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frankingsteinery · 12 hours
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here's an updated video of everything herbert refers to Dan!!
(now including last names/variants, deleted/extended scenes, and a counter!!)
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frankingsteinery · 5 days
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alternatively: every time someone makes a victor hate post henry clerval sheds a tear
every time someone says victor hated the creature because of his scary yellow eyes an angel loses its wings
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frankingsteinery · 6 days
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every time someone says victor hated the creature because of his scary yellow eyes an angel loses its wings
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frankingsteinery · 18 days
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It's crazy to me how people criticise Victor for making the creature without any thought of the consequences, but then also criticise him for not going along with creating a second one after considering the potential consequences
After being given life, the creature became his own person, developing his own identity. If Victor created another one, they would also develop their own identity and it is reasonable to imagine that their values would be different and they may not want to go away with the creature, or agree to live in solitude away from humanity. I think Victor stopping to realise that shows an amount of character development that people don't really acknowledge
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frankingsteinery · 18 days
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victor's belief that he's responsible for the deaths of his family (by extension of creating the creature) was borne out of excessive guilt, i might go as far as to say bordering on delusions of persecution. id argue walton was more directly responsible for deaths than victor ever was (several members of his crew died on his ship as a result of his inexperience and persistence), but first and foremost the creature was responsible, not victor, and to suggest otherwise i think is blatantly ignoring the creature's autonomy. he had a cultivated understanding of morality and the world's evils and chose, while knowing and feeling that it was a moral wrong, to murder. i think, eventually, it is this willingness to deliberately go against his own morals to commit evil acts that victor considers monstrous, not just the creature's monstrous appearance in of itself, which is one of the defining factors of his choice not to create the female creature.
if anything, id argue this passage is actually proof of victor acknowledging his "failure as a parent" or rather his duty as a parent, its just not done so directly. this is a story being told in retrospect, and that fact colors victor's narration because he already knows the events that are being described. in this sense, the quote seems more of an acknowledgement of this than anything else, particularly with the language of "creature" and "being to which they had given life" used to describe a child, which, like youre saying, are both blatant parallels to how victor describes the creature. if you look at this and then consider it within the context of victor and creature's confrontation on the alps, where victor does actually explicitly admit to his duties as a creator, i think it changes things:
For the first time, also, I felt what the duties of a creator towards his creature were, and that I ought to render him happy before I complained of his wickedness. These motives urged me to comply with his demand.
and then, later:
I was moved [...] I felt that there was some justice in his argument. His tale, and the feelings he now expressed, proved him to be a creature of fine sensations; and did I not as his maker, owe him all the portion of happiness that it was in my power to bestow?
in both quotes victor mentions he feels he owes the creature happiness, i.e. the same "train of enjoyment" he experienced in his own childhood, and it is the feelings the creature expressed (stemming from his mistreatment by victor, but also more importantly by society as a whole; i think people tend to overinflate the importance of the creature's "abandonment" by victor in the grand scheme of things) that push victor to this idea. that is, victor pretty directly admits to the effect of his absence on creature.
Victor Frankenstein admits multiple times that him creating the creature led to multiple deaths so he’s responsible in that sense but he assumes it’s because he created a monster but in my opinion, he knows him failing as a parent/abandoning the creature is why it turned out the way that it did, he just won’t admit it, and this passage from chapter one is my prime evidence.
I was their plaything and their idol, and something better—their child, the innocent and helpless creature bestowed on them by Heaven, whom to bring up to good, and whose future lot it was in their hands to direct to happiness or misery, according as they fulfilled their duties towards me. With this deep consciousness of what they owed towards the being to which they had given life, added to the active spirit of tenderness that animated both, it may be imagined that while during every hour of my infant life I received a lesson of patience, of charity, and of self-control, I was so guided by a silken cord that all seemed but one train of enjoyment to me.
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frankingsteinery · 20 days
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”this video is made possible by ingolstadt morgue. not sponsored” victor says while breaking and entering
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frankingsteinery · 21 days
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i love this image so much. ever since ive seen this not a day goes by where my brother and i dont quote this to each other. you don t get to look so innocent me ligma is so fucking funny to me. i made an oswald version:
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You don t get to look so innocent nr ligma
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frankingsteinery · 23 days
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idol achilles + beanie baby king achilles = constantly getting gifted beanie babies and not knowing what to do about it achilles.
i also finally have a reason to play around with these tweet generators. im having the time of my life. evidence attached below.
