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Very much enjoying season two of Interview with the Vampire... poor Claudia gets such a raw deal, Louis is in another fucked up relationship, Hallucination!Lestat is eating photos...I have to say I miss actual Lestat though, he's just so much fun to watch.
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Sun and Moon
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there's this character dynamic that's not necessarily enemies to lovers, where one or both parties don't initially respect or trust the other person in much the same way that a feral animal sees anyone who tries to approach it first as a threat that's like cocaine to me
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https://x.com/tommchenry/status/1428891618770407428/
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Happy Pride Month - (2022) 🌈
(The poses are inspired by paintings by N. Rockwell and J.C Leyendecker)
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Just saw the newest Helluva Boss episode (Full Moon) and may I just say: noooooooooo
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Stuck on the idea of vampires as a kind of reverse fae, or like someone's twisted, perverse attempt at moulding humans into fae.
They're repelled by liminal spaces.
A vampire could never enter fairyland, not just because they'd never be welcomed, but because most of the usual entry-ways are naturally barred to them.
They can't cross running water. They can't be seen in mirrors. They will wait forever at a crossroads, unable to pick a direction to go in. They can't even step over a thresh-hold unless there is absolutely no ambiguity about whether they are welcome inside.
They crave human blood, iron and salt, but are repelled by herbs and plants. They are supernaturally prevented from harming you unless the rules of hospitality have been invoked.
A fairy may replace your newborn child with something unnatural and ever-hungry. A vampire will do the same, but with your grandmother's corpse.
The fae are typically associated, even in stories where they're the bad guys, with flourishing and purity. Vampires, even in stories where they're the good guys, are typically associated with decay and corruption.
The fae turn ancient human burial mounds into fancy halls for their courts. Vampires take ancient human castles and let them grow mildewed and cobwebbed, exchanging the beds for coffins, turning them into burial places.
Fae don't tend to live among humans, but can generally pass for them with relative ease if they so choose. Vampires nearly always live among humans, but tend to find not revealing themselves a huge struggle.
I can't think of many stories I've read where fae and vampires even exist in the same universe, let alone ones where they actively interact. I feel like their enmity is almost more inevitable than that between vampires and werewolves, however.
The rivalry between vampires and werewolves is, essentially, the rivalry between two apex predator species who share a territory. (Even in stories where the werewolves aren't actually hunting humans.)
The vampires hate the werewolves because the werewolves interfere with their access to prey. The werewolves hate the vampires either because they consider themselves aligned with humans (the prey species), or because they are also predators and the vampires are competing with them.
By comparison, I think there's some story potential in the fae finding something genuinely creepy and uncanny valley about vampires.
They're immortal, like them, but also dead. They can be beautiful, like them, but that beauty is something they actively require humans to sustain. They like to inhabit beautiful and ancient ex-human dwellings, like them, but they actively work to make those places dark, damp and empty.
Fairies who are unflappable in the face of all sorts of Otherworldly monsters, can look an eldritch horror in the eye(s) without blinking, and have never been phased yet by any human, but will recoil from even the weakest vampire.
Vampires who hate fairies just as much, but in a more envious way. The way that the creature for whom immortality is a curse is bound to hate the creatures for whom immortality is an eternity of sunlight and laughter.
Maybe their touches burn each other. Maybe vampires can't stand physical contact with anything so alive and vital. Maybe immortal fairies become ill from too much exposure to the undead.
Maybe they fight over the human population when their territories overlap. The fairy need for servants and people to make deals with, competing with the vampire need for thralls and blood to drink.
Just… fairies and vampires. We need more stories about them interacting.
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Happy Pride Month
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Damen and Laurent in their little summer palace 🌞
Full version on p△tr3on ✨️
Don't expect it to be particularly explicit though 😅 (I feel like my art rarely ever is)
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is jake gyllenhaal gay??
why would you ask us, a narnia blog, this
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Sooo, I had the amazing experience of attending a panel C.S. Pacat was part of during the Sydney Writers’ Festival on 25th May 2024. The panel was called “Creating a Monster” (with two other YA authors).
And finally a week later (because adult-ing is hard), I had time to actually go through my notes and write up some of the fascccccinating things Pacat had to say about: monsterous heroes, and villains, and enemies-to-lovers deliciousness, and queer identity!
I didn’t want to forget some of the interesting things said in this panel and thought others might be interested in hearing about them too? Please indulge the splurge. :)
(Please note that all bold headers are just my thematic summary of each section for people to jump to, not the actual question asked.)
WHAT APPEALS ABOUT ‘THE MONSTROUS’ TO PACAT:
From a technical writing standpoint, the ‘Monstrous’ is appealing because a villain will often do an act and the hero reacts to that. It gives unconscious clues to the reader that when the villain turns up, something exciting is going to happen. In that sense, villainous characters have a special sort of ever-present attention given to them (possibly because human nature is to always keep one eye on the dangerous thing that could harm you).
On a personal level: A) When queer characters are awesome but also ‘Monstrous’, Pacat says it can feel really ‘electric’ and empowering to reclaim/allow yourself to embrace the monster role that you’ve been told you fit into by society. Like in Anne Rice’s Vampire Chronicles where queer people are allowed to be beautiful/glittering & powerful & witty & have existential conversations about good and evil while fitting under the Monstrous label. Like heck yeh, that’s cool. And B) as an author, you can feel a ‘minority pressure’ to have characters be Good all the time and be the perfect ambassador for that minority, but sometimes you just want to be a vampire and take over the world, you know?
