“The word elf is found throughout the Germanic languages and seems originally to have meant 'white being.'” fantasy authors everywhere took this so literally
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your carrd is the sexiest thing ive ever seen wow
oh heyyyyy, heyy. thank you so much. this made my little heart pitter patter. i appreciate you op ♥. if you ever want graphics or anything,,, youve got my address and ive got this photoshop subscription and together we can make something happen
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@starfrckled / emìl.
𝚃𝙷𝙴 𝙵𝙾𝚁𝙴𝚂𝚃 𝙵𝙻𝙾𝙾𝚁 𝙸𝚂 𝚃𝙷𝙴 𝙺𝙸𝙽𝙳𝙴𝚂𝚃 𝙱𝙴𝙳 𝙷𝙴 𝙷𝙰𝚂 𝙴𝚅𝙴𝚁 𝙺𝙽𝙾𝚆𝙽 . it always welcomes him , soft and pliant under his back —— the only touch that never hurts him . hand moves on rusted leaves , his fingers gentle , the promise not to singe silently conveyed . his magic is a burning black sea , all buried rage and stifled screams , but it’s quiet now , dormant . he can only have peace in fleeting moments , half forgotten , and it always ends much too soon . wake up —— here it comes , the end of the dream , the moment he has to leave behind sun kissed glade and go back to frost covered landscape / hellscape .
❛ i was not dreaming. only resting . ❜ his dreams are not nearly as nice , but this he keeps behind his teeth . ❛ where are we going ? ❜ moon child’s tone is carefully detatched , void of both honey and vinegar . a cold stream , coals hiding beneath .
HE LOOKS TO HIS KIN AND IMAGINES HIM A MOUSE: every morning made of writhing snakes / every day tangled in a nest of vipers, biting off his own whiskers in a bid to feel anything other than foreboding. ( or perhaps that little bit of grief lives in all of us, and caranthir simply projects onto others what he denies in himself. ) gaze lingers, lifts to the heavens on the backs of an arctic gale, and stares off into the empty void it has come to recognize as home. ❛ you are going hunting. ❜ in the distance, a bird tucks tawny feathers against its body and plummets towards the earth like a stone.
❛ come. i will open the way for you. ❜ he does not gesture. does not deal in invitations. he simply walks away, posture held rigid with the confidence of one who has come to expect compliance. ❛ close your heart, lloerwedd. ❜ a warning, a demand / a wilderness and a howling wasteland. pass this test –– one of many done / one of many yet to come. ❛ do what you must. ❜
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@cryptales / yennefer.
“No.” A curt answer as sharp as her stance. She was caught between lies and pretenses to keep herself alive. If the Wild Hunt ( Eredin, only Eredin, ever so his greedy self ) ought to drag her down into the abyss, she would drag them further.
She asked a litany of questions but did not want to hear the answer. Redirect the questions to the Golden Child, sections of braids framing his face ; Tattoos gracing the left side of his face. Ask what the symbols mean, but she recoiled like the viper that she was, caught in a trap.
She squirmed in tandem with him, and the longer she tugged and tore at her shackles, the quicker she exhausted herself ( The glint within her shards of amethyst faded, slowly dulling and debilitating, as though something were draining her of her powers ) “I don’t care. But we are to wait, are we not? You and me, alone in this block of concrete where no light falls.” She spat on the ground. For once, not as an insult or mockery, but from the foul taste upon her mouth. A blend of sweat and tears that had long since withered when she was alone in her cell and the darkness had diffused, glacial cold seeping into frigid bones and sluggish words.
“What will knowledge of your kind grant me? You know ( almost ) everything there is to know about Cirilla. Perhaps even me. I know nothing.” She flinched from the prospect of losing Ciri, not his eyes. Not the sextant. Not even death at his or Eredin’s hands. “Leave, then. Task another Rider to guard me, or open the chains and let me walk.” An act of persuasion, velvety words leaving her dry and cracked lips. “I can’t run away from you. I have no recollection of what happened and where I am.”
the reach of his godhood is thus: caranthir has a shelf of voices to choose from, and still he is drawn to reach for the same thing over and over again –– hubris. WHO AMONG MORTALS COULD CHALLENGE YOU AND WIN, STARCHILD? ( open the chains and let me walk. ) he lowers himself to one knee before her, careful to avoid the spot where she has sullied the ground, and touches the metal around her wrist.