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frankingsteinery · 23 days
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started modding my minecraft and i immediately went for the furniture mods.... anyways test build ! victors dorm ! version 1!! i will try to improve it next time i build (+ add shaders.... perhaps)
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frankingsteinery · 23 days
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(for the ask game from a few days ago) could you do Victor for 2, 12, 15 and 24
2. Favorite canon thing about this character?
i had to sit and think because this one was so hard to narrow down. on a surface level i find all sorts of things about him endearing from his mannerisms to his speech patterns, but i think the thing that got me hooked on victor as a character was how emotionally demonstrative he is, particularly for a male protagonist. this also extends generally to his love for nature, for his friends, and his siblings (disregarding the incestuous implications of his relationship with elizabeth...)
i think this was only intensified for me when i started delving into frankenstein academic essays and analysis and then, by extension, the frankenstein fandom, and found that en masse it was people criticizing victor for just what interested me to him in the first place: being emotional, and therefore somehow melodramatic, overreacting, self-centered, egotistical, etc. it was this kind of climate of victor-hate that pushed me to make a tumblr account in the first place. someone had to be the sole victor defender in this barren wasteland
12. What's a headcanon you have for this character?
this is silly and probably not the serious answer you were looking for but like 2 years ago a dear friend of mine and i were joking about how you could catch victor frankenstein in a mouse trap and ever since then his assigned fursona in my head has been a mouse:
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15. What's your favorite ship for this character?
by far its waltonstein (robert x victor). im aware clervalstein is vastly more popular, and while im charmed by it in-canon i dont find most depictions of it to my taste. i don't see their relationship as wholly reciprocated–one-sided on walton's end–which is part of the reason why i like their dynamic so much: its established that walton romanticizes the unobtainable, chases the unknown, and that's why he hangs all his hopes on things he cannot feasibly reach. first becoming a famous poet and going down with the greats, then sailing to find the northern passage despite being an inexperienced captain, all the while hoping for this impossibly idealistic image of a companion who would be perfectly tailored to his interests and manners, and then, against all reason, he finds this in victor, wherein victor becomes an extension of this habit, who is dying and too hung up in the past and on martyring himself, because everyone who has grown close to him has been hurt for it, so he cannot love again, or at least in the way walton wants. yet victor still has a reciprocated interest and finds a friend in him, even shares the same sentiment of the importance of friendship, but like he says no man can "be to him as clerval was." its very much wrong place/time but the right person.
ive said this before but i think, too, that if victor had recovered and lived than walton may fall a little less in love with victor. their relationship was founded on their dynamic of sick/caretaker, and beyond that, victor would have already exhausted his story, so there's no air of mystery around him anymore–nothing for walton to glorify or romanticize. ultimately i think even if they had the best of intentions and loved each other, they could not have a healthy or fully mutual relationship, and part of the appeal to me is this tragedy!
24. What other character from another fandom of yours that reminds you of them?
im drawing a bit of a blank on this one because no other character encompasses just what victor Is to me, but theres a whole host of victor-esque characters i could name because he is the literal foundation for the mad scientist archetype. if i was pressed i think id say geoffrey tempest from sorrows of satan by marie corelli (beyond his blatant misogny), and i remember some parts of emil sinclairs early narration in demian by herman hesse reminded me of victor. lucifer/satan from paradise lost also, particuarly the bit where he says he cannot enjoy the beauty of earth for the suffering of his fall, but that almost feels like a cop-out answer.
lastly–and this one is completely unfounded–itd have to be double dee from EEnE.
