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melody-dramatic · 3 years
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Did I change my profile theme to black and yellow... for Aizawa? Did I do that?
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melody-dramatic · 5 years
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Ladies and gents, I finally updated The Book of Deku today! It was amazing. I got some great feedback that made it really seem worth updating a story that's been dormant for over a year. I also got an anonymous review that was so rude that I had to delete it, which has never happened before. It felt like I had completed some rite of passage, really. Maybe I can actually update again within a year, this time.
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melody-dramatic · 5 years
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Children of War and Bitter History
I wrote and published on 07.17.2019 for a prompt on the madmaxkinkmeme forum on dreamwidth. Since that forum is pretty much dead, I've decided to also publish it here, and on Ao3, and on ff.n.
From the age of seventeen, she had born three children for that snake of a man. All boys. He had been pleased.
The first one, strong and hale and nearly eight pounds, looked to be the heir Joe wanted. He grew up to be lean, energetic, and not a lick like Joe. No matter what Joe did to the boy, there was just no meanness in his spirit. He wouldn't even hurt a bug. But he was happy to drive cars, and so Joe told him to drive cars, thinking maybe guzzoline and the thrill of speed alone would put some fire in the boy's blood. One day, her boy (a man, at that point, old enough and smart enough to be the next Immortan of the Citadel if he so pleased) rolled his car and broke his spine. Looking back, Miss Giddy wonders if he did it on purpose. (She named him Crow, for one of the only birds she knew. Clever and dark and quick were crows, and so was her son.) She's almost sure that he did. ("Appropriate," Joe said of their son's death. "He always did have a weak spine." And that's when Giddy truly started to hate the man.) The second boy (and this one, she named Walker, after the legend of an old Captain of the Old Days, one destined to lead her brothers and sisters to Tomorrow-morrow Land), who was much like the first except with a touch more bite in him, rode into the desert to help gather salvage (to look at the place where his brother died, as he often did, Giddy knew). He never came back. Miss Giddy still hopes for him, but it's a cold, heavy hope that sits at the bottom of her heart and reminds her that there may be a chance that he lived, but she'll never know, unless he comes back to her. The third is Rictus. And, well... she had been just a tad too old for bearing children, and Joe had started showing the signs of sickness, so she understands how Rictus came to be. Too large, with a heart that wouldn't be able to support his body beyond the age of thirty, and... his mind was something else. She thinks his normal-sized heart couldn't get enough air through his very large body when he was a young'un, and so his mind's slow now. Like a child. He will always be a child. A massive, foolish child. She cries for him. She cries for all her boys. If it weren't for Joe, she would never have had them, but if it weren't for Joe, she would still have them. Her good boys. The eldest could have made the Citadel a paradise, but they hadn't been able to bear the world, and Rictus only services because he is too absentminded to understand the truth of the world around him. She shoots and misses. She's relieved, for a moment (because he gave her the boys, he did, in a sick way, and she hadn't realized the sickness of that when she was younger), and then horrifically angry at herself for not taking the easy shot when she had the chance. Because he is angry, and he doesn't give a damn about her anymore (did he ever?). He just wants his young, beautiful, healthy Wives and their precious cargo. More healthy boys like Crow and Walker. He drags her along. It hurts. Her bones are brittle and her breath is short and she's used to the comfort of the Vault. She can't take this, can't, and Rictus looms only a little while away. She wonders if he even remembers that she is his mother. Probably not. She's cut, she's bruised, she's broken. She's choked on too much blood and sand. She is too old and too tired to resist. Organic's vicious, sawtoothed tools can rend her papery skin open and she is not sure if that can be healed. Not that it matters. They abandon her with Angharad's ripped, ruined body, and she is going to die today. This is all on Joe's orders. She cannot believe that she ever felt anything but hatred for the man, this wretched