kiln-green-glaze-royal.html

...

網誌 Blogger：

Orion Museum

文章 Article：

宋元吉州窯黑釉玳瑁天目釉鷓鴣斑曜變茶盞

Song and Yuan Dynasty Jizhou Kiln Black-glazed, tortoiseshell Yohen tenmoku (kiln change) painted "partridge's speckling" splashes tea bowl

連結 Link：

https://orionsmuseum.blogspot.com/2022/06/song-and-yuan-dynasty-jizhou-kiln-black.html

...

網誌 Blogger：

Orion Museum

文章 Article：

明朝開國功臣軍事大元帥陳秀甫家族祖傳的傳世藝術收藏品(瓷器)

The art collections (Ceramics) handed down from the family ancestors of the military marshal Chen Xiufu, the founding hero of the Ming Dynasty

連結 Link：

https://orionsmuseum.blogspot.com/2022/06/art-collections-ceramics-handed-down.html

...

網誌 Blogger：

Orion Museum

文章 Article：

唐朝女皇武則天越窯秘色青瓷浮雕鳳(女皇)霸臨天下紋筆洗

Tang Dynasty Empress Wu Zetian Yue Kiln Secret Color Celadon Relief carved Phoenix (Empress) dominating the world Brush Washer

連結 Link：

https://orionsmuseum.blogspot.com/2022/07/tang-dynasty-empress-wu-zetian-yue-kiln.html

...

Orion Museum

外部連結 External Links

Google Photos 照片：

https://photos.app.goo.gl/SjsYjQvcWXH1UoAT8

YouTube Videos 影片：

https://youtube.com/c/OrionHsuMuseum

...

#Tang #fate #future #porcelain #art #瓷器 #ware #dynasty #白玉 #ru #white jade #Yue #kiln #越窯 #秘色 #瓷 #Secret #color #brush #washer #筆洗 #鳳 #phoenix

1 note · View note

asami-blackeyes · 2 years

Photo

#胸割り #拡張 #龍 #水滸伝 #九紋龍史進 #sleevetattoo #backpiecetattoo LINE: @ blackeyes Mail: [email protected] #武蔵梵天 #彫浅 #高津区 #溝ノ口 #横須賀 #刺青 #横須賀タトゥー #和彫り #入墨 #tattoo #blackeyes #japanesetattoo #tattooart #yokosuka #yokosukatattoo #川崎 (Black Eyes Tattoo 1st) https://www.instagram.com/p/CZqvR5Try2v/?utm_medium=tumblr

6 notes · View notes

gasen-tattoo · 6 years

Photo

#gasentattoo #雅泉 #japanesetattoo #tattoo #水滸伝 #水滸伝刺青 #九紋龍 #九紋龍史進 #九紋龍史進刺青 #刺青 #入れ墨 #刺青画像 #タトゥー #タトゥー画像 #島根

7 notes · View notes

horiyen · 6 years

Photo

Wip #fivewellstattoo #wabori #japanesetattoo #tebori #horimono #gaman #千葉刺青 #市原 #我慢 #九紋龍史進 #日式傳統 #老傳統 #手彫り #彫圓

#japanesetattoo #fivewellstattoo #市原 #老傳統 #tebori #九紋龍史進 #手彫り #日式傳統 #gaman #我慢 #千葉刺青 #horimono #wabori #彫圓

21 notes · View notes

atsushy13 · 4 years

Photo

九紋龍史進　甲羅彫り #tattoo#刺青#irezumi#wabori#tommyguntattoo#十三銃刺青#和彫り#伝統刺青#甲羅彫り#九紋龍史進#suzukatattoo#鈴鹿刺青 (Tommy Gun Tattoo) https://www.instagram.com/p/CDlEONtJBm0/?igshid=hd0z3hakn7xp

#tattoo #刺青 #irezumi #wabori #tommyguntattoo #十三銃刺青 #和彫り #伝統刺青 #甲羅彫り #九紋龍史進 #suzukatattoo #鈴鹿刺青

0 notes

oniyohorihide · 4 years

Photo

花和尚と九紋龍史進下絵図！ #花和尚#九紋龍史進#背中一面#刺青#和彫り #日本伝統#岡山彫英 #岡山#Japanesetattoo #二重彫り LINE ID oniyome8118se https://www.instagram.com/p/CDLRV0AFUjK/?igshid=7wzikfs3ff53

#花和尚 #九紋龍史進 #背中一面 #刺青 #和彫り #日本伝統 #岡山彫英 #岡山 #japanesetattoo #二重彫り

0 notes

ryojihyperdragon · 3 years

Photo

数年ぶりの続き…( ^ω^ ) つ〜か久々に会ったら車の免許をとったり車を買ったりしてるし…励ます会とは一体なんやったんやろ…Σ（ﾟдﾟlll）息子さんと近所の娘さんを塾に迎えに行こう… #hyperdragon #高知 #高知タトゥー #高知tattoo #タトゥー #刺青 #入れ墨 #彫龍 #tattoo #九紋龍史進刺青 (Hyper Dragon Tattoo Studio ハイパードラゴンタトゥー) https://www.instagram.com/p/CKyh0fwlaDk/?igshid=xz4vvjvrp4d9

#hyperdragon #高知 #高知タトゥー #高知tattoo #タトゥー #刺青 #入れ墨 #彫龍 #tattoo #九紋龍史進刺青

0 notes

kimatayasunori · 4 years

Photo

墨画【水滸伝九紋龍史進】A3size Facebook Live Drawing 昨夜は久々のライブドローイング。ご覧頂いた方ありがとうございました🙏何も喋らない無音でのドローなのでつまんないですよね😅喋ったりした方が良いのかな〜水滸伝でもお馴染み九紋龍こと史進を思い付きでドローイング。日本でいう傾奇者といった人物ですね。70分かけてマイペースに楽しめました。 #水滸伝　#九紋龍　#史進　#墨絵　#水墨画　#中国　#drawing #artwork #japaneseart #painting #livedrawing #刺青　#tattoo #九紋竜　#monochromeart #contemporaryart #japanesepainting #kimatayasunori #木全靖陛　#suikoden #ライブドローイング　#ライブペイント　#livepainting #dailyart #facebooklive #sumie #sumiepainting https://www.instagram.com/p/CBrfTqijMQB/?igshid=f3zlha7e1m0n

