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maryschepherd · 3 hours
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maryschepherd · 2 days
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maryschepherd · 3 days
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happy lesbian visibility week
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maryschepherd · 3 days
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maryschepherd · 3 days
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Casually listening to Guilty As Sun and
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Lowercase…
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Inside a vault…..????
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Longing for someone (during rep era) that you have to hide. That makes you feel guilty, like you’re sinning….
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maryschepherd · 6 days
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Taylor Swift ft Florence Welch - Florida!!! (2024)
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maryschepherd · 6 days
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Taylor saying cosmic love in The Tortured Poets Department's title track, Florence singing throughout the entire song and getting her own solo part in Florida!!! and now Taylor and Florence both have a song called Cassandra how are we doing Flo Swifties
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maryschepherd · 6 days
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This album is so depressingly shallow if you only pay attention to people's surface level theories. It's only deeper if you really pay some attention and don't just stick the names of men to songs like some game
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maryschepherd · 6 days
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maryschepherd · 6 days
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The Fortnight video foreshadows the convergence of Taylor Swift and her brand
In her videos, Taylor has continually played with the idea of herself as a person versus as a brand. These portrayals have almost been adversarial in nature. Think about the relationship between the two life sized Anti-Hero Taylors. The hooded robot Taylor who got to exist in the world while her bare counterpart was trapped in glass. Etc.
The Fortnight video introduces similar characters but flips the script because there isn’t a me versus her dynamic anymore. Instead, there is a story about coming together.
A scene by scene breakdown:
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Taylor Swift™️ is chained to a bed in a white gown with a spicy slit and garter. A faceless nurse enters walking upside down on the ceiling (a continued theme suggestive of PR games). The nurse presents “Forget Him” pills, arguably reminiscent of a dark time where the world thought they could “cure” homosexuality. After Taylor Swift™️ begrudgingly takes her dose, the nurse unchains her.
We then see Taylor Swift™️ approach a two way mirror and wipe the mask off her face, revealing face tattoos we know to be Post Malone’s in real life. This reveal is setting the scene that within this video Post Malone represents Taylor’s inner self, her true soul behind the veil of celebrity. I’ll call him True Taylor.
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Next, the mask is back and we see Taylor Swift™️ walk out of the observation room and into the workspace. She goes from wearing a leggy white gown with garter to a fully covered black poet-esque dress. She isn’t dressed for voyeuristic eyes anymore, she’s dressed to work on her art. I love this light to dark transition because black can be seen as the absence of light. Fitting for a tortured poet who can’t live her truth in public with her sunny muse by her side.
Note that we don’t get to see black dress Taylor Swift™️ through the two way mirror. She exists behind the bright lights of fame, making art in a room hidden from our view. Maybe the pills numb her enough to twist the art for an audience who likes to her to be chained to a bed while they watch her suffer.
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But wait Taylor Swift™️ and True Taylor are collaborating. They start work separately but their art eventually drifts out of their typewriters, combining into a white light that bursts into a rainbow. Remember how I said black light is the absence of light? Well white light is comprised of all hues on the visible light spectrum.
We know there are layers to Taylor’s music: the surface layers chock full with to red herrings for the grocery line Swifties and the deeper layers of Taylor’s truth. They both exist in the art, swirled together.
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But here is where things start to feel different. We cut to True Taylor and Taylor Swift™️ away from all those faceless people - they are alone in the middle of a road. That in itself is ridiculously symbolic of being on the way to somewhere (maybe brighter days). But there’s more because they are dressed identically, laying inside Taylor’s head that is made up of their art. This scene is like bonking us on the head that these two people are one and the same.
Note: The silhouette here is from the Style video which also portrays Taylor’s inner self as a man.
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Taylor Swift™️ runs to True Taylor and they embrace in the middle of the road as pages of their art float around them. In the chaos, Taylor Swift™️ reaches out to True Taylor.
Maybe this scene is suggesting the public version of Taylor is ready to embrace her real self.
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Then we see Taylor Swift™️ strapped to a table, wild hair from dropping the hairpins we saw in the opening scene. The drugs aren’t working, it must be time to escalate to shock therapy. The men around her gather and there is literally a sign in the background that says “Master Control”.
But one of the men in the room making decisions for the brand is actually True Taylor, who has been there all this time.
Enough is enough when True Taylor can’t take the pain and pulls the plug on the procedure, freeing public persona Taylor from torture.
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Next we see True Taylor, familiarly encased behind glass, on a phone call. Perhaps making plans while safe from the rain. Taylor Swift™️ is elevated on a pedestal, out in the storm, in her best dress FEARLESS! Credit to @rep-princess-witch who put the fearless connection together in another post.
I’ll say it again, that is the huge difference in this video compared to others. Here, Taylor Swift™️ is not an antagonist, she is ready to brave the storm.
