day eight
Dream-catcher: Write something inspired by a recent dream you had.
Itâs warm, where we are. He tells me the heat feels nice. I agree. The sun is blinding and my skin is hot to the touch, an almost welcomed contrast from the past few dreary months. The sand shines like stars, and it whips around us when the breeze picks up. I dig my toes into it, close my eyes. Itâs beautiful and serene and quiet, until itâs not.
I feel frantic, lost in this foreign place, lost in my own head. I canât communicate. I gesture wildly at the people around me, desperate for them to hear me and understand. Static silence. No one can help, and we are trapped in this unfamiliar place. My mind is stuck.
My eyes ache, my chest hurts as I realize heâs gone. He was right beside me one moment, and the next, heâs become the invisible man. I call out his name, quietly under my breath, and darkness answers me. I try again, and now I hear his voice, faint but steady, a mirror of what it is when weâre not in this place, afraid and shaking and stuck.
Thatâs a far as I get. Can hear, but canât see, canât touch. I am petrified. Iâm covered in a layer of sweat when my hands stretch out into a void of nothing, hoping his will reach back.
I donât want to die. Keep me safe. I want to live. Where are you.
I wake up. I am still feeling the same sense of urgency, even upon realizing Iâm under his sheets. And then I feel his hands between my thighs, wedged in, warm. Heâs asleep. He reached back, anyway.
Itâs been 13 hours. I am still rattled.
0 notes
day seven
The Rocket-ship: Write about a rocket-ship on its way to the moon or a distant galaxy far, far, away.
Iâm 18 and I dream of a place thatâs better than here. The agony is all consuming. I wonder when it will get better. Everyone tells me it takes time, but each passing day only proves to be more excruciating than the last.
Itâs January, and so cold, the air bites and takes my breath away. Iâm warned not to stay outside for too long. âYouâll get sick,â my mother advises each morning on my way to school. âPut on a hat.â I wait, this particular evening, until no one is around before I sneak outside, the stars punching into the ink black sky like diamonds. Itâs late, but I donât know the time. Everything hurts, no matter what time of day, so Iâve stopped paying attention to clocks. I know itâs late enough for me to feel bone tired, for most of my family to be in bed, asleep, for the world around me to have taken a momentary pause. I canât hear anything other than the sound of the snow falling, hitting the ground, the ice already forming. I focus on it until my body is shaking and Iâm positive Iâll never be warm again.
I stare at the moon. Itâs bright, nearly full, and illuminates my entire yard. I can see the depth of the woods, the bare trees. I want to touch the glow. I want to drink it.
I continue to tremble, face and fingers numb, as I imagine Iâm in a rocket. Itâs taking me higher, higher than I dreamt I could go. I press my face up against the glass of the window and watch as everything gets smaller, whizzing by. I smirk and wave goodbye to all of the things that torture me back on the surface of the planet. The moon, white and blinding, is my home now.
The wind picks up, and Iâm suddenly aware that I canât feel my nose. My head hurts. How long have I been standing out here? Did I really think I could make myself numb enough to get rid of the eternal stinging in my chest?
Itâs lonely on the moon, I think as I shake off my jacket once inside, but it canât be much lonelier than here on Earth.
0 notes
day six
Eye Contact: Write about two people seeing each other for the first time.
Arthur rises with the sun, a habit heâs had for as long as he can remember. As his eyes fight to focus, he watches the dust particles dance around the room, settling in by the window. He makes a mental note to dust later on. Maybe after his second cup of tea.
He shuffles slowly to the kitchen, clearing his throat as he goes, and stumbles over a pair of shoes beside the fridge.
âWho on Earth left these there,â he mumbles out loud to himself. He doesnât recognize them, but he likes them. He slips his left foot into one, and it fits perfectly. âStranger things have happened, I suppose.â He shrugs, and pulls down his favorite mug from the cabinet. The tea, though, is nowhere to be found. He settles for coffee, already waiting for him on the counter top.
Itâs a beautiful fall morning; his joints creak and his muscles ache as he sits down on his back porch to observe the glow emerge amongst the reds and oranges of the trees. Autumn seemed to sneak up on him this year. The wicker chair beneath him groans when he shifts. Itâs almost as old as he is.
