Man Ray
Observatory Time - The Lovers, 1936.
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tributary
roll along the bottom, little stone.
the fall and foam of water
dropping all departed,
picked apart, in stricken harmony.
the streams between the slaughter
calling all the fault of fathers rolling home.
the edges caught in blood and bone,
beneath the water.
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My Name
by Mark Strand
One night when the lawn was a golden green
and the marbled moonlit trees rose like fresh memorials
in the scented air, and the whole countryside pulsed
with the chirr and murmur of insects, I lay in the grass
feeling the great distances open above me, and wondered
what I would become -- and where I would find myself --
and though I barely existed, I felt for an instant
that the vast star-clustered sky was mine, and I heard
my name as if for the first time, heard it the way
one hears the wind or the rain, but faint and far off
as though it belonged not to me but to the silence
from which it had come and to which it would go.
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Desire
Outside, day
turns to gentle dusk,
birds hide away
where only they
can go, perched
in sleep
Tiny animals awake,
another night to
burrow deep
in search of deeper
secrets
Inside, I write
of anything but
love
for that has passed
my by like a wild
train barreling along
a trackless waste
Yet, still there might
perchance in kind,
I might find
a secret known
only to those others
upon whom I may
touch
Another heart
touching mine
in sorrow and in light
we each attuned,
to the other, listening
for the faintest
call of desire
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My teakettle
doesn't whistle
anymore
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Traces
March 2022
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Crop
The Gardener of Death
lives south of the Moon
we know so very soon
we shall seek that path
Find a bed of cool Earth
whereupon we lay down
among face'd flowers
undulating buds aligned
within time out of mind
We dig deep our roots
until such time as comes
the Gardener to tend
our wildness and judge
if one or another be ripe
Hands so cold yet
in promise speak
of a transfixiation
an exquisite penetration
deep within the bounds
of a life lost too soon
In subtle Voce singing
we now rise ever higher
in offer of our Yield
deemed ready for the
golden wing'd ones
to lift us out evermore
Our shells drifting down
left behind and turned
back to Earth renewed
so the Gardener might
reap yet another crop
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by Riccardo Guasco
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Dawn
I thought I saw a glimmer
the setting sun in green flash
For an instant your eyes
like hellfire and grim stone
Heaven and earth did roll
from under my altar'd feet
The shaking and the billowing
of feathered fantastic swords
Sharper than a sparrow's wing
turning the day into night
Leaving me adrift between
this world and/or somewhere
So bright the light cast down
brimming with concatenation
You alight in the delight of
delicate footsteps across my brow
To settle like mist
just before dawn
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by Stefano Brunesci
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Ohio Total Solar Eclipse
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Tears
I thought these legs long gone,
over the hill, stolen away
on the wings of ages,
Covered deep in sheets
of gold passing to purples,
suffused within gray eyes.
I lay curled, hands and knees
blooded blue, in a stony cell
without windows,
Doors missing handles,
walls etched with the symbols
of failure and regret.
Till one day I picked and pecked
at those cobwebbed corners until
a shaft of light stabbed its way
Into my silent chamber, a sword
of revelation, I peeked out to behold
a lucent, rose colored dawn.
Golden gates festooned with flowers,
endless green beyond, birds on a hill,
bees abuzz in the warm balm of the sun,
I kept poking and prodding,
until an opening appeared, large
enough to pass a cold shriveled body.
Now emboldened to see
beyond the dark walls,
beyond the doubt and fear,
Carried on a warm wind I sailed,
into a cloudless sky without care,
I cried fresh tears.
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Eurydice
by Carol Ann Duffy
Girls, I was dead and down
in the Underworld, a shade,
a shadow of my former self, nowhen.
It was a place where language stopped,
a black full stop, a black hole
Where the words had to come to an end.
And end they did there,
last words,
famous or not.
It suited me down to the ground.
So imagine me there,
unavailable,
out of this world,
then picture my face in that place
of Eternal Repose,
in the one place you’d think a girl would be safe
from the kind of a man
who follows her round
writing poems,
hovers about
while she reads them,
calls her His Muse,
and once sulked for a night and a day
because she remarked on his weakness for abstract nouns.
Just picture my face
when I heard --
Ye Gods --
a familiar knock-knock at Death’s door.
Him.
Big O.
Larger than life.
With his lyre
and a poem to pitch, with me as the prize.
Things were different back then.
For the men, verse-wise,
Big O was the boy. Legendary.
The blurb on the back of his books claimed
that animals,
aardvark to zebra,
flocked to his side when he sang,
fish leapt in their shoals
at the sound of his voice,
even the mute, sullen stones at his feet
wept wee, silver tears.
Bollocks. (I’d done all the typing myself,
I should know.)
And given my time all over again,
rest assured that I’d rather speak for myself
than be Dearest, Beloved, Dark Lady, White Goddess etc., etc.
In fact girls, I’d rather be dead.
But the Gods are like publishers,
usually male,
and what you doubtless know of my tale
is the deal.
Orpheus strutted his stuff.
The bloodless ghosts were in tears.
Sisyphus sat on his rock for the first time in years.
Tantalus was permitted a couple of beers.
The woman in question could scarcely believe her ears.
Like it or not,
I must follow him back to our life --
Eurydice, Orpheus’ wife --
to be trapped in his images, metaphors, similes,
octaves and sextets, quatrains and couplets,
elegies, limericks, villanelles,
histories, myths…
He’d been told that he mustn’t look back
or turn round,
but walk steadily upwards,
myself right behind him,
out of the Underworld
into the upper air that for me was the past.
He’d been warned
that one look would lose me
for ever and ever.
So we walked, we walked.
Nobody talked.
Girls, forget what you’ve read.
It happened like this --
I did everything in my power
to make him look back.
What did I have to do, I said,
to make him see we were through?
I was dead. Deceased.
I was Resting in Peace. Passé. Late.
Past my sell-by date…
I stretched out my hand
to touch him once
on the back of the neck.
Please let me stay.
But already the light had saddened from purple to grey.
It was an uphill schlep
from death to life
and with every step
I willed him to turn.
I was thinking of filching the poem
out of his cloak,
when inspiration finally struck.
I stopped, thrilled.
He was a yard in front.
My voice shook when I spoke --
Orpheus, your poem’s a masterpiece.
I’d love to hear it again…
He was smiling modestly,
when he turned,
when he turned and he looked at me.
What else?
I noticed he hadn’t shaved.
I waved once and was gone.
The dead are so talented.
The living walk by the edge of a vast lake
near, the wise, drowned silence of the dead.
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brief
take off your long coat
let that dark dress hang
like a concupiscent dream
a moment born on the
drift of desire
a shaft of light slips
across the wooden floor
to meet your calf
halfway up while pigeons
swirl outside the window
reflected in your eyes
like two way mirrors
as the clocks tick
a thousand tocks
gears mesh in a stream
of rotation counting out
photons of radiance in
your face onto my hand
when you look away
the light seeps off on
thistledown wings
finished slipping up your
thigh moving on beyond
passion passing with it
to recede like falling ash
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Basílica de la Sagrada Família
Barcelona
ISO 400 | 250mm | f/6.3 | 1/320 sec
Photo © 2020 Brian R. Fitzgerald (brfphoto.tumblr.com)
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