DIMERITIUM. they did not have such shackles before the race of men smithied from precious metal bonds to keep chaos at bay. ( power is power: it may be beaten or it may be won, but it cannot be repressed. ) if one is to bind their enemies’ hands, they should braid the rope themselves –– sinew and bird bones / fashion the cord from spruce roots and tie it at the wrists. caranthir closes his fist around the chain. the nipping taste of iron and salt stings his tongue; he grits his teeth against it, swallowing the feeling and inviting the poison inside / for a moment sharing in the hollow, liminal space that the shackles make of her body.
❛ remember this well: i have already spared you once. ❜ with his free hand, he pulls a key from the hook on his belt. ❛ i do not like to repeat myself. ❜ as firm as the manacles claim to be, they fall away as easily any other once he turns the lock. caranthir looks at her, unmoved, as the chains release, slip through his hand, and clatter dully to the floor. no sooner is she set free, he makes of himself a shackle colder than iron and grabs her by the wrist. he leans in, eyes glittering with the cruelty of a bouquet of dying stars. ❛ remember this, too: i do not need you, sorceress ... but i will always find you. ❜
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dont care didnt ask plus you cant even comprehend the horrors im about to summon
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BORNOFBLOODANDWATER / xiomara.
Sparing a golden glance to the Elven councillors on her right, before the ambassador even speaks there is an odd behaviour about them, some visceral discomfort uncharacteristic of their commonly serene countenance. The overbearing atmosphere of fear? Respect?
At least he has the grace to look her in the eye with a challenge on his tongue.
A low hum sighed past petaline lips, the young siren rises to her feet, the rest of the court standing with her as she nods them their leave. Only she, the elven mage and the remaining guard left in the breeze kissed warmth of the courtyard. A mark of trust or confidence? ❛ I thought perhaps with all your elegance and perceived diplomacy you might be mannerly and refined, not simply draped in airs thinly veiling distaste. ❜ Coming forward around the grand table laden with plans, maps, correspondence. Her eyes not leaving his face. Posture clear and managed, speaking not with sweetened voice but the darkening tone of a Queen offended upon first absent greeting ❛ You certainly know how to make a terrible first impression. ❜ She wonders aloud with all the concern she would care to grant this stranger. Is this how they wished to present their proposal?
Eyes turned to his face through dark glossy lashes, not gracing him with raising her chin to the emissary. This is her land and she refuses to be domineered and scowled at by a guest. ❛ As for my councillors, they and my kin alike call me Vasílissa. I have not asked the loyalty of the Aen Seidhe only their respect and proficiency. Their loyalty came naturally with my merit and power, not empty words lavished in court. Speak your intentions or at least your name, Xenos. ❜ Each word of her final command shivering on the fringe of her power. No change in her approach only the tender brush of compulsion at the edges of each letter. A warning of the tenuous thread he plucks more so than a threat.
Oh for that disenchanted gaze, how she wishes she could bring him to his knees with all the fear of the gods / of her. Forge a bond with his mind and bring him to new realms of terror. A behemoth shuddering in her diminutive shadow. Considering that might be quite … impulsive of her, she holds herself back
for now.
HE HAS SPENT HIS LIFE COMING UP WITH A THOUSAND WAYS TO PRAY, only to reach the disappointing conclusion that reverence is as useless as the gods –– and monarchs –– themselves. forgive him, then, if he does not kneel. his body has forgotten the motions / his mind forgone them. she comes around the table; she reminds him of the ruthless fury of summer winds and the relentless crashing of august waves. her tone cuts a warning into his palm, the cold edge of the knife pressing against his skin. caranthir smiles thinly, the edges of his lips as brittle as dragonfly wings. the warning wound she carves into his hand bleeds apathy. ❛ apologies –– i did not mean to veil it. ❜
he looks idly at the door that the last of her court passed through, letting her words wash over him like a saltwater tide. he inclines his head and seems to listen to her voice; in reality, he listens to the whispering of the winds. there are two who flit through the heavens: one, native to this realm, rolls of the backs birds’ wings and cautions him against the power of a kingdom he does not understand; the other, the northern gale he has brought with him, urges the clouds to devour the sun. a sniff, or perhaps a scoff. ❛ caranthir, ❜ he grants her. ❛ ar-feiniel. ❜ when again he meets her eyes, it is with the distant glimmer of a beast who recognizes the challenge of a hunter.