THE EXISTENCE OF ‘PROTAGONIST-CENTRED MORALITY’ WITHIN THE DARK RISE BOOKS:
When pondering whether it is hard as a writer to convince readers that a Monstrous protagonist is a likeable character, Pacat pointed out that the funny thing is that the question ‘How am I going to make readers like this monster?’ never really ends up being an issue because people actually really like monsters! The thing you might not expect is that the struggle is actually: ‘How am I going to make these readers who are barracking for the protagonist feel that this ‘monster’ is actually monstrous?’
Pacat explained that when a protagonist is also a monster, it brings into play something called ‘Protagonist-Centric Morality’ -- where you bond with that protagonist and want the best for them etc, so much that it can obscure when the protagonist is actually doing something bad. Pacat mentioned that he has found the Protag-Centric Morality fairly striking in the case of the Dark Rise books because people have said to him things like: ‘The Dark King Did Nothing Wrong Ever In His Whole Life’ and Pacat questioned whether the moral centre of the story was landing somewhere different than intended. He was curious whether the other authors had experienced that with their ‘monstrous’ protagonists too.
IF A HERO IS ALSO MONSTROUS, HOW ON EARTH DO YOU DIFFERENTIATE THAT FROM THE VILLIAN? When pondering over the distinction between a Monstrous Hero and a Villain, Pacat shared some thoughts from his lived experience. He said the times when he has felt most threatened by the ‘Monstrous’ is when that person isn’t clearly identifiable to others around you; where there isn’t a shared understanding between everyone that ‘yes, that person is a monster’. Extending from that, the Truly Monstrous is when that person has some kind of control over you and control over the narrative as well; if the monster is the one telling the story but casting you as the monster. Essentially gaslighting via ‘narrative control’.
ENEMIES TO LOVERS TROPE:
This is Pacat’s absolute favourite romantic trope. And he elaborated that he doesn’t mean that in the sense of ‘these characters sort of don’t like each other’, but rather to the point where two characters really hate each other and for a very good reason. He likes when a path between two characters feels IMPOSSIBLE to overcome.
This trope was first explored in the Captive Prince trilogy and Pacat loved it so much he just had to use it again for the Dark Rise trilogy. The planning behind it for CaPri was brainstorming: ‘What is the worst thing I could think to use?’ (Answer: Killing a character’s brother, which lands the bereaved character into a set of hellish circumstances.) But that meant when Pacat decided to use it again for DR, he had to extend that to: ‘Now I need to think of something EVEN WORSE THAN THAT (CaPri)’ in order to separate the main characters. So Pacat had to spend ages thinking about what could be the absolute worst thing to use this time -- and he hopes that he came up with something that is ‘truly, truly way worse.’ Which essentially had everyone, including the moderator, laughing loudly in fear. XD
WILL KEMPEN: FOUND FAMILY & THE LONELINESS OF INAUTHENTICITY:
Pacat spent a lot of time trying to develop a really meaningful platonic friendship between Will and Violet. It meant a lot to see a friendship like that reflected on page for Pacat because some of the most important friendships of his life were across gender lines. The reception to Will and Violet has been so pleasantly surprising, so Pacat supposed he wasn’t the only one with a hunger for that kind of friendship within the romantasy genre.
Pacat also reflected on Will’s complex relationship with his Found Family -- that having the support of a Found Family can be so essential, but in Will’s case that lifeline is undermined by secrecy, turning that Found Family into a different kind of loneliness. Because the thing is: if something so immense happens to you that you feel you can’t talk about, or you feel some way about yourself but think you can’t share that with others, it means you can’t really be your authentic self. But if you’re not being you’re authentic self, who are your friends friends with? They can’t be friends with the true You; they can only be friends with a facade/with a performance. So as long as Will is scared to show his true self and remains hiding himself away from even his friends, he will be alone. It’s a hard step to take. (Note from me: so heavvvvy but poignant.)
NOT DR-RELATED, BUT PACAT’S FAV MONSTERS FROM POPULAR FICTION: Pacat was so excited to namedrop his favourite monsters from popular fiction, he volunteered to go first LOL. The answers: 'The Brat Prince' Lestat (Lestat has been on his mind a lot recently because the AMC TV portrayal captures Lestat so well & has completely rejuvenated Pacat’s 12 year-old love of vampires. Total mood); serial killers such as in the Ripley series; and simply: American Psycho.
Great panel, right? Now it’s Europe’s turn!
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❄️☀️
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Uggggh I need a new hyperfixation
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hey remember that part at the end of The Winter Soldier where Bucky beat the crap out of Cap and threw him into that river and then saved him and sat on the river bank and cuddled him for like 30, 40 minutes
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Finished Dead Boy Detectives...last two episodes were some quality hurt/comfort.
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"average president is convicted of .74 felonies" factoid actualy just statistical error. average president is convicted of 0 felonies. Felonies Georg, who lives in Mar-a-Lago & was convicted of 34 felonies, is an outlier adn should not have been counted
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