Out of curiosity and also guilt over my own coffee intake. I wanna ask:
Now I'm not talking about when you're studying and so you drink 3x the usual amount or something like that. This isn't me asking what your record is. I'm talking about the most basic, average day, how many coffees you drink?
I just....I just learned that there's a word in the English language...for when you run into someone to hug them with all the enthusiasm and strength you have....I learned that it's called glomp.
My God, English has so many words to describe physical intimacy, I'm in love
besides daemon as a gothic heroine trutherism the reason i want to see more of harrenhal on house of the dragon is because i always thought it would play a significant role in twow/ados. if king’s landing gets annihilated due to some combination of wildfire, dragon fire, and jon connington bell-related ptsd and winterfell is in the hands of the boltons—and there must always be a stark in winterfell, which aside from being propaganda actually has something simmering there—where on the continent do these storylines converge?
it’s chekov’s monstrously huge castle that no one family can hold, that can hold armies, right in the middle of the continent—a liminal space, a temporal vortex, haunted and cursed, hungry and waiting. it sits on the god’s eye, where the first men and the children of the forest made their pact, where dragons died, where gendry realized who arya was just as rhaegar realized who lyanna was. balerion made a pyre out of the highest tower and there are weirwoods built into the beams and rafters. it’s where jaime was claimed and sent away by an unworthy king and where he returned to save brienne in a moment of certainty and bravery that sucked him into the past and propelled him forward all at once. littlefinger holds it and holds sansa captive, but she has giants to slay and the vale has men. the timing of its completion with aegon’s conquest, how he burned it that first day, and that it’s where jaehaerys held the great council that set into motion the dying of the dragons—but daenerys is a character who symbolizes rebirth, redefinition, reclamation (of her body, of her name, of her legacy: if the throne her family built burns like a pyre, melts like harren’s tower, what better place to restart than a castle that was also burnt and survived? and if arya goes back there, will it seem like an old friend this time?) like we’ve got to go back. the dragons are back. we’ve got to go back. different roads lead to the same castle. am i losing my mind.
(for the purposes of this poll, there is no monkey's paw situation: the chore you pick stays the same level of difficulty/grossness/etc. as it normally is for you, and you only have to do it as often as you want to. the chores you don't pick are magically done for you exactly the way you'd want them to be, just with zero effort on your part.)
Rolling up to the knight's guild in a chainmail brayette and low-cut mail chausses watching my fellow knights visibly fluster under their helmets as their gaze follows up to my maille voider scandalously worn without a breastplate
“Years and years ago, there was a production of The Tempest, out of doors, at an Oxford college on a lawn, which was the stage, and the lawn went back towards the lake in the grounds of the college, and the play began in natural light. But as it developed, and as it became time for Ariel to say his farewell to the world of The Tempest, the evening had started to close in and there was some artificial lighting coming on. And as Ariel uttered his last speech, he turned and he ran across the grass, and he got to the edge of the lake and he just kept running across the top of the water — the producer having thoughtfully provided a kind of walkway an inch beneath the water. And you could see and you could hear the plish, plash as he ran away from you across the top of the lake, until the gloom enveloped him and he disappeared from your view. And as he did so, from the further shore, a firework rocket was ignited, and it went whoosh into the air, and high up there it burst into lots of sparks, and all the sparks went out, and he had gone. When you look up the stage directions, it says, ‘Exit Ariel.’”
— Tom Stoppard, University of Pennsylvania, 1996 (via flameintobeing)
“Many people seem to think it foolish, even superstitious, to believe that the world could still change for the better. And it is true that in winter it is sometimes so bitingly cold that one is tempted to say, ‘What do I care if there is a summer; its warmth is no help to me now.’ Yes, evil often seems to surpass good. But then, in spite of us, and without our permission, there comes at last an end to the bitter frosts. One morning the wind turns, and there is a thaw. And so I must still have hope.”