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bossbex · 17 hours
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YES YES YES to all of this but I'm especially obsessed with the theory that The Outcasts is actually about Veronica and not Betty (maybe Betty is in it but she's not the inspiration). Betty as "the homecoming queen" never made sense to me.
On the last day of summer vacation... The Writer and His Muse
Full disclosure, I wrote another version of this last night. It was... factually correct. But it just wasn't good. So I saved it and took a few steps away and realized what I was supposed to be writing. I apologize now this is going to be long.
When I came up with the idea to write this series, I wasn't sure of the structure. If I'm honest, I still don't know lol. And after being called the "Riverdale Analysis Auteur" (thank you @storkmuffin ❤️), I promise to do the utmost to put forth only my best for you. There isn't going to be an uploading schedule so follow the tag "Code Word Jeronica" to see when I post.
My intention with this is to show that from the pilot there has always been the opportunity for Jeronica. I know what you're saying "there's an opportunity for ALL pairings."
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And, yes, while you are correct. There were some possibilities that were more feasible than others (Sorry Jarchies!). For the skeptics out there, the showrunners did chemistry tests with so many pairings. Cole even admitted that he did one with Cami and he was open to a Jughead/Veronica relationship "It's the CW, anything can happen"! Coding isn't always intentional or needs to be taken seriously. And that's okay. As a writer myself, I understand the "side character curse" all too well.
With all of that being said, I will only be focusing on the evidence we get in the show itself. I may reference the comics sporadically (like how Jughead and Veronica have been paired up/dated several times in the comics, throughout the comic's history. Below is a picture from Pep #154 in 1962!) but I'll never reference anything outside of the source material as evidence.
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The Writer and His Muse
It's established from the pilot that Jughead is a writer, an aspiring novelist. All writers need a muse. Something that inspires them to put pen to paper. In Greek Mythology, Muse was a Greek Goddess who gave inspiration to all. Often, a muse is referred to as a beautiful woman but it can be anything. The show Riverdale is the muse for fanfiction writers who write in the universe. Jughead has several muses throughout the show. He goes through various tribulations with his writing. We see him suffer with writer's block, make a deal with the devil (both Jugheads in Rivervale), and we know that the story that put him on the map was a telling of him and his friends.
In the overall show we know of five big stories that Jughead writes. Jason Blossom's murder, The Red Dahlia, Killing Mr. Honey, The Outcasts, and Bend. Towards. Justice. All follow a pretty basic plotline. Something happens, a group of teens have to investigate, there's a surprise twist, and then a resolution.
But, through all of these he has one muse that is constant. Would you believe me if I told you it was our fair Veronica? Because it is. Before you ask "What about Betty?", let me ask you the same. What about her? She is a character in his stories. Sometimes she's the main character. But being the main character and being a muse are two very different things. Veronica's presence in his stories symbolize different major elements to a story. More than any other Riverdale character.
Throughout the series we see Jughead struggle with his writing. His father tells him to keep writing as a way to get out of Riverdale and not get caught up with the Serpents. We see him have profound writer's block, plagiarize another author, change the way he writes due to his disability, and physically lose his ability to write. His writer's block, and the complications with it, start in season 5 and aren't resolved until season 6.
Here's an unexpected bonus from helping Veronica...
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...I started writing again.
She is, and has always been, his muse. This is the first time he acknowledges it, but the clues have been there since day one.
Jason Blossom's Murder
The first story begins with the pilot's very first scene. It also introduces the audience to a concept called "The Center of a Story". The center of a story is just how it sounds. It is the element that brings everyone together. However, while this can be the main character and what that character goes through, it can simply be a person or place that has very little interaction at all with the main story. In a murder mystery, which Season 1 is, the center of a story can be the murder victim. In telling that story we can either have flashbacks of the person's life up until they are killed; or, they are simply the reason why everyone comes together (and not even just to find out why. Sometimes the why isn't necessary).