0 notes

taiwanwebmuseum · 2 years

Text

唐朝女皇武則天越窯秘色青瓷浮雕鳳(女皇)霸臨天下紋筆洗

Tang Dynasty Empress Wu Zetian Yue Kiln Secret Color Celadon Relief carved Phoenix (Empress) dominating the world Brush Washer

https://youtu.be/HHsfyAlKONo

https://youtu.be/PPFJeQOtgI8

https://youtu.be/JcU8iyQhK5w

https://youtu.be/zigAXiy2ERo

https://youtu.be/yfyygfTn3tM

https://youtu.be/68e755vWA7g

https://youtu.be/m9Ux4vcwXAY

https://youtu.be/aFi1rm3IfQI

https://youtu.be/tD4v92jon2o

https://youtu.be/vCb60qelr04

https://youtu.be/sRzqH_NOs6U

https://youtu.be/pebzMAciR4M

https://youtu.be/34bteIk8Udc

https://m.facebook.com/groups/fine.art.to.sell/permalink/3236331590022555/

https://www.facebook.com/groups/fine.art.to.sell/permalink/3237582189897495/

https://www.facebook.com/groups/fine.art.to.sell/permalink/3233790350276679/

https://www.facebook.com/groups/fine.art.to.sell/permalink/3233786293610418/

https://www.facebook.com/groups/fine.art.to.sell/permalink/3233784463610601/

https://www.facebook.com/groups/fine.art.to.sell/permalink/3227831320872582/

唐朝女皇武則天越窯秘色青瓷浮雕鳳(女皇)霸臨天下紋筆洗

尺寸：高 5.1 - 5.2 x 最大圓腹徑 25.2 - 25.4 x 口徑 20.7 - 20.8 x 圈足底徑 21.1 - 21.2 cm 公分

此筆洗也因具備越窯秘色青瓷浮雕鳳(女皇)霸臨天下紋飾，且釉色為唐代初期的「青泛黃」，全器滿釉，器底圈足內有七個「灰白色豆狀」支燒釘泥點印痕，全器溫潤明亮脂狀光澤類似玉雕品，明顯為越窯進貢唐朝皇室貢瓷，臣民不得使用，據此推論應屬唐朝女皇武則天 (公元 624 �� - 705 年) 之筆洗重器。

越窯是中國聞名遐邇的青瓷窯之一。越窯青瓷是中國最久遠的瓷器之一，是世界公認的「瓷母」。

越窯燒造瓷器歷史悠久，從西周原始瓷到唐宋秘色瓷，從未間斷，唐代越窯青瓷成為皇室貢品。

唐代陸羽在《茶經》中寫道：「碗，越州為上。其瓷類玉、類冰。」。

晚唐、五代時最上品的越窯千峰翠色青瓷專門作為皇室貢品，臣民不得使用，因此稱為「秘色青瓷」。

五代時閩國王王審知曾派徐夤貢秘色瓷，徐夤作詩:《貢余秘色瓷器》：「捩翠融青瑞色新，陶成先得貢吾君。功剜明月染春水，輕旋薄冰盛綠雲。

古鏡破苔當席上，嫩荷涵露別江濆。中山竹葉醅初發，多病那堪中十分。」。

1987 年 4 月 3 日，法門寺真身寶塔的地宮被打開，出土大量珍貴文物，其中包括十三件秘色瓷器，現存法門寺博物館。

越窯器物燒製，凡是在外底有泥點支燒印痕的器物，定是無匣明火迭燒，其時代可以早到初、盛唐時期，晚至北宋元祐、政和時期。

在初、盛唐時期，隨著人們從席地而坐逐步發展成用桌椅配套座飲、會客，因此許多瓷器從較大器形逐步為端巧多樣的造型所代替。

...

Tang Dynasty Empress Wu Zetian Yue Kiln Secret Color Celadon Relief carved Phoenix (Empress) dominating the world Brush Washer

Dimensions: Height 5.1 - 5.2 x Maximum round Abdomen Diameter 25.2 - 25.4 x Mouth Diameter 20.7 - 20.8 x Ring Foot Diameter 21.1 - 21.2 cm

Yue Kiln is one of the famous celadon kilns in China. Yue kiln celadon porcelain is one of the oldest porcelains in China, and is recognized as the "mother of porcelain" in the world.

In the Tang Dynasty, Lu Yu wrote in "The Classic of Tea": "Bowl, Yuezhou is the best. Its porcelain is like jade and ice."

...

明朝開國功臣軍事大元帥陳秀甫家族祖傳的傳世藝術收藏品(瓷器)

The art collections (Ceramics) handed down from the family ancestors of the military marshal Chen Xiufu, the founding hero of the Ming Dynasty

http://myfatebook.com

Youtube:

2022 年 5 月份全球觀眾： 2,729 總觀看次數及2,868 總觀看時間 (分鐘)

Youtube:

Global audience in May 2022: 2,729 total views and 2,868 total watch time (minutes)

https://youtu.be/9nZ41jF_9jY

https://youtu.be/_XRsWNhp7IQ

https://youtu.be/YhYymPQqen8

https://youtube.com/shorts/MZyI042HtNs?feature=share

https://youtu.be/Bq76imfdq-4

Facebook 臉書：

擁有 48,000 名全球會員的臉書公共社群網站 'Fine Art to sell'：

Facebook:

