‘Man in armour’
By Rembrandt van Rijn (1655)
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Donna con un rosa
Rembrandt (Rembrandt van Rijn) olandese
primi anni 1660
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Rembrandt van Rijn, Man in Oriental Costume, 1635.
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Man with a Sword by Rembrandt and Studio, 1644. In this powerful and enigmatic painting, a man holding an ornamented Ottoman sword sits in the foreground of a dimly lit interior.1 Portrayed half-length and in three-quarter view, he engages us with steady blue eyes and a muted expression. His restrained smile and focused gaze reflect little about his state of mind, yet somehow render him familiar and approachable. He wears old-fashioned clothing consisting of a purple jerkin over a white blouse with ruffled cuffs gathered tightly at the wrists. Beneath a plush purple beret, the man’s long brown curls extend onto a black cape that envelops the side of the wooden chair. A gold chain and medallion hang prominently across his chest, with areas of impasto — as well as those on the silver and gold ornament on the sword — depicting the reflected light that descends from the painting’s upper-left corner.
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How did Rembrandt use the reed pen in his drawings?
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Rembrandt, A peasant calling out: 'tis vinnich kout', 1634.
It's very cold today in Amsterdam, or as this peasant called out in the 17th century: 'tis vinnich kout' (it's damned cold). ❄️
🖼️: Rembrandt, A peasant calling out: 'tis vinnich kout', 1634. Etching, only state, 112 x 39 mm.
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Rembrandt's 'Man drawing from a cast'.
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Rembrandt1659
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Rembrandt and His Paints
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Self Portrait, Leaning Forward Self-Portrait Leaning Forward Bust
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Rembrandt
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Rembrandt, The Three Trees
“Rembrandt… career as a printmaker ran parallel to his career as a painter… Above all, he was a great innovator and experimenter in this medium, often handling traditional materials in unconventional ways. His impact on printmaking is still reflected in etchings produced today”. Rembrandt van Rijn (1606–1669): Prints - MET
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Rembrandt - Self-Portrait
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Homer by Rembrandt van Rijn
Dutch, 1663
oil on canvas
Mauritshuis, The Hague
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