❛ today i come to observe. ❜ each word carefully plucked from its grave and given new life. ( how does it go? today red, tomorrow dead. ) he holds the future and its secrets closely to his chest, showing her only the cards that bear the prettiest of promises. ❛ there is little written of your people; even less of your kingdom. tell me –– is it that the dh’oine do not respect you enough to write of you, or that they are so frightened that they have destroyed it all? ❜ he knows what it means to be dead to history. ( they say it is written by the victors, but reality challenges poetry: history is written by those with ink and accepted by those who resemble the author. ) they made ghosts of my kin too, siren, and we have not once bowed before the thrones of men.
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TREPPENWITZZ.
time has always been an act of liberation ___ time was a friend’s hand on a shivering shoulder, not really warmth but the promise of it ; and the girl, homeless & isolated, had always vowed herself that a time would come when this feeling would shiver itself out of existence. she would not be alone forever, surely. the days would pass, steady & ineluctable, and she would hope, and hope, and hope, with the certitude that the ourobouros would not always mean despair, for there would be no cycle at all if she was doomed to live catastrophe after catastrophe. time meant saving in times of emprisonment and each new tally on the walls of her cage meant a day closer to her release. that is how a young girl had endured the end of her worlds, one after the other, and that is how she had planned to survive the rest of her existence : as the moon rises in an empty sky, illuminated by the promise of tomorrow’s sunlight __ a cycle after another, that time would always deliver her from.
but now that the serpent has gone full circle ; mad and in love and in love with being mad and mad at being so in love ___ there is no more to do but face the next step that awaits for them. the problem is that, while the process is absurdly familiar (the serpent is indeed trying to bite its own tail) it is no delivering act at all. agony is the word that the mind supplies, but agony is too inadequate ; it does not truly encompass the way his hand grazes her cheek & traps her hand against her own damp skin. besides, there is not much more to include : the rest is only a matter of memories, more sandcastles to build and to see being washed away. the snake ; she feels it as if it were her own teeth, too sharp not to be fangs, against the tender flesh of their days. the hunger of him & the fear of starvation : just a little more, just a little longer. we have done this before & we keep doing it, and it will never be anough. a cycle after another cycle, the never-ending loss of themselves.
« i don’t feel strong, » she admits, hidden against him, lips pressed against his collarbone. strength resides in another cycle, when days would end in smoke and she would rise with the night as a bad omen. strength was when, too young to care, the child would turn herself into the harbinger of fate for fun. strength was when she was prophet and mother and friend. strength was in all those roles that felt like hers, that did not need white beaches and blazing sun. but this ? this __ sadness, and this love, and this anger … they demand so much. so much of her and so little of him. in another world she is all alone with her grief and the story follows its natural course : fate could erase him from the narrative as surely as one would get rid of a rotten limb. in the grand scheme of her loss, he barely matters __ and still ishtar clings, and still she hopes, and still, jaw cannot let of go of its prey. i love him, and this is not fair. therefore she can admit that strength is not what she possesses, in this very moment, nor what she incarnates. truth be told ___ she does not have nor is much as we speak. a mess of unsaid promises and phantom pain, perhaps. a fractured doll begging for relief, if one was inclined to read her silence.
he does not feel very strong either, now, does he ? she can feel it without having to ascend ; pain slowly bubbling to the surface, trying to achieve its climax. this is not fair, she thinks, and leaves it at that. the thought tastes like a prayer and smells like a spell, but is not spoken outloud : the burden on caranthir’s shoulders is so heavy already, and the unfairness of him having to leave her would surely add even more to the weight. she had forgotten, for a second, that they would not face his fate together and that, at the end of his life, he would alone meet the freezing waters of his fate.
