Tumgik
Text
Tumblr media Tumblr media Tumblr media
He's so dramatic I love him
684 notes · View notes
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
SHERLOCK HOLMES (1984 - 1994) ↳ 4x02 | The Devil’s Foot
192 notes · View notes
Text
Hello everybody.
Please share resources and don’t keep silent about Palestine. Dedicate your day for them today. Do not ignore them, do not let their voices go unheard.
Here are some resources you can share around:
daily click
esims for Gaza
call for a ceasefire
donate feminine hygiene kits
learn about Palestine
Education, sources, donations
Shut it down for Palestine
Please do not ignore this post, share as much information and resources as you can for Palestine.
22K notes · View notes
221b-johnlocked-1895 · 2 months
Photo
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Fear is wisdom in the face of danger.
2K notes · View notes
221b-johnlocked-1895 · 3 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media
"It may be that you are not yourself luminous, but that you are a conductor of light. Some people without possessing genius have a remarkable power of stimulating it."
Happy Johnlock Day!!!
I know Valentine's isn't here yet, but I wanted to make a drawing for it anyway. So, Happy (very early) Valentine's Day!
I finished my Granada Holmes/Johnlock Valentine's Day drawing!! I hope you enjoy!! 💛💛
Holmes got his beloved poisonous flowers and Watson received some sweets. I love them.
The cafe is a cafe I use in my comics. It's called "Witches Cap - Cafe and Roast". Like I said in my last post, I always enjoy putting characters in it. [:
(Sorry for the wonky lines.)
(Edit: everyone is saying such sweet things, thank you lot so much!! 💛😭)
681 notes · View notes
221b-johnlocked-1895 · 3 months
Text
Tumblr media
I felt like doodling and then this came out of it 🤷🏻‍♀️
247 notes · View notes
221b-johnlocked-1895 · 3 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
201 notes · View notes
221b-johnlocked-1895 · 3 months
Text
Sometimes I remember that Sherlock restarted his heart for John after FLATLINING and I die a bit inside
309 notes · View notes
221b-johnlocked-1895 · 4 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
440 notes · View notes
221b-johnlocked-1895 · 5 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Why Jeremy Brett is the best Sherlock Holmes?
Brett's iteration is Sherlock in his purest form, a peculiar and disarming genius obsessed with unraveling even the thorniest mystery. But there's also a lightness and a charm to Brett's performance, and he perfectly captured the detective's mercurial nature, making his Sherlock feel as if he leapt off of the page.
229 notes · View notes
221b-johnlocked-1895 · 5 months
Text
Tumblr media
he hold he hand
368 notes · View notes
221b-johnlocked-1895 · 5 months
Photo
Tumblr media Tumblr media Tumblr media
Sherlock | The Sign of Three 3.02
2K notes · View notes
221b-johnlocked-1895 · 5 months
Photo
Tumblr media Tumblr media
Pain. Heartbreak. Loss. Death.
44K notes · View notes
221b-johnlocked-1895 · 5 months
Photo
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
I was hooked. He’s like a drug. 
14K notes · View notes
221b-johnlocked-1895 · 5 months
Text
Tumblr media Tumblr media
786 notes · View notes
221b-johnlocked-1895 · 6 months
Text
Tumblr media
"We strolled about together." The Adventure of the Resident Patient. Published in The Strand Magazine. Sidney Paget, 1893
Source
220 notes · View notes
221b-johnlocked-1895 · 6 months
Text
The Secret of Sherlock Holmes
GRANADA FANS. If you have not heard of this play, NOW IS THE TIME TO HEAR ABOUT IT. I'd been saving it for a rainy night and it was SOO good 😭😭Please allow me to elaborate.
[heads-up, there are no video recordings of it. I listened to the audio and followed along with the script. Not ideal, but still gave me a vivid image of what was happening on-stage.]
Tumblr media
The nuance between screen and stage allows the actors to achieve different effects that are not possible with an on-screen adaptation. Characters do not turn to the camera and just tell you their innermost thoughts, but they can in a stageplay- and it's here that we really get to hear Brett and Hardwicke's ideas about Holmes and Watson- not much of it was unfamiliar as I'd read most of Brett's views in interviews, but it was really cool to get that confirmed in an official production that he worked on. Honestly, Brett had that feeling of "I can fix him" that I think exists in all of us Holmes fans, and totally went for it. The canon (and the Granada series) is rife with subtleties and 'show, don't tell', but it is honestly refreshing for once, to have such powerful emotion depicted dramatically and audaciously on a stage. It is all too often throughout the stories that Holmes and Watson are awfully reticent about their feelings. This play is an explosion of their private thoughts that leads to finally, thankfully, a wonderful reconciliation. I love it so much as it clearly advocates for open communication being a vital factor for a good friendship. There's a good reason for why that never happened in the canon; I think it has a lot to do with the shyness and reticence of the English, and I would not be surprised most particularly with Victorian men. But Holmes and Watson do still have their moments in the canon (e.g. 3GAR & FINA), and it's what makes them stand out so shockingly much in their time.
