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ending midnights with “is that your key in the door? Is it okay? Is it you? Or have they come to take me away?” and then immediately starting ttpd with “I was supposed to be sent away but they forgot to come and get me” we never stood a chance
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Florence Welch and Taylor Swift via Jack Antonoff's Instagram 🌿
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I need I Can Do It With A Broken Heart injected into my fucking VEINS I need to mainline every time the chorus comes around I need this to be blasted from every rooftop in every major city in the world
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From “I’m still on that tightrope, I’m still trying everything to keep you laughing at me” in mirrorball to “my spine split from carrying us up the hill… I stopped trying to make him laugh” in So Long, London I can’t take this
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this is how the opening chords of Fresh Out The Slammer make me feel
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from “I was never good at telling jokes but the punchline goes I’ll get older but your lovers stay my age” to “when someone plays the starting line and you jump up but she’s too young to know this song” oh my fucking god oh my god
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“ONE DAY YOUR KID COMES HOME SINGING A SONG THAT ONLY US TWO IS GONNA KNOW IS ABOUT YOU”
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How Did It End? basically being Taylor saying all right! You guys want to make my breakups a public spectacle let’s fucking go you tell me what happened bc you all clearly know more about my life than me, let’s have you be entertained
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CHLOE OR SAM OR SOPHIA OR MARCUS WOAH WOAH WOAH WAIT WHAT IS HAPPENING
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I’m so overwhelmed like you’re telling me we have an entire other ALBUM to listen to now?? And I haven’t gotten to digest the first one this is madness I’m loving every bit
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It’s a 2am surprise: The Tortured Poets Department is a secret DOUBLE album. ✌️ I’d written so much tortured poetry in the past 2 years and wanted to share it all with you, so here’s the second installment of TTPD: The Anthology. 15 extra songs. And now the story isn’t mine anymore… it’s all yours. 🤍 https://taylor.lnk.to/ttpd-theanthology
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WHAT DO YOU MEAN 15 NEW SONGS
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From “I’m still on that tightrope, I’m still trying everything to keep you laughing at me” in mirrorball to “my spine split from carrying us up the hill… I stopped trying to make him laugh” in So Long, London I can’t take this
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the parallels between The Lucky One and Clara Bow are flooring me right now and the juxtaposition between what ages Taylor wrote both of those songs and how they completely mirror each other from two totally opposite sides of stardom that only someone who has reached Taylor’s level of fame could know… I need to fucking lay down
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ending I Can Do It With A Broken Heart with “I’m miserable and nobody even knows!” jumping straight into The Smallest Man Who Ever Lived saying fuck you for ghosting me how does it feel to be a teeny tiny little insecure man and lose me don’t even breathe in my direction
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Thinking about Taylor singing “A con-man sells a fool a get-love-quick-scheme” in loml when back in 2017 for the reputation magazine poems she wrote “When she finally rose, she rose slowly, Avoiding old haunts and sidestepping shiny pennies, Wary of phone calls and promises, Charmers, dandies and get-love-quick-schemes” I need to lay down
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