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birdyaviary · 24 minutes
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I have a feeling that drink is gonna end up with Fearne.
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birdyaviary · 1 hour
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they wanna know if u got any grapes
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birdyaviary · 2 hours
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if it was about 15 years ago i’d already have seen 12 different AMVs of chimera falin set to three days grace animal i have become on my feed but that just doesn’t happen anymore. because of woke
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birdyaviary · 2 hours
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birdyaviary · 3 hours
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srry i pressed like on yr post 15 seconds after you posted it unfortunately im on here 24 hours a day. do you still like me
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birdyaviary · 3 hours
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what studying literature feels like
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birdyaviary · 4 hours
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also the way that villainess series are based on a trope that doesn't actually exist will seem trivial at first, but once you've read enough of these series, it becomes clear that the lack of any real basis. there's no real logic to it, so it's hard to really get into any of the game or isekai aspects which are such a big part of the genre
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birdyaviary · 5 hours
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by ユザ
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birdyaviary · 5 hours
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via
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birdyaviary · 6 hours
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I wanted to release a new print to commemorate one of my favorite times of the year- when the flowers start to bloom and the sleepiness of winter begins to shake. I created this piece with gouache and pastel inspired by one of my spring walks through the California poppies. 
This piece is a continuation of the theme of paths that unfold in my work over and over again. I created Blooming Ballads while thinking about the idea of knowing yourself at every turn. While the paths we travel might fork and meander, we are always met with ourselves and the sureness of what we believe in. When we exist in our own truths the world will unfold around us and the flowers will sing. 
Blooming Ballads is a 12" x 24" print, hand signed and numbered in a limited edition of 75. 
VIEW THE EDITION
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birdyaviary · 7 hours
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chilledchuck
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birdyaviary · 8 hours
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One of my favourite facial expressions in op is the “there’s NO WAY in hell I’m loosing to a teenager wearing flip flops” face
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birdyaviary · 8 hours
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birdyaviary · 9 hours
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TLT meta post suggestion: explain the biblical significance of Paul to someone who knows jackshit about Christianity?
Paul is what happens when a clever person with establishment clout has a searing moment of metaphysical transformation that allows them to become a real nuisance...
The very TL;DNR version of Paul in Christianity (Bible!Paul, if you will) is that he was once an observant Jew called Saul who was involved in persecuting the early church. But one day, while enthusiastically doing this, he is struck blind by a huge flash of light and hears the voice of Jesus. From that point on he is known as "Paul", becomes an enthusiastic follower of Jesus, and helps to spread the gospel. Specifically, he is referred to as the 'apostle to the gentiles', taking the teachings of Jesus beyond its early Jewish roots to the wider Mediterranean world.
On a basic level, Necro!Paul being 'Paul' is probably a reference to that blazing moment of transformation - Bible!Paul is both continuity and change: the same passion, but expressed very differently. Well-educated, willing to cause trouble, and energised by something beyond the human norm.
But it's their speech to Ianthe where the Biblical stuff really starts to come through. It's worth noting that letters written by Bible!Paul (or 'written by him') account for nearly half of the books of the Christian New Testament and are hugely foundational in Christian theology.
And Necro!Paul's speech to Ianthe is full of Biblical references:
"I know how hard it is for you to kick against the goad," said the new person. "But there are more worlds than this. Come with us. We are the love that is perfected by death - but even death will be no more; death can also die."
That first line, 'kick against the goad', is a direct reference to Paul's 'Road to Damascus' moment where he hears Jesus:
I saw in the way a light from heaven above the brightness of the sun, shining round about me, and them that were in company with me. And when we were all fallen down on the ground, I heard a voice speaking to me in the Hebrew tongue: Saul, Saul, why persecutest thou me? It is hard for thee to kick against the goad. And I said: Who art thou, Lord? And the Lord answered: I am Jesus whom thou persecutest. - Acts 26:13-15
To kick against the goad (or, in the slightly more colourful language of the KJV 'kick against the pricks') is to engage in an excercise in futility. It's a reference to an ox goad, a sharp instrument used to steer oxen in farming, which would hurt the animal if it tried to kick against it instead of following where it was being directed.
It's an acknowledgement that Ianthe is doing something that rubs profoundly up against the metaphysical grain, that her own proud self-direction will only hurt her in the end.
