narnia-renaissance

[narnia-renaissance]

Matching Misfortunes: Lucy Pevensie

Have feral Lucy, as a treat. The other parts for the other siblings are up on my blog if you wish to read it.

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The boy reaches out with a lewd grin, and Lucy’s blood burns. She turns around, grips the boy’s arm and moves.

A second later, he is on his knees at her feet, her fisting a hand in his hair and twisting his arm behind his back. Her lips pull back into a wolf-like snarl as Howard lets out a yell, and she twists his arm harder with fingers smaller than she is used to having, vindictive pleasure coiling in her gut when his breath hitches with an even louder sob.

“YOU WILL NOT,” she roars with all her might, ignoring the way her voice is not as loud and commanding as it used to be, ignoring the shocked gasps and astonished stares of the rest of the students of the school, “TOUCH ME WITHOUT MY PERMISSION!”

The other boy— James, she remembers the teachers calling him— comes at her with his fist raised and a yell on his lips, but she kicks him in the back of his knee, hard enough that she feels something crack under her Mary Jane shoe. He lets out a pained scream and crumples like a can of soda would under her foot, and her snarl turns into a too wide grin, just on the wrong side of feral; it is a move Peter had taught her twelve years ago. Or maybe it was five years.

She never bothered to separate her home world from this one.

Her blood rushes through her veins like fire, and she pulls on Howard’s hair till his neck is bared, and her eyes zero in on the beating pulse under his jaw. She can almost feel the way the crimson life flows through his body, the way it would flow over his skin if she had her dagger. She would drag the blade over his flesh in a vicious, vengeful slice for the slight upon her person— he dares touch her?

He dares feel entitled to her presence? To her affections? To her body?

She is Queen Lucy the Valiant of Narnia. She is the Dragon Spirited Spymaster Queen, the Fourth of the Beloved Four, Lover of the People. She is greater and more powerful than he could ever hope to be, and he dares commit the crime of touching her?

She bares her teeth at the thought and twists his arm till she feels his shoulder pop out of place. Her canines elongate and dig into her lower lips even as her blood boils and bubbles, clamouring for punishment to be given and for vengeance to be taken in the form of his lifeblood.

He dared to touch you, Narnia whispers in her ear, tempting her with the fantasy of letting his blood colour her hands crimson. Punish him for his grave mistake, my Queen. Make him pay for this transgression.

There was a time when she would have killed him within seconds for having the audacity of trying to slap her behind. She would have made an example of him for the world to see— she might be young, but she is neither foolish nor meek, and she refuses to be disrespected in such an appalling fashion. If not her, then her siblings surely would have rendered him nothing more than a stain on the ground for daring to try and dishonour the youngest of the Rulers of Narnia.

She breathes in. Blinks. An image of her fingers curling around the golden hilts of her daggers, of burying them in the enemies’ guts and letting herself bathe in the spray of their blood, flashes across her vision. She breathes out, and blinks again. She is in the middle of the school courtyard, fingers wrapping tight around Howard’s forearm and twisted into his short and coarse golden locks.

She is not in Narnia.

She fell out of that wardrobe with her siblings five and a half years ago— she is fourteen and her blood still burns her insides at the reminder that she is not twenty-seven years old. It still scorches the inner lining of her blood vessels at the reminder of not being in her home country, of not being with Mr Tumnus and the fauns, of not running through the forests with her daggers at her sides and her network of espionage agents at her beck and call.

She breathes through her nose and lets go of his arm only to reach for his neck and grip tightly, feeling a sick sense of gratification when she feels his breath hitch fearfully under her palm, and feels the pumping of his blood through his jugular against the tips of her fingers. She tugs harder on his hair, and revels in the whine that echoes in his throat as she straightens up and rakes a narrow-eyed glare over the gawking students.

“Hear ye!” she calls, lips curling into a vindictive smirk when people stiffen their spines at the fury in the little teenage girl voice that is not hers, that has not been hers for decades. It rings with the royal Narnian accent that neither she nor her siblings ever managed to lose, and she lets the accent get stronger, she lets the lilt of the Narnian magic carry her voice over the courtyard.