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frankingsteinery · 24 days
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even though there is no explicit sexual abuse in the picture of dorian gray, the themes of manipulation and violation and insertion / imposition of another upon one's sense of self and body in the picture of dorian gray echo the themes of such abuse leading from his childhood (his grandfather who called him vile and hated him as an inherently disgusting, evil creature produced by a marriage he disapproved of) to early adulthood (two older men imposing their own will upon dorian, reducing him to just a figure of his beauty which, when it fades, will make him meaningless) to the corruption of dorian's own view of his body in the portrait. the men in his life insert themselves deeply into his relationship to himself and his body and leave him tainted, believing but also hating their views of him, trying to change his perceived fate of withering away into his 'true nature' of an ugly, vile being, but ultimately he is doomed to become that even if it was not inherently in his nature at all. he's a boy afraid to become something and that fear is reinforced by authority figures throughout his life, leading the fear to take him directly down the path to corruption anyway
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frankingsteinery · 24 days
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Very conscious that across the board Basil is emotionally disconnected and wrapped up in his own head and actively avoids reassessing his ingrained opinions and that this is key to his downfall etc… but I’m really realising the degree to which Basil does not process anything Dorian says?
Exhibit A:
Dorian Gray turned and looked at him. “I believe you would, Basil. You like your art better than your friends. I am no more to you than a green bronze figure. Hardly as much, I dare say.”
The painter stared in amazement. It was so unlike Dorian to speak like that. What had happened? He seemed quite angry. His face was flushed and his cheeks burning.
“Yes,” he continued, “I am less to you than your ivory Hermes or your silver Faun. You will like them always. How long will you like me? Till I have my first wrinkle, I suppose. […]”
Minutes later:
The painter bit his lip and walked over, cup in hand, to the picture. “I shall stay with the real Dorian,” he said, sadly.
“Is it the real Dorian?” cried the original of the portrait, strolling across to him. “Am I really like that?”
“Yes; you are just like that.”
“How wonderful, Basil!”
“At least you are like it in appearance. But it will never alter,” sighed Hallward. “That is something.”
Exhibit B:
“[…] I am changed, but you must always be my friend. Of course, I am very fond of Harry. But I know that you are better than he is. You are not stronger–you are too much afraid of life–but you are better. And how happy we used to be together! Don’t leave me, Basil, and don’t quarrel with me. I am what I am. There is nothing more to be said.“
Minutes later:
“[…] But you mustn’t talk about worship. It is foolish. You and I are friends, Basil, and we must always remain so.“ 
“You have got Harry,” said the painter sadly.
Addition: I have realised on pasting these back-to-back how much the problem for Dorian with Basil’s self-diminishing shows up here… Because Basil has already designated himself this role of passiveness, unimportance, and lack of value to Dorian’s life relative to his own feelings, he either refuses to or isn’t capable of processing anything contradictory. This then internally absolves him of any responsibility for affecting Dorian’s emotional state, as he doesn’t acknowledge he has the capacity to do so to any significant degree - not to have his words taken on as genuinely hurtful, and simultaneously not to have his presence be genuinely wanted.
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frankingsteinery · 24 days
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Spent some time tonight making the first version of my Frankenstein 1818 edition timeline. I made some small corrections and additions from my original paper version, but I think there is plenty more to expand up/clarify from this version. (I am using the Penguin Classics edition if you want to read along with what I've mocked up.) Edit: Link to a web version of the document with additional information.
Okay I can sleep now lol. I'll put my OG version under the cut.
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frankingsteinery · 27 days
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(tags by @violetfudge)
pov: you are theresa wiggin.
you’ve been stalking the beast for months. one fateful morning you finally see a chance to infiltrate his private quarters. you open the door to his bedroom and the last thing you see is a blur of color as a flood of collectible plush items overwhelm you. they smother you. as you lose consciousness you think, out of all the things to use as security, to be defeated by beanie babies…
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frankingsteinery · 27 days
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CHARACTER ASK GAME!!! 💫
Send a character + one or more of these question!
1. Why do you like or dislike this character?
2. Favorite canon thing about this character?
3. Least favorite canon thing about this character?
4. If you could put this character in any other media, be it a book, a movie, anything, what would you put them in?
5. What's the first song that comes to mind when you think about them?
6. What's something you have in common with this character?
7. What's something the fandom does when it comes to this character that you like?
8. What's something the fandom does when it comes to this character that you despise?
9. Could you be roommates with this character?
10. Could you be best friends with this character?
11. Would you date this character?
12. What's a headcanon you have for this character?
13. What's an emoji, an emoticon and/or any symbol that reminds you of this character or you think the character would use a lot?