father of her beautiful, broken sons. She hates him, hates him, hates him. She screams, a sound full of all that hate, and it breaks her throat and her heart open. It is over. There shall be no more Joe, not for her, and all the better. She cries for the crows to kill her quickly. She cries for her dead sons, and the living one with his brutish, hurtful ignorance. She cries for Angharad. But then. But then someone comes walking through the dust, under the scorching sun, and she recognizes a War Boy. Or, in this case, a War Man. He is forty, at the very least, practically shameful for a War Boy, but far more than is expected from a Half Life. He pauses, standing before her with blood and paint smeared across his face. His nose is broken. She waits for him to decide to kill her. "I'm Ace," he says after a moment. Blood dribbles and drips. "Kill me and be done with it," she rasps. Her throat and lips are dry, cracked; peeling. From the hate and the heat. He doesn't move. "Have you seen me before?" "No... Yes." Several times. She's seen the Ace. He's been around for longer than any of the Imperators. He's Furiosa's favorite. He's been up in the tower plenty of times at Furiosa's heels, and he's always been... not unkind. It's a surprise, then, that he's still alive. She never thought about the unlikelihood of the Ace before. "I hoped so," says the Ace. He kneels down before her and carefully, carefully, takes Angharad's linens and uses them to cover the worst of Giddy's wounds. She does not have the strength to claw his eyes out when he gently hefts her up from the bloody sand, leaving behind Angharad's naked, shattered corpse. It will burn and shrivel in this heat in no time. Giddy wants to gag at the thought as she watches and watches until Angharad disappears behind the curve of a sand dune. They are silent for awhile, until she realizes that he is taking her back in the direction of the Citadel. "No more," she whispers to him, recognizing his mercy in Angharad's clothes wrapped around her. "Please, no more." "No one's gonna hurt you," he assures her. She hears the promise. "Never again. Furiosa will kill the old man, and the Citadel won't belong to him ever again. We'll be free." Hearing a War Boy talk like that is beyond madness, but so is Joe. So is she, perhaps. Maybe this isn't real. Maybe she is still with Angharad, and this manifestation of the Ace is just the crows carrying her spirit away. The Citadel is within sight when they stop to rest for awhile. The Ace finds a shady stop and does his best to keep the sand away from Giddy's wounds. His fingers are too calloused to be feathers, but she still thinks that he may be a murder of crows. "I think I loved him, once," she tells him, because if she's dead and he's here to carry her to the next life, then she might as well. "I've had three sons by him. I didn't realize how wrong it was in the beginning. I was just a girl, and he didn't seem so bad back then." The Ace nods. "He used you. He lied. It's alright." Such kind crows. "It's not." "... No. But you're alright. We're alright." She doesn't feel alright. She feels cut open and empty and over (is that death? Could be worse). But the worst of the dizziness has passed and the Ace cradles her away from the sun and the sand with utmost care. That's the closest she's been to alright in a long time. After a very long silence, she thinks that the Ace is going to pick her up and take her the rest of the way (to the Citadel, to the glittering Heaven, anywhere but Walhalla), but he does not. "You're not Ace," she finally decides. "But you are very nice crows." Not-The-Ace makes a raw, croaking sound that she realizes is laughter. "Now, Mum," he says, the laughter still pulling his lips and brightening his eyes, "if you can't tell the difference between me and Crow, who can?"
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melody-dramatic · 5 years
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anyway after thanos ruined everything the only way for tony and nebula to get off titan and to earth would be in quill’s ship so just the 2 of them in space sad as all fuck after watching their friends and loved ones be obliterated but they only have 70s/80s bops to listen to and they roll up to earth and rocket hears the tunes and thinks it’s the guardians but it’s just some rich asshole and gamora’s murder sister enjoying quill’s musical selections despite themselves like “waddup everyone is dead but this grief soundtrack is tight as shit”
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melody-dramatic · 5 years
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door
Roy: *holds the door open for Riza* After you.
Riza: No, after you.
Roy: I insist, after you.
Ed: *pushes past the both of them* After me.