“Consider the following as both a warning and a threat,” she announces, and her voice echoes strangely through the air, like she has a microphone held in front of her, “henceforth, any unwanted contact with my person will be met with the most violent of retaliations. Either it will be me, or my eldest brother Peter who does it, but know that blood will be drawn.”

The mention of Peter has most of the boys quailing and looking away, shoulders curling inwards and cheeks flushing at the reminder that Lucy has an absolute beast of an older brother— over six feet and built like a bull, with wide shoulders and a face permanently set in a grim expression. Peter’s fencing skills are legendary, and he is infamous for hitting till bone breaks. It makes Lucy smile a vicious little smile; her royal brother is terrifying, and she is proud to be Queen next to him and their other siblings.

It also makes her blood beat an outraged tune against her pulse points— she is no less terrifying than her oldest brother, and it is high time that people learnt to respect her for her strength and status. She is Queen just as much as her brothers are Kings and her sister is Queen, and she deserves to have her titles acknowledged. If they refuse to do so, then she will force them to their knees and make them do it.

She finds Peter easily when she looks for him; he is sitting in a tree with Susan and Edmund, hidden from the rest of the world, their trademark Pevensie blue eyes all gleaming wildly with pride and encouragement. Edmund grins sharply and whispers something at her, and she hears the lilting Narnian in his voice even though he is too far away for any normal human to be able to hear him.

Ruen’hi vraeka, he has always called her fondly, much to her eternal amusement. Blood-covered dragon.

“LUCY ANNE PEVENSIE!”

She breathes in and out through her nose, and turns calmly towards the advancing form mistress, clenching her jaw at the anger etched into the wrinkles of the old woman.

“WHAT IS THE MEANING OF ALL THIS, YOUNG LADY?

She resigns herself to the one month of detentions, but her blood burns.

Her blood is like fire as it pounds in her ears, outrage bubbling in her gut and showing in the flash of her blue-eyed glare as it pans from the yelling form mistress to the rest of the students and then finally on the two boys at her feet. They still haven’t stood up, in too much pain to do anything more than groan in pain and wipe their tears and snotty noses on their sleeves.

They should be falling at my feet, she thinks savagely. They should be on their knees begging for forgiveness, for mercy. In fact, the school faculty themselves should also be at her feet, begging for forgiveness for the audacity of raising their voices at her and her siblings.

How dare they deem themselves capable of handing out punishment to a King or Queen of Narnia? To all four Kings and Queens of Narnia? Who are they to try and punish her, Queen Lucy the Valiant? Who are they to deem themselves appropriate authority to discipline the Dragon Spirited Spymaster Queen, Fourth of the Beloved Four?

Lucy’s blood burns, but she lets herself be dragged to the headmaster’s office, taking one last glance at her siblings. The sight of their gazes fixed on the two injured boys makes her mouth stretch into a feral smile even as she bristles indignantly at the form mistress’ grip on the shoulder of the body that has not been hers since she first stepped into that wardrobe.

Narnia hums in her ears, a sweet siren song of bloody retribution.

That night, when she sleeps, she dreams of gripping the two idiot boys by their hair and ripping their throats out with her teeth.

#lucy pevensie #the pevensies #narnia

[narnia-renaissance]

you have invited strangers into your home, helen pevensie, mother of four.

without the blurred sight of joy and relief, it has become impossible to ignore. all the love inside you cannot keep you from seeing the truth. your children are strangers to you. the country has seen them grow taller, your youngest daughter’s hair much longer than you would have it all years past. their hands have more strength in them, their voices ring with an odd lilt and their eyes—it has become hard to look at them straight on, hasn’t it? your children have changed, helen, and as much as you knew they would grow a little in the time away from you, your children have become strangers.