to his words, she does not reply ; what would she say to his admission ? ____ i understand ? she does not. or perhaps, she understands all too well his reasoning, and she cannot forgive him for it : she does not have the luxury of making that choice. and if she does not resent him for choosing his own path, she surely can be mad at not being taken with him. these words, she keeps them __ heavy on her tongue. it would not be any fairer to him ; and if she is selfish in every way that matters, she forces herself not to impose it on him. let it be peace, if it cannot be life. and so she rises ; watches him with quiet eyes as the shivers and the sobbing subdue. he is so terribly sad, and that too is another fracture in the doll’s body. but it is a gentle pain, as it brings forth more important realisations : time has always been a delivering act ___ and maybe today it is not her shackles that she has to get rid of. the grip on her heart had been so violent that her duty had slipped from her mind ; but now she remembers, as long as fate has not taken him away, he is still hers. prophet of his fate and whisperer of possibilities. and as such, she knows that this has to end to end again. (you cannot take the next step if you refuse to leave the ground floor) that is the only purpose of events, of suffering & joy & love ; all of it ends & ends again, and there will be no peace if she cannot let go of her solid grip on his soul. this cycle is his, and it cannot completes itself if the tail is still between her teeth. one cannot bite harder than she does, exuberant child refusing to let go of her favorite toy __ but for another gentler spring (wherever that might be), she will have to unclench her jaw. time is an act of delivering & she discovers herself as his prison guard : lips soft as they meet his tears, key in each lock to deliver him from the weight of her own fate, collecting salt water from his skin with a kiss, two, three. the gentleness of it slowing time itself. he is hers and she will not fail him further.
« byddwn wedi mynd gyda chi, pe baech wedi rhoi'r cyfle imi. » muted confession pressed against the marks of his bone-deep fatigue ; nothing more than wishful thinking. the fingers that had gathered proofs of her weeping escape the cage of his hand to find his hair, thumb following the ridges of a braid. « i cannot grasp fates from other universes. when i left __ » another cycle, another pain. another sandcastle, darker than the rest ; one made of discs that she was unsure his tide would be able to swallow. but it is done & it is gone, and the cycle of their madness has ended. « we were no longer in the same world, i could not tell what would happen to you. » the story, his only wish : a promise that somewhere else, happiness is brighter than the sun ; and if not shining on them, then pouring its light on their reflexion in the looking-glass. « perhaps you are right. there might be a universe where this ___ » this, which is to say us, which could mean our love, our failures, which is to say, everything ___ the sentence knows no end, as it cannot endure to be untrue : stuck in the throat, a burst of tears that she refuses ; it is what he wants and she will deliver it, as she intends of delivering him. if he sinks into the dark waters, it will not be from a weight on his shoulders that she put there. « in some other universe, we must have found a way. » a smile, gentler than the rising water on wet sand, a caress that erases all claw marks. « i fod â ffydd ynom. »
it all feels too contrite , this aberration of who he is meant to be compared to who he is , in this moment . ( who she has made him , a body of emotion and regret in place of flesh and bone . no longer a hound of war but a mewling pup . ) ishtar rises , besetting him with the gaze of a distant horizon –– blue and unwavering , in sunlight as in moonlight –– and he feels exposed . vulnerable . the cool of her lips against the fire of his cheeks is near too much to bear , like the blistering heat of ice against bare skin , or winter sun rays searing squinted eyes . he fights the urge to look away ( to retreat into the cavern of himself , staring at shadows dancing across stone and calling it ‘ life ’ . ) instead , caranthir forces himself to look at her / to allow her to look at him , truly and honestly . he is a child with disheveled braids and dark circles under his eyes , while she is a prophet with knowledge enough to bring nations to their knees , meant for something bigger than this . better than his . ( bigger than him / better than him . ) he swallows his sorrow like bile from the tongue , condemning sobs yet unspoken to the catacombs of rattling ribs that constrict as he tries to control uneven breaths . she makes him feel more mortal than holy . she makes him feel as though he is loved by something more than human , even though she has read the future he wrote for himself in blood like ink , and that ... is absolution .
