Ah, love, let us be true
To one another! for the world, which seems
To lie before us like a land of dreams,
So various, so beautiful, so new,
Hath really neither joy, nor love, nor light,
Nor certitude, nor peace, nor help for pain;
And we are here as on a darkling plain
Swept with confused alarms of struggle and flight,
Where ignorant armies clash by night.
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shamelessly knee-deep in your fantasy / to stay up late collecting battle scars / it's hard on the body, hard on the heart / and I can't fight the rage, the pleasure and the pain / you feel the need to please in every way / it’s a game and it's an art / that’s hard on the body, hard on the heart
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Natalie Wee, Least of all
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you put your hands on me and I learn the words I didn't know before
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Densely Heaving Lines Meet at Mountainous Junctures in Lee Hyun Joung’s Paintings
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Introduction to The Iliad, Emily Wilson
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Heather McHugh, What Hell Is
March 1985
Your father waits
inside his spacious kitchen;
he himself is corpulent,
and powerless. Nobody seems to know exactly
how your illness spreads; it came
from love, or some
such place. Your father’s bought,
with forty years of fast talk, door to door,
this fancy house you’ve come home now to die in.
Let me tell you what hell is, he turns to me:
I got this double fridge, all full of food,
and I can’t let
my son go in.
*
Your parents' friends
stop visiting. You are a damper
on their spirits. Every day you feel
more cold (no human being here can bear
the thought—it's growing huge as you
grow thin). Ain't it a bitch, you joke, this
getting old? I'm not sure I should laugh;
no human being helps, except
(suddenly, simply)
Jesus. Him
you hold.
*
We're not allowed to touch you
if you weep or bleed.
Applying salve to sores that cannot heal
your brother wears a rubber glove.
With equal meaning, cold or kiss
could kill you. Now what do I mean
by love?
*
The man who used
to love his looks
is sunk in bone
and looking out.
Framed by immunities
of telephone and lamp
his mouth is shut,
his eyes are dark.
While we discuss despair
he is it, somewhere
in the house. Increasingly
he's spoken of, not
with. In kitchen
conferences, we come
to terms that we can
bear. But where
is he? In hell,
which is the living room.
In hell, which has
an easy chair.
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La Jument lighthouse, France
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Zuhair Murad Spring/Summer 2024
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