Tumgik
#émile taigny
clove-pinks · 2 years
Text
Tumblr media
The French actor and theatre manager Émile Taigny (1810-1875) with his wife, drawn by Paul Gavarni in 1840 (Paris Musées).
Mme. Taigny wears demi-gigot sleeves, the last hurrah of the 1830s.
After 1838 [women's] sleeves tended to be inserted low off the shoulder so that it became increasingly difficult to raise the arm above the horizontal; suggesting a ladylike incapacity of movement was becoming attractive.
— C. Willett Cunnington and Phillis Cunnington, Handbook of English Costume in the 19th Century
Other than his masculine side part, M. Taigny sports a very similiar hairstyle to that of his wife, gathered into masses of curls at his temples. As an actor, he was certainly familiar with hair curling papers and cosmetics.
66 notes · View notes
gogmstuff · 2 years
Photo
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
In the 1840s (top to bottom) -
1840 French actor and theatre manager Émile Taigny (1810-1875) with his wife, drawn by Paul Gavarni (Musée Carnavalet - Paris, France). From tumblr.com/clove-pinks 1730X1708 @72 1.4Mj.
1844 Young lady in a white dress by Miklós Barabás (privte collection). From tumblr.com/andrayblue 972X1274 @72 251kj.
1847 Anna Pavlovna of Russia (1795-1865), queen consort of the Netherlands by Nicaise de Keyser (Stichting Historische Verzamelingen van het Huis Oranje-Nassau - Den Haag, Netherlands). From Wikimedia 1684X2560 @300 1.1Mj.
1849 Equestrian Sophie, Koningin der Nederlanden by or after Henri de Montpezat. From Wikimedia 1896X2500 @72 694kj.
1849 Koningin Sophie by Henri de Montpezat (location ?). From Wikimedia 1422X1654 @96 800kj.
1840s Hortense Thayer née Bertrand by Louis Janmot (location ?). From tumblr.com/a-republican-mind 272X929 @72 272kj.
11 notes · View notes