Jason Blossom is the center of the story. It's all about finding out who killed him. But the muse of the story? The hook? The character's entrance that actually connects everyone together? That's Veronica. "On the last day of summer vacation, a new mystery rolled into town." Jason's murder is the B-plot of the season. It might have kicked everything off, and the action might be connected to him, but it's not the entire reason why Jughead is writing this book. In fact, the opening soliloquy says:
Our story is about a town, a small town, and the people who live in the town. From a distance it presents itself like so many other small towns all over the world. Safe, decent, innocent. Get closer though? And you start seeing the shadows underneath. The name of our town is Riverdale.
The story was never about Jason Blossom.
The Red Dahlia
I'm not going to touch on this much, because I have a whole post planned just about this episode. But, I want to point out that out of all of the stories we see him write, this is the only story that focuses solely on one character. It's completely about Veronica. She, like Jason, is the catalyst. The difference is that, unlike Jason, she plays a major role.
Killing Mr. Honey
In his last story to submit to the University of Iowa, it's about how seven teenagers try to get rid of their unethical and overbearing principal. We have known up to this point that Jughead loves horror. He likes to write "Lovecraftian" style stories. The difference between the two are HPL rejected morality. He considered himself a "Morality Atheist". Jughead, on the other hand, loves morality tales. (In 1955 there's a whole episode about it.) This is most evident in this telling. Each character represents an architype. Veronica, arguably, is the most important architype. She represents morality. She's the only one who really challenges what they are doing. Specifically, Jughead. At face value someone can go "Well, Jughead and Veronica aren't friends so it makes sense". First off, no, they very much are friends. But, second, if they weren't, why put her in such a place of honor. In actuality, given his character in the show (and the comics), Archie should be the moral compass of the story.
The Outcasts
The Outcasts is really the only story that we have very little knowledge of. I freely admit that for evidence, it's the weakest of the five. It presents coded details for the audience to infer their meaning. Jughead is the Viper Leader, the Serpents are the Vipers, but is Betty The Homecoming Queen? Most likely. The co-ed he takes home tells him that he wrote a "very sexy book" in regards to the Viper Leader and the Homecoming Queen. However, in his drunken voicemail, he lambasts Betty. One line in particular stands out "You're a cold, fake, duplicitous bitch. And once people read my book, everyone's going to see that". Now, we don't know what is in the book (Kind of wish they'd released it) and it could end with the Homecoming Queen cheating on the Viper Leader with the Football Captain (I'm inferring that that would be Archie's character). Or, they could have lived happily ever after. Or... using the ambiguity to stretch the possibility... the Homecoming Queen could have been Veronica.
Why? Well, there's a reason why the Enemies to Lovers trope is so popular. What better way to get back at your ex for cheating but to immortalize their best friend (who was also cheated on by your best friend) as the true-love-fairy-tale-princess of your wildly popular NYT best seller?
Bend. Towards. Justice.
The last story we see Jughead write is when they've been taken back to 1955. 7x01 is very reminiscent of the pilot. But, for Jughead and his writing, it's always been in the details. Season 7 is my favorite season, and trust me, I have a lot to say about what happens. So, I'll keep this brief. Even when he describes Tabitha it's very factual. There's no emotion. He lists who she is and the reason why she might know what's going on. Please don't take this to mean that at this point he isn't still in love with her, because he very much is. When he sees her, he doesn't know the 1955 version isn't his girlfriend. He keeps all of his emotions bottled up until he can figure out a plan. And to spare her from any craziness because her memories also might be gone. Up until this point, everyone's description is "This person is here, and this is who they are". Including himself.
For starters I live in an abandoned train car with Hot Dog which... actually tracks... Betty and Kevin aren't merely friends, they're dating. Cheryl's twin brother is alive, but he's not Jason, he's Julian. No sign of a Reggie yet. But Archie exists and he's pretty much a teen Charles Atlas... I've been waiting to reconnect with the one person who might shed some light on our predicament because she was both Chronokenetic and the town's guardian angel. My girlfriend, Tabitha Tate.
He mentions that all of this information is "overwhelming, heartbreaking". But he doesn't say why because there are many reasons why. His best friends don't remember anything. Do they even really know him? With one one question he realizes that the person he loves doesn't love him back. But he breaks this way of introducing the "characters" when he introduces Veronica. It's all emotion. There's even a sexy jazz trumpet riff announcing her.