❛ i have faith in us , too ... oherwydd mae gennyf ffydd ynoch . ❜ he does not need this alternate fantasy to become a fundamental reality . he does not need her pretty lies to become an ugly truth , nor even for this unsung future of hers to become a spoken past of his . all that is required in this moment , shard stolen from the hourglass of time , is for her to accept the one last thing he has left to give : trust . it is not gold and glittering like a coin newly pulled from unplundered coffers , for the riches of his being were withdrawn , long ago , by another who claimed to have his best interest at heart . ( but even copper pieces have their value . ) it is not a flower growing strong among its earthen hovel , for he was plucked at the stem many years past and pressed between the pages of a book much too heavy for brittle leaves . ( but even dried petals have their beauty . ) ‘ because i have faith in you ‘ : take this dirtied , battered part of me / tuck it in the space between your heart and your ribs / know that it lives there , forever , no matter what happens to me and no matter what the ‘ truth ‘ of our alternate selves might be . ( i trust you , ishtar atta isil , in a manner that i thought i was no longer capable of . )
he does not smile at her the way she smiles at him , for this bartering of raw emotion between them is not a simple exchange of goods . her smile is a comfort , and in return caranthir offers her the most earnest of all expressions , his face stoic –– even despite the damp remnants of tears that glitter upon his cheeks / even despite the trembling bottom lip that he fights so hard to keep stiff . if her love language is happiness , then his is solemnity . it does not mean that it is any less genuine , nor even that their respective displays are of differing values : this is simply who they are . this is simply ... them . and if he does not smile , it is only because he wants so desperately for her to know how much he cares . ( affection is a serious business . ) she is gentle where he is not , and perhaps that is why their souls find comfort in one another –– hers , the ebb and flow of sea waves / his , a beach with sand piled high like castle walls .
he reaches , once more , for her hands –– with a disorientation that is foreign to one so practiced and self-assured –– as he fumbles to control trembling fingers for long enough to grasp her own . ❛ thank you . ❜ and while it is true that words are not his allies ( that they hang in his throat like unfinished tapestries and stall upon a frigid tongue and wound with sharp edges those upon whose ears they fall ) , it is also true that these frank two syllables carry within them the magnitude of his entire spirit . he looks away once more , and this time it is a more permanent affair . during moments of introspection , it is much easier to stare at the earth . ( the ground , after all , does not judge ; it does not even bother to stare back . ) he runs his thumbs along the backs of her hands , taking note of the dips and ridges of every bone . if the universe ��deigned to give them more time , he thinks that he could one day know her body as well as he knows is own . perhaps even more-so .
❛ perhaps it is better this way . ❜ only fools and madmen can convince themselves that death is a noble art form / that their demise is the golden thread in this wicked web called life . ( for a living corpse , he sings the notes of the song swan surprisingly well . ) ❛ at least ... ❜ bold assertion tapers off , as if he is aware of the absurdity of his words . caranthir blinks , batting away the remnants of tears that cling to his vision like raindrops upon windows . he feels the urge to weep anew , but a stubborn mind refuses to acknowledge why that is . ( do the lies you speak really taste so bad ? ) ❛ at least mae gennym gyfle i goleddu'r eiliadau rydyn ni wedi'u cael a'r rhai rydyn ni wedi'u gadael . time is finite , but memories are not . ❜
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,,,,,,,,,, johnny
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somebody make him go to bed .
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BEINGSTORIES.
“tell eredin—,” the swallow stops. her chest heaves in a rapid succession and righteous anger makes her fingers itch to grasp her sword, the sword geralt had given her many years ago, and destroy. we may be corpses, but you are death. “—tell him i, or geralt, will kill him before he can have a drop of my blood.” or maybe she’ll die before that, if avallac’h is incorrect in his belief in her being a savior. you are death. you are death. you are death.
@gwehelyth· for ciwi the traumatized angey
❛ tell him yourself . ❜ a sneer kept at bay , ever the dog straining against an iron muzzle / a fettered leash . ( i am not your fucking errand boy . ) he tilts his head , searching ghostly fingers and meadowed eyes for a sign of resistance –– any excuse to rob her lungs of breath and deflect the blame with claims of duress . all that is required is a single misstep in this fateful dance of theirs and one life / one pawn will be struck from the chessboard .
❛ ––a drop of blood is never enough . ❜ ( trust me , swallow . i would know . ) ❛ first they will take your body , and then your soul . ❜
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TEMPRED.
