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weepingveils · 11 months
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Valerie Hammond
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weepingveils · 11 months
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Anya Gallaccio: Preserve Beauty (1999)
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weepingveils · 11 months
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An embroidered masterpiece by Tzip Dagan, it’s done in several stages, some related to a very sad event in Tzip’s life, others - to strength, survival and optimism.
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weepingveils · 11 months
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Ana Hortides - Fundação (concrete), 2020-21
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weepingveils · 11 months
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Incredible collection of early 19th century, Georgian style
“Lovers Eye” brooches, pendants, rings and hat pins.
Freeman’s
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weepingveils · 11 months
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Spring bunnies and dandelions print
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weepingveils · 11 months
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A Pennsylvania Dutch folk-art love token featuring the German paper-cutting technique known as Scherenschnitte.
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weepingveils · 11 months
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YONIL
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weepingveils · 11 months
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“Bruised Fruit / To The Core”
chronic pain has been kicking my ass lately so uh here’s something that came from that
prints available here !
(click image for optimal quality)
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weepingveils · 1 year
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City of Lights
colour pencil & linocut print on paper
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weepingveils · 1 year
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Under Different Suns by Laura Benson.
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weepingveils · 1 year
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‘the forest hours shaking through’, embroidery on calico fabric, 2023 (instagram)
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weepingveils · 1 year
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endure
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weepingveils · 1 year
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“For I’m To Be Queen of the May, Mother” or “The Maypole”, from Andrea Zanatelli’s embroidery series
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weepingveils · 1 year
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different kind of werewolf
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weepingveils · 1 year
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“6 wings” “2 heads” “6 legs” linocuts from the exhibition “7 maa ja mere taga”
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weepingveils · 1 year
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The new top, now on my person.
The difficulty with this project was how delicate the fabric is. Cutting, it was slippery and slide around, embroidering, you had to be so careful not to pull and make a hole. It's not apparent here but it's also very sheer so every bit of thread had to be hidden behind the thread on top, which sucks when it's all thin linework. Made the seam binding from some leftover scraps. 1/4 inch for the neckline, 1/2 inch for the back closure.
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