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"Damn..." His thoughts whispered to him breathlessly. "Even in 1955, Veronica Lodge still knew how to make an entrance." He goes from boredom to attention. He straightens his shoulders, he sits up to see her better, and he doesn't blink. Like everyone else, and very unlike him, his whole attention is on her.
THE PILOT
Now that we've gone through the five major stories we know he writes, let's go back to the end to see the beginning. The last episode of the entire series ends with a typewriter. All of the stories mentioned above are stories written within the main one. Riverdale itself is a story (possibly Archie Comics fanfiction) written by Jughead.
The pilot itself, as all TV shows, has a narrative woven throughout. There's characters, conflict, plot, etc. Though the episode opens with Jason's murder the pilot was never about that. Hell, Jughead is barely featured in it. We see him two significant times. The first time is two minutes in, where he's drinking his coffee writing his story. And he says the classic line, "We were still talking about the Fourth of July tragedy on the last day of summer vacation, when a new mystery rolled into town." We are introduced to Veronica Lodge, by Jughead, right after we're introduced to him. At this point he's only named Cheryl and Jason Blossom as that is the impetus for this show/season. "There needs to be a dead body".
The pilot is about Veronica. She moves to Riverdale, she meets Archie and Betty, she mentions Our Town, and her desire for Archie is established. Compared to Veronica, it takes 8 minutes to mention Jason again and 10 minutes to bring him back into the plot. Then nothing significant happens with him until the very end of the episode! But even after that brief interlude it's only 5 minutes later Veronica is given her first conflict. And by the halfway point, she's thoroughly decimated said conflict.
So, Miss Auteur, why are you bringing this up?
Because Riverdale was supposed to be about Archie. But by the end of the first half of the first episode Veronica is the only character to have a full plot arc and even an epilogue! More importantly, she is immediately woven into the fabric of the town. Even though the Varchie romance is introduced we must remember how the episode is being framed.
If you compare the narration to the writing on Jughead's laptop, it doesn't match up. Cole Sprouse might have read everything on said laptop and it was shortened for time. But, I wouldn't read too much into the discrepancies. I mean, the previous two pages are exact copies of each other lol. And while there might not be numbered pages it's at least four and I'm baffled about what he could have written prior to the opening lines. Also, as a writer, there are the things we think we're going to write and the things we actually do write (For example, I wrote a 16 chapter 100k+ Zack and Cody fanfic, and I didn't know the show existed! The Suite Adult Life). Our thoughts vs our words carry weight to a story. An argument can be made that either position is the most important. Is it better to write out that which we keep so closely guarded so it may live on in infamy? Or are the most profound thoughts those we keep closest to our chests?
Though one little line stands out when I do read it...
"See, the Blossoms had their tendrils wrapped around the entire town - no one wanted to make enemies of them."
Who is the person not wrapped up in their tendrils? And who immediately made an enemy of Cheryl Blossom?
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Bisous, Bisous... Votre Auteur.
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bossbex · 17 days
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spicy jeronica bonus chapter? yes please!
Not Another Riverdale Love Story Chapter 6
This is the SPICY chapter of this story. Like every chapter, I'm SO excited to bring it to you. I almost didn't write it. And I almost posted it separately. But, there are some hidden clues in it that refer to the rest of the story. I hope you enjoy!!
Jughead’s fingers slid through the ends of Veronica’s soft locks to finger the collar of her blouse. The tension between them was slight but its pull strengthened by the second.
This time, there wasn’t any hesitation. FP didn’t walk through the front door. Instead their lips met softly at first. Electricity running through them as Jughead cupped her chin pulling her closer, their lips parting needing something deeper. 
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bossbex · 28 days
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He staggers into an ottoman and swears through his teeth, stumbling the rest of the way to the door. He scrubs a sobering hand over his face before opening it. 
His sluggish pulse jumps.
Veronica's standing on the other end of the doorway like a pointed camera.
Her face flickers briefly at his haggard state before smoothing. She tips her head up. “Can I come in?”