Facebook Public Group 'Fine Art to sell' that has 48,000 global members:

https://www.facebook.com/groups/fine.art.to.sell/permalink/3223830651272649/

https://www.facebook.com/groups/fine.art.to.sell/permalink/3223816927940688/

https://m.facebook.com/groups/fine.art.to.sell/permalink/3188744688114579/

https://m.facebook.com/groups/fine.art.to.sell/permalink/3188542704801444/

https://www.facebook.com/groups/fine.art.to.sell/permalink/3188744148114633/

Provenance:

Ms. Chen Junying (1932- ). Her father Chen Wancheng was the 20th generation descendant from the ancestor Chen Xiufu [Official name: Guangludafu, an official who was close to the Emperor, and acted according to the edict of the Emperor, also the founding hero of the Ming Dynasty, from Wuhua, Guangdong.], who was nominated as the military Marshal by Ming Emperor Zhu Yuanzhang in Hongwu 18th year (1385 A.D.) Ming Dynasty. She has inherited the family handed-down ancestral collection, including valuable ceramics, jade carved works of art, antiques, bronzes, and Chinese paintings moving from mainland China to Taiwan since Qing dynasty, from her father Chen Wancheng and has been trained to be a good professional collector and an excellent appraiser by family education since childhood for over 80 years.

Chen Xiufu

Official name: Guangludafu, an official who was close to the Emperor, and acted according to the edict of the Emperor, also the founding hero of the Ming Dynasty, from Wuhua county, Guangdong Province, China.

Chen Xiufu was nominated as the military Marshal by Ming Emperor Zhu Yuanzhang in Hongwu 18th year (1385 A.D.) Ming Dynasty.

http://www.nanchens.com/xqxx/xqxx32/xqxx32510.htm

https://www.xuehua.tw/a/5ec8742f868e1a463e412f06

https://ppfocus.com/0/cu4cb061d.html

Announcement on the official website of People's Government of Wuhua County, in Meizhou City, Guangdong Province, China:

The first great memorial ceremony after the rebuilding of the ancestral hall of Chen Xiufu, the founding hero of the Ming Dynasty, was ushered in

On May 17, 2013, on the eighth day of the fourth month of the lunar calendar, the Chen Family Ancestral Hall (Xiufu Public Ancestral Hall), in which by Zhu Yuanzhang was Chen Xiufu nominated as the first-grade Guangludafu and awarded to build the "Emperor's Grace and Favorite Grant" Memorial Arch, was ushered in the first big memorial ceremony after its reconstruction.

https://www.wuhua.gov.cn/xxgk/gzdt/zwdt/content/mpost_326801.html

來源：

陳俊英女士 ( 1932 - )。她的父親陳萬承是明朝洪武十八年 (公元 1385 年) 被明朝皇帝朱元璋封為軍事大元帥的先祖陳秀甫 (明代開國功臣光祿大夫 [為皇帝近臣依皇帝詔命行事] 陳秀甫 [廣東五華籍]) 的第 20 代後裔。她從父親陳萬承處繼承了家族傳世的祖傳藏品，包括自清朝以來從中國大陸移至台灣的珍貴陶瓷器、玉器、古董、青銅器和中國書畫，她自童年開始透過家庭教育，即被培養成為一位很棒的專業收藏家和優秀的鑑賞家已達 80 多年。

陳秀甫

陳秀甫是明代的開國功臣光祿大夫 [此官名為皇帝近臣依皇帝詔命行事]，中國廣東省五華縣人。

明朝洪武十八年 (公元 1385 年) 陳秀甫被明朝皇帝朱元璋封為軍事大元帥。

http://www.nanchens.com/xqxx/xqxx32/xqxx32510.htm

https://www.xuehua.tw/a/5ec8742f868e1a463e412f06

https://ppfocus.com/0/cu4cb061d.html

中國廣東省梅州市五華縣人民政府官網公告訊息：

明朝開國功臣陳秀甫祠堂重建落成後迎來首次大祭

公元 2013 年 5 月 17 日，農曆四月初八，被朱元璋封為一品光祿大夫、賜建 “皇恩寵錫” 牌坊的陳家祠(秀甫公祠)重建落成後迎來了首次大祭。

https://www.wuhua.gov.cn/xxgk/gzdt/zwdt/content/mpost_326801.html

...

The Provenance of Works of Art

藝術品來源

https://youtu.be/6v0qM9_dimc

Works of Art

Provenance:

藝術品

來源：

...

Chen Xiufu

Chen Xiufu was nominated as the military Marshal by Ming Emperor Zhu Yuanzhang in Hongwu 18th year (1385 A.D.) Ming Dynasty.

陳秀甫

陳秀甫是明代的開國功臣光祿大夫 [此官名為皇帝近臣依皇帝詔命行事]，中國廣東省五華縣人。

明朝洪武十八年 (公元 1385 年) 陳秀甫被明朝皇帝朱元璋封為軍事大元帥。

http://www.nanchens.com/xqxx/xqxx32/xqxx32510.htm

https://www.xuehua.tw/a/5ec8742f868e1a463e412f06

https://ppfocus.com/0/cu4cb061d.html

...

Announcement on the official website of People's Government of Wuhua County, in Meizhou City, Guangdong Province, China:

The first great memorial ceremony after the rebuilding of the ancestral hall of Chen Xiufu, the founding hero of the Ming Dynasty, was ushered in

中國廣東省梅州市五華縣人民政府官網公告訊息：

明朝開國功臣陳秀甫祠堂重建落成後迎來首次大祭

公元 2013 年 5 月 17 日，農曆四月初八，被朱元璋封為一品光祿大夫、賜建 “皇恩寵錫” 牌坊的陳家祠(秀甫公祠)重建落成後迎來了首次大祭。

https://www.wuhua.gov.cn/xxgk/gzdt/zwdt/content/mpost_326801.html

...

http://myfatebook.com

...