He doesnât know how long heâs been sitting out there, observing, relaxing, when a car pulls into the driveway. He listens as the driver cuts the engine, then calls out to him, âHello?â
Arthur strains to peer around the side of the house, brows furrowed. He wasnât expecting company, and he doesnât recognize the voice. âYes?â he calls back. He tries to stand, but his feet wonât cooperate. He stays put, mug now empty in his hands.
The voice emerges into the backyard, smiling and waving; he blinks two, three times before realizing itâs his daughter. âOh, Catherine!â he exclaims, attempting to get up on his feet. âWhat a wonderful surprise. I wasnât expecting you.â
âThatâs okay,â she says, smiling. âDonât stand up, Iâll come to you. Have you had tea yet? I can make you some.â
âI couldnât find it anywhere,â Arthur grumps, making a face.
âItâs in the cabinet beside the microwave. Itâs been there my entire life.â
âOh.â He scratches his chin, laughing, embarrassed. âI mustâve forgotten to check.â
She gives him a forced smile, gesturing behind her. âJoey came with today.â
âWonderful!â he repeats. âWhere is he?â
Before Catherine can answer, Arthurâs grandson runs at full speed toward the porch, arms wide open for a hug, wildly yelling, âGrandpa! Look! I brought Nanny!â
Arthur embraces Joey, and looks at the woman approaching several feet behind. After she makes her way up the steps, he notices sheâs quite pretty, her eyes a deep shade of blue. They remind him of ocean waves, or the late evening sky. He canât stop staring, and he realizes she, too, is unblinking, gaze matched. Her right eye has a small freckle just beside the iris. Heâs positive heâs never met her before. He never would have forgotten these eyes and how they made him feel. This, he is sure of.
He extends his hand, reaching for hers, now standing, still staring. Past the wrinkles, he notices the bridge of her nose is dotted with freckles. Maybe she spent a lot of time outside when she was younger; perhaps she worked in a garden. Her smile is kind, hopeful. She smells lovely, like cinnamon. It feels familiar for a fleeting moment. âItâs great to meet you. How long have you been Josephâs nanny?â
Her eyes cast down to the ground, her hand going weak in his grip. She clears her throat, her voice wobbly. When she looks back up, her eyes donât look the same. Theyâre clouded, almost, and look tired. "Since the day he was born, I reckon. Iâm Margaret.â
âMargaret,â Arthur echoes. âI donât recall Catherine hiring help so early on,â he admits. âRegardless, itâs fantastic to meet you. Can I offer you a drink? I donât believe I have much food in the pantry, but I can look.â
She shakes her head, releasing his hand from hers. âIâm alright. Thank you. Youâre very kind.â
Arthur spends the rest of the afternoon with his company, asking Catherine questions about her writing, how David is doing since he transferred companies, how Joey is doing in kindergarten. He laughs when Joey shares stories about his friends in school, overjoyed that his grandson is so witty, so seemingly brilliant. His nanny is quiet throughout the rest of the day, though, only chiming in on occasion. Joey seems taken with her; she is clearly beloved. Arthur tells Margaret as much, and she smiles, sighing. âHeâs the best thing thatâs ever happened to me.â
âLikewise.â
Before Arthurâs family leaves, the sun low in the sky, Catherine crosses her arms across her chest. âDo you think youâre ready to sell yet?â
âMy home? Absolutely not.â
âDad, itâs--â
âItâs nothing, Catherine. Iâm happy here. I can still take care of myself, and my house.â
âI donât want you to be lonely. Or if something happens and youâre all alone...â
Arthur nods. âIâm okay. I have a few more good years left.â
The look on Catherineâs face makes it clear she doesnât agree, or that maybe, at some point, sheâs argued with him about this before. It doesnât ring a bell. Perhaps she knows about the mystery shoes left in the kitchen.
He says goodbye to his daughter, his grandson, and Margaret. Joey squeezes him tightly around the neck. Arthurâs hands are freezing. His face, the rest of his body, is warm. He hugs just as tightly back.
Before he crawls into bed for the night, he pays attention to the sound of the wind rustling through the trees. A branch taps against the side of the house. He canât see it, but he imagines itâs the same tree Catherine used to climb when she was small, her and her sister Elizabeth racing to see who could reach the top first. He closes his eyes, remembering skinned knees, missing front teeth, slumber parties, home grown tomatoes in the yard, Christmas Eve and wrapping last minute gifts. He remembers feeling loved, deeply and irrevocably. Blue irises, shockingly beautiful. They remind him of shadows.
