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ursacolossus · 1 minute
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Idiot jerkface: Have you gotten the surgery?
Me, a trans woman who has received a phalloplasty to gain a second fully functional penis and now refers to myself exclusively as Ms. Double-Barrelled Johnson: Yes
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ursacolossus · 6 hours
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ursacolossus · 6 hours
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First you procrastinate on the task because it is not a big enough deal to get done urgently. Then you procrastinate on the task because it has become such a big deal that doing it is overwhelming. You would think that this implies a middle point where it is just big enough of a deal to get done easily, however the inherent perversity of the universe's causal geometry prevents this
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ursacolossus · 6 hours
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I would still use my turn signals in the Mad Max Wasteland. They'd call me "Signal" because I'd hit my blinker before ramming the enemy hot rods into the side of a desert ravine. I'd use my turn signal every time. They would respect me for this.
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ursacolossus · 6 hours
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First meeting.
(You guys should really watch Dead Boy Detectives on Netflix. It's really good (and really queer))
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ursacolossus · 6 hours
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god i love how domestic modern au falin and marcille art is its so cute
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ursacolossus · 6 hours
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the fundamental tension between wanting to dissociate modes of dress from gender and people wanting to use modes of dress to signify their gender so they don't have to play the Pronoun Game
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ursacolossus · 6 hours
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ursacolossus · 15 hours
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Queue Interview with the Dead Boy Detectives Cast 👻🔎
This is going to be a long post! (These are my favourite parts from the interview!)
George Rexstrew as Edwin Payne
Acting Inspiration
Oh, gosh. Well there are so many. Meryl Streep, obviously. Viola Davis, obviously. More recently, I was blown away by Enzo Vogrincic in Society of the Snow. And Eden Dambrine in Close.
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Cast Camaraderie
I loved working with all my co-stars. I’m practically related to Jayden [Revri] and Kassius [Nelson] at this point. Yuyu [Kitamura] is a dream. Jenn [Lyon] is mother hen. Bri[ana Cuoco] is the cool older sister. Josh[ua Colley] is the cheeky cousin. Ruth [Connell] is the godmother who gives you a card and £20 for your birthday. It really is one big happy dysfunctional family. I’m grateful for all of them, on and off camera.
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Jayden Revri as Charles Rowland
Dressing The Part
These heads of departments, and Monique and Kelli, [they’re] unbelievable. They were so collaborative. We went through different hairstyles and different things we could do with the makeup. We added a bit of eyeliner for [Charles] just to make it feel more 80s. And then Kelli, I mean, it was like she did her research on me. She added badges to the jacket which kind of represented me as Jayden, before I even got there. It wasn’t until I got the haircut, put the makeup on, put the costume on, and I was like, Okay, this is Charles.
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Cast Camaraderie.
The vibe was just incredible. Me and George, we really wanted to set the tone for the series and make sure that everyone’s having fun and it’s an environment where we could all talk about how we’re feeling. We were just such a big support blanket for each other. If there was ever a time that somebody needed space, or they wanted to prep themselves for a certain scene they were going to film, we all respected that and we were each other’s cheerleaders the whole entire time. And it’s still the same to this day now. I think it really shows when you watch the series that we all knew what we were making and we wanted to make something that we would want to watch, which we’ve all done. I cannot shout out my castmates enough. Forever grateful.
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Kassius Nelson as Crystal Palace
Acting Inspiration
I watched a lot of animation. I used to watch the Addams Family, the black-and-white one, because I didn’t have Disney Channel or anything. Monk, Murder She Wrote, I was watching those things, so maybe I was actually destined to play a detective, now that I’m thinking about it. I watched a lot of cartoons and animations. I just liked the idea that I could be engrossed in another world. And I always wanted to know what happened next, or when the film finished, I would be like, “Okay, but then what? What happens after that?” And now I get to be part of that question or that answer (...).
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Dressing the Part
We have a fantastic costume designer, Kelli Dunsmore. I always say that she literally wove the story into the fabric of the clothes, because there are things that she foreshadowed in the clothing that happened episodes later. Or, if characters start to get in some sort of relationship with each other, that will be reflected in the clothes that they wear or the colors that they have. Or, if they’re feeling any type of emotion, (...)l. Crystal wears these massive platform boots that must be about four or five inches. They’re huge, very heavy, but it’s funny because they change the way that you walk. (...) She’s not very light, which makes sense with the things that she’s going through and the experiences that she’s having. Practically, it helped, because Jayden and George are like six-foot-something. So, if I film a scene and I’m at the bottom of the lens and they’re up there, that helped. I’ve got a good couple inches on my feet.