網誌 Blogger：

Orion Museum

文章 Article：

VIP 尊貴客戶鑑賞 7 件藝術品

Seven valuable works of art for VIP valued customers to appreciate

連結 Link：

https://orionsmuseum.blogspot.com/2022/05/vip-7-seven-valuable-works-of-art-for.html

...

網誌 Blogger：

Orion Museum

文章 Article：

明朝開國功臣軍事大元帥陳秀甫家族祖傳的傳世汝窯瓷器有精美紋飾圖案

The Ru kiln porcelains handed down from the ancestors of the Chen Xiufu family, who was the founding hero and military marshal of the Ming Dynasty, have exquisite decorative patterns.

連結 Link：

https://orionsmuseum.blogspot.com/2022/05/ru-kiln-porcelains-handed-down-from.html

...

網誌 Blogger：

Orion Museum

文章 Article：

「天神密碼」保護「無價生命」我們知道你的昨天、今天和明天！

"The God's Code" protects "Priceless Life" We know your yesterday, today and tomorrow!

連結 Link：

https://orionsmuseum.blogspot.com/2022/05/gods-code-protects-priceless-life-we.html

...

網誌 Blogger：

Orion Museum

文章 Article：

明朝開國功臣軍事大元帥陳秀甫家族祖傳的傳世藝術收藏品

The art collections handed down from the family ancestors of the military marshal Chen Xiufu, the founding hero of the Ming Dynasty

連結 Link：

https://orionsmuseum.blogspot.com/2022/05/art-collections-handed-down-from-family.html

...

網誌 Blogger：

Orion Museum

文章 Article：

明朝正統年製官窯五彩歐洲使節天朝進貢人物風景紋天球瓶

連結 Link：

https://orionsmuseum.blogspot.com/2022/05/wucai-european-envoy-presenting-tribute.html

...

網誌 Blogger：

Orion Museum

文章 Article：

五代後周時期柴官窯綠釉皇室工藝底部篆印 “柴” 一字款雙龍紋薄胎鏤空管心瓶

連結 Link：

https://orionsmuseum.blogspot.com/2022/06/chai-imperial-kiln-green-glaze-royal.html

...

網誌 Blogger：

Orion Museum

文章 Article：

宋元吉州窯黑釉玳瑁天目釉鷓鴣斑曜變茶盞

Song and Yuan Dynasty Jizhou Kiln Black-glazed, tortoiseshell Yohen tenmoku (kiln change) painted "partridge's speckling" splashes tea bowl

連結 Link：

https://orionsmuseum.blogspot.com/2022/06/song-and-yuan-dynasty-jizhou-kiln-black.html

...

網誌 Blogger：

Orion Museum

文章 Article：

明朝開國功臣軍事大元帥陳秀甫家族祖傳的傳世藝術收藏品(瓷器)

The art collections (Ceramics) handed down from the family ancestors of the military marshal Chen Xiufu, the founding hero of the Ming Dynasty

連結 Link：

https://orionsmuseum.blogspot.com/2022/06/art-collections-ceramics-handed-down.html

...

Orion Museum

外部連結 External Links

Google Photos 照片：

https://photos.app.goo.gl/SjsYjQvcWXH1UoAT8

YouTube Videos 影片：

https://youtube.com/c/OrionHsuMuseum

...

Thirty pieces of Fine and Rare Chinese Archaic Ceramics 30 件重要又稀少之中國瓷器

30 件重要又稀少之中國瓷器

Thirty pieces of Fine and Rare Chinese Archaic Ceramics

(01)

01-A Song Celadon Porcelain Moon-flask with Gold-light-Iron-dark-lines Crackles and Violet-mouth-Iron-black-foot Design and two Dragon Handles Imperial Palace Workshop Xuanhe four-character dark-brown seal mark and of the period (1119-1125) Song dynasty.

Size:

Height 22.2 x Maximum Abdomen Width 16.5 x Top Mouth Diameter 5.4 x Maximum elliptical Base-stand foot Diameter 8.2 x Minimum elliptical Base-stand foot Diameter 5.1 cm

Authentication:

(1) Having both gold and black colored crackles in Song dynasty those have not been successfully made nowadays.

(2) Having violet colored mouth edge in Song dynasty.

(3) Having black colored foot edge in Song dynasty.

(4) Having fire-flint dark-red colors at the foot edge in Song dynasty those should have been generated for hundreds of years.

(5) Having manually glaze-painting technique in Song dynasty that has not been used nowadays.

(6) Having under-glaze bubbles of random size at random place in Song dynasty those should have been formed in the ancient wood-burning kiln.

(7) Having deeply soaked colored crackles through the earth in Song dynasty those should have been generated for hundreds of years.

(02)

02-A Song Celadon Porcelain Vase with Gold-light-Iron-dark-lines Crackles and Violet-mouth-Iron-black-foot Design and two Pipe-like Handles Imperial Palace Workshop one-character dark-brown official seal mark Song dynasty (960-1279).

Size:

Height 26 x Maximum Abdomen Diameter 15 x Maximum Top Mouth Diameter 10.1 x Maximum elliptical Base-stand foot Diameter 11.7 x Minimum elliptical Base-stand foot Diameter 9.9 cm

Authentication:

(1) Having both light-gold-white and black colored crackles in Song dynasty those have not been successfully made nowadays.

(2) Having violet colored mouth edge in Song dynasty.

(3) Having black colored foot edge in Song dynasty.

(4) Having fire-flint dark-red colors at the foot edge in Song dynasty those should have been generated for hundreds of years.

(5) Having manually thick-glaze-painting technique in Song dynasty that has not been used nowadays.

(6) Having under-glaze bubbles of random size at random place in Song dynasty those should have been formed in the ancient wood-burning kiln.

(7) Having deeply soaked colored crackles through the earth in Song dynasty those should have been generated for hundreds of years.