He blinks. “No.”
She pushes past him and his jaw flares.
“How do you know where I'm staying?”
“I'm good at my job,” she replies, casting a disparaging glance over his hotel room, and he stiffens a little as it slides over a scatter of boozy bottles. “Did you host a bacchanal in here or something?”
He decides that's a close enough descriptor for whatever the hell last night was.
“Something like that. You know me.” He watches her pinch a takeout carton between two prim fingers and lift it off a chair. “Can't keep a party animal down.”
She sets it aside and flicks her fingers clean before taking a seat amidst the wreckage, perched on the edge like a bird. She looks entirely out of place with her glossy hair and crisp yellow coat. A canary in a coal mine.
“I'm sorry to barge in on you like this.”
His eyes thin a little—he can tell from her voice that she absolutely isn’t.
“So, what’s the emergency?”
She tips her head up. “There’s an event tonight.”
He stares at her.
“A who’s who of publishing masquerading as a charity fundraiser.”
More silence.
“HarperCollins is hosting.”
“Neat.”
His teeth click. “Look, I know Clay from grad school—he’s not a good guy.”
“You mean Rohypnol Rockefeller over there?” she snorts, waving a drunken hand behind him. “I actually managed to put that together on my own, thanks.”
“Great, then maybe you can put together that hanging back at a bar with him blitzed out of your mind isn't a stellar call.”
She laughs. “You know, you sure are coming down hard on a guy you were pretty chummy with a few hours ago.”
“I said hi to the only other person I knew here—that doesn’t mean I’d leave him alone with my sister.”
She starts coughing a little, waving a hand in front of her face. “Sorry, the hypocrisy is just really thick in here.”
love writing them in their bitch era
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bossbex · 30 days
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“I don’t want to forget about you, or about us.”
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bossbex · 30 days
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Chapter three! A wild twenty-four hours.
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bossbex · 1 month
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...makes those good smells go away.
😭😭😭
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Lisa Frankenstein, 2024, dir. Zelda Williams
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bossbex · 1 month
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somehow I won as both a jabitha and jeronica shipper... 50s jeronica end up living their lives connected to each other while angel Tabitha and angel/narrator Jughead clearly end up in the afterlife together eating fries and watching all their friends live out their gorgeous sexy lives
Jeronica Endgame Analysis
I wrote this on Reddit and have been meaning to bring it over here. But commenting on @elizacinnamon's tumblr is what convinced me to do it. Buckle up because it's a long one!
Okay so, looking at all of the easter eggs in the episode, to me, it's heavily coded that Betty and Archie do end up together and that Jughead and Veronica end up together. The first thing that should be acknowledge is that everything in this episode is done with a purpose. They couldn't definitively say who Archie ended up with because Archie comics is predicated on the unanswered question of "Betty or Veronica?" so they had to make things "ambiguous" so people could come to their own conclusions.
When we hear of Veronica's life, Jughead says that she was known for her "impeccable taste" and "produced some of the most iconic movies of our time". So, right there, that's huge. That's a lot of heavy lifting. While he is complimentary and sensitive to everyone else's ending, the way he describes Veronica's life is just more. Take Fangs, he doesn't describe "Pixie Girl" as a "timeless" or "iconic" song. He just says that Midge and their daughter were taken care of and that his gold record will hang as long as there is a Riverdale High. He doesn't mention if Kevin or Clay won any awards for their work, but he says that Veronica won two Oscars. He goes out of his way to note the importance of Veronica's achievements.
