Custom Dress worn by Elaine Roebuck to her Bat Mitzvah
Christian Dior
Spring 1957
âIt all started when I was twelve years old and I wanted a bat mitzvah. My father said absolutely not â girls didnât have bat mitzvahs in those days,â Roebuck tells me. âMy mother rallied for me and finally my father said OK. The next thing I knew, we were on the train to Montreal to look at my dress.â
The dress in question is a silk organdy masterpiece custom designed by Monsieur Christian Dior himself. Dior did not design for children back in â57, but he made an exception. âNot just anyone could go in and say âwhip me up a dress for my daughterâs Bat Mitzvahâ â that wasnât their business,â says Dr. Alexandra Palmer, the museumâs senior fashion curator. But thatâs just what Elaineâs mother, the late Molly Roebuck, did. âShe had a motto: If youâre going to do something, you better do it right,â says her daughter. âAnd in her mind, Dior was just right.â Likely, the exception was made on account of Diorâs relationship with Holt Renfrew, the prestigious high-end retailer with exclusive rights to his collection in Canada back when it launched.
So, with the help of her friend, buyer Betty Macpherson, Roebuck commissioned the dress in Paris. It was to be modest, but fantastical enough for such a special night. After a few months of trading sketches with Dior himself, the muslin models arrived in Montreal, where Diorâs pieces were made-to-measure for the Canadian market. âThe dress was dreamlike and it made me think, or maybe even feel, like a princess,â says Roebuck. The end result was a full-skirted silk organdy cocktail dress with daffodil embroidery. As it was a one off, the fabric never appeared in Diorâs collections. âI knew the dress was special, but at the same time, I didnât think I was different from any of my friends,â she says. (Teen Vogue)
Royal Ontario Museum (Object number: 2013.68.14.1-2)
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i think whatâs on a personâs nightstand is very telling so reblog this and put in the tags the things you have on your nightstand
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It has come to my attention that there is a not insignificant overlap between fans of Lord Peter Wimsey and fans of the Granada Holmes series. Those people should be aware that there is a 1978 radio play adaptation of Tom Stoppard's Rosencrantz and Guildenstern Are Dead (adapted by Stoppard) where the title pair are played by Edwards Hardwicke and Petherbridge.
Tragically it was never released digitally, and the only way to hear it at present is a rip of the cassette release with pretty bad audio -- but it's absolutely still worth listening to!
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⢠Wine colored lace dress with under dress.
Date: 1940
Medium: Lace
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KJ Charles's latest novel Death in the Spires is very good even by the high standard of Charles's previous work.
David Stuart Davies' first Johnny Hawke novel Forests of the Night was good enough to finish but not so good I'm likely to seek out the rest of the series. It doesn't make enough of its Blitz setting, and while the shifts between different first-person narrators and a third-person limited POV are done deftly enough that there's no confusion, they're also not distinct enough that the effect is substantially different than third-person-limited throughout. I haven't read any Dashiell Hammet but I think that's the main influence here.
Currently I'm reading Kinds of Love by May Sarton (one of several of her novels I bought free in ebook format a few years ago.) It's about individual and local history, friendship, and aging.
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STOP. moment of gratitude for those precious times of breathing from your nostrils when you don't have a stuffy nose
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Serious All-of-a-Kind Family vibes. <3 <3 <3
For a Passover story
(Alfred Eisenstaedt. 1949)
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2/6 rows down. I find that especially when I'm hand quilting there's a really strong physical sense that the sandwich is transforming from a conglomeration of unrelated layers into A Quilt, and this is one of my favorite things about the process. You can feel a change in the way it handles when touched. It is well into that transformation now.
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If I ask nicely will people reblog this and tell me what their most common breakfast is? Not your favorite necessarily, just what you have for breakfast most frequently? đđ˝
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Costume designed by Gabriella Pescucci for Michelle Pfeiffer in A Midsummer Nightâs Dream (1999)
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reblog to give a strawberry to the person you reblogged this from
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Level 1: But is it canon?
Level 2: I can fix the canon.
Level 3: I can make the canon worse.
Level 4: I can fill the canon with small, brightly coloured frogs.
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ThÊâtre du Châtelet's production of Sunday in the Park with George, April 2013, starring Julian Ovenden and Sophie-Louise Dann.
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The good news is I had my license for over twenty years before I got in a fender-bender. The bad news is, last week I got in my first car accident. No injuries, car still works, but whew autobody work is expensive and the labor of organizing it is intense.
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