(8) A similar same-period object has been collected in the Taipei National Palace Museum with museum number NPM-Porcelain-014022-N000000000 Imperial Palace Workshop Southern-Song dynasty (1127-1279) Size: Height 26.6 x Maximum Top Mouth Diameter 11 cm.

(03)

03-A Song Celadon Porcelain Six-petaled Lotus Vase with Gold-light-Iron-dark-lines Crackles and Violet-mouth-Iron-black-foot Design Imperial Palace Workshop one-character dark-brown official seal mark Song dynasty (960-1279).

Size:

Height 22 x Maximum Abdomen Diameter 12 x Maximum Top Mouth Diameter 9.6 x Maximum Six-petaled Lotus round Base-stand foot Diameter 7.2 cm

Authentication:

(1) Having both light-gold-white and black colored crackles in Song dynasty those have not been successfully made nowadays.

(2) Having violet colored mouth edge in Song dynasty.

(3) Having black colored foot edge in Song dynasty.

(4) Having fire-flint dark-red colors at the foot edge in Song dynasty those should have been generated for hundreds of years.

(5) Having manually thick-glaze-painting technique in Song dynasty that has not been used nowadays.

(6) Having under-glaze bubbles of random size at random place in Song dynasty those should have been formed in the ancient wood-burning kiln.

(7) Having deeply soaked colored crackles through the earth in Song dynasty those should have been generated for hundreds of years.

(04)

04-A Song Ru Kiln Sky-blue-glazed Porcelain Bottle with two Ears and Plate Mouth Northern-Song dynasty (960-1127).

Size:

Height 21.3 x Maximum Abdomen Diameter 9 x Top Mouth Diameter 6.4 x round Base-stand foot Diameter 7 cm

Authentication:

(1) Having both shrunk-glaze-holes and fire-flint earth-yellow colors inside them in Song dynasty those should have been generated for hundreds of years.

(2) Having light-glazed mouth edge in Song dynasty.

(3) Having five burning-supporting nail-head marks whose shapes are as small round millets at the outer bottom of the bottle those should have been made in the Ru kiln Song dynasty.

(4) Having fire-flint earth-yellow colors inside the five burning-supporting nail-head marks at the outer surface of bottom and shrunk-glaze-holes around the porcelain body in the Ru kiln Song dynasty those should have been generated for hundreds of years.

(5) Having manually thick-glaze-painting technique in Song dynasty that has not been used nowadays.

(6) Having under-glaze bubbles of random size at random place in Song dynasty those should have been formed in the ancient wood-burning kiln.

(7) Having deeply soaked earth-yellow colored crackles through the earth in Song dynasty those should have been generated for hundreds of years.

(8) Having dry clay in Song dynasty that has not been used nowadays.

(05)

05-A Song Ru Kiln Sky-blue-glazed Porcelain Small Dish with Crackles Northern-Song dynasty (960-1127).

Size:

Height 3.1 x Top Mouth Diameter 13.9 x round Base-stand foot Diameter 9.3 cm

Authentication:

(1) Having the marks of agate being mixed in the glaze those should have been made in the Ru kiln Song dynasty.

(2) Having light-glazed foot edge in Song dynasty.

(3) Having three burning-supporting nail-head marks whose shapes are as small elliptical millets at the outer bottom of the small dish those should have been made in the Ru kiln Song dynasty.

(4) Having fire-flint earth-yellow colors inside the three burning-supporting nail-head marks at the outer surface of bottom in the Ru kiln Song dynasty those should have been generated for hundreds of years.

(5) Having manually glaze-painting technique in Song dynasty that has not been used nowadays.

(6) Having under-glaze bubbles of random size at random place in Song dynasty those should have been formed in the ancient wood-burning kiln.

(7) Having deeply soaked earth-yellow colored crackles through the earth in Song dynasty those should have been generated for hundreds of years.

(8) Having dry clay in Song dynasty that has not been used nowadays.

(9) A similar same-period object has been collected in the Taipei National Palace Museum with museum number NPM-Porcelain-009827-N000000000 Imperial Palace Workshop Northern-Song dynasty (960-1127) Size: Height 3.3 x Top Mouth Diameter 13 x round Base-stand foot Diameter 9 cm.

(06)

06-A Song Jun-kiln Celadon-glazed and Copper-red Porcelain Dish with Crackles Song dynasty (960-1279).

Size:

Height 4 x Top Mouth Diameter 18.6 x round Base-stand foot Diameter 8.6 cm

Authentication:

(1) Having a copper-red colored mark mixed in the celadon-glazed surface that should have been made in the Jun kiln Song dynasty.

(2) Having light-glazed mouth edge in Song dynasty.

(3) Having manually pulled spiral shapes at the outer wall and bottom of the dish those should have been made in the Jun kiln Song dynasty.

(4) Having fire-flint earth-yellow colors at the outer wall and bottom clay of the dish those should have been generated for hundreds of years.

(5) Having manually heavy-glaze-painting technique in Song dynasty that has not been used nowadays.

(6) Having under-glaze bubbles of random size at random place in Song dynasty those should have been formed in the ancient wood-burning kiln.

(7) Having deeply soaked light-colored crackles through the earth in Song dynasty those should have been generated for hundreds of years.

(8) Having dry clay in Song dynasty that has not been used nowadays.

(07)

07-A Song Jun-kiln Celadon-glazed and Copper-red Porcelain Vase with two handles and Crackles Song dynasty (960-1279).

Size:

Height 18 x Maximum Abdomen Diameter 11 x Top Mouth Diameter 4.6 x round Base-stand foot Diameter 5.6 cm

Authentication:

(1) Having a copper-red colored mark mixed in the celadon-glazed surface that should have been made in the Jun kiln Song dynasty.

(2) Having light-glazed mouth edge in Song dynasty.