The scene at The Babylonium is where I've found the most clues to their shared future. Jughead says "I always loved this theater". He doesn't say that about any of the other places they visit. Throughout the show, they regularly used characters to represent overarching themes. For example, Archie = Riverdale. I take Jughead's declaration to be a euphemism for Veronica. It's not that farfetched to believe that they fell in love while in high school. They were together for a year and a half before graduation. So, in the scene, he says "I always loved this theater. But it had a good run." At this time, in reality, both Veronica and Jughead have passed. Their run ended. He then lifts the seat and HIS CROWN is drawn under it! Why? This is a quick visual cue that he and Veronica are connected. If the Babylonium is a physical representation of Veronica (which is what the episode frames it as) then she essentially has a Jughead tattoo on her (a bit of a dramatic way of putting it lol). But, also this is not the first time something like that is in the show. In season 1 and 2, Betty wears a sweater with a yellow three pronged crown. It's universally recognized as Jughead's crown (she wears it on his birthday and in the Heather's musical episode). So, he makes his statement and BAM Veronica appears. Every time we see a character that isn't in the "relived day", it is a clip of them in the future. Veronica is the only character to essentially be an apparition. They didn't have to include her, but they did. And seeing as it's Narrator!Jughead (the real/angel Jughead is in the Pop's in the Sweet Hereafter, and the show literally ends with typewriter sounds) telling Betty all of this, Veronica's appearance can be taken as a clue that she is ever present in his mind/life.
When we see her in her office, she has four "The Comet" posters behind her. Hanging posters of the movies you made is very common. What isn't common is that one franchise has such a place of honor, so that means it's incredibly significant to her. Her clothing is in the style of the early 80s (the creators had an idea to bring everyone through time with each episode but it wasn't feasible so this is kind of a nod to that. Cheryl is seen in the late 60s, Betty in the 70s, and Veronica is the early 80s). We know that Jughead adapted The Comet into a comic book, and he was the one that introduced her to WEB DuBois' people. The artwork of the posters is the same as the comic he created. Making movies at that time was very time-consuming. Also, franchises like that were not common. The whole "Saga", "Trilogy", and "Universe" collections of today were not done to the same extent back then. So, not only was "The Comet" incredibly popular (because it got four movies) but it spanned over a large time frame (again, she still has the posters up decades after graduation via her clothing style), meaning that there was a consistent dialogue between Jughead and Veronica.
Outside of the Babylonium is a poster for "The Big Sleep" (It's also on the Marquis). This is a direct reference to the episode "The Red Dahlia" (3x14) where Veronica enlists Jughead's help. It is one of the main "Jeronica" episodes of the series. In that episode he says that he'll be her "Philip Marlowe". In The Big Sleep, Philip Marlowe is the main character played by Humphrey Bogart. In the same episode he says "Nice hat... Bacall." Lauren Bacall is the female lead of The Big Sleep. Bogart and Bacall were a huge draw for audiences. They were a power couple of their day (and they were also married... hint hint lol). They were the Bennifer and Brangelina first.
Now, moving onto Jughead. He doesn't talk much about himself. Everything that Betty says can literally be read on screen in his obituary. There are two main takeaways from this scene. The first is he barely talks about himself. When he does, he focuses on talking about his career and there's no mention of his personal life. This is a parallel to Veronica's description. He only describes her career and not her personal life. What is also a parallel is that in his summary of Veronica's life he says that she was known for "taking risks on young, raw talent" ie Jughead. Jughead tells Betty that he "put all of his eggs in one basket". That turn of phrase is to mean that you did the riskiest thing possible. When Betty asks if he ever regrets not getting circled he says 'sometimes'. It's a very ambiguous statement. BH shippers will say that he is talking about Betty. But his relationship with Betty ended in high school (both times) and were never rekindled later in life. It doesn't have to be that regrets not marrying Veronica, but it can be taken that way.
The second is on the artist easel in the Madhouse offices. There is a picture of Veronica. It is not a photograph it is the canonical comic book portrait of Veronica (Pep Comics IS Archie Comics). And it is smack dab in the middle of the easel. This is another parallel to Veronica's future. She has "The Comet" posters and he has her portrait. Remember, his first comic book line that he created was "Veronica: The Teenage Witch". So this is a clue that he has used Veronica's likeness IN his magazine for most, if not all of, the run. There's no picture of Betty or Archie. Why still have Veronica's portrait and use her likeness if they weren't still connected in real life?