Arthur rises with the sun, a habit heâs had for as long as he can remember. As his eyes fight to focus, he watches the dust particles dance around the room, settling in by the window. He makes a mental note to dust later on. Maybe after his second cup of tea.
0 notes
day five
Food: Whatâs for breakfast? Dinner? Lunch? Or maybe you could write a poem about that time you met a friend at a cafe.
Your carâs tires crunch in the drivewayâs gravel, heard with the radioâs volume turned way down. Iâm not the first girl youâve brought to this home, but I let you give me the tour as if itâs all brand new, because to me, it is. You point out old family photos, the spot where your hammock used to be, the next door neighbor you canât stand. I follow your lead.
When you ask me if I like the property, your voice makes it clear youâre offended that I havenât offered any complimentary thoughts yet, or any thoughts, for that matter. Iâm embarrassed that Iâm silent; Iâm overwhelmed and canât make my mouth work. Thank you for bringing me here. This is important to you, so now itâs important to me. The sentences sit on my tongue. It never comes out.
The thing about Cape Cod is no matter how long itâs been since my last time visiting, it still feels like meeting up with an old friend. Everything remains familiar, unchanged. The beaches are harsh, packed with tourists, and the waves drown out the sound of the scattered conversation amongst families, the seagulls above, the music playing from a strangerâs radio a few yards away. We walk up and down the shore, you collecting rocks, me watching and listening to your explanation of each stone. Iâve never been to this particular beach, Iâm pretty sure, and definitely not with you, but as I watch the waves grab at your ankles and your eyes squint in the sunshine when you turn back to look at me, thereâs a faint voice in the back of my brain murmuring home.
You show me the restaurants with the good oysters, antique stores filled with haunted treasures, dead end streets that you once paraded down as a little kid. We wind up and down these roads together, the weathered houses whizzing by. âThis was my mattress from childhood,â you explain once weâre in the spare bedroom. The springs squeak when you sit down on the edge, and the idea of two of us squeezing in together on this double sized bed seems laughable. âYour back is going to hurt in the morning.â
It does, you werenât wrong. I ignore the uncomfortable sting in my shoulders and hunch over the coffee table, sort through hundreds of puzzle pieces. The final product is supposed to sport four puppies laying together. I curse when I realize their coats are all very similar shades of tan. You play music, make us drinks, and then:Â âIâm gonna heat up the nuts.â
In the months prior, Iâd never heard of boiled peanuts, a snack you learned to love years ago when you lived 1,400 miles south of where we are today. Iâm a New England girl at heart, but your Floridian roots kick in from time to time, and Iâm happy to indulge.
The brine is salty and the aftertaste is spicy; we crack the shells open one by one. The juice tickles when it runs down my hand, down my arm. Itâs not an easy to devour dish. We take our time. I snort at the way all the tiny bits seem to get caught in your beard.
We say goodbye to the Cape house later that evening. The sun has already begun its descent, casting a golden glow over the town. You walk several steps ahead of me to the car. Youâre a silhouette against the orange hue.
People from all over the world vacation on Massachusettsâs hook. They come for the endless stretch of beaches, the world famous lobster rolls, whale watching, small-town charm. I come for a tiny bed, a collection of stones washed up on your favorite shore, and boiled peanuts.
That, and you.
0 notes
day four
Dancing: Whoâs dancing and why are they tapping those toes?
Her studio apartment is empty, just herself and her two cats. They prowl around lazily, eventually settling in on a spot on the carpet together where a sliver of sunshine lays. She, too, feels tired, and would love to give in to a nap. Itâs a warm evening, especially for September in southern California, and her bed has never looked more enticing. The heat makes her feel drowsy. The anxiety makes her eyelids feel like lead.
She ignores the urge to lay down, and paces, instead; she counts the steps as she moves, watching the way her feet dance across the floor. Her ADHD - something her doctors swore sheâd grow out of - makes her constant twisting and turning a part of the norm, but today, itâs out of anticipation. Fear. She jumps around so her body can keep up with the spinning of her mind.
