a breakup poem
already i must scramble
to remember the sound of your voice,
its faint echo a warbled, static-busted
radio, & me pulling at the antenna,
which bends against one star
and the next. my fingers slow-turning
the grooves of the dial,
hoping to find your right
frequency. if i leaned backside
out of a window, your laugh would become
a bird floating belly up,
and the sky a ground
neither of us can grasp.
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checking
dad clambers into my passenger seat
right as i’m about to leave. he wants
to survey my tail light
as i click the turn signal,
says something
about getting my tires fixed
before the big move,
those worn black flats
breathing nearly out of their husks.
i think about how love is checking,
checking in again
even when nothing is wrong.
how loving someone is always
anticipating doom.
on my parents’ anniversary card
i write congrats on 26 years
and i think of what a large child
that could be, still unsure,
with tears always threatening
their brims. then i walk to the garden
to call you, and when your small
black-white voice finally blinks back,
i let out a breath large enough
for the trees to stand a little taller, i swear,
i swear it, for the yellow blooms to sigh open.
i’m just checking in, i type back.
watching me pull away, dad waits in the street,
silhouetted by my tail light,
which burns a sure, unfaltering red.
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anna🥺 ur actually the best
“new normal”
what is it young women love about dancing
in clubs, alleyways, dark spaces
outside of themselves? i’ve designed my room
to be a corner i can shelve myself away in,
like a book. my spine eternally closed.
when this whole thing started, i cherished a reason
to hide my face. the first time i slept with someone,
i held the covers over myself until my partner
peeled me back, and my heart offered up
all its answers. what happens when a heart comes up
empty? a year into this now, i’m eager to strip myself
clean. teeth flashing white, bearing all their
roses. what i love about dancing in a room full of people
is being swallowed by light, by the lives of others,
until there’s no space for me left,
only empty buckets. what they don’t tell you about the heart
is it’s not a book;
it can’t be shelved.
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on indecency
of that kiss i remember concrete
i remember you swore i’ll remember
both of us
tumbling
a smoke screened love
will prick your eyes
these bruises aren’t meant to speak
and i never meant to bite,
just needed a way to
name you
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isn’t it amazing, you begin,
naming the roof over our heads, the brimmed
bowls of rice in our laps. september, above us,
turns its last leaf. my blue house and its paint-peeled
porch envelops our legs, our half-bodies. i haven’t seen you
in months, so the gold-green of your eyes startles me
as if for the first time. you’ve quit your job, finally, and i don’t say
how i’ve missed you terribly, terribly, instead just
wash your bowl in the sink twice, with
each of my hands.
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what things might jump
i only notice two minutes into my bike ride
that i’m not wearing headphones. halfway down rose,
the breaths fall out of my body all at once, and the bike’s gears hum
their soft whir. i consider pulling up to a curb
to dig the earbuds out of my backpack, but decide better.
for so long i’ve been afraid of the sound of my own voice,
what things might jump out of it. at the crosswalk
jutting into kalmia, the cars blink their pink glow,
and a group of friends wait across the street,
vibrating with laughter. none of us could know
what the year might bring, but we stand still
like we’re supposed to, and watch the numbers
blink down. when the walking man appears,
i press my foot down hard
onto the pedal, and listen for the
full circle of its turn.
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“new normal”
what is it young women love about dancing
in clubs, alleyways, dark spaces
outside of themselves? i’ve designed my room
to be a corner i can shelve myself away in,
like a book. my spine eternally closed.
when this whole thing started, i cherished a reason
to hide my face. the first time i slept with someone,
i held the covers over myself until my partner
peeled me back, and my heart offered up
all its answers. what happens when a heart comes up
empty? a year into this now, i’m eager to strip myself
clean. teeth flashing white, bearing all their
roses. what i love about dancing in a room full of people
is being swallowed by light, by the lives of others,
until there’s no space for me left,
only empty buckets. what they don’t tell you about the heart
is it’s not a book;
it can’t be shelved.
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after a man OD’d in the church yard,
i drive home watching dust motes eat up
my view of the road. the stereo croons
a song my friend texted me earlier. i think about
which deaths we remember and which we decide are
worth forgetting. in the book facedown on my bed,
susan sontag wrote, ever since cameras were invented in 1839,
photography has kept company with death. surely,
i picture it now—a man sprawled in morning grass,
buried only by air. a body eating god
with its questions. there are those of us
who have laid down our lives, the speakers sing. jesus
took my blood and washed my sins. my eyes well up
with images they didn’t see. sontag later wrote
the witnessing of war is never a solitary venture.
the sun haloes each mote, dazzling the road
white. i mist the windshield till it’s glittering.
soon and very soon, the song promises
as i click the wiper on, as it drags dirt lines
across the glass, we shall meet again
on the other side.
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moving out
first i worry
about how the desk and mattress
will fit in spaces not empty enough for them—
i’ve picked the smallest room in this house
for its fireplace which is so brown
it’s like the earth, and the house so green
it’s like everything that grows in it. then
i worry who i could fit in that mattress
with me, my life with its big empty spaces.
sometimes i worry my skin has gotten too dark
and how it might look against the white ghost
of a mattress, how my darkness could force a space
empty. my skin the smallest room in the house.
my skin so brown it’s the whole earth, and everything
growing in it.