❝ how am i supposed to sleep when it’s this cold ? a crown of twelve stars does nothin’ for warmth. ❞
❛ burn your gods , ❜ comes the suggestion . as if to verify her claim for himself , he raises his face to the sky ; dark lashes blink languidly against winter mother’s breath , expression unperturbed despite the frost that nips at his skin . ( it is a well practiced routine , to feel empty while the world is ending . ) ❛ –––or else ask for cover and see if your request falls upon willing ears . ❜
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I hope this doesn’t come off rude but aren’t the wild hunt mostly genocidal, imperial, world-conquering slavers?
hi! no, this doesn’t come off as rude at all and i think you do bring up a valid point. absolutely, their motivations are abhorrent and i’m in no way here to justify nor glorify them. genocide, imperialism, and enslavement are inexcusable regardless of impetus. is the world of the aen elle dying due to the white frost? yes. does that in any way defend or rationalize their decision to conquer the continent that the witcher is set in? no. (and, to be clear, their use of humans as slaves originates from long before the white frost became a threat, so the white frost wouldn’t be a valid excuse either way.) the relationship between elves and humans is complicated across all fronts—particularly between the aen seidhe and the humans, since the aen seidhe were effectively colonized by mankind. yes, the aen elle take humans as slaves. there is no excusing that. but humans genocided elves and non-humans long before that practice started, and the aen elle themselves occupied the continent before the first human even stepped foot there.
my choice, as a person of indigenous descent, to use an indigenous faceclaim is based on a desire to diversify what is otherwise depicted as an incredibly white cast of characters (not taking into account the tv show). additionally, the aen elle are the people of the alders; literally “the people of the trees.” they, like the seidhe, are direct descendants of the aen undod—the original race of elves. they are said to more closely resemble their ancestors, who were the original inhabitants of their world before the conjunction of the spheres. i understand the dissonance between indigeneity and colonization and the complexities of a character who, by virtue of a choice that i made in terms of portrayal, inhabits both of these roles. for my own purposes (and at this point i am absolutely speaking only for myself and not for anybody else in the rpc nor anybody else of first nations descent), i think allowing an indigenous character to be something other than the oppressed, colonized archetype that is prevalent in fantasy and literature is itself an act of resistance. indigenous characters are usually depicted as being weak, as suffering, and/or as dying as a result of the white man. elves, in the witcher series, are often depicted as suffering and/or as dying as a result of humans. if the issue here is writing a character who is part of a society underpinned by racism, slavery, and genocide, then –– quite frankly –– that issue can (and should) be extended to humans in the witcherverse (who actively genocided non-humans and the aen seidhe, as well as segregated some of the aen elle into a vassal state resembling a reservation). it can also be extended to yt characters in modern settings.
this, again, is not to justify nor overlook the inherently problematic nature of the hunt and their actions/motivations. they are colonizers and murderers—and don’t even get me started on the avallac’h/eredin and ciri stuff. sapko wrote them to be as gross as possible, and while i am not here to negate that, i am here to engage in a process of ‘meaning making’ whereby i explore the intricacies of personal character motivations and relations within the hunt, rather than eulogizing their macro-level ambitions (because those are, objectively, fucked.) i am engaging in a critical exploration of a difficult topic; nowhere on this blog will you find me excusing caranthir individually or the hunt as a whole. this is not genocide worship; this is the breaking down of complex issues through the medium of creative writing. is tumblr rp the place for this? it is for me. it doesn’t have to be for anyone else, and i respect that. i tag everything accordingly and do not expect other people to be comfortable engaging with topics that i am comfortable engaging with.
thank you for sending this in; i realize there’s a lot that i’ve said here. i have no problem answering questions or speaking further on this stuff; i think that writing a problematic character entails a responsibility to acknowledge their faults and how their actions impact others. it also entails a responsibility, i think, to make sure that those who see/interact with my blog can be as safe and comfortable as possible. feel free to follow up. my DMs are also always open!
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Margaret Atwood, Interlunar; from ‘Eating Snake’
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TREPPENWITZZ.
the way pain has no color __ and still, the thickness, its metallic aroma on the tongue ; she imagines it. upon meeting it, one shudders and one cries out and that is all there is to say about dolor : it molds the body. turns it into something unrecognizable, a pityful creature made out of whimpers and tears. pain without proof. it just is, within, ingrained. some are born with and never exist without. some have a knife for a hand, condemned to cut their way through life. pain is still as thick, still as black, but it’s not theirs for the spilling. they give to the fire and rejoice in the lit path ; they refuse to care about the wooden dolls they had to cut their way through. some are axes and some are trees ; you either feed the fire and find a way to pay the price for your light. that is all there is to pain ___ she has learned that a long time ago, making pyres on her way to oblivion.