Time is up, but she continues to skip, tap, bounce. A few moments pass, and she realizes her feet are moving on their own accord, performing the Irish step dance she knows by heart. Itâs been years since her last competition, but her body remembers what to do. She closes her hands into a fist, thumb tucked, by habit. Every move is memorized.
Jittery.
When she finally works up the courage to look, she immediately feels like sheâs melting. Her apartment retains heat, yes, but she shouldnât be sweating this much. Her bones are liquid, oozing out. She sits down on the bathroom floor and holds the strip in her hands, lifts it up into the florescent light. She canât make herself blink. Everything feels dry.
Years and years of taking these tests, and never once did she know what it would feel like to see a plus sign. Tears spring to her eyes; her fingertips are fuzzy. Sheâs not dancing, now, but her body is sore, stiff, tense and eager. Her brain is on overdrive. She realizes sheâs smiling.
Itâs way too soon, she knows, but she places her hand over her belly, anyway. She imagines she can feel dancing on the inside, too.
Soon.
0 notes
day three
The Vessel: Write about a ship or other vehicle that can take you somewhere different from where you are now.
Give the girl a time machine.
Let her go back to seventh grade when her anxiety ate her alive, but she didnât know thatâs what it was. Not a single clue. No one had ever talked about mental health; she assumed everyone felt the same way, and she was the only one who couldnât manage to get her life under control. Tell her to stop skipping school. Itâs not âcoolâ to fall behind in classes. Intelligence is power, and power is admired. Tell her itâs okay to be fearful, itâs okay to approach teachers, to be kind to unknown peers, to tell her bossy friends, No, today I canât hang out. I really just donât fucking want to. Tell her to eat her lunch, because truly, no one is looking. Tell her to stop wearing oversized sweatshirts. Sheâs covering up flaws that donât exist. Itâs too hot to pretend she just really, really likes her blue hoodie, even with the sleeves rolled up in the middle of June.
Give the girl a time machine.
Let her go back to her 19th year when she had to find out from a stranger that sheâd been cheated on, yet again. Tell her to hang up the phone, to go back inside to class. Missing more college course work over a manipulative, abusive boy isnât an option. She needs someone to tell her that; scream it at her. Tell her to stop staring up at the black sky, numb, watching the snow fall down. Itâs cold now, but itâll get warmer. Tell her. She needs confirmation that she wonât stand there shaking forever.
Give the girl a time machine.
Let her go back to the first night she ever met Chicago. It was the end of August, nearing midnight by the time theyâd unpacked their bags in a ritzy hotel room and ventured out onto the streets. Not many tourists crowded the popular spots so late at night, so together, she and her best friend danced through the street lights, pointing out the idiosyncratic buildings, fascinated by their unique architectural designs. They stopped to have conversations with homeless veterans, they laughed when the wind by the riverwalk whipped their hair across their faces, they made sure to write down restaurant names they strolled by, noting the ones that looked special. Tell her to take more photos. Tell her to say out loud how lucky she felt to experience this evening. Be vocal. Tell her to take it all in, because that night is a night sheâll never be able to get back. The smell of the city, the taste of âbrand new,â the feeling of invincibility; savor it. Tell her to capture it, and hold it close to her heart. All of it. She can revisit it whenever sheâs feeling lonely.
Give the girl a time machine.
Let her go back to June 13, 2015. Tell her not to get that tattoo.
Give the girl a time machine.
Let her go back to the start of 2018. Tell her to stop panicking and overanalyzing. There are things she doesnât know yet, but thatâs okay. Heâll tell her when heâs ready. Tell her to quit worrying about what heâs thinking about her. Tell her that he cares about her, even when she has to remind herself several times over. He cares about you. Tell her to let go and trust. Being burned in the past doesnât mean everyone in the present is holding a match. He wants to see you try, to succeed, to smile. Tell her to be vulnerable. If she doesnât, heâs going to leave. Vulnerability is a beautiful thing, and for fuckâs sake, he isnât judging. Remind her that heâs not scary, heâs not hateful, heâs not rooting for failure. Tell her that she can calm down, because for all of the days sheâs riddled with uncertain thoughts, heâs there to listen. And what a wonderful thing it is, being heard. Tell her that.
Give the girl a time machine.
0 notes
day two
The Unrequited love poem: How do you feel when you love someone who does not love you back?