14. Assign a fashion aesthetic to this character.
15. What's your favorite ship for this character? (Doesn't matter if it's canon or not.)
16. What's your least favorite ship for this character?
17. What's a ship for this character you don't hate but it's not your favorite that you're fine with?
18. How about a relationship they have in canon with another character that you admire?
19. How about a relationship they have in canon that you don't like?
20. Which other character is the ideal best friend for this character, the amount of screentime they share doesn't matter?
21. If you're a fic writer and have written for this character, what's your favorite thing to do when you're writing for this character? What's something you don't like?
22. If you're a fic reader, what's something you like in fics when it comes to ths character? Something you don't like?
23. Favorite picture of this character?
24. What other character from another fandom of yours that reminds you of them?
25. What was your first impression of this character? How about now?
26. FREEBIE QUESTION!!
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frankingsteinery · 1 month
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@lesamis’s tags
for some reason people seem to think that mary somehow stumbled into writing a commentary on marriage/incest accidentally, and that the themes of frankenstein are all about her trauma due to her experiences as a victim of the patriarchy, as a woman and a mother surrounded by men - as if she wasnt the child of radical liberals who publicly renounced marriage, as if she herself as well as percy shelley had similar politics on marriage, as if she would not go on to write a novel where the central theme is explicitly that of father/daughter incest years later…
the most obvious and frequent critique of victor i see is of his attempt to create life - the creature - without female presence. it’s taught in schools, wrote about by academics, talked about in fandom spaces - mary shelley was a feminist who wrote about feminism by making victor a misogynist. he’s misogynistic because he invented a method of procreation without involving women purely out of male entitlement and masculine arrogance and superiority, and shelley demonstrates the consequences of subverting women in the creation process/and by extension the patriarchy because this method fails terribly - his son in a monster, and victor is punished for his arrogance via the murder of his entire family; thus there is no place for procreation without the presence of women, right?
while this interpretation – though far from my favorite – is not without merit, i see it thrown around as The interpretation, which i feel does a great disservice to the other themes surrounding victor, the creature, the relationship between mother and child, parenthood, marriage, etc.
this argument also, ironically, tends to undermine the agency and power of frankenstein’s female characters, because it often relies on interpreting them as being solely passive, demure archetypes to establish their distinction from the 3 male narrators, who in contrast are performing violent and/or reprehensible actions while all the woman stay home (i.e., shelley paradoxically critiques the patriarchy by making all her female characters the reductive stereotypes that were enforced during her time period, so the flaws of our male narrators arise due to this social inequality).
in doing so it completely strips elizabeth (and caroline and justine to a lesser extent) of the power of the actions that she DID take — standing up in front of a corrupt court, speaking against the injustice of the system and attempting to fight against its verdict, lamenting the state of female social status that prevented her from visiting victor at ingolstadt, subverting traditional gender roles by offering victor an out to their arranged marriage as opposed to the other way around, taking part in determining ernest’s career and education in direct opposition to alphonse, etc. it also comes off as a very “i could fix him,” vibe, that is, it suggests if women were given equal social standing to men then elizabeth would have been able to rein victor in so to speak and prevent the events of the book from happening. which is a demeaning expectation/obligation in of itself and only reinforces the reductive passive, motherly archetypes that these same people are speaking against
it is also not very well supported: most of the argument rests on ignoring female character’s actual characterization and focusing one specific quote, often taken out of context (“a new species would bless me as its creator and source…no father could claim the gratitude of his child so completely as i should deserve theirs”) which “proves” victor’s sense of male superiority, and on victors treatment/perception of elizabeth, primarily from a line of thinking he had at five years old, where he objectified her by thinking of her (or rather — being told so by caroline) as a gift to him. again, the morality of victor’s character is being determined by thoughts he had at five years old.
obviously this is not at all to say i think their relationship was a healthy one - i dont think victor and elizabeth’s marriage was ever intended to be perceived as good, but more importantly, writing their relationship this way was a deliberate critique of marriage culture.
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frankingsteinery · 1 month
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a little Frankenstein and Clerval update
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