so what he asks of her ; it’s a menial task. it’s a favor. take it off & do not stop. some time ago, she would have done it with a smirk, counting to three & ripping it off at two. a flirting joke __ buy me dinner first. some time ago, a stranger would have asked that of her and she would have laughed: do you not have servants ? a doctor, perhaps ? some time ago, it would have been metal againt slashed skin & her teeth gleaming in satisfaction at being useful. today however the mirror is broken and the reflection doesn’t sit right on the fractured pieces : see, she has this problem, this small, terribly inconvenient little flaw. she loves him. and that changes a few things : you can see it in the trembling fingers that press absentmindedly on the black metal. promise me, he says, and she clenches her jaw so hard you can hear the grating of bones. promise me, and somewhere in her chest the echo of a negative answer is all that resonates, don’t make me do that.
find another torturer, �� she wants to say. take your open wound and ask someone else to hurt you. we’ve done this before, you and i, and i almost ___ she remembers. the desire to press fingers into flesh until she could picture the weight of his heart between her hands. gods, had she been angry that day. but she had stopped herself ; smashed the cruel voice under her barefoot and had left. she had left. she had stopped. she had not hurt him, not like that. (but you are back where you started : those hands have never been good for anything else) how unfair it is that pain is all she knows how to wield. she takes a deep breath, murmurs : « don’t look. » pain has no color but it wears your skin, gets under everything, screams for you when you cannot utter a sound ; she’d prefer if there was no witness to his. would prefer if he did not see her being the one to inflict it, the echo of another girl’s sword. « mae’n ddrwg gen i. » she says it as she starts to lift the armor ; how she can feel resistance from coagulated blood. how she knows without looking at the mirror that he’s in pain, and she’s the one causing it and, she cannot stop or it would be for nothing.
love is a line of stitches. is alcohol on the red flesh. is gauze on the wound. her jaw hurts from the pressure she exerces on her teeth. promise me ; love is a healing cut. is desinfectant. is a bandage. not this. fuck. she really wanted it not to be this. she’s not strong enough to lift it completely out of the way ; the moment it is over his head she barely manages to take a step to the side before it’s falling in an enormous thump on the ground. she looks at the abandoned protection. can’t bring herself to turn towards him. i’m sorry, she wants to say again, and it makes no sense, for she has not been the one piercing flesh. a shuddering breath, a hand on her face, from brows to mouth. « can you go – sit on the bed ? it’ll be. easier. »
squared shoulders as she goes to retrieve a basin of clear water & a cloth ; alcohol & gauze ; whatever she remembers her father having in his small bag every time he had to take a look at blood oozing out of a fresh wound. she’s still not looking at him. when she returns to the elf, she has yet to unclench her jaw or stop the trembling of her hands ; she is vibrating with anger or sadness or pain, something in her chest aching. « it’s not fair. » the tone is cold like a winter night, despite the warmth in her eyes ; if one wanted to be precise, one would have to call it worry, or anguish. but ishtar is out of words and feels furious. at whoever did this to him. at eredin for sending him on a stupid mission. at caranthir, for leaving. at herself, for waiting. for expecting anything but crimson staining her hands. « you coming back to me like this. dyw e ddim yn deg. »
don’t look , she beseeches of him . don’t look , ishtar murmurs . ( he closes his eyes . ) don’t look , avallac’h says sternly . caranthir glares at him indignantly and swings his legs up –– holds them straight , sticking out from the chair he’s sitting on like he’s a wooden doll . avallac’h sighs as if someone’s nicked his lungs with the tip of a blade , eyes rolling up! to the ceiling and then down to the bandages held within his palm . caranthir stares at his knees , all scuffed up and torn jagged ; he feels numb , as if pain is impossible , but the sight of blood and broken skin makes him imagine what it feels like . avallac’h’s sigh stings a little as it brushes against the wound –– just enough to bypass the adrenaline –– and caranthir really wishes he would stop . the breath wouldn’t hurt –– wouldn’t even reach his knees –– if only his father would look at him . ( other children have the privilege of seeing themselves through their mothers’ and fathers’ eyes ; he can only see himself through his own , and sometimes he can barely stand to look . ) avallac’h presses the bandage against the first knee and his mind explodes with a swarm of a thousand fireflies –– dazzling flashes of pain , twinkling in and out of existence as they bedeck his vision with spots . the wound is much deeper than he thought and the blood is much gummier than he thought and it hurts and it hurts and it––––––––––