You enter the venue, approach the stage. Your seat is in the fourth row. You chose that seat specifically. You wanted to be up close, to be seen. Itâs not your first time seeing your favorite artist live, nor is it the second or third. You continue to come back for more, their energy addictive. You refuse to put a price on moving lyrics, catchy melodies. On being noticed.
The room buzzes with anticipation, your own mind ready to pop with excitement, with adoration. When the lights dim, you hear a shrill scream. You realize itâs coming from yourself.
Your palms are damp, eyes blurry with tears. There they stand, guitar in place, smile overwhelming. Youâve paid to be here but it still feels like you earned it, somehow.
They whiz through the setlist, one youâve memorized. The choruses are warm, but demanding. Youâre stuck on the way they pluck the strings, the way they sway their hips in between lyrics, the way they look out at the sea of people and praise into the microphone, âThank you so much for being here with me tonight. I appreciate you so much.â You clutch your chest and cheerily yell back, Youâre welcome! They donât hear you, though, over the sound of the bass, over the incessant cheering. The artist continues on with their speech of gratitude. Itâs heartfelt, you can tell. Their eyes gleam. You know this isnât one-sided. They care about you as much as you care about them.
Your eyes nearly burn from unblinking. Your gaze doesnât leave theirs the entire time theyâre present on stage. Youâre captivated. Look at me. Pay attention to me. Please, please notice me. Your chest aches. I love you.
They never make eye contact with you. You blame yourself for not purchasing the front row ticket. Itâs your fault you arenât loved back. They did nothing wrong, and youâre doing everything wrong. It stings, burrows down in your stomach impossibly deep.
Youâre the only audience member at the next show. Itâs as if 5,000 people forgot to show. You look around at the vacant space, and you know you must be dreaming. This isnât a thing that happens. But then the lights dim, they take the stage, and suddenly, itâs just you and them. It is happening. This time, youâre noticed. They gesture towards you, they wink when they get to the dirty lyrics, they stop to ask how youâre doing and if youâre enjoying yourself. You feel like youâve finally won, have finally made your way into their thoughts, their heart. And then they murmur into the microphone, âThank you so much for being here with me tonight. I appreciate you so much.â They continue on with their speech, the one you know so well, and you can feel the blood draining from your face.
Youâre not any different. Youâre filling the void. Youâre just another fan, no better, no worse.
Thatâs when you realize they arenât singing to you. Theyâre singing through you. Theyâre focused on audience members past, ones that stand as ghosts. They canât rid them, and now that youâre involved, you canât escape them, either.
New music is released a year later. Youâve tried to forget about their demons and the way you feel like youâre both being haunted by it. You purchase the new album. There arenât any songs about you on it, but why would there be? There never has been, and truly, you havenât made a difference. That much is clear.
You play the album over and over again, anyway, taking the time to memorize the way it feels during the melancholy songs, the gut-wrenching songs, the ones that make you feel restless. Because you support them. You care about them. You love them. Painfully.
Months after, you attend their show. They can see you. They donât acknowledge you.
Untouchable.
You cheer for them until your throat is hoarse and your chest is tight from trying not to cry. And even then, you continue to applaud.
You leave after the encore. You love them, still.
0 notes
day one
Outside the Window: Whatâs the weather outside your window doing right now? If thatâs not inspiring, whatâs the weather like somewhere you wish you could be?
Wet, green, a few hints of whatâs to come over the next several weeks. The end of August and majority of September feels like a race with no finish line. Iâm desperate for something new, tired of feeling the static heat weighing me down. Thereâs no motivation when everyday feels the same. October, though, provides. As the evenings grow shorter and the yard starts its day covered in a layer of frost, Iâm gently reminded that change, indeed, is coming. The Earth remembers how to and pushes me - us - to follow suit. I feel encouraged, craving the cyclical differentiations. This time of year, I often find myself feeling refreshed and inspired to change up my own world, following the lead of Autumn. I clean things in a frenzy; I engage in hour long phone calls to comfort myself with the voices of those I love most; I push myself to take longer, harsher walks; I photograph the unusual; I watch movies Iâm not normally compelled to see; I stay up late reading, getting lost in the words of others; I express gratitude more, and apologize over and over and over again. I smile. I cry. Everything feels severe; I crumble. The yellowing leaves outside arenât afraid, so I canât be, either.
0 notes