giovanni-battista-piranesi

[giovanni-battista-piranesi]

A Classical Beauty, 1892, John William Godward

Medium: oil,canvas

#godward #johnwilliamgodward #neoclassicism

[giovanni-battista-piranesi]

Prospetto anteriore del Tempio Vaticano venduto nelle sere di Giovedì del Venerd Santo al chiarore della gran Croce di metallo illuminata, disegno di L Despres, Giovanni Battista Piranesi

#piranesi #giovannibattistapiranesi #neoclassicism

[giovanni-battista-piranesi]

Side of the Sarcophagus of Scipio Barbato and the monument of Cornelia Hall, Giovanni Battista Piranesi

#giovannibattistapiranesi #piranesi #neoclassicism

[giovanni-battista-piranesi]

Part of the back of the Pantheon with the remains of the Baths of Agrippa which are supported, Giovanni Battista Piranesi

https://www.wikiart.org/en/giovanni-battista-piranesi/part-of-the-back-of-the-pantheon-with-the-remains-of-the-baths-of-agrippa-which-are-supported

#giovannibattistapiranesi #neoclassicism #piranesi

[giovanni-battista-piranesi]

Oedipus and the Sphinx, 1808, Jean-Auguste-Dominique Ingres

Medium: oil,canvas

#neoclassicism #jeanaugustedominiqueingres #ingres

[giovanni-battista-piranesi]

Forum of Augustus, plate 15 from Some Views of Triumphal Arches and other monuments, Giovanni Battista Piranesi, 1748, Art Institute of Chicago: Prints and Drawings

Gift of Dr. Martin Gecht Size: 133 × 263 mm (plate); 343 × 451 mm (sheet) Medium: Etching on ivory laid paper

https://www.artic.edu/artworks/131475/

#museumarchive #giovannibattistapiranesi #artinstituteofchicago

[giovanni-battista-piranesi]

Demonstration of the `apparatus of a mobile stage for the representation of tragic, comic and satirical perspective and pulpit, Giovanni Battista Piranesi

#giovannibattistapiranesi #piranesi #neoclassicism

[giovanni-battista-piranesi]

The Roman antiquities, t. 1, Plate XXXV, 1756, Giovanni Battista Piranesi

Medium: etching

#piranesi #giovannibattistapiranesi #neoclassicism

[giovanni-battista-piranesi]

The Roman antiquities, t. 3, Plate XLVI. Inner wall of the Pyramid of Caius Cestius`s Room., Giovanni Battista Piranesi

Medium: etching

#neoclassicism #piranesi #giovannibattistapiranesi

[giovanni-battista-piranesi]

Vedute di Roma, Giovanni Battista Piranesi

#giovannibattistapiranesi #neoclassicism #piranesi

[giovanni-battista-piranesi]

Vedute di Roma, Giovanni Battista Piranesi

#neoclassicism #piranesi #giovannibattistapiranesi

[giovanni-battista-piranesi]

The Arch with the Shell Ornament, Giovanni Battista Piranesi, c. 1761, Minneapolis Institute of Art: Prints and Drawings

Plate 11 from Carceri d'Invenzione If the Prisons recall The Phantom of the Opera, it is due to the sublime wonder that overwhelmed Piranesi as he explored the enormous sewers of ancient Rome and to the wonder that later stage designers experienced when exploring and mining Piranesi’s works. They found inspiration in the emotional content of his architecture, its three-dimensional effect, and its complex lighting arrangements. Size: 16 x 21 5/8 in. (40.64 x 54.93 cm) (plate) Medium: Etching

https://collections.artsmia.org/art/52609/

#artsmia #giovannibattistapiranesi #minneapolisinstituteofart #printsanddrawings

[giovanni-battista-piranesi]

Harlequin and Pierrot, 1924, Andre Derain

Medium: oil,canvas

#derain #andrederain #neoclassicism

[giovanni-battista-piranesi]

Pier table, Giovanni Battista Piranesi, c. 1768, Minneapolis Institute of Art: Decorative Arts, Textiles and Sculpture

Neoclassical marble-top table; corresponds exactly to one of the engravings in Piranesi's volume of designs for furniture, I Cammini (1769) This is one of the few pieces of Giovanni Piranesi’s furniture to survive. The versatile Piranesi was a printmaker, archaeologist, architect, and designer. His numerous etchings of Roman ruins contributed greatly to 18th-century Europe’s interest in the ancient world. In 1769 he published Diverse Manners of Ornamenting Chimneys and All Other Parts of Houses, a collection of imaginative designs for clocks, vases, chimneypieces, and even coaches. This table is one of a pair made for the Roman state apartments of a nephew of Pope Clement XIII. Piranesi drew from several ancient designs. He modeled the legs—carved like winged chimeras (mythological monsters, part lion, part goat)—after bronze tripods found at the ruined cities of Pompeii and Herculaneum. The ox skulls are based on Roman funerary motifs. Size: 35 1/2 x 59 x 29 1/4 in. (90.17 x 149.86 x 74.3 cm) Medium: Oak, limewood, marble, gilt

https://collections.artsmia.org/art/8023/

#museumarchive #giovannibattistapiranesi #minneapolisinstituteofart #artsmia

[giovanni-battista-piranesi]

Fragment of a shield fell from above Trophies, Giovanni Battista Piranesi

#neoclassicism #piranesi #giovannibattistapiranesi

[giovanni-battista-piranesi]

Leopold, Duke of Brabant, Franz Xaver Winterhalter

Medium: oil,canvas

#neoclassicism #winterhalter #franzxaverwinterhalter

[giovanni-battista-piranesi]

Transverse and longitudinal sections of the Temple of Isis and adjacent parts, Giovanni Battista Piranesi

#giovannibattistapiranesi #neoclassicism #piranesi