(3) Having manually pulled spiral shapes at the outer wall and bottom of the vase those should have been made in the Jun kiln Song dynasty.

(4) Having fire-flint earth-yellow colors at the outer wall and bottom clay of the vase those should have been generated for hundreds of years.

(5) Having manually heavy-glaze-painting technique in Song dynasty that has not been used nowadays.

(6) Having under-glaze bubbles of random size at random place in Song dynasty those should have been formed in the ancient wood-burning kiln.

(7) Having deeply soaked light-colored crackles through the earth in Song dynasty those should have been generated for hundreds of years.

(8) Having dry clay in Song dynasty that has not been used nowadays.

(08)

08-A Liao Celadon-glazed Porcelain Leather-bag-flask with Horse-riding Design and crackles (Broken Handle) Liao dynasty (1031-1218).

Size:

Height 33.3 x Maximum Abdomen Diameter 20 x Top Mouth Diameter 4.6 x round Base-stand foot Diameter 10.4 cm

Authentication:

(1) Having leather-bag-flask with horse-riding design that should have been made in the Liao dynasty.

(2) Having both shrunk-glaze-holes and fire-flint earth-yellow colors inside them in Song/Liao/Yuan dynasty those should have been generated for hundreds of years.

(3) Having manually pulled spiral shapes at the bottom of the flask those should have been made in the Song/Liao/Yuan dynasty.

(4) Having fire-flint earth-yellow colors at the bottom clay of the flask and the shrunk-glaze-holes on the porcelain body those should have been generated for hundreds of years.

(5) Having manually glaze-painting technique in Song/Liao/Yuan dynasty that has not been used nowadays.

(6) Having under-glaze bubbles of random size at random place in Song/Liao/Yuan dynasty those should have been formed in the ancient wood-burning kiln.

(7) Having deeply soaked earth-yellow colored crackles through the earth in Song/Liao/Yuan dynasty those should have been generated for hundreds of years.

(8) Having dry clay in Song/Liao/Yuan dynasty that has not been used nowadays.

(09)

09-A Yuan Blue and White Jar with Octagon-mouth Lotus-shaped Cover and Walking Three-claw Dragon Design Yuan dynasty (1206-1368).

Size:

Height with cover 33 x Height without cover 28 x Maximum Abdomen Diameter 33 x Maximum Top Octagon-Mouth Width 19.7 x Maximum Bottom Octagon-Base-stand foot Width 21.3 cm

Authentication:

(1) Having a walking three-claw dragon design that should have been made in the Yuan dynasty.

(2) Having both shrunk-glaze-holes and fire-flint earth-yellow colors inside them at both outer and inner wall of the jar as well as the cover in Yuan dynasty those should have been generated for hundreds of years.

(3) Having manually pulled spiral shapes at the bottom of the jar and the inner wall of the cover those should have been made in the Yuan dynasty.

(4) Having fire-flint earth-yellow colors at the bottom clay of the jar and the shrunk-glaze-holes on the porcelain body those should have been generated for hundreds of years.

(5) Having manually heavy-glaze-painting technique in Yuan dynasty that has not been used nowadays.

(6) Having under-glaze bubbles of random size everywhere at the glaze painted body as bubble-sea in Yuan dynasty those should have been formed in the ancient wood-burning kiln.

(7) Having a pale greenish lake-water-like tinge out of white on the surface in Yuan dynasty that should have been formed in the ancient wood-burning kiln.

(8) Having dry clay in Yuan dynasty that has not been used nowadays.

(9) Having little black defect-spots formed by the cobalt material of Sumali-smalt green dyestuff that would have created a natural misty phenomenon under firing with a flash of silver-white tin light on the heavy-blue-glazed surface and had been commonly used both in Yuan dynasty and the Yongle/Xuande period Ming dynasty. The supply source of imports and its actual origin of the Sumali-smalt green dyestuff have been unknown in modern times and become untraceable. Its supply could not be obtained nowadays. The Sumali-smalt green dyestuff consists of low manganese and high iron ingredients and this will reduce red and purple colors to be shown. With an appropriate level of firing attainment, a splendid heavy green and blue color can be burnt out such as the blue gloss of a sapphire with elegant and solemn color, attractively bright-colored surface, and clear structure. However the Sumali-smalt green dyestuff consists of high ingredient of iron element, it will often form some black cobalt material defect-spots to be left with a flash of silver-white tin light at the heavy-glazed blue firing parts.

(10)

10-A Yuan Blue and White Under-glaze Red Porcelain Mongolia-dwelling-tent-bowl with cover and Floral Phoenix Design Yuan dynasty (1206-1368).

Size:

Height with cover 15.5 x Height without cover 8.5 x Top Mouth Diameter 25 x round Base-stand foot Diameter 17 cm

(11)

11-A Xuande Blue and White and Under-glaze Red Porcelain Moon-flask with Floral and Eight-treasures Design and two Handles Imperial Palace Workshop Xuande period (1426-1435) Ming dynasty.

Size:

Height 30.5 x Maximum Abdomen Diameter 22 x Depth 10 x Top Mouth Diameter 5 x rectangular Base-stand foot Length 9.8 x rectangular Base-stand foot Width 6.8 cm

(12)

12-A Xuande Blue and White Bottle Gourd Porcelain Vase with Floral Design Imperial Palace Workshop Xuande six-character blue seal mark and of the period (1426-1435) Ming dynasty.

Size:

Height 34 x Maximum Abdomen Diameter 18 x Top Mouth Diameter 3.5 x round Base-stand foot Diameter 11 cm

(13)

13-A Xuande Blue and White Porcelain Bowl with Walking Five-claw Dragon Design Imperial Palace Workshop Xuande six-character blue seal mark and of the period (1426-1435) Ming dynasty.

