PLEASE for the love of the universe read anti-colonial science fiction and fantasy written from marginalized perspectives. Y’all (you know who you are) are killing me. To see people praise books about empire written exclusively by white women and then turn around and say you don’t know who Octavia Butler is or that you haven’t read any NK Jemisin or that Babel was too heavy-handed just kills me! I’m not saying you HAVE to enjoy specific books but there is such an obvious pattern here
Some of y’all love marginalized stories but you don’t give a fuck about marginalized creators and characters, and it shows. Like damn
A Native American man confronts “anti-illegal immigration" protesters in Arizona.
“You’re all illegal!”
“We didn’t invite none of you here!”
“We’re the only Native Americans here!”
[Pointing to the American flag] “That represents blood. That represents blood spilled by Native Americans protecting this land from the invaders!”
hey if you’re in the U.S. and use food stamps or know somebody who does i found this online cookbook that has recipes for eating well on approximately $4/day :o)
Calling all fandom journalists—both current and aspiring! As promised, we've put together a doc for pitching Fansplaining (which will temporarily become a written-only publication after Flourish's last episode next month). If you've got an idea that fits in with our general tone and approach, please send int our way!
We highlight these pieces in the doc, but in case folks are unaware that we're *currently* a written publication as well as a podcast, here's a sample of some of the stuff we've published over the years!
Kayti Burt on the specific challenges of being a “fan-journalist”
@earlgreytea68 on how U.S. copyright law doesn’t understand—or account for—fan creativity
Maria Temming on whump, featuring extensive interviews with whumpers
@areyougonnabe on the ever-mutating life of Tumblr and its communities
Keidra Chaney on stan culture’s intersections with corporate interests
@elizabethminkel on the uneasy relationship between fans and Hollywood at SDCC
Caroline Crampton on WIPs, from modern fics-in-progress to Victorian serializations
@elizabethminkel on the past, present, and future of the “Mary Sue”
@flourish on the deeply annoying reason mainstream publications spell it “fan fiction”
Also please note: we're v transparent about money here. We *deeply* appreciate our Patreon support, but we can't afford to pay a ton or publish super frequently with the current amount we take in. So if any generous folks are interested in sponsoring smart, substantive writing on fandom in the future, please get in touch. fansplaining at gmail dot com. :-))
There are people around the globe doing important work to achieve the goal of protecting our planet. This Earth Week, check out the work that the Aquarium’s Conservation and Science team is doing to tackle large issues like plastic pollution on both the national and global scale. Check out our earth week page to learn more. Remember, we’re all in this together. 💙
Hinaleimoana Wong-Kalu (Author) Dean Hamer (Author) Joe Wilson (Author) Daniel Sousa (Illustrator)
In the 15th century, four Mahu sail from Tahiti to Hawaii and share their gifts of science and healing with the people of Waikiki. The islanders return this gift with a monument of four boulders in their honor, which the Mahu imbue with healing powers before disappearing. As time passes, foreigners inhabit the island and the once-sacred stones are forgotten until the 1960s. Though the true story of these stones was not fully recovered, the power of the Mahu still calls out to those who pass by them at Waikiki Beach today. With illuminating words and stunning illustrations by Hinaleimoana Wong-Kalu, Dean Hamer, Joe Wilson, and Daniel Sousa, KAPAEMAHU is a monument to an Indigenous Hawaiian legend and a classic in the making.
PLEASE for the love of the universe read anti-colonial science fiction and fantasy written from marginalized perspectives. Y’all (you know who you are) are killing me. To see people praise books about empire written exclusively by white women and then turn around and say you don’t know who Octavia Butler is or that you haven’t read any NK Jemisin or that Babel was too heavy-handed just kills me! I’m not saying you HAVE to enjoy specific books but there is such an obvious pattern here
Some of y’all love marginalized stories but you don’t give a fuck about marginalized creators and characters, and it shows. Like damn
From the distant past to the present, with fingers and felt-tipped pens, metallic powders and gel pots, humans have been drawn to lining their eyes. The aesthetic trademark of figures ranging from Nefertiti to Amy Winehouse, eyeliner is one of our most enduring cosmetic tools; ancient royals and Gen Z beauty influencers alike would attest to its uniquely transformative power. It is undeniably fun--yet it is also far from frivolous. Seen through Zahra Hankir's (kohl-lined) eyes, this ubiquitous but seldom-examined product becomes a portal to history, proof both of the stunning variety among cultures across time and space and of our shared humanity. Through intimate reporting and conversations--with nomads in Chad, geishas in Japan, dancers in India, drag queens in New York, and more--Eyeliner embraces the rich history and significance of its namesake, especially among communities of color. What emerges is an unexpectedly moving portrait of a tool that, in various corners of the globe, can signal religious devotion, attract potential partners, ward off evil forces, shield eyes from the sun, transform faces into fantasies, and communicate volumes without saying a word. Delightful, surprising, and utterly absorbing, Eyeliner is a fascinating tour through streets, stages, and bedrooms around the world, and a thought-provoking reclamation of a key piece of our collective history.
i think its so funny that alumni from schools like harvard and columbia that were there during the protests in the 60s-80s are expressing support for students currently protesting against the genocide in palestine, and random zionists that were NOT at these protests in the 60s-80s have the never ending audacity to tell these alumni "well thats different, what you protested was good and what they're protesting is bad." as if protesters against the vietnam war and apartheid south africa were not also demonized, arrested, brutalized, and even killed for their activism. history only remembers them fondly after the damage has already been done.
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We looked inside some of the posts by
uzumaki-rebellion
and here's what we found interesting.