'More worlds than this' is a reference to Hamlet, which Dulcie of course also quotes in TUG. (Hamlet rather seems to haunt the question of the River Beyond, but that's not what we're discussing right now...)
'We are the love that is perfected by death' is, I suspect, meant to reference two different Bible verses. The first is:
Put me as a seal upon thy heart, as a seal upon thy arm, for love is strong as death, jealousy as hard as hell, the lamps thereof are fire and flames. - Song of Solomon 8:6
Despite centuries of the church trying to claim that it's about the spiritual relationship between God and man, the Song of Solomon is now generally accepted to be a sexy poem about sex. So that's an interesting thing for the fusion of Palamedes and Camilla to quote... But perhaps more salient here is what's contrasted to the strength of love and death, which is jealousy and hell. Ianthe is being offered a chance at redemption - which is of course Bible!Paul's whole thing - which she summarily rejects. I'm sure, given NTN ending with Harrow going off to, one assumes, er, harrow hell, that this won't be relevant at all...
The other verse that 'love that is perfected by death' may be referencing is:
In this is the charity of God perfected with us, that we may have confidence in the day of judgment: because as he is, we also are in this world. Fear is not in charity: but perfect charity casteth out fear, because fear hath pain. And he that feareth, is not perfected in charity. Let us therefore love God, because God first hath loved us. If any man say, I love God, and hateth his brother; he is a liar. For he that loveth not his brother, whom he seeth, how can he love God, whom he seeth not? And this commandment we have from God, that he, who loveth God, love also his brother. - 1 John 4:17-21
The quotation in the Douay-Rhiems translation (apparently the preferred translation of lesbian necromancers in space, if Gideon the Ninth is anything to go by) is a little opaque, but 'charity' is an old timey way of translating 'love'. Essentially, this passage says that those who love God and are loved by God do not need to fear the day of judgement, and clarifies a bit about what it means to love God.
There are two things that are important.
The first is that this is from 1 John. There are five Biblical texts associated with St John: the Gospel of John, the Book of Revelation, and three Epistles (letters). Revelation is John's vision of the end of the world - and if you're wondering whether it's relevant that The Locked Tomb features a guy called John who ends the world, yes, it is - but the Epistles were written right at the end of his life. And 1 John has two themes that might be relevant to The Locked Tomb: the first is the question of what it means to love god (spoiler: the answer is not 'dinner and a movie'), and the second is whether your actions matter.
The second thing that might be relevant here is that just before this in 1 John 4, there is a warning about not heeding false prophets. Specifically, it warns about the antichrist. You know, the thing Necro!John says he was repeatedly accused of being? The point is that love - love properly understood - can protect you from the wiles of the antichrist. Probably not a relevant theme as we head off into the 'you have not yet begun to witness the horrors of love' book where people are presumably facing down a pretender god...
The final part of Paul's speech to Ianthe - 'death will be no more' - is also Johannine: this time from Revelation:
And God shall wipe away all tears from their eyes: and death shall be no more, nor mourning, nor crying, nor sorrow shall be any more, for the former things are passed away. - Revelation 21:4
This comes from a section where the Biblical John watches as the old world is destroyed and the new Jerusalem descends from Heaven. Death and sorrow are ended, and the righteous will rule with God. The sinful have a less fun time of it, involving fire and brimstone and 'the second death'. If that sounds familiar, it's because Necro!John cribbed that particular bit when making up his shoddy Space Catholicism (TM). (The implications of this really deserves a much longer treatment, so watch this space...)
One of the nice things about Tamsyn Muir's Biblical parallels is they're not generally exact. But it's perhaps relevant to note that amongst Bible!Paul's rather dramatic adventures are quite a few instances of casting demons out of people, starting at least one riot, shipwreck, and an "Incident at Antioch". Also...it's probably not relevant that the writings of St Paul were the turning point in the conversion of St Augustine...specifically a section about how the end of the world is nigh so you'd better get your act together...
All in all, Paul is...a very niche joke about Plato, hopefully not a joke about Dune, and mostly very, very apocalyptic. A new beginning at the end of the world! An offer of redemption to those swimming against the current! A warning to false gods! A sign that the end is nigh! All of which suggests Alecto the Ninth is going to be a wild ride (as if we didn't know that already).
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birdyaviary · 10 hours
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birdyaviary · 10 hours
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birdyaviary · 11 hours
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Nielan at dawn, fanfic illustration 🌅        
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