your youngest sings songs you do not know in a language that makes your chest twist in odd ways. you watch her dance in floating steps, bare feet barely touching the dewy grass. when you try and make her wear her sister’s old shoes—growing out of her own faster than you think she ought to—, she looks at you as though you are the child instead of her. her fingers brush leaves with tenderness, and you swear your daughter’s gentle hum makes the drooping plant stand taller than before. you follow her eager leaps to her siblings, her enthusiasm the only thing you still recognise from before the country. yet, she laughs strangely, no longer the giggling girl she used to be but free in a way you have never seen. her smile can drop so fast now, her now-old eyes can turn distant and glassy, and her tears, now rarer, are always silent. it scares you to wonder what robbed her of the heaving sobs a child ought to make use of in the face of upset.

your other daughter—older than your youngest yet still at an age that she cannot be anything but a child—smiles with all the knowledge in the world sitting in the corner of her mouth. her voice is even, without all traces of the desperate importance her peers carry still, that she used to fill her siblings’ ears with at all hours of the day. she folds her hands in her lap with patience and soothes the ache of war in your mind before you even realise she has started speaking. you watch her curl her hair with careful, steady fingers and a straight back, her words a melody as she tells your eldest which move to make without so much a glance at the board off to her right. she reads still, and what a relief you find this sliver of normalcy, even if she’s started taking notes in a shorthand you couldn’t even think to decipher. even if you feel her slipping away, now more like one of the young, confident women in town than a child desperately wishing for a mother’s approval.

your younger son reads plenty as well these days, and it fills you with pride. he is quiet now, sitting still when you find him bent over a book in the armchair of his father. he looks at you with eyes too knowing for a petulant child on the cusp of puberty, and no longer beats his fists against the furniture when one of his siblings dares approach him. he has settled, you realise one evening when you walk into the living room and find him writing in a looping script you don’t recognise, so different from the scratched signature he carved into the doors of your pantry barely a year ago. he speaks sense to your youngest and eldest, respects their contributions without jest. you watch your two middle children pass a book back and forth, each a pen in hand and sheets of paper bridging the gap between them, his face opening up with a smile rather than a scowl. it freezes you mid-step to find such simple joy in him. remember when you sent them away, helen, and how long it had been since he allowed you to see a smile then?

your eldest doesn’t sleep anymore. none of your children care much for bedtimes these days, but at least sleep still finds them. it’s not restful, you know it from the startled yelps that fill the house each night, but they sleep. your eldest makes sure of it. you have not slept through a night since the war began, so it’s easy to discover the way he wanders the halls like a ghost, silent and persistent in a duty he carries with pride. each door is opened, your children soothed before you can even think to make your own way to their beds. his voice sounds deeper than it used to, deeper still than you think possible for a child his age and size. then again, you are never sure if the notches on his door frame are an accurate way to measure whatever it is that makes you feel like your eldest has grown beyond your reach. you watch him open doors, soothe your children, spend his nights in the kitchen, his hands wrapped around a cup of tea with a weariness not even the war should bring to him, not after all the effort you put into keeping him safe.

your children mostly talk to each other now, in a whispered privacy you cannot hope to be a part of. their arms no longer fit around your waist. your daughters are wilder—even your older one, as she carries herself like royalty, has grown teeth too sharp for polite society— and they no longer lean into your hands. your sons are broad-shouldered even before their shirts start being too small again, filling up space you never thought was up for taking. your eldest doesn’t sleep, your middle children take notes when politicians speak on the wireless and shake their heads as though they know better, and your youngest sings for hours in your garden.

who are your children now, helen pevensie, and who pried their childhood out of your shaking hands?