caranthir clenches his teeth so hard that he can no longer feel his jaw . it simply ceases to exist . she lifts the armour and with it his skin ; he wishes that it , too , would simply cease to exist . ( hopes that as she hoists the chest plate over his head that she will take with her all of this flesh and this blood . ) his body threatens an aggrieved moan but he strangles it / chokes on it / holds it in his throat , tethered among gnarled roots , and refuses to set it free . ( how it would assuage him , to shed this fallible prison and let bone fall to ash like star dust . ) nails sink into tensed thighs , clawing at fabric and skin and muscle in an attempt to detract from the pain blistering upon his back . her apology is a distant swan song , drowned by the ravine of blood that thunders against his ears with every frantic heartbeat . it is not your fault , en’ca minne ! he wishes to say . ( but the singular thought that manages to stake any claim in him is that fuck , he feels ill . ) only when he hears the armour clatter against the floor and feels disheveled braids come to rest , once more , upon his back and shoulders does he risk a breath . eyes open slowly , the light within them withered and infirm . ( rotted flowers / crumbling permafrost . )
he rises to wearied feet , palms pressed to the armrests on either side of the chair as he braces against them the brunt of his weight . ( enough of the will to go on or not to go on . ) once straightened , trembling fingers make to undo the front of the overcoat . as soon as the ties have been undone , he shrugs it off with relative ease . ( enough of the kneeling and the looking inward and the looking up . ) he unhooks the sextant from his hip , then undoes the belts at his waist ; each is set upon the vanity , firmly –– with the air of one who cannot correctly gauge the distance between hand and table . ( enough of the longing and the ego and the obliteration of the ego . ) tarries in place for a second longer , blinking dazedly against the fog that settles about his vision and his mind . ( enough of the brutality and the murder and the pointing at the universe . ) tentative step forward and then another , as if learning to walk for the very first time . once he assures himself of his own balance , the remaining distance to the bed is swiftly conquered . ( enough of the ‘i am alone’ and the ‘i am desperate’ . ) pulls the shirt from his body and grunts , but the removal of the armour severed the fabric from the wound and it is not so bad as it could be . ( enough of the sorrow and the animalistic impulses . ) once over his head , he lets the bloodied fabric slip from his fingers and onto the floor . she draws near , eyes averted , and the look about her face is enough to inspire his own gaze to lower –– shamed . ( i said enough! already . ) he stoops over some , withholding the wheeze that raps against the interior of his ribs , and presses feverish lips to ishtar’s forehead . ( i am sorry . it was never meant to be this way . )
❛ no , it isn’t . ❜ he agrees with her , words mumbled against the warmth of her skin , yet the concession itself is of little comfort ; how could the acknowledgement that life is cruel be anything more than bitter melancholy ? it was not fair when cirilla tore the glory from his crown of thorns and it was not fair when the universe decreed that she , dhufeainnewedd , should walk the earth alone . ( nor will it be fair when his blood becomes the sea and she a ghost among a graveless burial ground . ) ❛ cyhyd ag y gallaf ddychwelyd , dychwelaf . you have my word . ❜ muffled yet earnest all the same . caranthir lowers himself to the bed , and without the armour it is easier / without the armour he does not forego his balance and fall . eyelids lapse shut in spite of themselves –– some subconscious retreat into the safety of his ignorance , where the pain is muted and the nausea subdued . he swallows thickly and shifts so that one leg rests upon the mattress / the other foot on the floor . stripped of bloodied shirts , he feels so very cold . ( threadbare tapestry / mountain ridge plucked of greenery . ) but ishtar has light in her eyes and in her skin –– the warmth of a (black) sun , so novel and foreign that he can barely comprehend it . caranthir turns his back to her and bows his head , yet clumsy when it comes to the motions of vulnerability . ❛ ––––is it bad ? ❜
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your honour im love him
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“i am nothing // if not determined to recreate myself as a god.”
— Laura Villareal, from “baby teeth,” published in Palette Poetry
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avayuck’s wiki : “ he created and trained caranthir , who , although he had left avallac'h , knew the sage wished him the best . “
me : im sorry i didnt realize we were putting on our apologist hats today
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