windypuddle

[windypuddle]

[windypuddle]

☎️💥🩸

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electric boogaloo

no home 😱

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🔪 so grab a plate, have a taste, 这口味让我陶醉! i'm still preying on a butcher's vein—

[ID: a piece of dungeon meshi fanart. on the left are five panels showing a closeup of a character's eye with the hourglass-shaped pupil of the demon: from top to bottom they are the winged lion, mithrun, thistle, marcille & laios. the background, extending to the right, is abstract veins, intestines, feathers & checkerboards. text above, lyrics from butcher vanity - flavor foley, reads:

"The slaughter's mine Oh, blood and viscera divine Preserved and primed Each muscle divvied up to dine And in the high, 我存在 Tasting 血淋淋的爱 I'll devour all of you in time" End ID.]

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Android Girl by DECO*27 is, in a weird way, kinda the definitive Miku song for me. That might be controversial given like... World is Mine and Melt and Miku Miku Ni Shite Ageru and Miku Anamanaguchi exist, but I feel like Miku has absolutely grown into something beyond what those songs alone convey.

For starters, just on an aesthetic level, Android Girl is about an android girl. Obviously there's symbolism to that and whatnot but it immediately touches on the fact that Miku is a software; herself, an "android girl" in a way.

But obviously the song isn't really about an android girl as much as Tokyo Teddy Bear isn't about a literal plush toy. Android Girl seems to be depicting some type of troubled relationship dynamic, and this is kinda one of the things I personally associate with Miku as a comparative newcomer to the fandom: dark meaning hidden beneath a cute anime aesthetic. What Android Girl does is manage to balance the appeal of "dark undertones" and "cute anime aesthetics" all tied with a very Vocaloid-adjacent software-flavored bow of sorts. The MV displays this balance expertly, in my opinion:

It's cute and expressive while still having a muted color palette (notably punctuated by jarring pinks and reds which only further evoke that feeling of passionate emotion in a bleak situation) and soulless, suffocating backgrounds; you could simultaneously believe this was just a cute song about a robot girl, which is evocative of older depictions of Miku, AND that there's something a bit darker beneath this. The key here is also that it doesn't swing too far in either direction: "this song is about a troubled relationship" isn't as dark as something you'd find in an average Kikuo song but it's also a few steps beyond Miku singing about vegetable juice or being the princess of Earth.

Sonically, it's a fairly typical DECO*27 song, but one has to remember that DECO*27 is an absolute titan of a vocaloid producer whose sound may as well be synonymous with Miku herself.

Now I definitely wouldn't say it's my favorite Miku song by any means, hell I don't think it even makes my top 50 and it's not even my favorite DECO*27 song, but it's definitely a song I find extremely synonymous with the appeal of Hatsune Miku in the current day, and it fills all of the Miku-shaped holes in my heart all at once. Android Girl may not be the greatest or most influential Vocaloid song, but I definitely find it to be a fascinating product of so many different aspects of Vocaloid simultaneously that I think it's always gonna be one of the first songs I personally think of when I think about Vocaloid.

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The computer is a machine built for looking at pictures of fish you wouldn't otherwise see. Anything else you can do with a computer was an accident and unintended

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Hi

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the stuff going on at columbia campus rn is genuinely incredible

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for the sake of love

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Gay & Lesbian Pride Parade, Seattle, Washington, 1991.

James May

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shopping

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gonna kms: part 3

omg no homw

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hi, ummm. this is awkward. haha. yeah um do you think you could push your boulder up somewhere else? like a different hill? because this one’s kind of already taken. yeah it’s the one i’ve decided to die on, so.

[windypuddle]

Dolly Parton has come to do a show in my town. We couldn't afford tickets, so me and my mom sold my stepdad so we could go.

It turned out that we sold him to Dolly Parton, she made him sing with her and then she gave him back.