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poeticcannon · 1 hour

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severe medical history of the patient from volume 128...

#bailu hsr #hsr #jing yuan hsr

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poeticcannon · 1 hour

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Chroma Undulatione My contribution for #objkt4objkt open edition: ended: 49 editions minted. COLLECT

#art #feels like it needs to be a more specific tag #but I dunno

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poeticcannon · 3 hours

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Did the gods love Pandora?

Raising her, teaching and giving so much. It made sense, for their plan to get back at humans. But they could've loved, and justified to themselves what she'd go through as she brought suffering to her fellows.

#Greek Mythology #Pandora mythology

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poeticcannon · 5 hours

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#parahumans #man #really starting to dig themes of identities #falsehoods and truths

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poeticcannon · 5 hours

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“Does Oshi no Ko NEED the reincarnation aspect to work” is a sentiment I’ve seen a lot lately, especially on the subreddit (which I still check regularly despite what it’s devolved into) Personally, I think that’s the wrong question, you should be asking “WHY is the reincarnation aspect present.”

First, let’s talk about parasocial relationships. The idol industry is built upon them, more-so than any other industry. Idols are supposed to be the ideal -yet unattainable- partner to fantasize about, to the point where they’re forbidden from having those kinds of connections in real life without facing scrutiny.

Ai Hoshino is the “Ultimate” idol. She doesn’t have ANYONE she has those genuine connections with, even her fellow group members hold her at the same untouchable distance that her fans do. She became an idol in hopes of loving others, and recreated the motions so perfectly that her lie became all anyone wanted from her. To the point where her true humanity was rejected, like by Nino in 45510.

Enter our protagonists (Layer One)

Sarina Tendouji is a hospital bound fan of all of B Komachi, but especially Ai. She idolizes her for being a girl her own age with a pretty face and incredible singing and dancing skills. This especially resonates with Sarina who’s studied B Komachi’s choreography non stop, but was tragically not able to dance herself due to her condition.

Goro Amamiya is an OBGYN in a small town that became a diehard fan of Ai after Sarina’s passing, superimposing the two in his head as he described it. When he met Ai in real life and became her doctor during her pregnancy, he found her off camera personality charming and internalized her philosophy about lies.

Then of course, after his death they were reincarnated as her twin children. During that time they saw her in a much more human way, worrying about money and providing for her family, harboring insecurities, being the best mom that she could be despite her circumstances.

They saw the way she gets treated by the industry and public she came up in as well, her parts cut out of her first drama due to corporate politics, her being speculated on and called a whore for just talking to an old classmate, and especially how her death was received. By this point, their relationship with her is much closer than the parasocial place it began.

But has it?

Enter our protagonists (Layer Two)

Sarina Tendouji was a girl rejected by her mother as her condition got worse. She loved her mother deeply and wanted to be just like her when she got older.

In the last few years of life she never even saw her mom, that void filled with the presence of a doctor loitering in her room to slack off work, and the idol she watched. What she wanted more than anything though was for her mother to come see her again.

Goro Amamiya was a boy born from a woman who hid her pregnancy and died in childbirth. That death painted the entirety of his life going forward.

Even then he’s haunted by his feelings of helplessness when he loses the child patient he had befriended early into his residency. He’s become a passive person, following the whims of others because of his perceived helplessness.

Both of them take these complicated feelings into their next life, and it paints their relationships with Ai after her death.

Ruby wants to follow in her moms footsteps once again and be just like Ai, to the point of naming her idol group B Komachi. Ultimately, I think she mostly takes positively from her time as Ai’s daughter, and looks more to Ai’s life rather than her death.

Aqua on the other hand, witnessed his mother bleed out in front of him in almost a metaphorical recreation of his first mother’s death, and this has shaped him irreversibly. Except this time there’s an object for his hatred other than himself. This time, his mother was murdered. He could do more than follow in the motions of preventing it from happening to others. This time he could get revenge.

Now “Why is the reincarnation aspect present.”

Ai Hoshino was never understood by anyone, her parents, her idol group, even her trusted adults. But two people, born with traumas and biases that paint their perspectives, were both brought into this world with their goal to try.

Aqua more investigatipvely, tracking down loose ends from her past, holding onto people with the ability to profile her from videos and images. Whereas Ruby is on a more personal journey of understanding her, recreating the steps of her journey more directly and coming to her own conclusions about it.

This leads us to the 15 Year Lie, the potential climax of the series as a whole, and the event referenced from the prologue chapters. The movie that began as a documentary meant to tell the true unfiltered life of Ai Hoshino as she always wanted. It had even made some headway prior to her death, but it’s hard to say how much.

This movie finds itself as the roadmap of both twins journey in understanding. Aqua now has the resources and connections to speak to anyone from Ai’s past, her mother, her fellow idol members, and likely more. But by this point, Aqua also knows the name of the man his tunnel vision hatred is focused on. And hatred is seeping into this story down to the script itself

Ruby is also now in the position of very literally playing Ai, the arguably highest point on her journey to walk in her mother’s shoes. Compared to Aqua, I think she’s getting much closer to her goal.

Of course, it’s still too soon to say how that will go for her, I expect her journey of understanding will continue for the entirety of of the movie filming process. There’s still the entirety of Ai’s relationship with Hikaru and her children as well as her death to be covered and I’m sure Ruby will have plenty of challenges and breakthroughs with those too.

In conclusion, not only is the reincarnation aspect needed, I think it’s crucial to what the story is trying to say thematically. If they were just children who lost their mom young and tried to understand her it would be compelling, but thematically it wouldn’t carry nearly the same weight as fans pulled across the parasocial line with their own projected baggage.

Remember, being ‘reborn as an idols child’ is inherently a parasocial fantasy.

#oshi no ko

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poeticcannon · 5 hours

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Homegrown

Thistle and Delgal - Dungeon Meshi, Ryoko Kui

^ Fernando Pessoa / Killing Flies, Michael Dickman / A Brother Named Gethsemane, Natalie Diaz / Antigonick, Anne Carson v Oats We Sow, Gregory and the Hawk

#dunmeshi #dunmeshi spoilers

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poeticcannon · 5 hours

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#angel

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poeticcannon · 6 hours

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I want to Goncharov Shining Virtue Angelic Heart so badly.

#A Little Vice

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poeticcannon · 6 hours

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Starting to realize I have a thing for characters who assume one or more roles so thoroughly that they couldn't find their true selves behind the mask if they tried.

...

#a little vice

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poeticcannon · 6 hours

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