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bladesrunner · 53 minutes
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ANNE HATHAWAY Versace Icons (April 03, 2024)
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bladesrunner · 2 hours
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FILMS WATCHED IN 2024 Murder on the Orient Express (2017) Dir. Kenneth Branagh
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bladesrunner · 3 hours
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XENA: WARRIOR PRINCESS (1995–2001) Season 6, Episode 3, 'Heart of Darkness'
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bladesrunner · 4 hours
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Poor Things (2023) dir. Yorgos Lanthimos
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bladesrunner · 5 hours
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THE X FILES | Patient X (5.13)
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bladesrunner · 6 hours
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KAREN GILLAN photographed by Shaine McCauley for Instyle Mexico // April Issue 2024
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bladesrunner · 7 hours
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Doctor Who | 1.01 - "New Earth"
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bladesrunner · 8 hours
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THE PARENT TRAP (1998) dir. Nancy Meyers
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bladesrunner · 9 hours
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The truth is that I’m a bad person. But, that’s gonna change - I’m going to change. This is the last of that sort of thing. Now I’m cleaning up and I’m moving on, going straight and choosing life. I’m looking forward to it already. I’m gonna be just like you. The job, the family, the fucking big television. The washing machine, the car, the compact disc and electric tin opener, good health, low cholesterol, dental insurance, mortgage, starter home, leisure wear, luggage, three piece suit, DIY, game shows, junk food, children, walks in the park, nine to five, good at golf, washing the car, choice of sweaters, family Christmas, indexed pension, tax exemption, clearing gutters, getting by, looking ahead, the day you die.
TRAINSPOTTING 1996 — dir. Danny Boyle
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bladesrunner · 10 hours
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And when you signed these documents, were you aware that you were signing your own death certificate?
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bladesrunner · 11 hours
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Academy Award Winners for Best Cinematography: 2022 — Greig Fraser, ACS, ASC Dune (2021) Directed by Denis Villeneuve Aspect Ratio: 2.39 : 1
Desert colors dominate throughout the movie, but Fraser, [production designer Patrice] Vermette and costume designer Jacqueline West went to great lengths to imbue that palette with subtle and organic variations of color. “We worked very hard to make sure the world of Dune was not monochromatic,” Fraser says. “For example, Patrice worked veins of reds and blues into the sand walls. He — and Jacqueline, who built these subtle gradations of color into the costumes — both did wonderfully subtle work, and I had to make sure we were capturing those subtleties.“
“My approach was to pull as much color as possible out of non-colorful situations,” he continues. “It was all subtle differences, not necessarily bold color contrasts. Achieving bold color in film is super easy. Achieving depth [in the image while creating a natural-light look] when you’re working with a digital sensor and digital lights is harder than it might first appear.” — The American Society of Cinematographers, January 2022
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bladesrunner · 12 hours
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Bill Skarsgård in BOY KILLS WORLD (2024) dir. Moritz Mohr
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bladesrunner · 13 hours
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Community Basic Intergluteal Numismatics | 5.03
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bladesrunner · 14 hours
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Buffy the Vampire Slayer Faith, Hope & Trick | 3.03
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bladesrunner · 15 hours
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AKIRA / アキラ (1988) dir. Otomo Katsuhiro
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bladesrunner · 19 hours
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THIS IS KANTHONY
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bladesrunner · 20 hours
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The way the night knows itself with the moon, be that with me. Be the rose nearest to the thorn that I am.
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