Tumgik
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Morgiana (1972) dir. by Juraj Herz.
Costumes by Irena Greifová.
396 notes · View notes
Text
Tumblr media
This is such a fucking joke
3K notes · View notes
Text
Tumblr media Tumblr media Tumblr media Tumblr media
Sydney in the 90s
Source: Youtube/The Kinolibrary
125 notes · View notes
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Ornella Muti in Innamorato pazzo//Madly in Love (dir. Castellano & Pipolo - 1981)
719 notes · View notes
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Ornella Muti in "Cebo para una adolescente" (dir. Francisco Lara Polop - 1974).
553 notes · View notes
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
6K notes · View notes
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Q: Ryo’s “Mokkori” dance in the film was an incredibly funny scene. How did that come about and how did you practice that?
Ryohei Suzuki: In the script, it only said he dances in the cabaret, and the line was mokkori-sho, and that was it. So, we didn’t know what kind of dance he does or what kind of tricks he does.
But I had a sense that I knew what kind of dance Ryo would do if he was in the modern day. He is 100% going to imitate some Japanese comedians who, you know, comedians with naked dances. And I got inspiration from four great Japanese comedians.
So, I told the director that I was going to choreograph for the dance, and I rented a studio. And I went there with an actor friend, and we choreographed together. We shot the scene, edited the video, made that mokkori dance scene, and showed it to the director, and the director liked it. So, that was the dance [in the film]. [Source]
59 notes · View notes
Text
Tumblr media
This era was insane she literally psychologically tortured herself every year for over a decade for a trashy show filled with pop culture references that wasn’t even scary…but she was like the peoples princess…then she kind of peaked on the big screen in a small role in an ensemble cast movie then she entered a long term relationship a 80 year old character actress and I have no idea what she’s up to now. Her commitment and trust in the American horror story project along w all those other shows she did was insane. I thought she was going to be the next Sandra Bullock idk. like she did all that to change the depends of someone who plays the cranky neighbor in an akwafina movie. Love her…
686 notes · View notes
Photo
Tumblr media
103 notes · View notes
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
More of Brownboyfit to make me so fucking hard
5K notes · View notes
Text
Tumblr media Tumblr media Tumblr media
303 notes · View notes
Photo
Tumblr media
93 notes · View notes
Text
Tumblr media Tumblr media Tumblr media Tumblr media
Chris Elkins
8K notes · View notes
Text
Tumblr media Tumblr media Tumblr media
Doug Perry aka Darin Lannaghan
4K notes · View notes
Text
As a chronic over-thinker, I like the idea of getting fucked so thoroughly that I can’t think anymore. For mental health reasons.
22K notes · View notes
Text
I rly hate the Satanic Panic & the moral panic surrounding violence in video games in the 90s, coz it's now impossible to talk about the social implications of violent video games in a realistic sense.
No, violence in video games does not create serial killers in the way most people imagine it would.
However, it's very important to notice how after 9/11, a lot of violent video games pivoted their content from silly gratuitous cartoon gore to more realistic military shooters set in the Levant from a US American lens. It's also important to notice the connection of these games & their toxic online multi-player voice chats to Gamer Gate in 2014.
It's obviously not as black & white as it was presented in the 80s & 90s, I dont think everyone who played early Call of Duty games is a white supremacist who wants to join the military to kill people in the middle east, but I think it's dangerous to pretend like video games or any media can't have an impact on the way people think about violence.
I think what makes all the difference here is how that violence is portrayed, what the message behind it is, what the motives are behind the people who crafted that message, who the victims of that violence are, how they are portrayed & the greater cultural context that surrounds it.
19K notes · View notes
Text
771 notes · View notes