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melody-dramatic · 5 years
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Kirishima [to Aizawa]: I was late for class because I was helping worms on the sidewalk after it rained, sensei.
Aizawa [choked up]: …Acceptable. Take a seat.
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melody-dramatic · 5 years
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Put your twelve-year-old self down if you may, but as a grown woman with anxiety disorder, let me tell you that the ability to come back to life would most certainly enable me to kill myself to get out of a bad situation and I would do it without hesitation and never even think that this solution was traumatizing somebody. I would risk getting shot over and over again just to take the fastest route home because ANXIETY WANT GO HOME RIGHT NOW. Twelve-year-old you was onto something, because getting immortality would turn me into Karen in exactly zero seconds.
the worst oc i ever made was a dc oc i came up with in middle school. her deal was that whenever she died she just got better. like she’d wake up in an hour and be fine. it depended on how she died, quicker and cleaner meant she’d be better faster. idk i didn’t think through all the details because the reason this character was terrible was that her solution to every problem was to kill herself. she traumatized like ten different heroes because they were trying to save her from something and she just went “nah” and shot herself in the head. i don’t remember what made this seem like a good idea for an oc. probably depression. don’t make ocs when you’re depressed.
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melody-dramatic · 5 years
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no but really, like 
i know that some folks love telling creative people that “you should be doing it for fun because you love it not for the compliments” but creative people thrive on feedback whether it’s critical or just complimentary
so when i write fanfiction and don’t get any actual feedback i feel like i spent all that time and energy doing it for nothing because i’m not getting feedback from the people i wrote it for 
doing something you’re proud of and then presenting it to the sound of utter silence is like the worst feeling on earth 
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melody-dramatic · 5 years
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I've gotta admit, I laughed at this scene, which is horrible, but I couldn't help it. Like, Cliffjumper, buddy, you pulled the short straw and had to die within the first fifteen minutes AGAIN.
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My name is Cliffjumper, lieutenant in the Autobot resistance. Bumblebee (2018)
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melody-dramatic · 5 years
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have a bumblebee peeking out of your dashboard
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melody-dramatic · 5 years
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peter parker: holy sHIT YOU’RE—
bruce banner, sighing: yes, I’m the hu—
peter parker: THE MOST RENOWNED SCIENTIST OF THE GENERATION
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melody-dramatic · 5 years
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Bumblebee and Charlie.
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melody-dramatic · 5 years
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PROTECT HIM AT ALL COSTS
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melody-dramatic · 5 years
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Thor: Ragnarok + Neil Gaiman’s Norse Mythology
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melody-dramatic · 5 years
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SHE
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melody-dramatic · 5 years
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Good News: Chapter 3 of The Book of Deku is pretty much done and it just needs some polishing. Bad News: The only copy of that chapter is on a flash drive that I can't currently access, and so I'm literally trying to rewrite the whole thing from memory.
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melody-dramatic · 5 years
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I wonder if mirio stars in old spice commercials?
Yes. Absolutely yes.
Hear me out-
After losing his quirk, Mirio still hangs out with the pro heroes. After all, they’re his friends.
He’s still active in the hero industry, just not as a hero. Even without his quirk, he’s proven that he’s a total badass.
One day, he gets scouted for a hero film. Doesn’t even have to audition.
With his charisma, his physical ability, and his physique, he’s perfect for the role.
To his surprise, he actually really likes acting
And he’s damn good at it.
He quickly becomes a star.
Scripts are written just to be pitched to Mirio with the hopes he’ll sign on as the male lead.
He even has his own movie series. Like James Bond level, but more wholesome because “Bond girls” wouldn’t be a thing he rolled with.
Naturally he gets asked to do commercials for a lot of products, but can afford to be picky.
The only commercials he films is for Old Spice because it’s fun and a brand he actually uses and supports.
With his fame and fortune, Mirio becomes a huge philanthropist as his way of being a civilian hero, until he’s able to pursue being a pro hero once again.
10/10 best celebrity role model across the board.
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