#narnia #chronicles of narnia #pevensies #lovely

[narnia-renaissance]

Susan did not see Peter in battle for years—arriving to his stand against Jadis almost too late, catching up while he picked himself up from the torn earth, on the other side of the conflict when the remnants of Jadis’ army tried their luck at the Cair. Sure, she knew he fought and killed, just as she did, just as Edmund and Lucy did—and oh, how Susan loathes that last part, but Lucy had been the one to find the first assassin in their halls and there was nothing to be done about it now. There was entirely too much death in their first year, Susan thinks, the fairytale shine of Narnia soon breaking apart and leaving a country and people in desperate need of rest and time behind. It took her days to get the blood out underneath her and Lucy’s fingernails, and she knew Peter had just as bad a time with Edmund next door. With a lump in her throat, Susan wondered often if this was to be the rest of their lives: washing themselves clean of battles that were forced upon them by a world far too big for their hands to hold. But even then, with the bloodied waters between them all, she never truly saw Peter in battle. A slain Maugrim who had about as much a part in his own death as Peter’s shaking sword did, a witch that Susan never saw die, assassins that ended up on the moth-eaten carpets she had found in old storage rooms; things that should give her pause but she simply couldn’t consider for long with all there was to do. They had killed to end up where they were, and Susan knew deep down that they would have to kill to stay, too. Now, standing with her bow held tight and a quiver empty of arrows, a sword at her side she has yet to finish learning how to swing, Susan finds herself in a pocket of tar-slow time. Here, she stands with a muddied hemline and their castle once more under siege—unknown foes, but foes all the same—and there, across the way, with his hair longer than Susan has ever known him to have, Peter lets out a roaring laugh. Rhindon is far out of sight, a glaive taking its place in Peter’s steady hands. Even from afar, Susan feels it in her bones when Peter’s swing launches an enemy’s torn body across the field. There are bodies, horror-frozen faces, the stench of blood and bile. The steps to the Cair will perhaps forever bear the stain of this assault. They have lost people they held dear. Susan has wept enough to fill an ocean. And Peter laughs. With storm-eyes, bloodied tongue, and bared teeth, her older brother wages joyous war.

#narnia #susan pevensie #peter pevensie #the chronicles of narnia

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I have no idea what this is actually from, but I 100% saw Lucy and the Sea Girl. 😍

CASUAL Chappell Roan

#Chronicles of Narnia #Lucy Pevensie #Sea Girl #VoDT

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My take/designs on the pevensies! (They’re definitely heavily inspired by their looks in the movies.)

Beginning of the lion, the witch and the wardrobe

End of golden age-ish

I’d call this a WIP but it’s not really, mostly once we get into designing clothes in fantasy settings I feel very out of my depth, but I wanna practice more. I’m the most happy with Lucy’s but that’s also cause I most heavily referenced with hers.

Im mostly still just figuring out the clothes design for when they’re in narnia. I want brighter/more jewel toned and warmth to contrast with the more muted London clothes. And for the clothing design I want embroidery, but other than that I have no idea how I would make the designs of the narnian style in this era cohesive.

I also have vague main colours for each of them, lucy green, secondary red, edmund blue secondary brown, Susan purple secondary blue, Peter red secondary purple, and all of them use gold as well.

#these are beautiful character designs!

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Caspian doodles (line art done on paper, colored digitally)

Instagram

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The Pevensie children

Instagram

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scene from the lion the witch and the wardrobe inspired by the west end cast

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lmao wrong weapon, sorry bro

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What your favorite book series as a child says about you

The Little House on the Prairie: you love cottagecore, are a plant mom, and possibly have a thing for older men.

The Chronicles of Narnia: you are still chasing the high that these books gave you. If you were religious when you read them, you still are and it's because of these books. If you weren't, then you're a queer atheist who hates to love these books.

Warriors: You're either clinically insane or somehow turned out normal.

City of Ember: You are really disappointed that nobody talks about these books anymore. You love a good conspiracy theory.

Percy Jackson: To this day you are still obsessed with the Greek gods.

#we’re here we’re queer #and we love to love narnia

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The Chronicles of Narnia Spring Aesthetic

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okay but did anyone ever ask if Narnia was a friend to Susan, cause one could argue that the shit she went through would absolutely make her not want to be a friend of Narnia

#honestly not a bad question #narnia #susan pevensie #queen of my heart #if you don't like her i don't want to know you

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Narnia: Queen Susan the Gentle

#narnia #susan pevensie #aesthetic #visualosities #photoset

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We are here! We are a small but active fandom! Edmund/Bacchus is a popular pairing and we would love more of it!