Size:

Height 10.8 x Top Mouth Diameter 21.8 x round Base-stand foot Diameter 8.6 cm

(14)

14-A Xuande Blue and White Porcelain Stemcup with Pine Bamboo and Plum Design Imperial Palace Workshop Xuande six-character blue seal mark and of the period (1426-1435) Ming dynasty.

Size:

Height 10.4 x Maximum Abdomen Diameter 8 x Top Mouth Diameter 11.2 x round Base-stand foot Diameter 5.2 cm

(15)

15-A Chenghua Doucai Red Porcelain Cup with Double Phoenixes Design and Crackles Imperial Palace Workshop Chenghua six-character blue seal mark and of the period (1465-1487) Ming dynasty.

Size:

Height 5.5 x Top Mouth Diameter 9 x round Base-stand foot Diameter 4 cm

(16)

16-A Kangxi Famille Verte (Wucai) Porcelain Vase with Dragon and Phoenix Design Imperial Palace Workshop Kangxi six-character blue seal mark and of the period (1662-1722) Qing dynasty.

Size:

Height 43 x Maximum Abdomen Diameter 20 x Top Mouth Diameter 16.2 x round Base-stand foot Diameter 14 cm

(17)

17-A Yongzheng Enameled in the Famille Rose palette Porcelain Vase with Floral and Butterflies Design Imperial Palace Workshop Yongzheng six-character blue seal mark and of the period (1723-1735) Qing dynasty.

Size:

Height 41 x Maximum Abdomen Diameter 22 x Top Mouth Diameter 10.8 x round Base-stand foot Diameter 13.3 cm

(18)

18-A Yongzheng Enameled Eggshell Porcelain Vase with Western Family and a Villa Garden Design Imperial Palace Workshop Yongzheng four-character blue seal mark and of the period (1723-1735) Qing dynasty.

Size:

Height 23.5 x Maximum Abdomen Diameter 11 x Top Mouth Diameter 7.6 x round Base-stand foot Diameter 6.2 cm

(19)

19-A Qianlong Enameled Porcelain Vase with Flowers and Birds Peacock and Peahen Design Imperial Palace Workshop Qianlong six-character blue seal mark and of the period (1736-1795) Qing dynasty.

Size:

Height 32.5 x Maximum Abdomen Diameter 20 x Top Mouth Diameter 6.3 x round Base-stand foot Diameter 10.1 cm

(20)

20-A Qianlong Enameled Porcelain Bowl with Yellow Ground Four Windows Western Figures and Red-decorated Landscape Design Imperial Palace Workshop Qianlong four-character blue seal mark and of the period (1736-1795) Qing dynasty.

Size:

Height 6.8 x Top Mouth Diameter 15.1 x round Base-stand foot Diameter 6.7 cm

(21)

21-A Northern Song Ding Kiln White ground Wucai Porcelain Lotus-mouth shaped Vase with carved and gilt Playing Children by Butterfly and Flowers Design and two Elephant-trunk Handles (two cracks in the neck) Imperial Palace Workshop two-character “Yi Ding” carved and gilt seal mark Northern Song (960-1127) dynasty.

Size:

Height 28.5 x Maximum Abdomen Width 14 x Maximum Top Mouth Length 7.2 x Minimum Top Mouth Width 6.3 x round Base-stand foot Diameter 7.7 cm

(22)

22-A Yongle Blue and White quadruped Water-dropper with Flowers and Phoenixes on Sea Waves Design and Sea Ship Shape Imperial Palace Workshop Yongle four-character carved seal mark and of the period (1403-1424) Ming dynasty.

Size:

Height 20 x Length 22 x Width 11 x quadruped Base-stand foot Length 12 x quadruped Base-stand foot Width 5 cm

(23)

23-A Tang Sancai Pottery Vase with four Dragon-heads, four Plum Blossoms, four Rings, twisted Ropes Design and very fine crackles together with the inner-shell-of-bivalve-reflecting clam-light Tang Dynasty (618-907).

Size:

Height 27 x Maximum Abdomen Diameter 26.5 x round Base-stand foot Diameter 11.8 cm

(24)

24- A Tang Yue Kiln Celadon-glazed Bottle Gourd Porcelain Vase with two Handles and very fine crackles Tang Dynasty (618-907).

Size:

Height 21.5 x Maximum Abdomen Diameter 11.5 x round Base-stand foot Diameter 6.7 cm

(25)

25-A Northern Song Ding Kiln White Porcelain Meiping Vase with carved Flowers Design and crackles Imperial Palace Workshop two-character “Yi Ding” carved seal mark Northern Song (960-1127) dynasty.

Size:

Height 28.5 x Maximum Abdomen Width 15 x Top Mouth Diameter 3.7 x round Base-stand foot Diameter 8.4 cm

(26)

26-A Tang Sancai Pottery Dish with four Fishes, four Blossoms, eight Lotus Petal-rim Design and very fine crackles together with the inner-shell-of-bivalve-reflecting clam-light Tang Dynasty (618-907).

Size:

Height 3.4 x Diameter 18 x round Base-stand foot Diameter 5.5 cm

(27)

27-A Song Celadon Porcelain Guan-type “Touhu (An ancient game-pot to be thrown into arrows)” Vase with Hexagonal body, two Hexagonal tubular lug handles by the mouth and a tall neck, Gold-light-Iron-dark-lines Crackles and Iron-black-foot Design Imperial Palace Workshop Xining Fourth Year four-character carved seal mark and of the year (A.D. 1071) Emperor Shenzong Northern Song dynasty together with the inscription by Emperor Qianlong Qing dynasty in Qianlong Fourth Year (A.D. 1739).

Size:

Height 20.2 x Maximum Abdomen Width 13.2 x Maximum Top Hexagonal Mouth Diameter 5.8 x Maximum Hexagonal Base-stand foot Diameter 9.1 cm

Carved Inscription by Emperor Qianlong Qing dynasty in Qianlong Fourth Year (A.D. 1739):

(1) In the summer of Great Qing Qianlong Fourth Year (Ji Wei Year), this was set to be the imperial appreciation treasure at Palace Wen Hua (this Palace was set to be the Ceramics Museum of Beijing Palace Museum on July 15th, 2008), with “Qian Style” two-character carved seal mark.