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Yuyu Kitamura as Niko Sasaki
Acting Inspiration
Sandra Oh is a woman that I will forever be indebted to because who she was on Grey’s Anatomy was so formative for me. The most interesting thing about her character was not that she was Asian, but that she was such a fully fleshed person with flaws and amazing qualities. And her work ever since I think has been iconic, so she’s a woman that I deeply look up to.
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Landing the role in Dead Boy Detectives
I auditioned from Hong Kong and my dad was my reader because all of my acting friends were in New York. My dad was able to carve out time and be an amazing reader. And in that audition side, it’s the scene where Niko gets to see the “Dead Boys” for the first time, and there’s a line in there that was something along the lines of me talking to Edwin and asking, “Do you two make out with each other?” And my dad stopped the tape and he was like, “What are you reading for?” And I was like, “Don’t give me notes, it’s fine!” And so that was the audition process! I think within a month I found out I got the part and it’s been an absolute dream ever since.
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Dressing the Part
(...) I think on paper Niko can seem like a certain type of character, but even in the choice of every costume we did, every color that she wears, every meticulous little piece about everything from her nails to her room, it’s so well curated and thought out. Through her journey, we also find that she’s a woman that wears what she feels. On the surface, she might seem like the most joyful, young, optimistic girl, but it’s the inner confidence and bravery where we find that she’s layered, and she is very much a young woman coming of age.
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SOURCE: MEET THE REAL DEAD BOY DETECTIVES (AND FRIENDS)
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ursacolossus · 16 hours
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emerges from hiatus to obsess over Dead Boy Detectives thank you that is all
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ursacolossus · 16 hours
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Niko, that was amazing!
DEAD BOY DETECTIVES | 1X07
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ursacolossus · 16 hours
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This end scene of the boys. 🥺
I love the way they each take a moment to reflect on what happened and process that thirty-odd years of fear has come to an end.
Both of them are clearly in a state of shock and then as they turn to each other, when they first see each other after they have come to the same conclusion, that they are safe, they smile brightly. Both of them! Right as their eyes land on each other, one after the other, they begin to smile again!
And than immediately after that realization has settled in, and when they look at each other and recognize that look in each other’s eyes, that knowledge that they are finally safe reflecting in each others gazes - they crash into each other.
The way Charles’s first thought is “You’re not going back to Hell, are you?”
It’s not just a hug, they’re cradling each other, as they pull apart just a bit, keeping each other supported as they begin to separate, they way they both twist away, like they’re prolonging contact, their fingers trail down each other’s arm, brush against each other before they fully detach.
Like the fact that the actors fell in love at first sight as well doesn’t surprise me at all. They are so in tune to one other.
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Their mirror each other even as they separate. Charles’s hand goes to his heart, Edwin’s is raised up as if he were about to do the same. They’re not walking straight away from each other, they’re circling each other, the room.
Their chemistry is undeniable, the actors use it to make the decades long relationship feel so very real.
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The way Edwin is unable to find the words to the point that he’s just making sounds and Charles immediately is overflowing with joyful worlds. They way that when one can’t do something, the other is right there to help them.
The way the seek out each other’s gaze again and the way Charles immediately goes to sit at the desk after Edwin falls into the chair.
(Also absolutely love the way Charles’s beef with the Night Nurse immediately dissipates once she’s no longer a threat to them. He’s so joyful at the idea of expanding the agency. It’s so sweet. It really highlights how kind he is.)
And then, at the end, despite them being so close already, Charles gets up and leans on Edwin, makes a quip about his smile and grins down at Edwin, so at ease and so happy, in this moment, just the two of them, safe and jovial and content.
This scene speaks so much about them as individuals and their individual growth from the first episode as well as their relationship and it’s growth throughout the season.
It’s genuinely such a sweet, beautiful scene.
I love them, I love this moment, and I love how this moment was their final together of the season.
Standing ovation for George Rexstrew and Jayden Revri as well as a round of applause for episode director Pete Chatmon and writer Ross Maxwell.
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ursacolossus · 16 hours
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The way Charles hand's stay on Edwin until the last second, and how their hands touch as his hands slide off himmm
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ursacolossus · 16 hours
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First crack at sketching everyone’s favourite dead 80s teen
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ursacolossus · 16 hours
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Victorian? Edwardian.
I keep reading posts about Edwin being a repressed gay Victorian teenager. Let's take a look at history. Actually to be precise, he is rather an Edwardian teenager. Edwin was 16-ish in 1916 when he died, so he must have been born around 1900 or 1901. The Edwardian era was from 1901 to 1910 but it is often extended to 1914. it was named after King Edward VII. (see for instance: https://en.wikipedia.org/wiki/Edwardian_era ) You can easily remember this when you think about how similar the two names Edwin and Edward are.
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ursacolossus · 16 hours
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she <3
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ursacolossus · 16 hours
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cat king 😺
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