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So what does she do? She’s back in the workspace burning all the files. It’s not without emotion but it’s necessary. We then see a stoic Taylor Swift™️ with no regrets.
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After burning the files she’s back in the observation room. It’s time to fight back against the voyeurs and she does so my smashing the glass between her and them. She regains her agency by squashing their ability to hide. Shes deserting her past life.
Note: We don’t see True Taylor back inside. This fight is specifically for Taylor’s public persona.
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In the closing seen, we see True Taylor leave shelter, step outside into the storm, and reach for Taylor Swift™️. The person and the public persona are weathering the storm hand in hand.
*Please check out @heyitsmoog on TikTok - he shared thoughts there that inspired me to make this post.*
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maryschepherd · 6 days
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“There are so many ways in which this album feels like a new beginning. This album is really a love letter to love, in all of its maddening, passionate, exciting, enchanting, horrific, tragic, wonderful glory.”
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maryschepherd · 6 days
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Yes Taylor I too want to run off to Florida with a gorgeous tall redhead British woman (but a Florida without all the racism and homophibia)
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maryschepherd · 6 days
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maryschepherd · 6 days
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“Buried down deep And out of your reach The secret we all vowed To keep it from you in sweetness” - Robin
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“I also was falling in love with someone who had a really wonderful normal balanced grounded life. And we decided together that we wanted our relationship to be private.” - Miss Americana doc
Rolling stone Article with Paul McCartney
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maryschepherd · 6 days
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maryschepherd · 6 days
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Dance Fever by Florence and the Machine tells the story of the devil offering Florence either "a golden heart" or "a golden voice." After feeling abandoned by God and determined to get back on stage she chooses "a golden voice". Despite this she is able to resurrect in Daffodil and feels speard from death/hell in Morning Elvis. So one of the features on TPD also metaphorically work for/over came the devil by her own power.
UMM so cruel summer and a lot of other songs are making a lotttt more sense now that I’ve realized the “devil” that Taylor keeps referring to is actually the music industry as a whole thanks to @keepingsecretstokeepyoutk (see this post). “He looks up grinning like a devil” // “I would’ve stayed on my knees and I damn sure never would’ve danced w the devil AT 19” // “Dear reader if you aim at the devil make sure you don’t miss.” Do you remember the Top Global Artist vid that spotify released that had cruel summer as the background song and had a bunch of cruel summer references? Yeah go back and watch that again w this context in mind 😃 Taylor (the angel) has had enough of the games and is gonna end them once and for all which is very Katniss Everdeen of her—hello the archer 🏹 if any of you have read or watched the hunger games you know how the story ends
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And you'll also remember that Katniss escapes the games twice by cheating--the first time w poison berries and the second time by destroying the arena itself (which was a clock) WITH itself using a lightning strike current at midnight that shot thru her arrow -> "And there was one prize I'd cheat to win." Not to mention Katniss was the mockingjay, a symbol of rebellion and resistance. And the fire symbolism in this trilogy was meant to represent how that rebellion can spread from a spark of hope. Snow lands on top but fire melts snow. Taylor is a huge hunger games fan so I wouldn't be surprised at all if these parallels were intentional. Also I'm not the first one to notice the hunger games connections, I saw some other gaylors point this out so I can't take full credit for that
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“You play stupid games you win stupid prizes” // “Devils roll the dice” // "Baby let the games begin" // The scrabble instagram post // The mastermind chess board // "You see all the wisest women had to do it this way, cause we were born to be the pawn in every lover's game" // "No more keeping score now I just keep you warm. No more tug of war now I just know there's more"
I think it's possible Taylor knew that her masters were gonna be sold hence all the game imagery and songs abt heartbreak on lover
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She's literally gonna take down the industry as a whole and expose everything. This is the reason for all the cryptic messages and meticulous planning. AND THIS IS WHAT THE ALBATROSS IS ABT TOO. “She’s the albatross she is here to destroy you.” They tried to keep her locked away in cages and towers and closets and tried taming her and pulling out her teeth but it didn’t work
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“Devils that you know raise worse hell than a stranger” SHE’S the devil now and she’s abt to make their lives a living hell
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“She’s the death you chose” i.e. the music industry chose to kill Taylor (which is why TTPD is a post-mortem album) so now she’s coming back to haunt them hence the ghostly Victorian attire. “We gather here we line up weeping in a sunlit room and if I’m on fire you’ll be made of ashes too.” THIS is the karma she’s talking abt that will happen at midnight!!
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“You’ll see me in hindsight tangled up w you all night burning it down”
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I am the APPARITION. I am the LINE OF POETRY. THAT’S TAYLOR. SHE’S THE GHOST WRITING POST-MORTEM POETRY
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Literally feel like I am abt to explode from all the earth-shattering revelations I’ve just had
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maryschepherd · 6 days
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david byrne + st vincent
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