(2) Xining Fourth Year four-character carved seal mark and of the year (A.D. 1071 Emperor Shenzong Northern Song dynasty).

(28)

28-A Song Ru Kiln Sky-blue-glazed Porcelain Bottle with two Ears and Hexagonal body “Cai” one-character carved seal mark and of the period (A.D. 1101- A.D. 1126 Prime Minister Cai Jing of Emperor Huizong Northern Song dynasty) at the bottom outer central surface of the bottle Northern-Song dynasty (960-1127).

Size:

Height 21.3 x Maximum Abdomen Width 9.2 x Maximum Top Hexagonal Mouth Diameter 6.6 x Maximum Hexagonal Base-stand foot Diameter 6.7 cm

(29)

29-A Yuan Luanbai White glazed Porcelain Ewer Yuan dynasty (1206-1368).

Size:

Height 17.8 x Top Mouth Diameter 6.6 x round Base-stand foot Diameter 6.2 cm

(30)

30-A Kangxi Blue and White Porcelain Guanyin Vase with Garlic head and Auspicious Clouds together with Cranes Design Imperial Palace Workshop Kangxi four-character blue seal mark and of the period (1662-1722) Qing dynasty.

Size:

Height 29.3 x Maximum Abdomen Diameter 11 x Top Mouth Diameter 7.7 x round Base-stand foot Diameter 8.9 cm

...

29 Important and Rare Chinese Ceramics 29 件重要又稀少之中國瓷器

29 件重要又稀少之中國瓷器

29 Important and Rare Chinese Ceramics

(01)

清朝雍正御製官窯黃地畫琺瑯彩瓷胎錦雉嘉耦花鳥牡丹圖碗

A Yongzheng Enameled Yellow Ground Colorful Pheasants Devoted Couple Peonies Flowers and Birds Porcelain Bowl Imperial Palace Workshop Yongzheng period Qing Dynasty

(02)

清朝乾隆年製官窯黃地畫琺瑯彩瓷胎四面開光西洋人物及紅彩山水圖碗

A Yongzheng Enameled Yellow Ground Four Windows Western Figures and Red-decorated Landscape Porcelain Bowl Imperial Palace Workshop Qianlong period Qing Dynasty

(03)

元朝粉青釉執壺連蓋

A Celadon-glazed Wine Pot with Cover Yuan Dynasty

(04)

大明成化年製官窯鬥彩葡萄紋高足杯

A Chenghua Doucai Grapes Stemcup Ming Dynasty Imperial Palace Workshop Chenghua Period Ming Dynasty

(05)

北宋汝窯青釉雙龍雙羊首印花紋半邊折沿三足洗

A Ru-kiln Celadon-glazed Dual Dragon and Dual Sheep-head Mark Porcelain Tripod Brush Washer with Semicircle-bent-mouth-edge Northern Song Dynasty

(06)

元博陵第款青花龍鳳紋四系扁瓶

A Blue and White Bolingdi Mark Dragon and Phoenix Moonflask with four Handles Yuan Dynasty

(07)

元釉裏紅龍鳳紋四系扁瓶

A Red-underglazed Dragon and Phoenix Moonflask with four Handles Yuan Dynasty

(08)

大明成化年製鬥彩海濤五爪龍紋天字罐

A Chenghua Doucai Sea Waves and Five-Claws Dragon Tianziguan Jar with Cover Chenghua period Ming Dynasty

(09)

明永樂官窯青花內外底龍戲珠紋棱口洗

A Blue and White Five-Claws Dragon playing Dragon-pearl-ball Decalobed Waterpot Imperial Palace Workshop Yongle Period Ming Dynasty

(10)

明永樂年製官窯薄胎青花嬰戲圖大碗

A Blue and White Playing Kids Eggshell Bowl Imperial Palace Workshop Yongle Period Ming Dynasty

(11)

大明萬曆年製青花礬紅彩鬥彩海浪蝦禽獸紋大碗

A Blue and White Red-glazed Doucai Sea Waves Shrimp Birds and Beasts Bowl Wanli Period Ming Dynasty

(12)

明朝正統年製官窯五彩歐洲使節天朝進貢人物風景紋天球瓶

A Rare and Fine Wucai European Envoy presenting Tribute to the Sovereign of China Figures and Landscape Bottle Vase Tianqiuping Imperial Palace Workshop Zhengtong Period (1436 - 1449) Four-character Seal-mark Ming Dynasty

(13)

清朝雍正年製官窯畫琺瑯彩瓷胎牡丹花鳥圖瓶

A Yongzheng Enameled Peonies Flowers and Birds Porcelain Vase Imperial Palace Workshop Yongzheng period Qing Dynasty

(14)

大明成化年製鬥彩花鳥紋高足杯

A Chenghua Doucai Stemcup

(15)

大明宣德年製官窯青花魚藻纏枝蓮花卉紋大盤

A Large Blue and White Fish Algae Lotus Dish Imperial Palace Workshop Xuande Period (1426 - 1435) Ming Dynasty

(16)

大明宣德年製官窯青花五爪龍鳳纏枝蓮花卉紋盤

A Blue and White Five-Claws Dragon and Phoenix Lotus Dish Imperial Palace Workshop Xuande Period Ming Dynasty

(17)

大明宣德年製官窯青花團龍鳳紋葵式洗

#Yue #kiln #secret #color #tang #dynasty #brush #washer #phoenix #empress #wu #wu zetian #Zetian #武則天 #唐 #朝 #越窯 #秘色 #瓷 #筆洗 #鳳 #霸臨 #天下 #world #dominating

0 notes