I appreciate that this play gives us viginettes of Holmes and Watson's life together all the way up to The Final Problem. It not only sets us up for the climax later, but also shows us specifically Brett's Holmes and Hardwicke's Watson. There were changes made from the original stories, and yet felt so wonderfully in-character and flowed really well through the actors. The play exclusively stars Brett and Hardwicke, and the purpose of redoing scenes from the canon, such as STUD, NAVA, or CHAS was to highlight the status in their relationship, for example Holmes's displeasure at Watson's marriage and subsequent loneliness- important scenes that communicate Holmes's dependence on Watson. These small glimpses also give us the much-needed humour for any balanced Holmes production! It not only communicates the warm and light moments that they shared, but also helps us get more invested in this particular pair on the stage, which is still vital, even if we're already attached to the characters.
Tumblr media
The implications that arise from Brett's portrayal of Holmes is fascinating. He admits that he'd have been dead within two years without Watson, without the indispensible role he played in controlling his addiction and mental state. He admits of the lonely and awful childhood he shared with his brother. The fact that Holmes comes forward and tells us this himself suggests he is very psychologically aware of himself and how his mind works. He understands why he has addictions, the reasons for his barriers and difficulty with emotional vulnerability. Assuming Holmes is very interested in the criminal psyche, but also his own due to his eccentricities, it makes so much sense that he would psychoanalyse himself to this degree, but also be frustrated with how little he is able to move from his rigid mindset. This interpretation works so wonderfully for Brett's Holmes, and I am so glad for this portrayal he has given us. When it comes to canon Holmes, however, I feel that this is more likely to be unconscious. I can never shake how much of Brett is actually within his Holmes. While his comes close to the original, I still see them as separate people. Granada's adaptation tends to play up Holmes's melancholy/depression a little too far for me, like a far-away, mythical creature that can never be understood, because we never get much of an opportunity to see what he really feels (perhaps Eligible Bachelor or Master Blackmailer might come close). But I feel that almost defeats the character. To me, Holmes is flawed and troubled, but he is simply human. The Secret of Sherlock Holmes portrays this fact wonderfully, because all of those feelings are rising to the surface.
We move further into speculation, but I think Brett's Holmes has also a fairly healthy understanding of the difference between social constructs and necessities, which take more importance in a queer/neurodivergent reading of him. He understands that his upbringing was due to an "accepted convention", and we see time and again how Holmes disregards social conventions or constructs and does his own thing. It's why he gets frustrated at others for not understanding him, but also accepts that it will never come easily to people. That's why he's very lucky for Watson (and Mrs. Hudson and Lestrade!) :)
Tumblr media
Holmes's darker emotions, and Watson's fierce devotion are displayed most prominently throughout. When Watson comments on Holmes's childhood, Holmes lies about it, woeing internally over how much he conceals, to even someone as close to him as Watson. He privately shares his desire to be "found out", because sharing his feelings to Watson is too difficult. His friend takes his word for it, appreciative of the times Holmes is able to speak frankly about himself. Holmes wants to be open, and Watson wants to listen, but it's Holmes's barriers preventing it. This feeling and experience is so raw and human, and something I would imagine would resonate with many people.
The latter half of the play focuses primarily on Holmes's cocaine addiction. Pastiche writers really like that sore spot, huh. Watson's perceptiveness and powers of observation are on full force in this play. Watson can tell when Holmes is high (as a medical man, most likely), and even deduced that Holmes may still be living by Mycroft's body language. But when it came to Holmes's return from the Great Hiatus...
Something that canon Watson seems to completely forget is his anger towards Holmes. In the story, he is so star-struck and relieved that he barely considers any other feeling. Hardwicke does briefly touch on this in the Granada episode with "I thought I would be as trustworthy as your brother," but it really doesn't go further than that. In The Secret of Sherlock Holmes, Hardwicke goes FULL FORCE. This is what we needed!!! It was a powerful, hair-raising performance. When Holmes has clearly not understood the harm he has done, Watson leaves. Actually slams the door. And when he returns, he makes it very clear to Holmes why he is hurt. And yet, his devotion remains, for when Holmes starts explaining his creation of Moriarty, it takes a while before Watson is fully convinced. Watson is extremely compassionate and empathetic, yes, but he's also very grounded and level-headed, and he must draw the line somewhere. It doesn't take him long to forgive Holmes, but he knows his anger has a place in that room, and allows it to be. I appreciate that it's taken just as seriously as Holmes's troubles.
Tumblr media
The only reason either Holmes or Watson are able to communicate so finely with each other- even through shouting and crying- is because of their emotional awareness. It's what makes their relationship work, because they are both aware of how much they mean to each other. When they move past the difficulty of sharing such feelings, their bond grows stronger.
625 notes · View notes