The ancient Egyptians didn't remove the heart as part of the mummification process, as they believed the heart was needed to gain access to the afterlife. My headcanon is that's why Cleo became undead. Her heart was removed, therefore it could not be judged against the feather of Maat, preventing her from entering the afterlife. Egyptian death mythology also involves the ba, somewhat equivalent to a soul. The ba is said to travel between the mummified body and the afterlife, returning to its body each night to maintain the connection. Therefore Cleo's ba is trapped in her body, rendering her undead.
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the children crave an elevator that drops you to your death. and a ceiling bed that drops you to your death. it's ok drac loves being dumped on her ass . it's enrichment for her
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I honestly thought my Dayna Jones had chew marks on her but it turns out they were really tiny sculpted stars all over her body. When G2 rolled around, I've noticed that all the sculpted details got significantly softer and details were a lot less crisp. It's why I stopped buying Barbie dolls in general since the quality dip didn't make it worth buying anymore to me.
I tried doing a paint wash to bring out the details but it was such bad casting, I ended up taking several hours hand detailing the constellations and going over that with silver paint.
It's a neat concept but definitely needed a bit of detailing.
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A Bakura mood
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[Tendershipping or Gemshipping] 30 day challenge
#04 On a Date
In a train. (I don’t know where they will go. ^^; )
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Maybe
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Uncanny X-Men #318 / Published: September 1994 / Artist: Joe Madureira
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Uncanny X-Men #220 / Published: May 1987 / Artist: Marc Silvestri
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Cover of the Day:
Captain America #216 (September, 1977)
Art by Gil Kane, Ernie Chan, and Irv Watanabe
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“Who?”
Jim Lee - Scott Williams
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Cover of the Day:
Peter Parker, The Spectacular Spider-Man #12 (November, 1977)
Art by Al Milgrom and Terry Austin
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Cover of the Day:
Marvel Team-Up #63 (November, 1977)
Art by Dave Cockrum, Frank Giacoia, and Danny Crespi
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Galactus 🆚 Eternity by Scott Cohn
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