Now we come to the final scene. So, throughout all of Riverdale (with a few exceptions) the milkshakes that the core four drink all correspond to their hair color. Betty = Vanilla, Archie = Strawberry, Jughead and Veronica = Chocolate (double chocolate to be specific - which can be extrapolated to represent them. It's a stretch but it can be made). In the final moments, we see that this formula has been flipped. When Betty sits in the booth, Archie is drinking a Vanilla milkshake and he hands Betty a strawberry one noting it's "her favorite". What are Jughead and Veronica drinking? Double chocolate milkshakes. If in the Barchie Endgame theory Strawberry being Betty's "favorite" is to mean "Archie" then we can apply that same logic to Jughead and Veronica. Then there is their seating arrangement. The girls on one side and the boys on the other. Betty is sitting directly in front of Archie and Veronica is sitting directly in front of Jughead. Again, because they had to keep the "Who will Archie choose?" answer ambiguous they use this blocking technique to show the pairings without the pair sitting right next to each other. (Couples either sit next to each other or across from one another.)
That is my analysis of the finale using clues to prove that Jughead and Veronica were "endgame". I hope you liked it! If you have any corroborating theories let me know!
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bossbex · 1 month
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Read this series for very cute canon compliant 50s (and beyond) jeronica 🥹
Bonus: Jughead and Cheryl have the sibling dynamic that I never knew I needed
This one is really emotional for me... This was the first story I wrote in this series not knowing it would spawn multiple stories. But, it was always going to be the "finale". It was my "fix-it fic". I was emotional at the ending. I didn't like that no one ended up together (or so it seemed!). And I was kind of alarmed at how there weren't any fix-it fics. (The last fandom I was apart of where the finale divided the fandom there were dozens of fix-it fics up the very next day.) But, I wrote this when I was going through a time of grief. My little baby boy Jayne passed away due to kidney failure. I took him to the vet because he wasn't eating and within two weeks he was over the rainbow bridge into the Sweet Hereafter. He was my binge watching buddy. Riverdale was the last show we binged together. But, as Cole Sprouse said, hobbyism is the best way to heal from tragedy. This story was the first story I wrote in a very long time and it spawned 10 other fics in this story and a novel (that is currently being queried). My heart is saying it's the 'end of an era' and my brain is saying 'calm down, it's been five months'. lol
But thank you. Thank you for reading. Thank you for commenting and sharing. You all did more than just like a collection of stories. You helped me heal.
Veronica found the ring in his bag. He knew the risk of even attempting to propose. Every time he brought up getting circled, she either changed the subject or shut it down completely. He had just gotten out of the shower, a towel around his waist, when he was confronted with her holding the black box up at him expectantly. “Jughead, what is this?” He could tell by her voice she already knew what it was. He maneuvered past her to start getting dressed. Water dripped off his jet black hair in rivulets. He wasn’t about to have this conversation naked. “We said no rings!” She exclaimed. No, she had said ‘no marriage’, he thought. 
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bossbex · 1 month
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FORBESCAROLINE'S 10K CELEBRATION TOP TEN RIVERDALE SHIPS (as voted by my followers) #9. Jughead Jones and Veronica Lodge Let’s give these cubes something juicy to goss about.
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bossbex · 1 month
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The final chapter is posted and this fic is marked complete. I really loved writing this. It all started because of my long time headcanon that Jughead and Veronica hooked up during the time jump in New York, and I wanted to play with what the tension would be like between them when they came back to Riverdale. Then it turned into a full on love story... oops!
Read the final chapter here on a03.
Start from the beginning here.
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bossbex · 1 month
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Lmao one of my fave scenes in the whole show
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bossbex · 1 month
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bossbex · 1 month
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season 5 jughead will always hold a huge place in my heart
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JUGHEAD JONES ↦ 05x06: Back to School
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bossbex · 1 month
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dair parallels (118/?)
Gossip Girl 5x08 // Gossip Girl 5x18
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bossbex · 1 month
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bossbex · 1 month
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Humbling isn't debilitating enough of a word. Humiliating is closer but lacks permanence. It's disfiguring to look at someone who left you for dead and in some completely fucked up stab of irony feel something sputter alive.
read here: x
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bossbex · 1 month
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friendly reminder that they literally assassinated caesar on the anniversary of jughead faking his own death
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