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the aftermath
i’ve been drawn to churches
lately. this morning i drove to one
where a man OD’d in the yard
only hours before. i passed by the coroner’s truck
on my way to get coffee down the street. i wish
nothing scared me-- not the skull-cracked
sidewalks, not the two men who watched
after me, not their lead eyes. our office
is in a low income area, the lawyer clarifies
an hour later, during our meeting. the skin
beneath my thighs sticks with sweat. we’ve had people
pass out before, but not die. i hope you didn’t
see that. maybe the aftermath is just as bad.
how i press three keys between my knuckles.
how i lock my car door in seconds. how
as i’m leaving, a man in the downstairs hallway sings
lord, have mercy.
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waning gibbous
if there are rocks in my bedsheets,
they’re yours. look at the moon,
you say, your face a small bright
screen. so i leave my book open-
mouthed on the bed, let my bare feet carry
me down the stairs, out onto the driveway,
only to see the sky scraped clean.
the stars sparse, mocking me
with their dim blink.
i climb back into the covers
with tiny gravel-shaped skulls
lining my soles,
wondering how many more times
you’ll make me search for something
that isn’t there.
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john says the very worst thing i can do is think about my condition, so i will let it alone and talk about the house
each night i leave the blinds wide-eyed
so the sun can fling itself through them in the morning,
bleach the walls yellow. yellow
is the quietest violence i endure
and something about this makes it my favorite color.
in fact, there is nothing to be unhappy about
when the sunlight stripes over
your handwritten poems on the wall
yes, even the ones about death,
how the neck bends beneath a black boot,
even the ones about breathing.
some women marry houses
it is true-- my back pressed against the corner,
into the carpet. i tie gold threads against the ceiling fan,
leave them there til death
do us part. they strain around my room
out of and in through the blinds,
like another kind of skin. and faithfully,
faithfully, i wash myself down.
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2/17/21
i’ve never liked the snow
the way it bites,
daggers off trees.
but the other night
i made the first footsteps in it
with you, as you
walked me home.
my shoes half the size of yours
leaving long shadows.
the night you talked me down,
pulled the edges of my winter cap
over my ears, left your hands there.
your pupils swallowing the moon.
you could fill anything to the brim,
if you tried.
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my once-best-friend’s father
is dead. we just saw him last january,
just a year ago. he liked tamil movies
and fixed hearts for a living,
stitched them up to keep them
beating. we used to laugh
at him, me and my old friend,
when he made funny faces.
i haven’t spoken to her in years,
but i remember her laugh so well,
because it’s the kind that spills out
like it can’t help itself, the kind that
always needed to be cleaned up after.
every day i wonder
about dying. what it will be like,
when it’s my turn, if i should go ahead
and get it over with.
i take walks, find flowers i am okay with.
yes, i think, i could be this one.
i could come back as that one, yes,
the rose that reappears without fail
on our front lawn, yes, the dandelion,
a life so stubborn, so bent upon survival,
yes, this child’s wish, yes,
a field of clovers.
this is the kind of stitching
it takes, i suppose,
to live forever.
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12/14/20
today’s delight is that the previous owner of this poetry book underlined the same line which held me arrest just now, and i am imagining our breaths catching together in the narrow white margins, this home of shifting bones. my friend asked me this morning if we were twin flames-- not as a question, but more for confirmation. for 9 months now a virus, a tiny circling thing, has demanded we stay as far apart as possible, cover our smiles with cloth. this is enough time for a baby to be thought of and realized and planned out and wrested out screaming. of course we are, i told them, there’s no other explanation. and as little as i know about astrology, or the things that stars can spell out about who we are, or who we’re meant to be with, i really do believe it. i believe it the same way i believe in holding doors open a moment too long, until the person entering does a little jog to lessen the waiting, the time given up for them. the same way babies grip your finger with their entire hand, like you’re the only thing worth tethering to.
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hopefully, holding
we’re touring a house right outside of an elementary school.
its porch sits right by the crosswalk,
where each morning the little crisp faced children
will wear bright colored coats,
tread across in neat lines,
their hands, hopefully, holding another’s.
this is how i imagine things.
a friend and i watched a mother
grab her son by the elbow,
get low and mean to his face,
her own: twisting, animal-like.
we won’t be like that, we said.
some days there are knives at the ends of my thoughts.
i tell my therapist this
and she wants me to dull them,
or at least see their pointed ends
ahead of time. someone hurt you
when you were small.
i want you to look at her now.
she’s got all that hair
that springs up in the wrong places.
look how she’s folded over
in her chair like her wings are bent,
her eyes trained on nothing,
and look at her hands,
how they’re already curled
into fists.
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in another world i could be walking home from the drugstore
late at night and the roads would be slick with rain. something orange
and rattling in my pocket. a telephone line could be dangling,
receiver half empty. in another world i could answer it and fall in.
hold hands with someone across the still river. in another world
i could be a dancer. there could be a god worth talking to. in my bedroom,
a few blocks away, somebody beautiful could be turning. in another world
i might have stayed. there would be 80,000 cuisines left to try. the
street vendor would know my name. in another world you’d know me too--
i’d be worth knowing. maybe i wouldn’t have done it. the buildingtops wouldn’t
have glared at me. in another world i’d climb up them and peer below. something could pull my hand, but in this one it won’t.
god in those moving streets. in another world
it’s right there, and i could step into it. god in the nothing. god in the wide eyes. god in the phone receiver, saying, hello, hello, hello.
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