That thing where I feel like I'm going to have to write fanfiction again

This is a weird one. I just want to say it somewhere, so that I've said it somewhere, but I realize there's there's one person who actually cares about this and she already knows, so. This is just for me, I guess.

Fifteen years ago, I wrote most of a Narnia fic. It pairs of Edmund Pevensie and Bacchus, aka Dionysus, the ancient Greek god of grapes, wine and uninhibited ecstasy. Also theatre. I know, that's a bit weird. Is Bacchus even in the Narnia stories? (Yes, he is. He even has lines!) Why on earth am I pairing him up with Edmund, who is 10 when we first meet him?

It's all the weird memory tricks, I'm a sucker for those. The Pevensies forget about England because they stay so long in Narnia and stop thinking about England, and they can (and do) forget about Narnia if they stay in England too long and don't think about Narnia enough (poor Susan), and I find that really interesting. It offers up so many nooks and crannies to stick story in. They grow up and become adults in Narnia, but are required to forget most of it in order to return to build children in England.

And come on: is Bacchus not also very obviously the god of Narnian orgies? I mean, yes. Clearly. He's also Aslan's default caterer and water-into-wine head tech. If you need buildings destroyed and bullies turned into trees and/or pigs, Bacchus is your guy. He's not big on wearing clothes, and according to Edmund, he's incredibly beautiful and extremely dangerous. Edmund is only 10 when we first meet him, sure, but he grows up, reverse ages, and then starts to grow up again. Bacchus throws them a G-rated orgy in Prince Caspian. There's love there.

Hasn't Edmund suffered enough? Yes, he got addicted to the Turkish Delight that time, but he'd been struggling and was being bullied, he was carrying a lot of self-hatred and shame, give a kid a break. He did get himself heroically killed putting it right, only to be healed physically and psychologically by Santa Claus's magic healing cordial, as one does. Doesn't Edmund deserve a cute immortal boyfriend with quirky friends and a serious green thumb who grows his own grapes, makes his own wine, can manipulate and control the desires of everyone around him like conducting an orchestra, and who will love him until the end of time? There aren't many humans in Narnia, why not hook up with the god of uninhibited ecstasy? I mean, he's right there.

Anyway. It was fifteen years ago.

I wrote 3/4ths of it, I had one part left to go to finish it, I had an idea about what how it would end, but for some reason I never wrote the ending. I don't remember why. So it's been sitting there unfinished since 2009.

And in the last few weeks I started thinking about it again. I had an idea about that ending. I couldn't remember if this idea I was toying with was my original concluding idea or not, it's been that long, but I liked the idea, and I thought, you know, I should write that idea in as the last part and finally finish that thing.

And then I read what I'd written. And a) 15 years is a long time and I have so many criticisms, I was clearly in love with the sound of my own voice (uh...nothing's changed there I guess?), b) I wrote the thing in such a way to exclude my new idea, so apparently that wasn't my original plan, but c) yeah, I should have written this thing properly the first time around. And now I have 104 more ideas and I love them all, so.

I think I have to rewrite it. Or, I suppose, just write another one and replace it? I dunno. Just playing it out now.

I think I'm going to write it. Is this an active fandom? I don't think so. I don't care. This love story needs to be told. Edmund deserves this.

#narnia #edmund/bacchus #the chronicles of narnia

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A huntress sculpture in the forest woven from willow branches

#so very Narnian

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We will do our best to assist

are the two brothers from supernatural really gay for each other or is that a fan thing

are you really asking me if a network television show from the mid-aughts had canonical gay incest in it

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People of Narnia

Lady of the green Kirtle Queen of Underland

#narnia #Lady of the green Kirtle #this is so cool! #beautiful!